Canto of Abandoned Hope: Derrida and Dante (3)

This is back-engineering. I have passed through the gate

and been through the bowels of the earth, passed out

into lambency. Today I took the children to Gwambygine,

to the bird lookout over one of the few permanent pools

left to the river. We stood quiet and then in the splay

of a dead tree a pair of Splendid Fairy Wrens

appeared, the bright male a gift out of death,

all tropes shed and risen over the riparian foliage.

Though its colour was muted and mutable,

the twitching of its tail diced bathos, calling

the female to the tine of the fork opposite. Intense.

Though vulnerable and breaking down,

swamp sheoak, paperbark and even needle trees,

meliorated the floodfringe, bone-white with salt. The kids

were quiet but ecstatic, and said that though a sad window,

a precipice into a shadow place, the lookout becomes

a warning sign that passers-by just don’t get: it’s better

going there than avoiding the damaged remnants.

The light wasn’t strong though it was hot, an overcast

valley that compelled you to breathe slightly short, the end result

a semi-neutrality that was deceptive. We read on a metal sign:

possums might feed at night, hiding at day in a paperbark hollows

along the river, but foxes have probably caught them out,

on nights where dark translates the lambent less and less.