The god replied: “On the cool mountainside
of Arcady, among the woodland nymphs
whose home was in the forest of Nonacris,
one was most famous—she whom they called Syrinx.
And more than once that nymph had been pursued
but had eluded all the guile and wiles
of Satyrs and the many gods who dwell
in shaded woods or on the fertile fields.
For like Diana, goddess of Ortygia,
Latin [672–94]
she was a devotee of chastity;
and she dressed like Diana, so that one
might well have thought she was Latona’s daughter—
except for this: Diana bore a bow
of gold, while Syrinx’ was of cornel wood.
Despite that difference, she was often taken
to be Diana. And one day, as she
was coming back from Mount Lycaeus, Pan
caught sight of Syrinx. He—whose head was wreathed
with sharp pine needles—said . . .”
And much was left
to tell: how Syrinx, scorning all his pleas,
fled through the barren waste until she reached
the placid, sandy stream of Ladon: here
the river blocked her flight, and so she begged
her sister water nymphs to change her shape.
And Pan, who thought that he had caught the nymph,
did not clutch her fair body but marsh reeds;
and he began to sigh; and then the air,
vibrating in the reeds, produced a sound
most delicate, like a lament. And Pan,
enchanted by the sweetness of a sound
that none had ever heard before, cried out:
“And this is how I shall converse with you!”
He took unequal lengths of reeds, and these
Pan joined with wax: this instrument still keeps
the name Pan gave it then, the nymph’s name—Syrinx.