R. H. Barker, Thomas Middleton, New York, 1958
M. C. Bradbrook, The Growth and Structure of Elizabethan Comedy, 1955
A. G. van den Broek, ‘Take the Number Seven in Cheapside’, SEL, 28 (1988), 319–30
H. R. Burke, ‘The Kaleidoscopic Vision: Multiple Perspectives in Middleton’s A Chaste Maid in Cheapside’, Iowa State Journal of Research, 57 (1982), 123–9
A. Covatta, Thomas Middleton’s City Comedies, Lewisburg, 1973
S. Chakravorty, Society and Politics in the Plays of Thomas Middleton, Oxford, 1996
R. Chatterji, ‘Theme, Imagery and Unity in A Chaste Maid in Cheapside’, Renaissance Drama, 8 (1965), 105–26
U. M. Ellis-Fermor, The Jacobean Drama, rev. edn, 1961
D. M. Farr, Thomas Middleton and the Drama of Realism, Edinburgh, 1973
K. Friedenreich, ed., ‘Accompaninge the Players’: Essays Celebrating Thomas Middleton, 1580–1980, New York, 1983
D. George, ‘Thomas Middleton’s Sources: A Survey’, N&Q, 18 (1971), 17–24
B. Gibbons, Jacobean City Comedy, 2nd edn, 1980
M. Heinemann, Puritanism and Theatre: Thomas Middleton and Opposition Drama Under the Early Stuarts, Cambridge, 1980
D. M. Holmes, The Art of Thomas Middleton, Oxford, 1970
L. C. Knights, Drama and Society in the Age of Jonson, 1937
D. J. Lake, The Canon of Thomas Middleton’s Plays: Internal Evidence for the Major Problems of Authorship, 1975
R. Levin, The Multiple Plot in English Renaissance Drama, Chicago, 1971
A. F. Marotti, ‘Fertility and Comic Form in A Chaste Maid in Cheapside’, Comparative Drama, 3 (1969), 65–74
T. Middleton, A Game at Chesse, ed. R. C. Bald, Cambridge, 1929 Hengist, King of Kent, ed. R. C. Bald, New York, 1938
R. B. Parker, ‘Middleton’s Experiments with Comedy and Judgement’, in Jacobean Theatre, ed. J. R. Brown and B. Harris, 1960
G. K. Paster, ‘Leaky Vessels: The Incontinent Women of City Comedy’, Renaissance Drama, 18 (1987), 43–65
M. Roberts, ‘Productions of Middleton’s Plays’, RORD, 28 (1985), 45–7
G. E. Rowe, Jr., Thomas Middleton and the New Comedy Tradition, Lincoln, 1979
E. Schafer, ‘Census of Renaissance Drama Productions’, RORD, 37 (1998), 72–3
S. Schoenbaum, Middleton’s Tragedies, New York, 1955
‘A Chaste Maid in Cheapside and Middleton’s City Comedy’, in Studies in the English Renaissance Drama, ed. J. W. Bennett et al, New York, 1959
‘Hengist King of Kent and Sexual Preoccupation in Jacobean Drama’, PQ, 29 (1950), 182–98
G. B. Shand, ‘The Naming of Sir Walter Whorehound’, N&Q, 29 (1982), 136–7
G. U. de Sousa, ‘Thomas Middleton: Criticism since T. S. Eliot’, RORD, 28 (1985), 73–83
S. J. Steen, Thomas Middleton: A Reference Guide, Boston, 1984 ‘The Response to Middleton: His Own Time to Eliot’, RORD, 28 (1985), 63–71.
S. Wigler, ‘Thomas Middleton’s A Chaste Maid in Cheapside: The Delicious and the Disgusting’, American Imago, 33 (1976), 195–215.
R. I. Williams, ‘Machiavelli’s Mandragola, Touchwood Senior, and the Comedy of Middleton’s A Chaste Maid in Cheapside’, SEL, 10 (1970), 385–96.
Note. The place of publication of books mentioned throughout this edition is London unless stated otherwise.