The medical profession, remember, wasn’t always the highly organized racket that it is today. In your grandfather’s time practically anybody could take in hand (whatever that means) to be a physician or surgeon and embark on experiments which frequently involved terminating other people’s lives. Be that as it may, certain it is that Chapman in his day was as fine a surgeon as ever wore a hat Chapman took in hand to be an ear, nose and throat man and in many an obscure bedroom he performed prodigies which, if reported in the secular press, would have led to a question in the House. Keats, of course, always went along to pick up the odd guinea that was going for the anaesthetist. Chapman’s schoolday lessons in carpentry often saved him from making foolish mistakes.
On one occasion the two savants were summoned to perform a delicate antrum operation. This involved opening up the nasal passages and doing a lot of work in behind the forehead. The deed was done and the two men departed, leaving behind a bleeding ghost suffering severely from what is nowadays called ‘post-operative debility’. But through some chance the patient lived through the night, and the following day seemed to have some slim chance of surviving. Weeks passed and there was no mention of his death in the papers. Months passed. Then Chapman got an unpleasant surprise. A letter from the patient containing several pages of abuse, obviously written with a hand that quivered with pain. It appeared that the patient, after ‘recovering’ somewhat from the operation, developed a painful swelling at the top of his nose. This condition progressed from pain to agony and eventually the patient took to consuming drugs made by his brother, who was a blacksmith. These preparations apparently did more harm than good and the patient had now written to Chapman demanding that he should return and restore the patient’s health and retrieve the damage that had been done; otherwise that the brother would call to know the reason why.
‘I think I know what is wrong with this person,’ Chapman said. ‘I missed one of the needles I was using. Perhaps we had better go and see him.’ Keats nodded.
When they arrived the patient could barely speak, but he summoned his remaining strength to utter a terrible flood of bad language at the selfless men who had come a long journey to relieve pain. A glance by the practised eye of Chapman revealed that one of the tiny instruments had, indeed, been sewn up (inadvertently) in the wound, subsequently causing grandiose suppurations. Chapman got to work again, and soon retrieved his property. When the patient was resewn and given two grains, the blacksmith brother arrived and kindly offered to drive the two men home in his trap. The offer was gratefully accepted. At a particularly filthy part of the road, the blacksmith deliberately upset the trap, flinging all the occupants into a morass of muck This, of course, by way of revenge, accidentally on purpose.
That evening Chapman wore an expression of sadness and depression. He neglected even to do his twenty lines of Homer, a nightly chore from which he had never shrunk in five years.
‘To think of the fuss that fellow made over a mere needle, to think of his ingratitude,’ he brooded. ‘Abusive letters, streams of foul language, and finally arranging to have us fired into a pond full of filth! And all for a tiny needle! Did you ever hear of such vindictiveness!’
‘He had it up his nose for you for a long time,’ Keats said.