Material Ode

O tulle, O taffeta, O grosgrain –

I call upon you now, girls,

of fabrics and the woman I sing. My husband

had said he was probably going to leave me – not

for sure, but likely, maybe – and no, it did not

have to do with her. O satin, O

sateen, O velvet, O fucking velveeta –

the day of the doctors’ dress-up dance,

the annual folderol, the lace,

the net, he said it would be hard for her

to see me there, dancing with him,

would I mind not going. And since I’d been

for thirty years enarming him,

I enarmed him further – Arma Virumque,

sackcloth, ashen embroidery! As he

put on his tux, I saw his slight

smirk into the mirror, as he did his bow tie,

but after more than three decades, you have some

affection for each other’s little faults,

and it suited me to cherish the belief

no meanness could happen between us. Fifty-

fifty we had made the marriage,

fifty-fifty its demise. And when he came

home and shed his skin, Reader,

I slept with him, thinking it meant

he was back, his body was speaking for him,

and as it spoke, its familiar sang

from the floor, the old-boy tie. O silk,

O slub, O cocoon stolen. It is something

our species does, isn’t it,

we take what we can. Or else there’d be grubs

who kept people, in rooms, to produce

placentas for the larvae’s use, there would be

a cow who would draw from our wombs our unborn

offspring, to make of them shoes for a calf.

O bunny-pyjamas of children! Love

where loved. O babies’ flannel sleeper

with a slice of cherry pie on it.

Love only where loved! O newborn suit

with a smiling worm over the heart, it is

forbidden to love where we are not loved.