‘The flower that smiles today’

The flower that smiles today

   Tomorrow dies;

All that we wish to stay

   Tempts and then flies;

5What is this world’s delight?

Lightning, that mocks the night,

   Brief even as bright.—

Virtue, how frail it is!—

   Friendship, how rare!—

10Love, how it sells poor bliss

   For proud despair!

But these though soon they fall,

Survive their joy, and all

   Which ours we call.—

15Whilst skies are blue and bright,

   Whilst flowers are gay,

Whilst eyes that change ere night

   Make glad the day;

Whilst yet the calm hours creep

20Dream thou—and from thy sleep

   Then wake to weep.

The Indian Girl’s Song

I arise from dreams of thee

In the first sleep of night—

The winds are breathing low

And the stars are burning bright.

5I arise from dreams of thee—

And a spirit in my feet

Has borne me—Who knows how?

To thy chamber window, sweet!—

The wandering airs they faint

10On the dark silent stream—

The champak odours fail

Like sweet thoughts in a dream;

The nightingale’s complaint—

It dies upon her heart—

15As I must die on thine

O beloved as thou art!

O lift me from the grass!

I die, I faint, I fail!

Let thy love in kisses rain

20On my lips and eyelids pale.

My cheek is cold and white, alas!

My heart beats loud and fast.

Oh press it close to thine again

Where it will break at last.

‘Rough wind that moanest loud’

Rough wind that moanest loud,

   Grief too sad for song;

Wild wind when sullen cloud

   Knells all the night long;

5Sad storm whose tears are vain,

Bare woods whose branches stain,

Deep caves and dreary main,

   Wail for the world’s wrong.

Ah me, my heart is bare

10   Like a winter bough;

The same blast of frozen air

   Bared it then that breaks it now;

Green leaves and crimson flowers

Clothed in the azure hours;

15Death

To the Moon

   Art thou pale for weariness

Of climbing Heaven, and gazing on the earth,

   Wandering companionless

Among the stars that have a different birth,

5And ever changing, like a joyless eye

That finds no object worth its constancy?

Remembrance

Swifter far than summer’s flight,

Swifter far than happy night,

Swifter far than youth’s delight

   Art thou come and gone—

5As the earth when leaves are dead—

As the Night when sleep is sped—

As the heart when joy is fled

   I am left alone,—alone—

The swallow Summer comes again—

10The owlet Night resumes her reign—

But the wild-swan Youth is fain

   To fly with thee, false as thou—

My heart today desires tomorrow—

Sleep itself is turned to sorrow—

15Vainly would my Winter borrow

   Sunny leaves from any bough.

Lilies for a bridal bed,

Roses for a matron’s head,

Violets for a maiden dead,—

20   Sadder flowers find for me.

On the living grave I bear

Scatter them without a tear;—

Let no friend, however dear,

   Waste a hope, a fear, for me.

Lines to —– [Sonnet to Byron]

If I esteemed you less, Envy would kill

   Pleasure, and leave to Wonder and Despair

The ministration of the thoughts that fill

   My mind, which, like a worm whose life may share

5A portion of the Unapproachable,

   Marks your creations rise as fast and fair

As perfect worlds at the creator’s will,

   And bows itself before the godhead there.

But such is my regard, that, nor your fame

10   Cast on the present by the coming hour,

Nor your well-won prosperity and power

   Move one regret for his unhonoured name

Who dares these words.—The worm beneath the sod

   May lift itself in worship to the God.

To —– (‘The serpent is shut out from Paradise’)

1

The serpent is shut out from Paradise—

The wounded deer must seek the herb no more

In which its heart’s cure lies—

The widowed dove must cease to haunt a bower

5Like that from which its mate with feigned sighs

Fled in the April hour—

I too, must seldom seek again

Near happy friends a mitigated pain.

2

Of hatred I am proud,—with scorn content;

10Indifference, which once hurt me, is now grown

Itself indifferent.

But not to speak of love, Pity alone

Can break a spirit already more than bent.

The miserable one

15Turns the mind’s poison into food:

Its medicine is tears, its evil, good.

3

Therefore, if now I see you seldomer,

Dear friends, dear friend, know that I only fly

Your looks, because they stir

20Griefs that should sleep, and hopes that cannot die.

The very comfort which they minister

I scarce can bear; yet I

(So deeply is the arrow gone)

Should quickly perish if it were withdrawn.

4

25When I return to my cold home, you ask

Why I am not as I have lately been?

You spoil me for the task

Of acting a forced part in life’s dull scene.

Of wearing on my brow the idle mask

30Of author, great or mean,

In the world’s carnival. I sought

Peace thus, and but in you I found it not.

5

Full half an hour today I tried my lot

With various flowers, and every one still said

35‘She loves me, loves me, not.’

And if this meant a Vision long since fled

If it meant Fortune, Fame, or Peace of thought,

If it meant—(but I dread

To speak what you may know too well)

40Still there was truth in the sad oracle.

6

The crane o’er seas and forests seeks her home.

No bird so wild, but has its quiet nest

When it no more would roam.

The sleepless billows on the Ocean’s breast

45Break like a bursting heart, and die in foam

And thus, at length, find rest.

Doubtless there is a place of peace

Where my weak heart and all its throbs will cease.

7

I asked her yesterday if she believed

50That I had resolution. One who had

Would ne’er have thus relieved

His heart with words, but what his judgment bade

Would do, and leave the scorner unrelieved.—

These verses were too sad

55To send to you, but that I know,

Happy yourself, you feel another’s woe.

To Jane. The Invitation

Best and brightest, come away—

Fairer far than this fair day

Which like thee to those in sorrow

Comes to bid a sweet good-morrow

5To the rough year just awake

In its cradle on the brake.—

The brightest hour of unborn spring

Through the winter wandering

Found it seems this halcyon morn

10To hoar February born;

Bending from Heaven in azure mirth

It kissed the forehead of the earth

And smiled upon the silent sea,

And bade the frozen streams be free

15And waked to music all their fountains

And breathed upon the frozen mountains,

And like a prophetess of May

Strewed flowers upon the barren way,

Making the wintry world appear

20Like one on whom thou smilest, dear.

Away, away from men and towns

To the wild wood and the downs,

To the silent wilderness

Where the soul need not repress

25Its music lest it should not find

An echo in another’s mind,

While the touch of Nature’s art

Harmonizes heart to heart.—

I leave this notice on my door

30For each accustomed visitor—

‘I am gone into the fields

To take what this sweet hour yields.

Reflexion, you may come tomorrow,

Sit by the fireside with Sorrow—

35You, with the unpaid bill, Despair,

You, tiresome verse-reciter Care,

I will pay you in the grave,

Death will listen to your stave

Expectation too, be off!

40To-day is for itself enough—

Hope, in pity mock not woe

With smiles, nor follow where I go;

Long having lived on thy sweet food,

At length I find one moment’s good

45After long pain—with all your love

This you never told me of.’

Radiant Sister of the day,

Awake, arise and come away

To the wild woods and the plains

50And the pools where winter-rains

Image all their roof of leaves,

Where the pine its garland weaves

Of sapless green and ivy dun

Round stems that never kiss the Sun—

55Where the lawns and pastures be

And the sand hills of the sea—

Where the melting hoar-frost wets

The daisy-star that never sets,

And wind-flowers, and violets

60Which yet join not scent to hue

Crown the pale year weak and new

When the night is left behind

In the deep east dun and blind

And the blue noon is over us,

65And the multitudinous

Billows murmur at our feet

Where the earth and ocean meet,

And all things seem only one

In the universal Sun.—

To Jane—The Recollection

Now the last day of many days,

All beautiful and bright as thou,

The loveliest and the last, is dead.

Rise Memory, and write its praise!

5Up to thy wonted work! come, trace

The epitaph of glory fled;

For now the Earth has changed its face,

A frown is on the Heaven’s brow.

1

We wandered to the pine forest

10   That skirts the Ocean foam;

The lightest wind was in its nest,

   The Tempest in its home;

The whispering waves were half asleep,

   The clouds were gone to play,

15And on the bosom of the deep

   The smile of Heaven lay;

It seemed as if the hour were one

   Sent from beyond the skies,

Which scattered from above the sun

20   A light of Paradise.

2

We paused amid the pines that stood

   The giants of the waste,

Tortured by storms to shapes as rude

   As serpents interlaced,

25And soothed by every azure breath

   That under Heaven is blown

To harmonies and hues beneath,

   As tender as its own;

Now all the tree-tops lay asleep

30   Like green waves on the sea,

As still as in the silent deep

   The Ocean woods may be.

3

How calm it was! the silence there

   By such a chain was bound

35That even the busy woodpecker

   Made stiller with her sound

The inviolable quietness;

   The breath of peace we drew

With its soft motion made not less

40   The calm that round us grew.—

There seemed from the remotest seat

   Of the white mountain-waste,

To the soft flower beneath our feet

   A magic circle traced,

45A spirit interfused around

   A thrilling silent life.

To momentary peace it bound

   Our mortal nature’s strife;—

And still I felt the centre of

50   The magic circle there

Was one fair form that filled with love

   The lifeless atmosphere.

4

We paused beside the pools that lie

   Under the forest bough—

55Each seemed as ’twere, a little sky

   Gulfed in a world below;

A firmament of purple light

   Which in the dark earth lay

More boundless than the depth of night

60   And purer than the day,

In which the lovely forests grew

   As in the upper air

More perfect, both in shape and hue,

   Than any spreading there;

65There lay the glade, the neighbouring lawn,

   And through the dark green wood

The white sun twinkling like the dawn

   Out of a speckled cloud.

Sweet views, which in our world above

70   Can never well be seen

Were imaged in the water’s love

   Of that fair forest green;

And all was interfused beneath

   With an Elysian glow,

75An atmosphere without a breath,

   A softer day below—

Like one beloved, the scene had lent

   To the dark water’s breast

Its every leaf and lineament

80   With more than truth exprest;

Until an envious wind crept by,

   Like an unwelcome thought

Which from the mind’s too faithful eye

   Blots one dear image out.—

85Though thou art ever fair and kind

   And forests ever green,

Less oft is peace in ——’s mind

   Than calm in water seen.

‘When the lamp is shattered’

   When the lamp is shattered

The light in the dust lies dead—

   When the cloud is scattered

The rainbow’s glory is shed—

5   When the lute is broken

Sweet tones are remembered not—

   When the lips have spoken

Loved accents are soon forgot.

   As music and splendour

10Survive not the lamp and the lute,

   The heart’s echoes render

No song when the spirit is mute—

   No song—but sad dirges

Like the wind through a ruined cell

15   Or the mournful surges

That ring the dead seaman’s knell.

   When hearts have once mingled

Love first leaves the well-built nest—

   The weak one is singled

20To endure what it once possest.

   O Love! who bewailest

The frailty of all things here,

   Why choose you the frailest

For your cradle, your home and your bier?

25   Its passions will rock thee

As the storms rock the ravens on high—

   Bright Reason will mock thee

Like the Sun from a wintry sky—

   From thy nest every rafter

30Will rot, and thine eagle home

   Leave thee naked to laughter

When leaves fall and cold winds come.

‘One word is too often prophaned’

One word is too often prophaned

   For me to prophane it,

One feeling too falsely disdained

   For thee to disdain it.

5One hope is too like despair

   For prudence to smother,

And Pity from thee more dear

   Than that from another.

I can give not what men call love,—

10   But wilt thou accept not

The worship the heart lifts above

   And the Heavens reject not—

The desire of the moth for the star,

   Of the night for the morrow,

15The devotion to something afar

   From the sphere of our sorrow?

The Magnetic lady to her patient

‘Sleep, sleep on, forget thy pain—

   My hand is on thy brow,

   My spirit on thy brain,

My pity on thy heart, poor friend;

5   And from my fingers flow

The powers of life, and like a sign

Seal thee from thine hour of woe,

And brood on thee, but may not blend

         With thine.

10‘Sleep, sleep, sleep on—I love thee not—

   Yet when I think that he

   Who made and makes my lot

As full of flowers, as thine of weeds,

   Might have been lost like thee,—

15And that a hand which was not mine

Might then have charmed his agony

As I another’s—my heart bleeds

         For thine.

‘Sleep, sleep, and with the slumber of

20   The dead and the unborn …

   Forget thy life and love;

Forget that thou must wake—forever

   Forget the world’s dull scorn.—

Forget lost health, and the divine

25Feelings which died in youth’s brief morn;

And forget me, for I can never

         Be thine.—

‘Like a cloud big with a May shower

   My soul weeps healing rain

30   On thee, thou withered flower.—

It breathes mute music on thy sleep—

   Its odour calms thy brain—

Its light within thy gloomy breast

Spreads, like a second youth again—

35By mine thy being is to its deep

         Possest.—

‘The spell is done—how feel you now?’

   ‘Better, quite well,’ replied

   The sleeper—‘What would do

40You good when suffering and awake,

   What cure your head and side?’

‘What would cure that would kill me, Jane,

And as I must on earth abide

Awhile yet, tempt me not to break

45         My chain.’

With a Guitar. To Jane

Ariel to Miranda;—Take

This slave of music for the sake

Of him who is the slave of thee;

And teach it all the harmony,

5In which thou can’st, and only thou,

Make the delighted spirit glow,

’Till joy denies itself again

And too intense is turned to pain;

For by permission and command

10Of thine own prince Ferdinand

Poor Ariel sends this silent token

Of more than ever can be spoken;

Your guardian spirit Ariel, who

From life to life must still pursue

15Your happiness, for thus alone

Can Ariel ever find his own;

From Prospero’s enchanted cell,

As the mighty verses tell,

To the throne of Naples he

20Lit you o’er the trackless sea,

Flitting on, your prow before,

Like a living meteor.

When you die, the silent Moon

In her interlunar swoon

25Is not sadder in her cell

Than deserted Ariel;

When you live again on Earth

Like an unseen Star of birth

Ariel guides you o’er the sea

30Of life from your nativity;

Many changes have been run

Since Ferdinand and you begun

Your course of love, and Ariel still

Has tracked your steps and served your will.

35Now, in humbler, happier lot

This is all remembered not;

And now, alas! the poor sprite is

Imprisoned for some fault of his

In a body like a grave.—

40From you, he only dares to crave

For his service and his sorrow

A smile today, a song tomorrow.

The artist who this idol wrought

To echo all harmonious thought

45Felled a tree, while on the steep

The woods were in their winter sleep

Rocked in that repose divine

On the wind-swept Apennine;

And dreaming, some of autumn past

50And some of spring approaching fast,

And some of April buds and showers

And some of songs in July bowers

And all of love,—and so this tree—

O that such our death may be—

55Died in sleep and felt no pain

To live in happier form again,

From which, beneath Heaven’s fairest star,

The artist wrought this loved guitar,

And taught it justly to reply

60To all who question skilfully

In language gentle as thine own;

Whispering in enamoured tone

Sweet oracles of woods and dells

And summer winds in sylvan cells;

65For it had learnt all harmonies

Of the plains and of the skies,

Of the forests and the mountains,

And the many-voiced fountains,

The clearest echoes of the hills,

70The softest notes of falling rills,

The melodies of birds and bees,

The murmuring of summer seas,

And pattering rain and breathing dew

And airs of evening;—and it knew

75That seldom heard mysterious sound,

Which, driven on its diurnal round

As it floats through boundless day

Our world enkindles on its way—

All this it knows, but will not tell

80To those who cannot question well

The spirit that inhabits it:

It talks according to the wit

Of its companions, and no more

Is heard than has been felt before

85By those who tempt it to betray

These secrets of an elder day.—

But, sweetly as its answers will

Flatter hands of perfect skill,

It keeps its highest holiest tone

90For our beloved Jane alone.—

‘Far, far away, O ye / Halcyons of Memory’

Far, far away, O ye

Halcyons of Memory,

Seek some far calmer nest

Than this abandoned breast—

5No news of your false spring

To my heart’s winter bring;

Once having gone, in vain

         Ye come again.—

Vultures who build your bowers

10High in the Future’s towers,

Wake, for the spirit’s blast

Over my peace has past;

Wrecked hopes on hopes are spread,

Dying joys choked by dead

15Will serve your beaks for prey

         Many a day.

‘Tell me star, whose wings of light’

Tell me star, whose wings of light

Speed thee on thy fiery flight,

In what cavern of the night

   Will thy pinions close now?

5Tell me Moon, thou pale and grey

Pilgrim of Heaven’s homeless way,

In what depth of night or day

   Seekest thou repose now?

Weary wind who wanderest

10Like the world’s rejected guest,

Hast thou still some secret nest

   On some hill or billow?