Trafalgar gripped the nineteenth century imagination like no other battle: it was a moment of both transcendent fulfilment and unmatched despair. It was a drama of such violence and sacrifice that the concept of total war may be argued to start from there. It finished the global ambitions of a European tyrant but culminated in the death of Admiral Horatio Nelson, the greatest hero of the era.
This book fuses the immediate intensity of the battle with the deeper currents that were running at the time. It has a three-part framework: the long, slow six hour morning before the battle; the afternoon itself of terror, death and destruction; and the shocked, exultant and sobered aftermath, which finds its climax at Nelson's funeral in a snowy London the following January.
Adam Nicolson examines the concept of heroes and heroism, both then and now, using Nelson as one of the greatest examples. A man of complexity and contradiction, he was a supreme administrator of ships and men; overflowing with humanity, charm and love but also capable of astonishing ruthlessness and ferocity. Nelson's own courage, vanity, ruthlessness and sweetness made him one of the great identifiable heroes of English history.
Adam Nicolson examines the concept of heroes and heroism, both then and now, using Nelson as one of the greatest examples. A man of complexity and contradiction, he was a supreme administrator of ships and men; overflowing with humanity, charm and love but also capable of astonishing ruthlessness and ferocity. Nelson's own courage, vanity, ruthlessness and sweetness made him one of the great identifiable heroes of English history.
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Early in the year, Adam Nicolson decided to leave his comfy life at home on a Sussex farm and go on an adventure. Equipped with the Auk, a forty-two-foot wooden ketch, and a friend who at least knew how to sail, he set off up the Atlantic coasts of the British Isles: Cornwall to Scilly, over to Pembrokeshire and the west of Ireland, to the Hebrides and its offliers, St Kilda and North Rona, before heading on to Orkney, and finally to the Faroes, a two hundred mile leap out into the autumn winds of the North Atlantic.
But the book is not just a travel journal. Adam Nicolson writes of his own yearnings for the sea and for wide open spaces. His year is strung between the competing claims of leaving and belonging, of thinking that no life could be more exhilarating than battling a big gale driving in out of the Atlantic and of wanting to be back, in harbour, safe, still and protected. Running throughout the book is a dialogue within the author himself between the attractions of home and not home, the certainties of what you know and the seductions of what you don't.
Reflective and poetic, this book is full of rich experience. It is a story passionately engaged with the beauty and marvels of the wild Atlantic coast, but is also a self-portrait of a man in the middle of his life who is determined to find out what it’s all for.
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Adam Nicolson was determined to leave metropolitan life but the rundown farm in the Sussex Weald was not quite what he bargained for. The scenery was breathtaking and the rural neighbours charming but the hard end of real farming life was another matter - mud, cold, planning regulations and unco-operative livestock.
But for the reader the whole enterprise is full of delight thanks to Adam Nicolson's writing: frank, witty and touching, it is a testament to the importance of holding on to your dreams and turning them into reality.
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We may well be ‘a nation of shopkeepers’, but for generations England was a country dominated by its middling families, rooted on their land, in their locality, with a healthy interest in turning a profit from their property and a deep distrust of the centralised state. The virtues we may all believe to be part of the English culture – honesty, affability, courtesy, liberality – each of these has their source in gentry life cultivated over five hundred years. These folk were the backbone of England.
Adam Nicolson’s riveting new book concentrates on fourteen families, from 1400 to the present day. From the medieval gung-ho of the Plumpton family to the high-seas adventures of the Lascelles in the eighteenth century, to more modern examples, the book provides a chronological picture of the English, seen through these intimate, passionate, powerful stories of family saga. Drawing on a wealth of unpublished archive material, here is a vivid depiction of the life and code of the gentry.
‘The Gentry’ is first and foremost a wonderful sweep of English history, shedding light on the creation of the distinctive English character but with the sheer readability of an epic novel.
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Where does Homer come from? And why does Homer matter? His epic poems of war and suffering can still speak to us of the role of destiny in life, of cruelty, of humanity and its frailty, but why they do is a mystery. How can we be so intimate with something so distant?
In this passionate and deeply personal book, Adam Nicolson sets out to explain why these great ancient poems still have so much to say about what it is to be human, to love, lose, grow old and die.
The Mighty Dead is a journey of history and discovery, sewn together by the oldest stories we have – the Iliad and the Odyssey, which emerged from a time before the Greeks became Greek. As nomadic tribes of the northern steppe, they clashed with the sophisticated cities of the eastern Mediterranean. These poems tell us how we became who we are.
We witness a disputatious dinner in 19th-century Paris and Keats finding in Chapman’s Homer the inspiration to travel in the ‘realms of gold’. We go to Bosnia in the 1930s, with the god of Homer studies Milman Parry where oral poetry still thrived; to Spain to visit the possible site of Hades; to Troy, Ukraine, Syria and the islands of the Mediterranean; and to that most ancient of modern experiences, the open sea, in calm and storm.
Reflecting on fathers and sons, men and women, on the necessity for love and the violence of warriors, on peace and war, youth and old-age, Homer is the deep voice of Europe, as dark as Mavrodaphne and as glowingly alive as anything that has ever been.
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