How did I get so lucky to be paired with an editor who is not only brilliant and sensitive, but also totally in tune with my way of viewing nature and life? Ruth Sullivan seems to know unerringly what fits, what works, and what is important to the life of a manuscript. We spent dozens of hours on the phone these past two and a half years and every minute was a learning experience. She brings out the best in me and she has molded this book into what you’ll read here. Heartfelt thanks.
Peter Workman is one of my heroes. Thank you, Peter, for your belief in my work. Thank you, Maisie Tivnan, art designers Janet Vicario and Amy Trombat, production editors Carol White and Julie Primavera, photo director Anne Kerman, and photographers Miki Duisterhof and Tiffany Howe.
Now to the women who have contributed: Gladys Marie McKinstry, Betsy Williams, Victoria Greene, Bonny Spencer, Mary Rae Means, Sharon Aderman, Aggie Goettie, Kathie Ohmer, Jeanni Montgomery, as well as Cathi Arnold, Sue Eiler, Kim Moreno, Molly Chappellet, Judy Thelen, Cindy Rankin, Susan Branch, Virginia Holihan, Marilyn Brewer, Kary Gonyer, Lynn Karlin, and Jane and Lee Taylor.
My family deserves special thanks for their help. Moses John, Sara, Ilyahna, and Asher, you were great. Jim Prostovich, you were a saving grace. Noah, Lea, and Danielle, you’ve done a wonderful job. Thanks also to my aunt, Rose Lovejoy.
This book wouldn’t exist today if it had not been for the unwavering love, support, and help of my husband, Jeff Prostovich. He gave me the courage and resolve to persevere and to tell my stories. What a life we’ve shared!