When she wakes up, Daphne needs some time to work out what bed she’s lying in. Then, her main processor slowly kicking into action, she realizes this is the room hosting the nineteenth-century laundry machine and the paleolithic honey extractor. And then she recalls why she’s here, and her external memory lights up, switched on by that cold shower of recollection. Leaving the seminary, she had waited for a train for who knows how long, mesmerized, staring at the river. In that hallucinatory frame of mind, she imagined the river to be her father. Back in the city, she had wandered around the center, lost to the world. In the end she found herself at the station and took the last coach for the town of the rich people’s villas. From there, driven by the force of inertia, she had walked to her stepfather’s place in the rain. And now she has no idea how she’s going to cope with this day that’s beginning. She feels like the corpse of some drowned creature, washed up on the beach by the waves.
Just to contemplate that man of the church she went to see yesterday is to relive a dreadful nightmare. She finds it very hard to accept that the afternoon was not just a figment of her imagination, that she really did meet him. She has to keep reprimanding her brain, forcing it to accept that truth. That it was that filthy bastard, who’s probably already croaked—in fact he expired just before dawn, I can confirm—who remote-controlled her childhood and adolescence the way a puppeteer pulls the strings of a marionette. He’s the one who put her in those boarding schools where she grew up with the nuns, he’s the one who paid for her. She hadn’t known it, but she was a puppet. She still is. A marionette come unstringed that cannot be repaired.
Now she thinks she hears voices. Her stepfather’s dull warble, in a very loud conversation with someone. She cocks an ear, and for a moment imagines she can make out Aphra’s limpid tones. I’m hearing things, she thinks; the only person here is that washed up neo-Buddhist who always knew who was pulling my strings and never said a word. He deceived her, and never even realized that monster was meddling with her. The silences and the voids are filling up, the different pieces fitting together neatly, as if her past were that of a normal person.
Now the door cracks open and a face appears, the gay and naughty little face of the short one, Aphra. Yes, it really is Aphra, and she’s brought her a cup of coffee, which she presents with the obsequious bow of a maître d’. I came to find you, she says in reply to Daphne’s evident astonishment. She’s clearly very pleased to have surprised her, and pleased to share her happiness. But the beanpole is paralyzed. To have something to hold onto, she takes the cup in hand and conveys it to her lips. It’s very good this coffee, she thinks, it’s just what she needs. She smiles, unable not to smile, although she thinks she might be a character in a video game. Aphra sits on the edge of the bed, looks at her. Your stepfather is a gas, he just slays me, she says. She smiles. Her gum-colored gums and her very white teeth are showing. We’re waiting for you to have breakfast, she says, getting up.
In the kitchen the table is set for three, and there are many good things on it. There’s even the black fig jam made by the ex-Communist banana wholesaler’s girlfriend, the jam she especially likes. And a sort of flaming bouquet of red and orange leaves very tastefully arranged (it could only be by Aphra), lit up by a ray of sunlight piercing the spiderwebs covering the window pane. The air outside is super clean and the sky so blue that even the yard full of rusting remains looks beautiful. The three dogs, too, seem happy about this autumn splendor, not to mention the family atmosphere.
Francesco took me to see a very nice cottage, says Aphra, rubbing her face against the mug of the short-haired big dog. It was locked, but we managed to get in, she says, her rascally smile spreading. There’s a nice plot of land attached, it would be perfect for us. Daphne’s gaunt stepfather nods, bobbing his white California apostle’s beard, as if the little one has just said the most normal thing in the world. I’ll bet they don’t want much money for the rent, he says. Aphra’s looking at him. It would be awesome, the little one says, and it’s obvious the two of them have already discussed the matter, and what’s more, that they like each other quite a lot. This too makes Daphne wonder again whether she’s strayed into a science-fiction movie.
Aphra insists they visit the house of the seven dwarfs immediately. Daphne’s feeling a bit dazed and would rather lie down again, but they set out on foot, followed by the sex maniac, the small dog having developed a total crush on the wee one. The sky is a deep blue sea, the autumn woods seem to be burning with an inextinguishable fire. This valley where her stepfather lives looks a lot more cheerful than usual. The cottage in the bracken with its worn orange roof tiles seems to swim in that wild sea of thorns and brambles; it’s quite charming. On one side there’s a sort of ditch with two downy oaks (species information provided by me, she knows nothing about plant life) and in front, a nice clearing with some scruffy fruit trees.
They get in through a broken window and tour the three rooms and kitchen. Must have been an old lady living here (yes, I can confirm); it’s a real miracle they didn’t make off with everything, Aphra says (please, easy on the miracles). That customary benevolent smile on her face, she looks around and memorizes various details, making an inventory of what needs to be done. With a paint job and a few repairs, we can move in, she says, as if they already had. Next winter we’ll probably need a better wood stove than this one. She closes her eyes. My soul is going to flourish here, she concludes. But Daphne too feels content; for some reason, she likes the place. For the first time the prospect of living in the country doesn’t terrify her; for the first time she doesn’t immediately see all the insuperable obstacles. Maybe we really will be living here in a couple of weeks, she thinks.
They manage to force the worm-eaten front door open and stand out front. By the facade stands a gray stone bench, and a huge laurel tree with the smoothest of bark, like a person’s skin. We’ll plant the garden here, says Aphra, pointing to a wide, flat piece of land between the long-untended apple trees and some apricot trees with bucolic ailments. She purses her doe’s lips in a serious frown, for that is where she intends to grow her carrots, turning the soil with just a hoe and fertilizing with manure from her organically raised livestock. We’ll put the beans there, she adds, indicating a sloping stretch. She’s not looking at the earth but a yard above ground level; she can already see the bean plants tied to their stakes, tall and bushy. For water, there’s a little spring beyond the chestnut grove; we need to replace the pipe. Daphne is a cork drawn from a bottle and seized by the current; she’s unable to picture the garden in its high summer lushness, she just isn’t familiar enough with growing things. I’d like to plant some sunflowers, she says nonetheless, a little uncertain. When she was a child, she was fascinated by the way those gigantic, beautiful flowers sprang forth from little seeds. Of course, says the other, as if sunflowers were fundamental. You just have to choose where, she says. She seems to think they need to decide immediately.
They’re rather touching, these two lunatics, one too short, one too tall, each with her own personal code of purity—not yet faith in yours truly, but still something. They might be some engaged couple visiting the place they’ll live in when they’re married. I’d almost like to reassure them about the owners of the house—three of them—they’re all in agreement to rent it out. Well, one of them isn’t yet, she even blocked earlier negotiations with a would-be tenant, but by tonight she’ll have come around. I know all the right arguments. And even the rent will be reasonable, the way it can happen when you have a number of heirs. But I’ll leave the two of them in doubt because that way, they’ll be even happier later. When things are gained with difficulty, humans appreciate them more.
That afternoon they walk back up the creek, admiring the great blaze of the woods pressed down by the inky sky. As usual Aphra tells her a great many interesting things about the plants and animals that inhabit these parts. She darts forward and crouches down, grabbing some beastie. Daphne’s feeling somewhat better; it reassures her to think that maybe they’ll soon live here and take walks in these woods. She feels as if she’s just emerged from a grave illness, still in need of a long convalescence. When they get back to her stepfather’s they make a risotto with nettles and other strange herbs they’ve collected. Aphra shows off her gums and Francesco slaps a hand on the table, punctuating each of his remarks. Daphne decides she can’t be annoyed at him; he did what he could. She feels good, and thinks for the first time that maybe she has a family. They had planned to go back to town on the last coach, but decide to sleep there and leave in the morning.
First Aphra insists on sleeping on the floor with her in the disastrous guest room that is home to the washing machine and the honey extractor, but Daphne won’t hear of it. So they lie down together on a single bed, thinking they will deal with the sleeping arrangements later. For a while they just lie there, arms laced around one another, glued together, actually, saying nothing. Then the little one begins to stroke one of Daphne’s hips, very gently. And then the other. And then she strokes her flat stomach, and then, with her palms, her adolescent breasts. And then she kisses her, first on the chin, and then on the mouth. Daphne, a bit surprised, does however kiss her back. And then, using her tongue and pressing her lips tightly, she rouses Aphra to even more passionate moves. Now they kiss at length, touching each other all over. Then Aphra places a hand on Daphne’s pubis and she touches her there too, and musses up her bush of hair. The situation is degenerating from second to second; I can’t believe my eyes. Never did I expect something like this. Never. Before you know it, they are busy having sex, with loud heavy breathing and positions worthy of a porno film. I’ll spare you the details, but here’s the final score: an eloquent three–three. When they fall asleep, dawn is breaking.