I HALL OF MIRRORS, 1964

Quam angusta innocentia est,

ad legem bonum esse.

Seneca

It wasn’t a fairground so much;

just an acre of clay on old man Potter’s land

where someone had set up shop

to amuse the locals,

mayweed and trampled grass beneath our feet,

the perfumes that passed for summer

in towns like ours

touched, now, with the smell of candy floss

and diesel, and the early evening dusk

made eerie by those strings of famille-verte

and powdered-citrus light-bulbs round the stalls

where goldfish in their hundreds probed the walls

of fishtanks for the missing scent

of river.

That day, my mother wore her rose-print

sundress, antique-green

and crimson in the off-white

fabric, some new flora growing wild

in infinite reflection, while I turned

and turned, and couldn’t find myself until

she picked me out: a squat

intruder in the garden she had made,

blearfaced and discontent, more beast than boy,

more fiend than beast.

That wasn’t me, of course; I knew as much;

and yet I knew the creature I had seen

and, when I turned again and saw him

gazing back at me, ad infinitum,

I knew him better: baby-faced

pariah; little

criminal, with nothing to confess

but narrow innocence

and bad intentions.

The backrooms of the heart are Babylon

incarnate, miles of verdigris and tallow and the cries

of hunting birds, unhooded for a kill

that never comes.

I saw that, when I saw this otherself

suspended in its caul of tortured glass,

and while I tried pretending not to see, my mind

a held breath in a house I’d got by heart

from being good according to a law

I couldn’t comprehend, I saw

– and I believed my mother saw –

if only for a moment, what I was

beyond the child she loved, the male

homunculus she’d hoped I’d never find

to make me like my father, lost

and hungry, and another mouth to feed

that never quit its ravening.

A moment passed;

I was convinced she’d seen,

but when I turned to look, her face was all

reflection, printed roses and a blear

of Eden from that distance in the glass,

where anything can blossom, Judas tree and tree

of knowledge, serpents gnawing at the roots, the life

perpetual, that’s never ours alone,

including us, till everything

is choir.