MY GRANDMOTHER, ELIZABETH BURNSIDE, 1962

Before she could die at home where she belonged,

they took her to St Margaret’s hospital

and put her in a room above the town,

first snow at the glass, the buses

heading out to Crossgates and Lumphinnans,

those silver lights below me, where I peered

from breath-fogged windows in the corridor,

waiting to take my turn, three walls away

and her in the high bed, under a plain white sheet,

yellowed and cold, while her grandchildren came, one by one,

to say their goodbyes.

I remember my uncle David leading me in

to kiss her, the skin of her face

dry as old beech leaves, the smell of her sweet and dark

through the lavender talc.

Seven years old, I thought I would see her again,

though I knew she was dying,

for this was a ritual, emotional legalese,

like refusing the last slice of cake, or writing

thank you cards.

For as long as I’d lived,

I had gone to her house once a month

with my mother and sister

to sit by the fire, drinking squash,

her smiling as if it were funny, when she told

how her father had walked all the way

from Ennis to Dublin,

children in tow, her mother always

pregnant, or so it seemed,

then northwards by boat and train, through a rumour

of heathland and loch, a rumour that passed in the dark

till they set down at Cowdenbeath,

sectarian, ugly, and no reason not to move on

beyond fatigue.

But that was our home, she said, by which she meant

that the harder it is to begin with, the prouder we are

to a call a place our own, as she had done

by making a garden of sorts from the pit town’s

clinker and soot, her flowerbeds

thick with bees, the housefront

covered with climbing roses, a may hedge

screening it all from the road, and a constant

riot of sparrows, safe from the neighbours’ cats,

all squabble and jeer

in the scribbles of shadow and thorn.

What she loved most, I think,

was variegation,

hairstreak, the broken line, the not quite

finished of the moments as they tumbled

one into the next

and never stopped.

Nothing defined, the world

all guesswork: birds,

then shadows, cold rain

spooling through the porch light when she went

to fetch the coal.

I think back and now it’s gone, the rumour of heathland

sold to the lowest bidder, the rain

commoditised, a thousand tribes of bees

lost in the haze

of neonicotine.

I kissed her and said goodbye – I’m saying it still –

not quite convinced that anyone can cease

and as I turn to go

her face is lit

from somewhere I can’t make out, not the lamp in the room

or the lights from the buses below, as they make their way

to Perth and Glenrothes, Kirkcaldy,

the Bow of Fife.