IN THE WOODS

I don’t want to know about Keats

or Audubon,

though now and then a line from Clare sneaks in

and such fauna as I only half-imagine

are ghosts out of Bewick

or Catesby, rising softly through the fog,

the unrehearsed existence

of the backwoods, forms unseen

then glimpsed, before the swim

of vanishing.

It’s something like a prayer, to be forbidden

perfect specimens, the finished articles

of lithogravure, field guides, Latin names

reducing everything

to ruber,

or pubescens.

A few yards further and the fog begins

to brighten, daylight bleeding through the trees

and a flicker of noise, or panic, off to the left,

where something should have been, and almost was.