11
Flower
Synapse Log 8 Feb 2210, 09:00
Inspector of Wrecks
She might have been sulking because I told her I wanted to take the Math part again, to continue to look for the Mastermind interface in his actions.
She’s sullen when she agrees to take the Gwydion part. She normally likes him. I offered her Lleu but I caught an involuntary look of disgust come over her face. I could have made something of it, no doubt. An Inspector needs to do whatever’s required to come up with an answer, there’s no room for personal preference in this job. It’s just unprofessional. When I think of some of the terrible places I’ve been. Space vessels tacky with alien flesh after fires or explosions. Holds full of shit where animal cargoes had been abandoned to die… Faeces so thick you could walk on it, like a carpet. No, you can’t be fussy in this job. And this wreck is clean compared to many others, even if it’s proving to be intractable.
I decided: what’s the point of a confrontation about roles if not strictly necessary? Math for me, Gwydion for Nona.
Apprentice
He
Now, Lleu needs a wife. I wonder if Math and Gwydion could find a partner for me. That would be powerful magic indeed.
*
Joint Thought Channel 8 Feb 2210, 09:02
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Come on, girl! Be a little more alert, will you?
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I will be his mother and father too.
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I’m at a loss what to do, and need Math’s help on this. Tricks with ships have been fine for securing a name and arms, but what’s required here is a different order of magic. Math’s clearly a more powerful magician than Gwydion, he was able to punish him.
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Nona, don’t do that. It’s dangerous for me and for you to leave before we’re finished. Nona! Come back!
*
Synapse Log 8 Feb 2210, 10:10
Apprentice
And I go: ‘Oh no? Just watch me.’
‘And besides,’ he says, ‘it’s just a story about wizards and flowers. I can’t imagine what can be bothering you.’
‘Then you’re more stupid than you look,’ I say.
‘I beg your pardon?’ he goes, looking ten times more dense and he sputters on, ‘You can’t try to control a story like that, it’s going against everything we’re trying to do.’
‘Oh, is it? What are Math and Gwydion doing except forcing a plot to go their way? And you’re no better.’ That wiped the superior look off his face.
‘What do you mean?’ he goes.
‘I know what you’re trying to do with me. Mould me to be a little version of you. Because you’re lonely.’
‘But it’s my job to teach you.’
‘You’re doing far more than that. You’re hoping I’ll make a Little You, to carry on your legacy.’
And by now he’s going, ‘But, but, but’, like a fish out of water.
So I go on: ‘If you think I can be pushed around by a saddo who’s failed to make a life for himself and who can’t cope with retiring, then you’ve got another thought coming. You’re just a desiccated old fool and you’re sucking me dry, draining the juice out of me!’
At that, he looked embarrassed and left me alone.
Inspector of Wrecks
I think back to the scenario in VR, to see what might have sparked such an outburst, but I can’t see it. Gwydion and Math are just finding their way around a curse in a most delightful and original way, I can’t wait to see what happens next.
What can have got into her? Should I read the Riot Act? Or ignore the outburst?
It’s not that I haven’t got a private life. My work life is it and when that’s gone, what’s left for me?
I told her to take an hour off and that I expected her to report to the VR suite at 11:30 to carry on. Won’t do either of us any harm to cool down.
*
Synapse Log 8 Feb 2210, 11:40
Inspector of Wrecks
Right, back to business. Here’s Gwydion and Math in consultation together. I take the point of view of Math because I’m convinced that he has overall control of what’s happening.
And suddenly I know the recipe for making a woman out of flowers.
Math says, ‘Bring me oak flowers, meadowsweet and broom.’
Gwydion says, ‘But none of those flowers are yet in bloom.’
Math: ‘You’re a wizard, make it happen.’
I watch as Gwydion shuts his eyes. And although it’s winter, I notice buds appearing on the oak nearby. The whole tree is quivering as if with desire. Time goes haywire. Days strobe on the patient branches and leaves protrude, shrugging and sighing as the quick days pass. Then the catkins of male flowers descend. A jay leaves a branch and a cloud of pollen drifts to the next oak tree, where the subtle female flowers swell close to the branches, sticky and red. Gwydion brings branches of the fertile oak to Math’s feet.
*
Synapse Log 8 Feb 2210, 12:03
Apprentice
I wake exhausted from dreams of green. Creeping bent, sweet vernal-grass, wood fescue, Timothy, great reedmace, wood millet. I remember how we would loop its stalk around the broad-leaved plantain and decapitate its dry, brown flower. I recall the acidic smell of skin having skidded along grass, the cold, damp ache of its smudge into flesh.
But I was brought up on Mars. I know we used to play under the biosphere on the artificial pastures there but I never knew the names of Earth grasses.
I try to wake up, but I find it hard. A caffeine shot will help, some food before the next shift. I feel like a loom on which something is being woven.
Wall barley, grass, pendulous sedge…
*
Synapse Log 8 Feb 2210, 12:14
Inspector of Wrecks
Then Math asks for flowers of the broom.
‘Why?’ asks Gwydion.
‘Because it’s tough. The oak can self-pollinate but the broom blooms earlier, in late April, and its flowers appear before its leaves. Its seedpods explode in July when ripe. The medicines made from it are designed to purge, whereas the oak is astringent. And the country folk bring sprigs of broom to weddings as a gift.’
In the underbrush one leggy bush goes crazy and explodes in yellow, with a thick, rich smell of almond butter. Gwydion brings branches back to Math’s feet.
*
Synapse Log 8 Feb 2210, 12:23
Apprentice
*
Synapse Log 8 Feb 2210, 12:39
Inspector of Wrecks
‘My favourite flower,’ says Gwydion. ‘Also known as queen of the meadows or bridewort. Most common of the fragrant weeds, whose blossoms are culled in the middle of July. It’s good for fevers and a woman made from that scent – sickly but creamy – must be beautiful to look at. According to Gerard, the smell of the leaves “Makes the heart merry and delighteth the senses.” Sounds like a winner to me.’
‘We’ll have most of the summer covered then,’ says Math. ‘Broom early in spring; a fragrant meadowsweet July and high summer the oak with its flowers.’
So Gwydion stands there and pillages time to conjure up meadowsweet. And the tall stalks shake as if in ecstasy. They bloom.
*
Synapse Log 8 Feb 2210, 12:54
Apprentice
I have no ears, but my body bursts through the skin of buds, its surface area grows, and feels how vegetation scuffles, groans in competition for the light. I smell the stress that tearing, striving, being crushed, causes in wild garlic, dog’s mercury and squill. And as the Earth turns, like a dancer with a pliant back, I shift my weight to stay upright in my perfect static pirouette until, with grace, I take my bow as darkness falls and close my leaves.
*
Synapse Log 8 Feb 2210, 13:06
Inspector of Wrecks
And the body we conjure out of buds, flowers and seeds isn’t an orphan. She’s our daughter – mine and Math’s. It’s our minds that give birth to her, in the shape of our delights, our fondness, our grief. Maybe our failings. And we lay her to grow in the best of ourselves, making room for a consciousness not our own, but that of the forest’s. And it feels like pain but isn’t as we’ve woven her out of everything that we both know about love and awareness and we’re sure it’s enough, that its generosity can make up for the loss of a mother, that our meaning well will do right by Lleu and create a home which is a form of justice that the boy deserves.
And in the middle of this I, Campion, ask: What kind of being does a virtual world create? If two negatives make a positive, then can two virtuals make an actual? Have we just conjured up a person who’s real? Or one who is death?
*
Synapse Log 8 Feb 2210, 14:30
Apprentice
I dream of cells illuminated by a soft green light. Chloroplast. Ribosomes. Organelles, packed tight like batteries. I find galleries of green within myself, strings of proteins, they breathe through fibres. I’m in a forest of amino acids – protein chains which sway, like saplings, then blossom with molecular flowers. I move like mercury through the maze of matter. Cells throb, growth happens in jumps. I stretch, luxurious in the light, knowing that my intelligence is a web of filaments and filigrees, specialised in feeding on the tiniest amounts for the greatest results. Inside is sap which is drawn out by capillary action and soon a new energy runs up my spine, a pulse of excitement. How will things look from this new point of view?
Everything’s possible, ripens in me. I follow the sun and in the dark, I bow in obedience. I am unknowable to Math and Gwydion, hum with information that they just infer from their loud talk and posturing. I reach up to the spires of giant oaks and down into mosses where I gather myself in the heart of the root web. I flex my muscles with an old, old power.
Death doesn’t alarm me. That makes me alien to them. I can make patterns from how things decay. I take joy in the humus and I bury light as easy as bask in it, so that the webs in between the fingers I stretch to their limit, and my ears and my toes are translucent and beautiful as decay.
*
Synapse Log 8 Feb 2210, 15:15
Inspector of Wrecks
I get to the module and I’m knocked sideways by the smell. Nona’s been shopping, quite brazenly, on the work computer and has bought, of all things, perfume.
She doesn’t refer to the row we had earlier, but holds out her wrist for me to smell the fragrance she’s chosen. It makes me feel sick.
Apprentice
I choose a dark fragrance. Floral or sweet doesn’t suit my character any more. My skin must be changing, so I crave the aromatics that won’t leave you alone, that you’re not sure you like, but which your brain craves, like fermented food. It’s the kind of perfume that’s an acquired taste.
I tried quite a few, but came up with this modern chypre. Base note of oak moss, patchouli, clary sage, with flowery notes of jasmine and hint of bergamot, lemon.
Or there’s this classic: Ma Griffe. In the base notes, storax and oak moss predominate, with hints of cinnamon, benzoin, labdanum and musk.
Or broom – Madame Rochas!
He
I tell her, ‘Get rid of it.’
She looks at me blankly.
She
He
What did I just think?