Jim Morrison & The Doors in Miami, 1969

Morrison performs a series of affable pats to a cushion

on a backstage sofa. This, to signal the next woman who

loves without hope. If you sport a stiffy for all creation,

sooner or later, you take it out. Wave it at butterfingered

fandom. Before the show, a woman makes zipper noises,

emancipates him from the infamous leather pants. Which

he steps out of. Manzarek, the organist, bangs to be let in

and a joke about organ parts comes to mind. Morrison

elects to rediscover the orthodoxies of a Marlboro. First,

he thumbs a lighter wheel. Then, a hand positions flame

to the tip end of the cigarette. Zigzags of smoke become

fog-wreathed rollercoaster curves then gray boutonnieres.

This woman, his Florida guide, is from Ohio. And maybe

Miss Ohio thinks, What’s one more fall between acrobats?

Jim Morrison isn’t looking for a future with a house. Kids.

Membership in Cougar Octagon Optimist Club of Dayton.

Meaning, to him, the Buckeye State might as well be Mars.

He shakes his hair. Certain lighting adores a mane of hair.

This March night, the air is an atomization of discontent.

And so he wonders if some invisible man in the sky,

high above the strongbox that is America, fantasizes

stepping out of Paradise. Maybe needs a little time or

maybe to see if the revenant flesh ever gets to be a bore.

And not just to wheedle a welcome-back trumpet fanfare.

A eucharist of blotter LSD is bringing on the color wheel,

rainbowing the upturned face of the woman holding him.

And he smiles. Generations of dead know that smile

as reminiscent of fire shoveled by envious angels.