Acknowledgments

I am thankful to the editors of the following publications for their encouragement, and for giving these poems a home, sometimes in earlier incarnations:

ARTLIFE: “Another Woman,” “Coyote Song,” “What It Takes”;

Barrow Street: “The Beautiful World”;

Café Solo: “I Have Not Said If I Believe”;

Chaparral: “Chinese Lantern”;

Crying Sky: “Northridge Quake,” “That Stone”;

Levure Litteraire: “Another Dream of Death”;

Los Angeles Review: “Nobody Knows”;

Miramar: “Antidote for Night,” “Black Hands,” “Murmur,” “Once,” “Possum,” “Sarabande,” “Say Nothing,” “Under the Lemon Tree”;

Packinghouse Review: “Viento”;

Solo: “Whistle Keeps on Blowing”;

Solo Café: “Her Breath Comes in Feathers,” “Sanchez”;

Solo Novo: “Crossing Over,” “Same Loom”;

Ten California Poets: “How to Go On”;

The Kerf: “Here Day Is Surrounded”;

Ventura Life: “His Burning Cloud”;

Wide Awake: Poets of Los Angeles and Beyond: “To Go to Riverside.”

To Phil Taggart, gracias por vida.

I am grateful to Beyond Baroque, and the poetry communities of Southern California and the Central Coast for enabling me to walk into any room where they gather, to the City of Ventura for Individual Artist Grants, to Deena Metzger for her heart-opening work, to Herbert Scott—always, and to New Issues Press which he brought into being, to the Vermont College community of writers, especially my teachers, Nancy Eimers, Cynthia Huntington, William Olsen, Betsy Sholl, and David Wojahn, for compassion, for brilliance.