Black Hands

 I wept when the rains came so soon,

knowing how he hated to get his feet

wet—now wrapped in a pillowcase

 in the cold ground. I wept on the question

of his sleep, the vet closed his eyes, first

the milky blind one, and then the one

 he used for pleading. He gave

a small final mew when the air left,

and his dark muzzle relaxed—she cupped

 her hand beneath that last sound and

closed his jaw, dark face, dark paws,

ivory and seal, his old dustbag of a body

 abandoned at last. We swaddled him

like an infant. Since he’s been gone

every afternoon a tightening in my throat

 takes me out past the crumbling incinerator

past the empty hutches, wood blanched

silver by the wind, rusted screens sprung

free, back into the sphere of the lemon, unshaped

 so many seasons now, its crown a bramble

of dead branches. Too much fruit kills the life

at the tip of the bough, darkness sets into

 the fingers, black hands my daughter calls

them, the tallow won’t reach, no,

it’s flowing into misshapen lanterns

 glowing sulfur yellow in the tangle

and thorn. And everywhere the smell

of waxy blossoms, faintly bitter zest

 of dew, the whole tree exhaling not just

perfume, but breath of leafmold and

compost—he used to stretch out

 like feline Egypt in its aura. Late

afternoon, green air almost cold, and

the black hands strain upward, reaching

trying to wash themselves clean, my life

come to this disturbed earth in the shadow

 where cowslips grow, shade-lovers—

my cowslips—like me, paper white,

simpletons my daughter says,

as if it’s vulgar to crave to be

first in your loose lacy whorls—

crowding cyclamen on the mound,

 five petals drawn together

like the clasp on a lady’s handbag,

and the color, cherry cider, but she says, no,

 darker, more like the hammered

seeds inside a pomegranate, and suddenly

I want to be simple as cyclamen—

 pale horseshoe on its split leaf—

a stretched heart—and underground, his small

body hollowing out a chamber . . .