The Cinema of Terry Gilliam: It’s a Mad World

Other select titles in the Directors’ Cuts series:

the cinema of TAKESHI KITANO: flowering blood

the cinema of THE DARDENNE BROTHERS: responsible realism

the cinema of MICHAEL HANEKE: europe utopia

edited by BEN McCANN & DAVID SORFA

the cinema of SALLY POTTER: a politics of love

the cinema of JOHN SAYLES: a lone star

the cinema of DAVID CRONENBERG: from baron of blood to cultural hero

the cinema of JAN SVANKMAJER: dark alchemy

edited by PETER HAMES

the cinema of NEIL JORDAN: dark carnival

the cinema of LARS VON TRIER: authenticity and artifice

CAROLINE BAINBRIDGE

the cinema of WERNER HERZOG: aesthetic ecstasy and truth

the cinema of TERRENCE MALICK: poetic visions of america (second edition)

edited by HANNAH PATTERSON

the cinema of ANG LEE: the other side of the screen

WHITNEY CROTHERS DILLEY

the cinema of STEVEN SPIELBERG: empire of light

the cinema of TODD HAYNES: all that heaven allows

edited by JAMES MORRISON

the cinema of ROMAN POLANSKI: dark spaces of the world

edited by JOHN ORR & ELZBIETA OSTROWSKA

the cinema of JOHN CARPENTER: the technique of terror

edited by IAN CONRICH & DAVID WOODS

the cinema of MIKE LEIGH: a sense of the real

the cinema of NANNI MORETTI: dreams and diaries

EWA MAZIERSKA & LAURA RASCAROLI

the cinema of DAVID LYNCH: american dreams, nightmare visions

edited by ERICA SHEEN & ANNETTE DAVISON

the cinema of KRZYSZTOF KIESLOWSKI: variations on destiny and chance

the cinema of GEORGE A. ROMERO: knight of the living dead

the cinema of KATHRYN BIGELOW : hollywood transgressor

edited by DEBORAH JERMYN & SEAN REDMOND

the cinema of WIM WENDERS the celluloid highway

the cinema of KEN LOACH: art in the service of the people

the cinema of EMIR KUSTURICA: notes from the underground