Figure I.1 Photograph of the sun
In 2011, we were visiting a beachside town on the South shore of Melbourne, Australia. As we came upon the ocean, we noticed a huge and intriguing cloud, the likes of which we had never seen. It was dark and menacing but even more compelling was the one next to it, which in sharp contrast was poised against the sun, luminescing. I quickly reached for my phone to take a picture. Simultaneously, the person next to me said: “you can’t take a photo toward the sun; it won’t come out.” But had I not broken with conventional wisdom, I would have missed the opportunity to capture the image shown here, that may or may not have been part of the volcanic ash cloud that traveled all the way from Argentina to Australia. Committing to taking the photo was less about being right, and more about being open to possibilities. It’s a matter of focus. And my intention was to capture the essence of this spectacular cloud for future reflection. That’s just what art and mindfulness do when combined; they break off a bit from conventional psychology and open you to other possibilities for health and well-being.
There are many people who have lent their support in the undertaking of this book. First and foremost, I would like to thank my clients, not only those who are (anonymously) featured in this book, but all of my clients who have helped to illuminate my understanding of how to shape mindful art therapy. I have no doubt learned as much from any of you as you have learned from me in this undertaking. In seeing our work as collaborative, my sense is restored that the same energy that contributes to “dis-ease” can be transformed into resilience if there is the right opportunity.
In the task of conceptualizing mindful art therapy as a foundation for practice, there have been many casual and formal conversations along the way that have contributed to my ideas. In particular, I would like to thank a number of colleagues who have lent their support and constructive criticism. My sincere thanks go out (in alphabetical order) to Cheryl Leber, Ilana Rydaiski, Liz Davidson, Marilyn Cobain, and Roberta Honigman. Your support, wisdom and insights are greatly appreciated and valued, in addition to your friendship.
As a first-time book author, the writing process has not been without its challenges. My thanks go out to Maia Danziger and the writing group. I’ve gained a great deal of insight listening to how others shape the “worded world” and Maia’s feedback has been valuable in learning about the writing process and helping to keep me on track. My thanks also go out to Jane Ginberg, who has supported the editing of this book and other written works over the past several years. A mindful and creative approach to the process of editing is no doubt a little out of the box, and I appreciate her enthusiasm to walk the talk.
And last, but certainly not least my heartfelt thanks go out to my husband, daughter, and extended family and friends for their ongoing support and encouragement, even in light of having to endure my ever-present mantra: “I’m on the computer!”