BREACH AND ORISON

1. TERROR OF BEGINNINGS

What are the habits of paradise?

It likes the light. It likes a few pines

on a mass of eroded rock in summer.

You can’t tell up there if rock and air

are the beginning or the end.

What would you do if you were me? she said.

If I were you-you, or if I were you-me?

If you were me-me.

If I were you-you, he said, I’d do exactly

what you’re doing.

—All it is is sunlight on granite.

Pines casting shadows in the early sun.

Wind in the pines like the faint rocking

of a crucifix dangling

from a rearview mirror at a stopsign.

2. THE PALMER METHOD

The answer was

the sound of water, what

what, what, the sprinkler

said, the question

of resilvering the mirror

or smashing it

once and for all the

tea in China

town getting out of this film

noir intact or—damaged

as may be—with tact

was not self-evident

(they fired the rewrite man).

Winters are always touch

and go, it rained,

it hovered on the cusp

between a drizzle

and a shower, it was

a reverie and inconsolable.

There but for the grace

of several centuries

of ruthless exploitation,

we said, hearing

rumors, or maybe whimpers

from the cattle car—

the answer was within

a radius of several

floor plans for the house

desire was always building

and destroying, the

produce man misted

plums and apple-pears

the color of halogen

streetlamps in a puddle.

They trod as carefully

as haste permitted,

she wept beside him

in the night.

3. HABITS OF PARADISE

Maybe if I made the bed,

it would help. Would the modest diligence

seem radiant, provoke a radiance?

(Outside aspens glittering in the wind.)

If I saw the sleek stroke of moving darkness

was a hawk, high up, nesting

in the mountain’s face, and if,

for once, I didn’t want to be the hawk,

would that help? Token of earnest,

spent coin of summer, would the wind

court me then, and would that be of assistance?

The woman who carries the bowl

bows low in your presence, bows to the ground.

It doesn’t matter what she’s really thinking.

Compassion is formal. Suffering is the grass.

She is not first thought, not the urgency.

The man made of fire drinks. The man

made of cedar drinks.

Two kinds of birds are feasting in the cottonwoods.

She sprinkles millet for the ones that feast on grief.

She strews tears for the thirsty ones

desire draws south when the leaves begin to turn.