The Clash
Tempo
Series Editor: Scott Calhoun
Tempo offers titles that explore rock and popular music through the lens of social and cultural history, revealing the dynamic relationship between musicians, music, and their milieu. Like other major art forms, rock and pop music comment on their cultural, political, and even economic situation, reflecting the technological advances, psychological concerns, religious feelings, and artistic trends of their times. Contributions to the Tempo series are the ideal introduction to major pop and rock artists and genres.
Bob Dylan: American Troubadour, by Donald Brown
Bon Jovi: America’s Ultimate Band, by Margaret Olson
British Invasion: The Crosscurrents of Musical Influence, by Simon Philo
Bruce Springsteen: American Poet and Prophet, by Donald L. Deardorff II
The Clash: The Only Band That Mattered, by Sean Egan
Patti Smith: America's Punk Rock Rhapsodist, by Eric Wendell
Paul Simon: An American Tune, by Cornel Bonca
Ska: The Rhythm of Liberation, by Heather Augustyn
The Clash
The Only Band That Mattered
ROWMAN & LITTLEFIELD
Lanham • Boulder • New York • London
Published by Rowman & Littlefield
A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.
4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706
www.rowman.com
16 Carlisle Street, London W1D 3BT, United Kingdom
Copyright © 2015 by Sean Egan
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.
British Library Cataloguing in Publication Information Available
Library of Congress Cataloging-in-Publication Data
Egan, Sean, author.
The Clash : the only band that mattered / Sean Egan.
pages cm – (Tempo : a Rowman & Littlefield music series on rock, pop, and culture)
Includes bibliographical references, discography, and index.
Summary: “In The Clash: The Only Band That Mattered, respected music critic Sean Egan examines The Clash’s career and art through the prism of the uniquely interesting and fractious UK politics of the Seventies and Eighties, without which they simply would not have existed. Tackling subjects such as The Clash’s self-conscious tussles with their record label, the accusations of sell-out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multi-platinum success and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group”—Provided by publisher.
ISBN 978-0-8108-8875-3 (cloth : alk. paper) – ISBN 978-0-8108-8876-0 (ebook)
1. Clash (Musical group) 2. Punk rock musicians–England–Biography. I. Title.
ML421.C57E43 2015
782.42166092'2–dc23
2014024677
TM The paper used in this publication meets the minimum requirements of American National
Standard for Information Sciences Permanence of Paper for Printed Library Materials,
ANSI/NISO Z39.48-1992.
Printed in the United States of America