FOREWORD
For all the hundreds and hundreds of erotic
short stories published each year, in other collections,
in magazines, and online, not a lot
of cream—or spunk—rises to the top. One of
my favorite science fiction writers, Theodore
Sturgeon, is said to have said, crankily, that
ninety-nine percent of everything is crap. True
enough. Every year, I aim, along with the guest
judge, to find that other one percent—to lap
up whatever rises to, or spills over, the top.
Regular readers will recognize a few familiar
names in this collection: Simon Sheppard,
Wayne Courtois, Shane Allison, Jeff
Mann, Alana Noël Voth, horehound stillpoint,
and Andy Quan. Some are new to the book,
though they’ve been published elsewhere: Sam
J. Miller, Tim Miller, Jason Shults, and Tom Cardamone. Different voices, different styles, different kinks,
with quality as the common denominator.
But it’s a particular pleasure to include first-time writers—
new to publication, or at least new to me. There are five such
authors, more than usual: Lee Houck, mixing sexual memories
with the immediacy of an encounter out of control; Arden
Hill, writing about the power of cool seduction; Charlie
Vazquez, with a story about the rewards of role reversal in sex
play; Rhidian Brenig Jones, whose tale explores how good sex
is a salve that eases the pain of love gone wrong; and Andrew
McCarthy, whose characters exult in the thrill of public sex.
Emanuel Xavier had his own publishing debut in 1997 with
the short story “Motherfuckers,” an excerpt from what became
the novel Christ Like. It’s been more than two decades
since we met; in that time, he rose to literary prominence, curated
trendsetting reading events and published the poetry collections
Pier Queen, Americano: Growing Up Gay & Latino
in the USA, If Jesus Were Gay & other poems, and Nefarious,
and edited Bullets & Butterflies: queer spoken word poetry,
Mariposas: A Modern Anthology of Queer Latino Poetry, and
Me No Habla with Acento: Contemporary Latino Poetry. It’s
been a treat to spend time with him again.
Richard Labonté
Bowen Island, British Columbia