MEMORIES OF MY FATHER

1

When we drove a spike too weak into wood too hard

we got, not

the satisfied grunt of everything organized to go downward,

but a sudden yodel,

like a funny bone singing.

I don’t want to go back to that workbench

with its smell of spruce sawdust, where the voice

inside things cracks, and changes, ever again.

2

The sound doesn’t come from the wheel-rims of the milk wagon rattling the milk and the cream down the hard earth of Oswald Street,

nor from the ice cream wagon of Peter Pellagi, whose horse, we all knew, dropped a horse bun under the wagon whenever Peter scooped ice cream inside it,

nor from the cart of the scissors-grinder, who frictioned black steel into Faustian sparkles,

nor from the wagon of the iceman, who stabbed out a block of that silenced water and lugged it in tongs into the house,

nor from the horse and team of the ragman, who from the next street began bellowing his indecipherable cry, possibly “Old rags!” or was it just the noise inside things that have turned into old rags, “AWWWWRAGHHH!”

The sound comes from none

of these now no ones, but from the no one himself,

the father, who neither brings up the rear nor goes on ahead,

and never rides alongside;

and it approaches closer and closer

and just before arriving goes farther and farther away.

3

In another generation

the father and son come skidding down

the embankment together. They wade

through the shallows, where the bright water

tumbles upon itself making self-licking noises,

then swim to the rock which, like a leak, lets bits of the river fly out.

Everywhere else the water lies flat

and yet seems to slide past faster than other water,

as if there is that force in it

that intimidates matter and can twist

the laws of physics, like the libido inside the lawn bowler’s bowling ball, which dawdles it along well after it has used up its impetus.

The father and son laugh—unrhythmic, lovely noise—and, as if
entropy just then curled its tongue inside it, the river cowlicks.

From a town somewhere a consecrated bell knocks

its mild accurate notes all the way to the river.

The boy picks up a pebble, puts it

in the pointed place at the bottom of his pocket,

first checking with a finger for a hole,

then they climb back up

to the path, which, in the schemelessness of things, soon works its way back down

to the banks of that secretly frantic water

still shedding its impressions of their bodies,

in which a few, small, horned fishes quietly drift.

4

Can a father give his son

what he himself never possessed,

or lacks the courage to wish up from his own deprivation?

Unlike the boy, who will turn into the father,

and unlike the father, who will turn into no one,

the pebble on the windowsill does not wrinkle, does not die,

though one day it will get lost,

or be thrown out,

maybe by the father the boy who stuck it in his pocket in the first place becomes,

when he forgets what it was he wanted the pebble to remember.

5

The motes inside the rays

of sun crossing the room of the childhood house

do not settle but keep turning

through themselves, like the Z° bosons inside matter,

which know the moment they stop they get plucked up,

with a short sucking noise, like a camera shutter capturing a soul,

and belong to the past even before they exist;

in something of the way that childhood happened already;

or like the wedding kiss.

6

When I come back to my father’s house,

it will be in any month, though I have loved

fall, and August, and the august moon,

and the moonstruck flagstones going to the door.

When I come back someone will be singing

in an upstairs room, and I will stop

just inside the door to hear who it is,

or is it someone I don’t know, singing,

in my father’s house, when I come back?

7

Those we love from the first

can’t be put aside or forgotten,

after they die they still must be cried

out of existence, tears must make

their erratic runs down the face,

over the fullnesses, into

the craters, confirming,

the absent will not be present,

ever again. Then the lost one

can fling itself outward, its million

moments of presence can scatter

through consciousness freely, like snow

collected overnight on a spruce bough

that in midmorning bursts

into glittering dust in the sunshine.