My involvement with a project called Unlimited began a few years ago, when a film producer called with a quick question about a story line in a screenplay. This led to longer conversations, which led to personal meetings, which led to my being invited to join the project as one of the writers and executive producers. Crafting a novel tied to the film’s release—the book you are holding in your hands—soon became part of the vision.
Vision is truly the right word. Through this project I have come to know some of the most inspired—and inspirational—individuals I have ever encountered. They exemplify the big idea behind this work: how to unleash the God-given forces of success that live in every one of us. Like most film projects, this one had its share of explosive possibilities and unforeseen disappointments. But the integrity and perseverance of the team carried us through—toward the silver screen and unto the page. So I want to begin these pages by expressing my thanks.
First of all, to film producer Chad Gundersen, whose latest project at that time was Like Dandelion Dust, based on the best-selling novel by Karen Kingsbury. He had another project in development, one based upon the life and teachings of Dr. Harold Finch—an inventor and educator who achieved exceptional results in business. For decades, Harold had devoted his resources to fund missionary projects and orphanages. He had lectured around the world on the dynamics of success from a biblical perspective, and wanted to capture that legacy in a film. I had enjoyed an international business career prior to becoming a novelist, so the concept—and the man—seized my attention.
I soon met Harold Finch, a day I will never forget. He is difficult to thank on this acknowledgments page, because he has made such an unexpectedly deep impact on various aspects of my life. His teachings on setting and achieving goals have enhanced my spiritual and professional growth. His friendship, and the example he sets in matters large and small, will stay with me forever. So thank you, Harold.
I was then drawn into the Unlimited team, with Chad making introductions to Nathan Frankowski, a writer and director, and Jon Stone, a cowriter. The main setting for the story is an orphanage in the Mexican borderlands. After months of behind-the-scenes work, the film went into production in Texas. I spent time on the set getting to know the crew and actors. Interacting with these highly talented and dedicated artists was a great privilege. I learned much about the beauty and sorrows which mark today’s Mexico.
From the professionals behind the camera, I would especially like to thank Michael Charske (Location Manager), Elise Graham (Line Producer), and Jacob Cena (Assistant Cinematographer). Notably, Jacob shared his ordeals as a survivor of the gang warfare that has overwhelmed the city of Juarez.
From the actors I gained insights into the back-story of the roles they played. I then applied these character lessons in the development of this novel. My profound thanks go to Robert Amaya, Fred Thompson, Emilio Roso, Oscar Avila, Crystal Martinez, and Daniel Ross Owens. Unusually, rather than the film being based on a novel, this novel is essentially based on a film. I was encouraged when someone pointed out a winning precedent—the 1970s movie Love Story was only later adapted into a best-selling book.
Vital assistance—both creative and practical—was provided by many others. Vinnie and Jodie Carafano direct the orphanage where the filming took place. Mary Beth Maifield is Director of the Youth-with-a-Mission orphanage in Juarez; she brought the plight of these children into vivid clarity. Brenda Luna-Bravo, who was raised in the YWAM orphanage and is now studying at the university in El Paso, shared many hardships and the value of hope. David Mullens is a pastor who runs a missionary church. For three generations, his family has farmed two thousand acres in Mexico. This has all been jeopardized by the violence that has swept the country. David introduced me to life in the border regions, and the meaning of not only surviving but thriving through a steadfast faith. Julio Marin is youth pastor at the Calvary Chapel of Melbourne, Florida, familiar with leading mission trips to Mexico. Even before I left for the filming, this dear friend helped me build the platform that supported this story. And speaking of stories—another word of thanks to Julie Gwinn for her early enthusiasm for this novel.
I need to return to Chad Gundersen, and the multifaceted talents he deploys in making an idea into a reality. He brought me into this world of film production, and these experiences have made Unlimited one of the most singular projects of my career. Chad, for your partnership and friendship I will always be grateful.
Finally, my final heartfelt thanks go to Isabella, my wife and dearest friend. Thank you, darling, for the gifts of wisdom and strength and love.