Hari Alluri

Body Is Not a Thing to Escape

My sister in navigation, from another migration, lights up a childhood story,

passes me a drag. That’s when Lolo’s ghost appears — to take one also. Ripples

in this working river at the pier below us, and I tell the one about the nail clipper

interviewing Nanay for a job. Picture the clippings. The man in the suit

allowing them to fall, discarded moons instead of questions.

That was already over here, and I already existed, but before I started to haunt

whatever Lolo pictured to keep his feet moving. In April’s warming rain

as he Death-Marched from Bataan. Years before my future nanay shimmered

into view. The log ripples subside. Too many rivers, their memory also

just for them, have watched somebody’s lolo scour a rock — or turning

rooster vane — for signs of coming blood. My sis knows all too well

when body isn’t sign of love, when it doesn’t mean worth grieving.

This is for the ground that pushed up at his feet and hers, that pushed our nanays

into another haunting; elsewhere from those islands; those islands

whose roots are centipedes of flame.

This, for cardboard boxes on weigh-scales at airports troubling the sepia rhyme

with nostalgia. Lies we forge begin us again from paleness at the mouth of sleep

(nothing gets passed down through generations like silence).

If I didn’t raise my cup in this story, help me raise it now. Cheers

any moment that brings back the heckle of Lolo’s cough. The bacon oil

hop-burn, at my forearm from before my sister’s telling. Thanks be

to this joy that haunts like a raft undone, to tunnels we leave

each other in our stories. Between us, the smoke

improvises its own lineage. Lolo, do you see? I also have a sister you never

got to meet. When she sings, I hear the lullaby’s rev

the Death March failed to take from you. I see your body walking

on any day but that and getting up to walk on that day, too.

My sister, you would recognize anting-anting in her: the engine

of her work: a hunger that turns a spoon into a hand: your hand

at my mouth: feeding me something your words can’t,

keeping me from biting my tongue.

*For & After Cynthia Dewi Oka