WORKS BY DIANA VREELAND
Vreeland, Diana. D.V., ed. George Plimpton and Christopher Hemphill. New York: Knopf, 1984. Reprint, New York: Da Capo, 1997.
———. Allure, with Christopher Hemphill. Boston: Bulfinch, 1980. Reprint, 2002.
———. Vreeland Memos: Visionaire 37. New York: Visionaire, 2001.
SELECTED PRIMARY SOURCES
Diana Vreeland Papers. Manuscript and Archives Division, the New York Public Library and Estate of Diana Vreeland.
Diana Vreeland Tapes. Estate of Diana Vreeland.
Correspondence between Diana Vreeland and Mona Bismarck. Filson Historical Society Special Collections Department. Louisville, Kentucky.
The Richard Avedon Foundation archive, New York.
Papers of Sir Cecil Beaton, St. John’s College Library, University of Cambridge.
Costume Institute Archives, Metropolitan Museum of Art.
Louise Dahl-Wolfe Archive, Center of Creative Photography, University of Arizona, Tucson.
Hoffman and Dalziel Family Albums.
Dodie Kazanjian Papers. Archives of American Art, Smithsonian Institution, Washington, DC.
Metropolitan Museum of Art Archives.
Calvin Tomkins Papers, Series 11. Museum of Modern Art Archives, New York.
SELECTED ARTICLES
Collins, Amy Fine. “It Had to Be Kenneth.” Vanity Fair, June 2003.
———. “The Cult of Diana.” Vanity Fair, November 1993.
Dalziel, Emily Hoffman. “Ten Thousand Miles from Fifth Avenue.” Harper’s Bazaar, February 22, 1922.
Donovan, Carrie. “Diana Vreeland, Dynamic Fashion Figure, Joins Vogue.” New York Times, March 28, 1962.
Druesedow, Jean L. “In Style: Celebrating Fifty Years of the Costume Institute.” The Metropolitan Museum of Art Bulletin, fall 1987.
Fraser, Kennedy. “On and Off the Avenue: Feminine Fashions.” The New Yorker, June 16, 1973.
Kornbluth, Jesse. “The Empress of Clothes.” New York magazine, November 29, 1982.
Lieberson, Jonathan. “Empress of Fashion: Diana Vreeland.” Interview, December 1980.
———. “Embarras de Richesse: The Life of Diana Vreeland.” New York Review of Books, June 28, 1984.
Macdonald, Nesta. “Diaghilev Retrieved.” Dance Magazine, March 1979.
McCooey, Meriel. “Why Don’t You Knit Yourself a Little Skullcap?” Sunday Times, March 17, 1968.
McGuigan, Cathy. “The Style Maker’s Best Creation Was Herself,” Newsweek, September 4, 1989.
Menkes, Suzy. “Stripping Off for Dressing Up.” The Times, May 31, 1983.
Morris, Bernadine. “The Era of Balenciaga: It Seems So Long Ago.” New York Times, March 23, 1973.
———. “This Show Will Have the Most Shattering Effect on Fashion,” New York Times, December 14, 1973.
———. “Metropolitan Toasts a Dazzling Russia of Old.” New York Times, December 7, 1976.
Perelman, S. J. “Frou-Frou, or the Future of Vertigo.” The New Yorker, April 16, 1938.
Pumphrey, Martin. “The Flapper, the Housewife and the Making of Modernity.” Cultural Studies, Vol. 1, No. 2, (May 1987).
Solomon, Andrew. “Invitation to the Dance,” Vogue, November 2007.
Tomkins, Calvin. “The World of Carmel Snow.” The New Yorker, November 7, 1994.
Trow, George W. S. “Inventive.” The New Yorker, December 24, 1973.
———. “Haute, Haute Couture.” The New Yorker, May 26, 1975.
———. “Women of Style.” The New Yorker, December 29, 1975.
———. “Turnout.” The New Yorker, December 17, 1979.
———, and Alison Rose. “Eclectic, Reminiscent, Amused, Fickle, Perverse.” The New Yorker, June 5, 1978.
———.“Notes and Comment.” The New Yorker, December 20, 1976.
Weymouth, Lally. “A Question of Style: A Conversation with Diana Vreeland.” Rolling Stone, August 11, 1977.
“How to Get into the Fashion Business.” Harper’s Bazaar, August 1939.
SELECTED COSTUME INSTITUTE EXHIBITION PUBLICATIONS
The publications listed here were produced by the Metropolitan Museum of Art to accompany Diana Vreeland’s costume exhibitions. Books produced by other publishers in conjunction with her exhibitions are listed under “Selected Books” below.
The World of Balenciaga. New York: Metropolitan Museum of Art, 1973.
The Tens, the Twenties, the Thirties: Inventive Clothes 1909–1939. Checklist. New York: Metropolitan Museum of Art, 1973.
The Tens, the Twenties, the Thirties: Inventive Clothes 1909–1939. Catalog. New York: Metropolitan Museum of Art, 1973.
Romantic and Glamorous Hollywood Design. New York: Metropolitan Museum of Art, 1974.
American Women of Style. New York: Metropolitan Museum of Art, 1975.
Vanity Fair. New York: Metropolitan Museum of Art, 1977.
Diaghilev: Costumes and Designs of the Ballets Russes. Checklist. New York: Metropolitan Museum of Art, 1978.
Diaghilev: Costumes and Designs of the Ballets Russes. Catalog. New York: Metropolitan Museum of Art, 1978.
The Fashions of the Hapsburg Era: Austria-Hungary. Checklist. New York: Metropolitan Museum of Art, 1978.
The Eighteenth-Century Woman. New York: Metropolitan Museum of Art, 1981.
La Belle Époque. Checklist. New York: Metropolitan Museum of Art, 1983.
Jullian, Philippe, with illustrations selected by Diana Vreeland. La Belle Époque. New York: Metropolitan Museum of Art, 1982.
Yves Saint Laurent. Checklist. New York: Metropolitan Museum of Art, 1983.
Yves Saint Laurent. Essays to accompany the exhibition by Yves Saint Laurent and others, introduction by Diana Vreeland. New York: Metropolitan Museum of Art, 1984.
Martin, Richard, and Harold Koda. Diana Vreeland: Immoderate Style. Metropolitan Museum of Art, 1993.
Chanel. Metropolitan Museum of Art, 2005.
SELECTED COSTUME INSTITUTE ACOUSTIGUIDES
The Tens, the Twenties, the Thirties: Inventive Clothes 1909–1939. Metropolitan Museum of Art, 1973.
Romantic and Glamorous Hollywood Design. Metropolitan Museum of Art, 1974.
The Glory of Russian Costume. Metropolitan Museum of Art, 1976.
Dance. Metropolitan Museum of Art, 1986.
SELECTED BOOKS
Adler, Kathleen, Erica Hirshler, and Barbara H. Weinberg. Americans in Paris, 1860–1900. London: National Gallery Company, 2006.
Albrecht, Donald. Cecil Beaton: The New York Years. New York: Skira Rizzoli, 2011.
Angeletti, Norberto, and Alberto Oliva. In Vogue: The Illustrated History of the World’s Most Famous Fashion Magazine. New York: Rizzoli, 2006.
Arnold, Rebecca. Fashion, Desire and Anxiety: Image and Morality in the 20th Century. London: I. B. Tauris, 2001.
———. The American Look: Fashion, Sportswear and the Image of Women in 1930s and 1940s New York. London: I. B. Tauris, 2009.
Bacall, Lauren. By Myself and Then Some. New York: HarperEntertainment, 2005.
Bailey, David, with notes by Francis Wyndham. David Bailey’s Box of Pin-Ups. London: Weidenfeld & Nicolson, 1965.
———, with text by Martin Harrison. Black and White Memories: Photographs 1948–1969. London: Dent, 1983.
Bailey, David, and Peter Evans Goodbye Baby & Amen: A Saraband for the Sixties. London: Condé Nast; Coward-McCann, 1969.
Baldwin, Billy. Billy Baldwin Remembers. New York: Harcourt Brace Jovanovich, 1974.
———, with Michael Gardine. Billy Baldwin: An Autobiography. Boston: Little, Brown, 1985.
Ballard, Bettina. In My Fashion. London: Secker & Warburg, 1960.
Bassman, Lillian. Lillian Bassman. Boston: Bulfinch, 1997.
Beaton, Cecil. Cecil Beaton’s Scrapbook. London: B. T. Batsford Ltd, 1937.
———. Cecil Beaton’s New York. London: B. T. Batsford, 1938.
———. The Glass of Fashion. London: Weidenfeld & Nicolson, 1954.
Beaton, Cecil, introduction by Hugo Vickers. The Unexpurgated Beaton: The Cecil Beaton Diaries as They Were Written. London: Weidenfeld & Nicolson, 2002.
———. Beaton in the Sixties: More Unexpurgated Diaries. London: Weidenfeld & Nicolson, 2003. Hugo Vickers, ed.
Bender, Marilyn. The Beautiful People: A Candid Examination of a Cultural Phenomenon—the Marriage of Fashion and Society in the 60’s. New York: Coward-McCann, 1967.
Berenson, Marisa, with a foreword by Diana Vreeland. Dressing Up: How to Look and Feel Absolutely Perfect for Any Social Occasion. New York: Putnam, 1984.
Birchfield, James D. Kentucky Countess: Mona Bismarck in Art & Fashion. Lexington: University of Kentucky Art Museum, 1997.
Blanch, Lesley. The Wilder Shores of Love. London: John Murray, 1954, Reprint, London: Orion, 1993, reissued in 2010.
Blass, Bill. Ed. Cathy Horyn. Bare Blass. New York: HarperCollins, 2002.
Bloom, Alexander, ed. Long Time Gone: Sixties America Then and Now (Viewpoints on American Culture). New York: Oxford University Press, 2001.
Bockris, Victor. Warhol. London: Penguin, 1990.
Boston, Anne. Lesley Blanch: Inner Landscapes, Wilder Shores. London: John Murray, 2010.
Bowles, Hamish. Jacqueline Kennedy: The White House Years. Boston: Bulfinch, 2001.
———. Balenciaga and Spain. New York: Skira Rizzoli, 2011.
———, ed. Alexandra Kotur. The World in Vogue: People Parties Places. New York: Alfred A. Knopf, 2009.
Breward, Christopher. Fashion. Oxford: Oxford University Press, 2003.
———, and Caroline Evans, eds., Fashion and Modernity. London: Berg, 2005.
Bronstein, Carolyn. Battling Pornography: The American Feminist Anti-Pornography Movement, 1976–1986. New York: Cambridge University Press, 2011.
Campbell, Nina, and Caroline Seebohm. Elsie de Wolfe: A Decorative Life. London: Aurum, 1993.
Capstick, Fiona Claire. The Diana Files: The Huntress-Traveller Through History. Johannesburg: Rowland Ward, 2004.
Carter, Ernestine, introduction by Diana Vreeland. The Changing World of Fashion. London: Weidenfeld & Nicolson, 1977.
Carter, Robert A. Buffalo Bill Cody: The Man Behind the Legend. New York: John Wiley, 2000.
Cassini, Oleg. A Thousand Days of Magic: Dressing Jacqueline Kennedy for the White House. New York: Rizzoli, 1995.
———. In My Own Fashion: An Autobiography. New York: Simon and Schuster, 1987.
Chase, Edna Woolman, and Ilka Chase. Always in Vogue. London: Victor Gollancz, 1954.
Chatwin, Bruce. What Am I Doing Here? London: Jonathan Cape, 1989.
Chaney, Lisa. Chanel: An Intimate Life. London: Fig Tree, 2011.
Clarke, Gerald. Capote: A Biography. New York: Simon & Schuster, 1988.
Colacello, Bob. Holy Terror: Andy Warhol Close Up. New York: HarperCollins, 1990.
Collins, Gail. When Everything Changed: The Amazing Journey of American Women from 1960 to the Present. Boston: Back Bay, 2009.
Coontz, Stephanie. A Strange Stirring: The Feminine Mystique and American Women at the Dawn of the 1960s. New York: Basic, 2011.
Coudert, Thierry. Café Society: Socialites, Patrons and Artists, 1920–1960. Paris: Flammarion, 2010.
Courcy, Anne de. 1939: The Last Season. London: Thames and Hudson, 1989.
Craik, Jennifer. The Face of Fashion: Cultural Studies in Fashion. London: Routledge, 1994.
Cyrulnik, Boris. Trans. David Macey. Resilience: How Your Inner Strength Can Set You Free From the Past. London: Penguin, 2009.
Dahl-Wolfe, Louise. A Photographer’s Scrapbook. London: Quartet, 1984.
Daves, Jessica. Ready-Made Miracle: The Story of American Fashion for the Millions. New York: G. P. Putnam’s Sons, 1967.
Devlin, Polly. Vogue Book of Fashion Photography. London: Thames & Hudson, 1979.
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. London: Picador, 1996.
Drehle, David Von. Triangle: The Fire That Changed New York. New York: Atlantic Monthly Press, 2003.
DuBois, Diana. In Her Sister’s Shadow: An Intimate Biography of Lee Radziwill. Boston: Little, Brown, 1995.
Dwight, Eleanor. Diana Vreeland. New York: William Morrow, 2002.
Esten, John. Diana Vreeland: Bazaar Years. New York: Universe, 2001.
Ewing, William A. The Photographic Art of Hoyningen-Huene. London: Thames & Hudson, 1986.
Faucigny-Lucinge, Jean-Louis de. Legendary Parties. New York: Vendome, 1987.
Friedan, Betty. The Feminine Mystique, with an introduction by Lionel Shriver. London: Penguin Classics, 2010.
Golbin, Pamela, ed. Madeleine Vionnet. New York: Rizzoli, 2009, to accompany Madeleine Vionnet, Puriste de la Mode, exhibition at the Musée de la Mode et du Textile (Les Arts Décoratifs), Paris, from June 24, 2009 to January 31, 2010.
Goldberg, Vicki, and Nan Richardson. Louise Dahl-Wolfe, with a foreword by Dorothy Twining Globus. New York: Harry N. Abrams, 2000.
Gottlieb, Robert. Lives and Letters. New York: Farrar, Straus & Giroux, 2011.
Grant, Linda. The Thoughtful Dresser. London: Virago, 2009.
Gray, Francine du Plessix. Them: A Memoir of Parents. New York: Penguin, 2005.
Gross, Michael. Rogues’ Gallery: The Secret History of the Moguls and Money That Made the Metropolitan Museum. New York: Broadway, 2009.
Gundlach, F .C. Martin Munkácsi. London: Thames & Hudson, 2006.
Hall, Carolyn. The Thirties in Vogue. London: Octopus, 1984.
Hampton, Mark, and Mary Louise Wilson. Full Gallop. New York: Dramatists Play Service, 1997.
Harris, Alexandra. Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper. London: Thames & Hudson, 2010.
Harrison, Martin. David Bailey. London: Collins, 1984.
Haslam, Nicholas. Redeeming Features: A Memoir. London: Jonathan Cape, 2009.
Hawes, Elizabeth. Fashion Is Spinach: Experiences of a Dress Designer in France and the United States of America. New York: Random House, 1938.
Heale, M. J. The Sixties in America: History, Politics and Protest. Edinburgh: Edinburgh University Press, 2001.
Herzog, Lester W. 150 Years of Service and Leadership: The Story of National Commercial Bank and Trust Company. New York: Newcomen Society in North America, 1975.
Higham, Charles. Mrs. Simpson: Secret Lives of the Duchess of Windsor. London: Pan, 2005.
Hobsbawm, Eric. The Age of Extremes: The Short Twentieth Century, 1914–1991. London: Abacus, 1994.
Holgate, Mark. “Couture and Culture on the News Stand: Vogue and Harper’s Bazaar 1945 to 1960.” Thesis submitted to fulfill requirement of M.A. History of Design Course, run jointly by the Royal College of Art and the V & A Museum, 1994.
Homberger, Eric. Mrs. Astor’s New York: Money and Social Power in a Gilded Age. New Haven: Yale University Press, 2002.
Hoving, Thomas. Making the Mummies Dance: Inside the Metropolitan Museum of Art. New York: Simon & Schuster, 1993.
Howell, Georgina. In Vogue: Six Decades of Fashion. London: Allen Lane, 1975.
Hutto, Richard Jay. Their Gilded Cage: The Jekyll Island Club Members. Macon, GA: Henchard, 2006.
Jowitt, Deborah. Time and the Dancing Image. Berkeley: University of California Press, 1989.
Kazanjian, Dodie, and Calvin Tomkins. Alex: The Life of Alexander Liberman. New York: Alfred A. Knopf, 1993.
Keenan, Brigid. The Women We Wanted to Look Like. London: Macmillan, 1977.
Lane, Kenneth Jay. Kenneth Jay Lane: Faking It. New York: Harry N. Abrams, 1996.
Lawford, Valentine. Horst: His Work and His World. New York: Knopf, 1984.
———, photographed by Horst, introduction by Diana Vreeland. Vogue’s Book of Houses, Gardens, People. London: Bodley Head, 1968.
Lawson, Twiggy, with contributions by Terence Pepper, Robin Muir, and Melvin Sokolsky. Twiggy: A Life in Photographs. London: National Portrait Gallery, 2009, to accompany the exhibition Twiggy: A Life in Photographs, London, from September 18, 2009, to March 24, 2010.
Lawson, Twiggy, with Penelope Dening. Twiggy in Black and White. London: Simon & Schuster, 1997.
Lee, Sarah Tomerlin, ed. American Fashion: The Life and Times of Adrian, Mainbocher, McCardell, Norell, Trigère. New York: Quadrangle/New York Times, 1975.
Lehndorff, Vera, and David Wills. Veruschka. New York: Assouline, 2008.
Lerman, Leo. The Museum: One Hundred Years and the Metropolitan Museum of Art. New York: Viking, 1969.
———. The Grand Surprise: The Journals of Leo Lerman, ed. Stephen Pascal. New York: Alfred A. Knopf, 2007.
Levin, Phyllis Lee. The Wheels of Fashion. New York: Doubleday, 1965.
MacGraw, Ali. Moving Pictures. New York: Bantam, 1991.
Manzoni, Pablo, introduction by Diana Vreeland. Instant Beauty: The Complete Way to Perfect Make-Up. New York: Simon & Schuster, 1978.
McClung, Bruce D. Lady in the Dark: Biography of A Musical. New York: Oxford University Press, 2007.
McConathy, Dale, with Diana Vreeland. Hollywood Costume: Glamour, Glitter, Romance. New York: Harry N. Abrams, 1976.
McDowell, Colin. Manolo Blahnik. New York: HarperCollins, 2000.
Mears, Patricia. American Beauty: Aesthetics and Innovation in Fashion. New Haven: Yale University Press in association with Fashion Insitute of Technology, New York, 2009.
Mendes, Valerie, and Amy de la Haye. 20th Century Fashion. London: Thames & Hudson, 1999.
Milbank, Caroline Rennolds. New York Fashion: The Evolution of American Style. New York: Harry N. Abrams, 1989.
Miller, Lesley Ellis. Christobal Balenciaga (1895–1972): The Couturiers’ Couturier. London: V&A, 2007.
Mirabella, Grace. In and Out of Vogue. New York: Doubleday, 1995.
Moore, Lucy. Anything Goes: A Biography of the Roaring Twenties. London: Atlantic, 2009.
Morano, Elizabeth (introduction), foreword by Diana Vreeland. Sonia Delaunay. New York: George Braziller, 1986.
Morgan, Maud. Maud’s Journey: A Life from Art. Berkeley: New Earth, 1995.
Mower, Sarah. Oscar: The Style, Inspiration and Life of Oscar de la Renta. New York: Assouline, 2002.
Mulvagh, Jane. Vogue History of 20th Century Fashion. London: Bloomsbury, 1992.
Onassis, Jacqueline, ed. In the Russian Style. New York: Viking, 1976.
On the Edge: Images from 100 Years of Vogue, introduction by Kennedy Fraser. New York: Random House, 1992.
Palmer, Alexandra. Dior: A New Look, A New Enterprise (1947–57). London: V&A, 2009.
Parkinson, Norman. Lifework, 2003. London: Weidenfeld & Nicolson, 1983.
Penn, Irving, and Diana Vreeland. Inventive Paris Clothes 1909–1939: A Photographic Essay by Irving Penn with Text by Diana Vreeland. New York: Viking, 1977.
Petigny, Alan. The Permissive Society: America, 1941–1965. New York: Cambridge University Press, 2009.
Picardie, Justine. Coco Chanel: The Legend and the Life. London: HarperCollins, 2010.
Plimpton, George. Truman Capote: In Which Various Friends, Enemies, Acquaintances, and Detractors Recall His Turbulent Career. New York: Doubleday, 1997.
Pritchard, Jane, ed. Diaghilev and the Golden Age of the Ballets Russes, 1909–1929. London: V&A, 2010.
Purcell, Kerry William. Alexey Brodovitch. London: Phaidon, 2002.
Quant, Mary. Autobiography. London: Headline, 2012.
Rense, Paige, ed. Celebrity Homes: Architectural Digest Presents the Private Worlds of Thirty International Personalities. New York: Penguin, 1979.
Ross, Josephine. Beaton in Vogue. London: Thames & Hudson, 1986.
———. Society in Vogue: The International Set between the Wars. London: Condé Nast, 1992.
Rowlands, Penelope. A Dash of Daring: Carmel Snow and Her Life in Fashion, Art, and Letters. New York: Atria, 2005.
Sassoon, Vidal. Vidal: The Autobiography. London: Macmillan, 2010.
Schlumberger, Jean, with Diana Vreeland. Jean Schlumberger. Milano: Franco Maria Ricci, 1976.
Schulenberg, Fritz von der. Balnagown: Ancestral Home of the Clan Ross: A Scottish Castle through Five Centuries. London: Brompton, 1997.
Seebohm, Caroline. The Man Who Was Vogue: The Life and Times of Condé Nast. New York: Viking, 1982.
Shrimpton, Jean. Jean Shrimpton: An Autobiography. London: Sphere, 1991.
Silverman, Debora. Selling Culture: Bloomingdale’s, Diana Vreeland, and the New Aristocracy of Taste in Reagan’s America. New York: Pantheon, 1986.
Smith, Florence Pritchett. These Entertaining People. New York: Macmillan, 1966.
Smith, Jane S., introduction by Diana Vreeland. Elsie de Wolfe: A Life in the High Style. New York: Atheneum, 1982.
Snow, Carmel, and Mary Louise Aswell. The World of Carmel Snow. New York: McGraw-Hill, 1962.
Sokolsky, Melvin, text by Martin Harrison. Seeing Fashion. Santa Fe, NM: Arena, 2000.
Sotheby’s. The Diana Vreeland Collection of Fashion Jewelry. New York: Sotheby’s, 1987.
———. Property from the Estate of Diana D. Vreeland. New York: Sotheby’s, 1990.
Steele, Valerie. Women of Fashion: Twentieth-Century Designers. New York: Rizzoli International, 1991.
———. Fifty Years of Fashion: New Look to Now. New Haven: Yale University Press, 1997.
———. Fashion, Italian Style. New Haven: Yale University Press, 2003.
Steinhart, Edward I. Black Poachers, White Hunters: A Social History of Hunting in Colonial Kenya. Oxford: James Currey, 2006.
Stern, Bert. The Last Sitting. London: Orbis, 1982.
Talley, André Leon. A.L.T: A Memoir. New York: Villard, 2003.
Tapert, Annette, and Diana Edkins. The Power of Style. New York: Crown, 1994.
Trahey, Jane, ed. Harper’s Bazaar: 100 Years of the American Female. New York: Random House, 1967.
Vickers, Hugo. Cecil Beaton: The Authorized Biography. London: Weidenfeld & Nicolson, 1985.
———. Behind Closed Doors: The Tragic, Untold Story of the Duchess of Windsor. London: Hutchinson, 2011.
Vreeland, Lisa Immordino. Diana Vreeland: The Eye Has to Travel. New York: Abrams, 2011.
Walz, Barbra, with photographs by Barbra Walz and text by Bernadine Morris. The Fashion Makers. New York: Random House, 1978.
Warhol, Andy. Ed. Pat Hackett. The Andy Warhol Diaries. London: Simon & Schuster, 1989.
Welters, Linda, and Abby Lillethun, eds. The Fashion Reader. Oxford, New York: Berg, 2007.
Wilcox, Claire, ed. The Golden Age of Couture: Paris and London 1947–57. London: V&A, 2007.
Wills, David. Ara Gallant. Bologna: Damiani, 2010.
Wilson, Elizabeth. Adorned in Dreams: Fashion and Modernity. London: Virago, 1985, new edition updated and revised, reprinted 2010, London: I. B. Tauris.
Yohannan, Kohle, and Nancy Nolf. Claire McCardell: Redefining Modernism. New York: Harry N. Abrams, Inc., 1998.
The 1972 World Book Year Book: The Annual Supplement to the World Book Encylopedia. Chicago: Field Enterprises, 1972.
SELECTED FILMS AND TV PROGRAMS
Feature Films
Funny Face, directed by Stanley Donen. Paramount Pictures, 1957.
Who Are You, Polly Magoo? directed by William Klein, 1966.
Documentaries
Richard Avedon: Darkness and Light, directed by Helen Whitney, American Masters Series, PBS, 1996.
Bailey on Beaton, directed by Bill Verity, ATV, 1971.
Chop Suey, directed by Bruce Weber, 2001.
Diana Vreeland: The Eye Has to Travel, directed by Lisa Immordino Vreeland, 2011.
Television programs
“At the Met: the Eighteenth-Century Woman.” Arts Cable, 1982.
“At the Met: La Belle Epoque 1890–1914.” Arts Cable, 1983.
“Degas, Erté, and Chagall.” Mastervision Arts Series, 1977.
‘The Empress and the Commissioner,” directed by Don Monroe for Andy Warhol TV, Manhattan Cable, 1980.
Theater Production Recording
Full Gallop, by Mark Hampton and Mary Louise Wilson, starring Mary Louise Wilson. Videotaped by The New York Public Library’s Theater on Film and Tape Archive at the Waterside Theater (Downstairs), New York, N.Y., August 13, 1997.