Introduction

As compiled by Arthur Conan Doyle, the original cases of Sherlock Holmes may be categorized in any number of ways. There are, for example, those that feature animals such as The Hound of the Baskervilles, “The Veiled Lodger,” and “The Lion’s Mane.” Others, like “A Case of Identity” and “The Noble Bachelor,” may be labelled as stories of love gone awry. Some, like “The Three Garridebs” and “The Dancing Men,” feature American villains. And still others, like “The Second Stain” and “The Bruce Partington Plans,” depict political subterfuge.

The eleven stories gathered together in this two-volume anthology share their own common feature. All have connections to the world of belles lettres, the world of literature—some to authors in particular, others to themes or stories associated with specific writers.

In both volumes, the stories appear in the chronological order of the cases they depict. Those in Volume One take place before Sherlock Holmes reappears from his presumed death at the Reichenbach Falls. The stories in the second volume proceed well into his retirement.

By way of introduction to the stories, allow me to establish their literary associations:

Let others plumb this collection for more subtle themes. From Maupassant to Fitzgerald, the authorial giants who populate the pages of both volumes are explanation enough for its title. As interesting as such literary associations may be, of course, one can never forget that these sketches depict a series of heartless criminal acts—some more gruesome than others—in the finest tradition of all the other adventures of Sherlock Holmes.

Daniel D. Victor, Ph.D.

Los Angeles, California

June 2019