THE AUTHOR

José Maria de Eça de Queiroz was born on 25th November 1845 in the small town of Povoa de Varzim in the north of Portugal. His mother was nineteen and unmarried. Only the name of his father – a magistrate – appears on the birth certificate. Following the birth, his mother returned immediately to her respectable family in Viana do Castelo, and Eça was left with his wetnurse, who looked after him for six years until her death. Although his parents married later – when Eça was four – and had six more children, Eça did not live with them until he was twenty-one, living instead either with his grandparents or at boarding school in Oporto, where he spent the holidays with an aunt. His father only officially acknowledged Eça as his son when the latter was forty. He did, however, pay for his son’s studies at boarding school and at Coimbra University, where Eça studied Law, and was always supportive of his writing ambitions. After working as the editor and sole contributor on a provincial newspaper in Évora, Eça made a trip to the Middle East. Then, in order to launch himself on a diplomatic career, he worked for six months in Leiria, a provincial town north of Lisbon, as a municipal administrator, before being appointed consul in Havana (1872–74), Newcastle-upon-Tyne (1874–79) and Bristol (1879–88). In 1886, he married Emília de Castro with whom he had four children. His last consular posting was to Paris in 1888. He served there until his death in 1900 at the age of only 54.

He began writing stories and essays as a young man and became involved with a group of intellectuals known as the Generation of ’70, who were committed to reforms in society and in the arts. He published four novels and one novella during his lifetime: The Crime of Father Amaro (3 versions: 1875, 1876, 1880),Cousin Bazilio (1878),The Mandarin (1880), The Relic (1887) and The Maias (1888). His other novels were published posthumously: The City and the Mountains, The Illustrious House of Ramires, To the Capital, Alves & Co., The Letters of Fradique Mendes, The Count of Abranhos and The Tragedy of the Street of Flowers.