This is how Alan rebuilt
the Thompson Brothers canoe:
He loosened the gunnels,
pulled the tacks
out, unscrewed the keel,
and the old canvas fell away.
He fixed a couple of broken
ribs, set the frame inside
a canvas hammock
pulled with block and tackle.
Inside that, he set
concrete blocks for weight,
and wiggled the frame
for a week until the canvas
loved its shape. He wrapped
and tacked the ends, coated
the canvas with sealer
hard enough to sand.
Then he screwed the gunnels
on, then the brass
at bow and stern, then
to keel. This is how much
love there is in the fingers,
in the shapes given to the eye
when the eye hardly knows
what it sees. The fingers
draw back the shape
of sliding through
the water, of evening
and morning, of coming
along the cusp
of light and dark
with no sound, moving
pulling itself.
The paddle goes down
like muscle, a faint slap.
The shape is the channel,
the ribbed basket,
the lightness of breaking
through, the suspension
between sky and floor,
a sigh, a stretch
of canvas like a drawn
bow, lean as fingers.