The bibliography includes works used, rather than just cited. Images that are not represented, sound recordings, and dance steps are listed separately at the end.
Accademia degli Intornati di Siena. Gl’ingannati (The Deceived). In Five Comedies from the Italian Renaissance, translated and edited by Laura Giannetti and Guido Ruggiero. Baltimore, MD: John Hopkins University Press, 2003.
Ackerman, James S., and Myra Nan Rosenfeld. “Social Stratification in Renaissance Urban Planning.” In Urban Life in the Renaissance, edited by Susan Zimmerman and Ronald F.E. Weissman, 21–49. Newark, DE: University of Delaware Press, 1989.
Ajmar, Marta. “Exemplary Women in Renaissance Italy: Ambivalent Models of Behaviour?” In Renaissance Characters, edited by Eugenio Garin, 244–64. Chicago: University of Chicago Press, 1991.
– See also Ajmar-Wollheim, Marta.
Ajmar-Wollheim, Marta, and Flora Dennis, eds. At Home in Renaissance Italy: Art and Life in the Italian House, 1400–1600. London: Victoria and Albert Museum Publications, 2006.
Ajmar-Wollheim, Marta, Flora Dennis, and Ann Matchette. “Introduction: Approaching the Italian Renaissance Interior; Sources, Methodologies, Debates.” Renaissance Studies 20, no. 5 (2006): 623–8.
Alberti, Leon Battista. Dinner Pieces (Intercenales). Translated by David Marsh. Binghamton, NY: Renaissance Society of America, New York, 1987.
– The Family in Renaissance Florence (I libri della famiglia). Translation and introduction by Renée Watkins. Columbia: University of South Carolina Press, 1969.
– Leon Battista Alberti on Painting. Translation, introduction, and notes by John R. Spencer. New Haven, CT: Yale University Press, 1966.
Alessandrini, Rinaldo (director). Alessandro Striggio: La Cacci. Concerto Italiano. Compact disc with liner notes.
Altman, Joel. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: University of California Press, 1978.
Ambrosini Federica. “Toward a Social History of Women in Venice.” In Venice Reconsidered: The History and Civilization of an Italian City-State, 1297–1797., edited by John Martin and Dennis Romano. Baltimore, MD: Johns Hopkins University Press, 2000.
Andreini, Francesco. “Cortesi lettori.” In Il teatro delle favole rappresentative by Flaminio Scala, ed. Ferruccio Marotti. 2 vols. Milan: Il Polifilo, 1976.
Andreini, Giovanni Battista. Le due comedi in comedia. Venice, Imberti, 1623. In Commedie dell’Arte, edited by Siro Ferrone, vol. 2, 17–105. Milan: Mursia, 1986.
Andreini, Isabella. “Biasimo di I vecchi innamorati.” In La Commedia dell’Arte, edited by Cesare Molinari and Renzo Guardenti, 977. Rome: Istituto poligrafico e Zecca dello Stato, 1999.
– Fragmenti di alcune scritture. Edited by Francesco Andreini and Flaminio Scala. Venice, Combi, 1617. In La commedia dell’arte: Storia e testo, edited by Vito Pandolfi, vol. 2 of 6, 58–60. Florence: Sansoni, 1957–61.
Andrews, Richard. “Anti-feminism in Commedia Erudita.” In Contexts of Renaissance Comedy., edited by Janet Clare and Roy Eriksen, 11–31. Oslo: Novus, 1997.
– “How—and Why—Does One Print Scenarios? Flaminio Scala, 1611,” Italian Studies 61, no. 1 (2006): 36–49.
– Introduction to The Commedia dell’Arte of Flaminio Scala: A Translation and Analysis of 30 Scenarios, by Flaminio Scala, ix–lvi. Edited and translated by Richard Andrews. Lanham, MD.: Scarecrow Press, 2008.
– “Molière, commedia dell’arte, and the Question of Influence in Early Modern European Theatre.” Modern Language Review 11, no. 2 (2005): 444–63.
– “Rhetoric and Drama: Monologues and Set Speeches in Aretino’s Comedies.” In The Languages of Literature in Renaissance Italy, edited by Peter Hainsworth, Valerio Lucchesi, Christina Roaf, David Robey, and J. R. Woodhouse, 153–68. Oxford: Clarendon Press, 1988.
– Scripts and Scenarios: The Performance of Comedy in Renaissance Italy. Cambridge: Cambridge University Press, 1993.
– “Shakespeare and Italian Comedy.” In Shakespeare and Renaissance Europe., edited by Andrew Hadfield and Paul Hammond, 123–48. London: Arden Shakespeare, 2005.
– “Theatre.” In Cambridge History of Italian Literature, edited by Peter Brand and Lino Pertile. Cambridge: Cambridge University Press, 1996.
– “Writing as Re-Arranging: Flaminio Scala in 1611.” Unpublished conference paper, University of Strathclyde, Glasgow, 27 October 2006.
Anonymous. Gli scenari Correr: La commedia dell’arte a Venezia. Edited by Carmelo Alberti. Rome: Bulzoni, 1996.
Appuhn, Karl. “Tools for the Development of the European Economy.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 259–78. Oxford: Blackwell, 2002.
Aretino, Pierto. La cortigiana. Translation by J. Douglas Campbell and Leonard G. Sbrocchi. Introduction by. Raymond B. Waddington. Ottawa: Dovehouse, 2003.
Ariosto, Ludovico. La lena. Edited by Guido Davico Bonino. Turin: G. Einaudi, 1976.
– Il Negromante. Tutte le opera di Ludovico Ariosto: Commedie. Vol. 4, edited by Angela Casella, Gabriella Ronschi, et al. Cesare Segre, general editor. Milan: Mondador, 1974.
– Orlando Furioso. Translated by David R. Slavitt. Cambridge, MA.: Harvard University Press, 2009.
Aristotle. Aristotle on the Art of Poetry. Edited and translated by Ingram Bywater. Preface by Gilbert Murray. Oxford: Clarendon Press, 1920.
Arnold, Thomas F. “Violence and Warfare in the Renaissance World.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 460–74. Oxford: Blackwell, 2002.
Astarita, Tommaso. Between Salt Water and Holy Water: A History of Southern Italy. New York: W.W. Norton, 2005.
Bahktin, Mikhail. Rabelais and His World. Translated by Helene Iswolsky. Bloomington: Indiana University Press, 1968.
Baldini, Ugo. “The Roman Inquisition’s Condemnation of Astrology: Antecedents, Reasons, and Consequences.” In Church, Censorship, and Culture in Early Modern Italy, edited by Gigliola Fragnito, translated by Adrian Belton, 79–110. Cambridge: Cambridge University Press, 2001.
Banchieri, Adriano. La pazzia senile. Stuttgart: Cornetto, 1997.
Bargagli, Girolamo. The Female Pilgrim (La pellegrina). Translation, introduction, and notes by Bruno Ferraro. Ottawa: Dovehouse Editions, 1988.
Bartoli, Adolfo. Scenari inediti della Commedia dell’Arte contributo alla storia del teatro popolare. Florence: G.C. Sansoni, 1880.
Beckett, Samuel. Waiting for Godot. London: Faber, 2010.
Beecher, Donald A. “Intriguers and Tricksters: The Manifestation of an Archetype in the Comedy of the Renaissance.” In Comparative Critical Approaches to Renaissance Comedy, edited by Donald Beecher and Massimo Ciavolella, 53–72. Ottawa: Dovehouse, 1986.
– “Introduction: ‘Erudite’ Comedy in Renaissance Italy.” In Renaissance Comedy: The Italian Masters, edited by Donald Beecher, vol. 1 of 2, 3–35. Toronto: University of Toronto Press, 2008.
– ed. Renaissance Comedy: The Italian Masters. Vol. 1. Toronto: University of Toronto Press, 2008.
Bell, Rudolph M. How to Do It: Guides to Good Living for Renaissance Italians. Chicago: University of Chicago Press, 1999.
Bembo, Pietro. Gli Asolani. Translated by Rudolf B. Gottfried. Bloomington: University of Indiana Press, 1954.
Bevington, David. Action Is Eloquence: Shakespeare’s Language of Gesture. Cambridge, MA: Harvard University Press, 1984.
Bibbiena, Bernardo Dovizi. La calandra. In Five Comedies from the Italian Renaissance, translated and edited by Laura Giannetti and Guido Ruggiero, 1–70. Baltimore, MD: Johns Hopkins University Press, 2003.
Biow, Douglas. “Food: Petro Aretino and the Art of Conspicuous Consumption.” In The Renaissance World, edited by John Jeffries Martin, 501–16. New York: Routledge, 2007.
Black, Christopher F. Early Modern Italy: A Social History. London: Routledge, 2001.
Boccaccio, Giovanni. The Decameron. Edited and translated by Frances Winwar. New York: Modern Library, 1955.
Brand, Peter. “Disguise in Renaissance Comedy.” Comparative Criticism 10 (1988): 68–92.
Bristol, Michael D. “Theater and Popular Culture.” In A New History of Early English Drama, edited by John D. Cox and David Scott Kastan, 231–50. New York: Columbia University Press, 1997.
Brown, Judith C. Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. Oxford: Oxford University Press, 1986.
Brown, Patricia Fortini. Private Lives in Renaissance Venice: Art, Architecture, and the Family. New Haven, CT: Yale University Press, 2004.
Brucker, Gene. Florence: The Golden Age, 1138–1737. New York: Abbeville Press, 1984. First published as Firenze: 1138–1737; L’impero del fiorino. Milan: Arnoldo Mondadori, 1983.
– Giovanni and Lusanna: Love and Marriage in Renaissance Florence. Berkeley: University of California Press, 1986.
Bruni, Domenico. Prologue to his Lo specchio, 1621. In La commedia dell’arte e la societa barocca: La professione del teatro, edited by Feruccio Marotti and Giovanna Romei, 413–5. Rome: Bulzoni, 1991.
Burckhardt, Jacob. The Civilization of the Renaissance in Italy. Translated by S.G.C. Middlemore. Part 6. London: S. Sonnenschein, 1904.
Burke, Kenneth. Counter-Statement. University of Chicago Press, 1968. First published 1931.
Burke, Peter. The Art of Conversation. Ithaca, NY: Cornell University Press, 1993.
– Culture and Society in Renaissance Italy, 1420–1540. New York: Charles Scribner, 1972.
– The Historical Anthropology of Early Modern Italy: Essays on Perception and Communication. Cambridge: Cambridge University Press, 1987.
– “The Historical Geography of the Renaissance.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 88–104. Oxford: Blackwell, 2002.
– The Italian Renaissance. Culture and Society in Renaissance Italy, 1420–1540. Revised second edition. Princeton, NJ: Princeton University Press, 1999.
– Popular Culture in Early Modern Europe. New York: Harper and Row, 1978.
– “Worldviews: Some Dominant Traits.” In The Italian Renaissance, edited and introduced by Harold Bloom, 177–202. Philadelphia: Chelsea House, 2004.
Burton, Robert. The Anatomy of Melancholy., Vol. 1 of 3. New York: Everyman, 1964.
Bylebyl, Jerome J. “The School of Padua: Humanistic Medicine in the Sixteenth Century.” In Health, Medicine, and Mortality in the Sixteenth Century, edited by Charles Webster, 335–70. Cambridge: Cambridge University Press, 1979.
Caillois, Roger. Man, Play, and Games. Translated by Meyer Barash. New York: Free Press, 1961.
Calvi, Giulia. “Widows, the State, and the Guardianship of Children in Early Modern Tuscany.” In Widowhood in Medieval and Early Modern Europe, edited by Sandra Cavallo and Lyndan Warner, 209–19. New York: Longman, 1999.
Camporesi, Piero. Bread of Dreams: Food and Fantasy in Early Modern Europe. Translation by David Gentilcore. Chicago: University of Chicago Press, 1989. Originally published as Il pane selvaggio. Bologna: Il mulino, 1980.
– The Land of Hunger. Translation by Tania Croft-Murray with the assistance of Claire Foley. Italian dialect and Latin text translation by Shayne Mitchell. Cambridge: Polity Press, 1996. Originally published as Il paese della fame. Bologna: Il Mulino, 1978.
Cantarella Eva. “Homicides of Honor: The Development of Italian Adultery Law over Two Millennia.” In The Family in Italy from Antiquity to the Present, edited by David L. Kertzer and Richard P. Saller. New Haven, CT: Yale University Press, 1991.
Carboni, Stefano. Venice and the Islamic World, 828–1797. New Haven, CT: Yale University Press, 2007.
Carlsmith, Christopher. A Renaissance Education: Schooling in Bergamo and the Venetian Republic, 1500–1650. Toronto: University of Toronto Press, 2010.
Carlson, Marvin. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present. Expanded edition. Ithaca, NY: Cornell University Press, 1993.
Carruthers, Mary. The Book of Memory: A Study of Memory in Medieval Culture. Revised second edition. Cambridge: Cambridge University Press, 2008.
– The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400–1200. Cambridge: Cambridge University Press, 1998.
Castiglione, Baldesar. The Book of the Courtier (Il cortegiano). Translation and introduction by George Bull. New York: Penguin, 1976.
Castiglione, Caroline. “Mothers and Children.” In The Renaissance World, edited by John Jeffries Martin, 381–97. New York: Routledge, 2007.
Cavallo, Sandra, and Simona Cerutti. “Female Honor and the Social Control of Reproduction in Piedmont between 1600 and 1800.” Translated by Mary M. Gallucci. In Sex and Gender in Historical Perspective, edited by Edward Muir and Guido Ruggiero, 73–109. Baltimore, MD: Johns Hopkins University Press, 1990.
Cécchi, Giovanni Maria. The Horned Owl (L’assiuolo). Translated by Konrad Eisenbichler. Waterloo, ON: Wilfrid Laurier University Press, 1981.
Chamberlin, E.R. Everyday Life in Renaissance Times. New York: Perigree, 1980.
– The World of the Italian Renaissance. London: Allen and Unwin, 1982.
Chojnacki, Stanley. “’The Most Serious Duty’: Motherhood, Gender, and Patrician Culture in Renaissance Venice.” In The Italian Renaissance: The Essential Readings, edited by Paula Findlen, 173–91. Oxford: Blackwell, 2002.
– Women and Men in Renaissance Venice: Twelve Essays on Patrician Society. Baltimore, MD: Johns Hopkins University Press, 2000.
Cicero, Tullius. De oratore. Translated by E.W. Sutton. Cambridge, MA: Harvard, Loeb Classical Library, 1942.
Clubb, Louise George. Italian Drama in Shakespeare’s Time. New Haven, CT: Yale University Press, 1989.
– “Italian Renaissance Theatre.” The Oxford Illustrated History of Theatre, edited by John Russell Brown, 107–41. Oxford: Oxford University Press, 1995.
– “Italian Stories on Stage.” In The Cambridge Companion to Shakespearean Comedy, edited by Alexander Leggatt, 32–46. Cambridge: Cambridge University, 2002.
– “Looking Back on Shakespeare and Italian Theatre.” Renaissance Drama 36/37 (2010): 3–19.
– “Pictures for the Reader: A Series of Illustrations to Comedy, 1591–92.” Renaissance Drama, 9 (1966): 265–78.
– Romance and Aretine Humanism in Sienese Comedy, 1516: Pollastra Parthenio at the Studio di Siena. With Robert Black and Giovanni Pollastra. Siena and Florence: La Nuova Italia, 1993.
– “The State of the Arte in the Andreini’s Time.” In Studies in the Italian Renaissance: Essays in Memory of Arnolfo B. Ferruolo, edited by Gian Paolo Biasin, Albert N. Mancini, and Nicholas J. Perella, 263–79. Naples: Società Editrice Napoletana, 1985.
– “Theatregrams.” In Comparative Critical Approaches to Renaissance Comedy, edited by Donald Beecher and Massimo Ciavolella, 15–33. Ottawa: Dovehouse, 1986.
Coffin, David R. The Villa in the Life of Renaissance Rome. Princeton: Princeton University Press, 1979.
Cohen, Elizabeth S. “Honor and Gender in the Streets of Early Modern Rome.” Journal of Interdisciplinary History 22, 4 (1992): 597–625.
Cohen, Thomas V. Love and Death in Renaissance Italy. Chicago: University of Chicago Press, 2004.
Cope, Jackson L. Secret Sharers in Italian Comedy from Machiavelli to Goldoni. Durham, NC: Duke University Press, 1996.
Cowan, Alexander. “Cities, Towns, and New Forms of Culture.” In The Renaissance World, edited by John Jeffries Martin, 101–17. New York: Routledge, 2007.
Crabb, Ann. The Strozzi of Florence: Widowhood and Family Solidarity in the Renaissance. Ann Arbor: University of Michigan Press, 2000.
Crane, Thomas Frederick. Italian Social Customs of the Sixteenth Century and Their Influence on the Literatures of Europe. New York: Russell and Russell, 1971. First published 1920 by Johns Hopkins University Press.
Crane, William G. Wit and Rhetoric in the Renaissance: The Formal Basis of Elizabethan Prose Style. Gloucester, MA: Peter Smith, 1964.
Dandelet, Thomas James. Spanish Rome, 1500–1700. New Haven, CT: Yale University Press, 2001.
Davis, Robert C. Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, the Barbary Coast, and Italy, 1500–1800. New York: Palgrave, 2003.
– “The Geography of Gender in the Renaissance.” In Gender and Society in Renaissance Italy, edited by Judith C. Brown and Robert C. Davis, 19–38. London and New York: Longman, 1998.
– “The Renaissance Goes Up in Smoke.” The Renaissance World, edited by John Jeffries Martin, 398–409. New York: Routledge, 2007.
Dawkins, Richard. The Selfish Gene. Revised edition. Oxford: Oxford University Press, 1989. First published 1976.
Dean, Trevor. “Fathers and Daughters: Marriage Laws and Marriage Disputes in Bologna and Italy, 1200-1500.” In Marriage in Italy, 1300–1650, edited by Trevor Dean and K J. P. Lowe. Cambridge: Cambridge University Press, 1998, 85–106.
de Jorio Andrea. Gesture in Naples and Gesture in Classical Antiquity (La mimica degli antichi investigata nel gestire napoletano). Translation and introduction by Adam Kendon. Bloomington: Indiana University Press, 2000.
Dekker, Rudolf M., and Lotte C. van de Pol. The Tradition of Female Transvestism in Early Modern Europe. New York: St Martin’s Press, 1989.
de Vries, Jan. European Urbanization, 1500–1800. Cambridge, MA: Harvard University Press, 1984.
Di Maria, Salvatore. The Italian Tragedy in the Renaissance: Cultural Realities and Theatrical Innovations. Lewisburg, PA: Bucknell University Press, 2002.
di Villaviera, Rita Casagrande. Le cortigiane veneziane del Cinquecento. Milan: Longanesi, 1968.
Dixon, Laurinda S. Perilous Chastity: Women and Illness in Pre-Enlightenment Art and Medicine. Ithaca, NY: Cornell University Press, 1995.
[Donatus, Aelius?]. “On Comedy and Tragedy” (De Comoedia et Tragoedia). In Sources of Dramatic Theory, edited and annotated by Michael J. Sidnell. Cambridge: Cambridge University Press, 1991.
Doran, Madeleine. Endeavors of Art: A Study of Form in Elizabethan Drama. Madison: University of Wisconsin Press, 1954.
Dovizi da Bibbiena, Bernardo. La calandra. In Five Comedies from the Renaissance, translated and edited by Laura Gianetti and Guido Ruggiero. Baltimore, MD: Johns Hopkins University Press, 2003.
Duchartre, Pierre Louis. The Italian Comedy: The Improvisation, Scenarios, Lives, Attributes, Portraits, and Masks of the Illustrious Characters of the Commedia dell’Arte. Translated by Randolph T. Weaver. New York: Dover, 1966. Originally published 1929.
Duckworth, George E. The Nature of Roman Comedy: A Study in Popular Entertainment. Princeton: Princeton University Press, 1952.
Dursteler, Eric R. Renegade Women: Gender, Identity, and Boundaries in the Early Modern Mediterranean. Baltimore, MD: Johns Hopkins University Press, 2011.
Eamon, William. “The Scientific Renaissance.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 403–24. Oxford: Blackwell, 2002.
Edmundson, Mark. “Against Readings.” Profession 2009, 56–65.
Eisenach, Emlyn. Husbands, Wives, and Concubines: Marriage, Family, and Social Order in Sixteeth-Century Verona. Kirksville, MO: Truman State University Press, 2004.
Eramus, Desiderius. Copia: Foundations of the Abundant Style. In Collected Works of Erasmus, edited by Craig R. Thomson, translated and edited by Betty I. Knott. Toronto: University of Toronto Press, 1970.
– Erasmus on Women. Edited by Erika Rummel. Toronto: University of Toronto Press, 1996.
Farr, James R. “Honor, Law, and Custom in Renaissance Europe.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 124–38. Oxford: Blackwell, 2002.
Ferraro, Joanne M. “Family and Clan in the Renaissance World.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 173–87. Oxford: Blackwell 2002.
– Marriage Wars in Late Renaissance Venice. Oxford: Oxford University Press, 2001.
Ferrone, Siro. “La nevrosi postale.” In Comici dell’arte: Corrispondenze: G.B. Andreini, N. Barbieri, P.M. Cecchini, S. Fiorillo, T .Martinelli, F. Scala, edited by Claudia Buratelli, Domenica Landofi, and Anna Zinanni, directed by Siro Ferrone, 37–43. Florence: Le Lettere, 1993.
Findlen, Paula, ed. The Italian Renaissance: The Essential Readings. Oxford: Blackwell, 2002.
Fitzpatrick, Tim. The Relationship of Oral and Literate Performance Processes in the Commedia dell’Arte: Beyond the Improvisation/Memorisation Divide. Lewiston, NY: Edward Mellen Press, 1995.
Fregulia, Jeanette M. “Widows, Legal Rights, and the Mercantile Economy of Early Modern Milan.” In Early Modern Women: An Interdisciplinary Journal 3 (2008): 233–8.
Friedrichs, Christopher R. The Early Modern City, 1450–1750. London: Longman, 1995.
Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton: Princeton University Press, 1957.
Gallaway, Marian. Constructing a Play. New York: Prentice Hall, 1950.
Galli, Quirino. Gli scenari di Flaminio Scala: Lingua e teoria teatrale. Salerno: Pietro Laveglia, 2005.
Gentilcore, David. Medical Charlatanism in Early Modern Italy. Oxford: Oxford University Press, 2006.
Ghirardo, Dianne Yvonne. “The Topography of Prostitution in Renaissance Ferrara.” Journal of the Society of Architectural Historians 60, no. 4 (2001): 402–31.
Giannetti, Laura. Lelia’s Kiss: Imagining Gender, Sex, and Marriage in Italian Renaissance Comedy. Toronto: University of Toronto Press, 2009.
– See also Ruggiero, Laura Giannetti.
Gilbert, Felix. Machiavelli and Guicciardini: Politics and History in Sixteenth-Century Florence. Princeton: Princeton University Press, 1965.
Gilligan, James. Violence: Reflections on Our Deadliest Epidemic. London: Jessica Kinsley, 2000.
Goldthwaite, Richard A. The Economy of Renaissance Florence. Baltimore, MD: Johns Hopkins University Press, 2009.
Gordon, Bonnie. “The Courtesan’s Singing Body as Cultural Capital in Seventeenth-Century Italy.” In The Courtesan’s Arts: Cross-Cultural Perspectives, edited by Martha Feldman and Bonnie Gordon, 182–208. Oxford: Oxford University Press, 2006.
Greene, Thomas M. Light in Troy: Imitation and Discovery in Renaissance Poetry. New Haven, CT: Yale University Press, 1982.
Grendler, Paul F. Books and Schools in the Italian Renaissance. Brookfield, VT: Variorum, 1995.
– Critics of the Italian World, 1530–1560: Anton Francesco, Doni Nicolò Franco, and Ortensio Lando. Madison: University of Wisconsin Press, 1969.
– “Form and Function in Italian Renaissance Popular Books.” Renaissance Quarterly 46, no. 3 (1993): 451–85.
– Schooling in Renaissance Italy: Literacy and Learning, 1300–1600. Baltimore, MD: Johns Hopkins University Press, 1989.
Guazzo, Stefano. La civil conversazione. Edited by Amedeo Quondam. Vol. 1. Modena, Italy: Franco Cosimo Panini, 1993.
Guicciardini, Francesco. The History of Italy. Translated, edited, notated, and introduced by Sidney Alexander. New York: Macmillan, 1969.
– Maxims and Reflections of a Renaissance Statesman (Ricordi). Translation by Mario Domandi. Introduction by Nicolai Rubinstein. New York: Harper and Row, 1965.
Günsberg, Maggie. Gender and the Italian Stage. Cambridge: Cambridge University Press, 1997.
– “Gender Deceptions: Cross-Dressing in Italian Renaissance Comedy.” In Women in Italian Renaissance Culture and Society, edited by Letizia Panizza. Oxford: Oxford University Press, 2000.
Hacke, Daniela. “‘Non lo volevo per marito in modo alcuno’: Forced Marriages, Generational Conflicts, and the Limits of Patriarchal Power in Early Modern Venice, c. 1580–1680.” In Time, Space, and Women’s Lives in Early Modern Europe, edited by Anne Jacobson Schutte, et al., 203–21. Kirksville, MO: Truman State University Press, 2001.
– Women, Sex, and Marriage in Early Modern Venice. Burlington, VT: Ashgate, 2004.
Hale, John. The Civilization of Europe in the Renaissance. London: Harper Collins, 1993.
Hanlon, Gregory. Early Modern Italy, 1500–1800: Three Seasons in European History. New York: St Martins, 2000.
– “Violence and Its Control in the Late Renaissance: An Italian Mode.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 139–55. Oxford: Blackwell, 2002.
Helgerson, Richard. Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting. Chicago: University of Chicago Press, 2000.
Henderson, Diana E. “The Theatre and Domestic Culture.” In A New History of Early English Drama, edited by John D. Cox and David Scott Kastan, 173–94. New York: Columbia University Press.
Henke, Robert. “The Italian Mountebank and the Commedia dell’Arte.” Theatre Survey 38, no. 2 (1997): 1–30.
– Performance and Literature in the Commedia dell’Arte. Cambridge: Cambridge University Press, 2002.
– “Representations of Poverty in the Commedia dell’Arte.” Theatre Survey 48, no. 2 (2007): 229–46.
– “Towards Reconstructing the Audiences of the Commedia dell’Arte.” Essays in Theatre 15, no. 2 (1997): 207–20.
Herrick, Marvin T. Comic Theory in the Sixteenth Century. Urbana: University of Illinois Press, 1950.
– Italian Comedy in the Renaissance. Urbana: University of Illinois Press, 1960.
Hill, John Walter. Roman Monody, Cantata, and Opera from the Circles around Cardinal Montalto. Vol. 1. Oxford: Clarendon Press, 1997.
Hirsh, James E. The Structure of Shakespearean Scenes. New Haven, CT: Yale University Press, 1981.
Howard, Jean E. “Cross-Dressing, the Theater, and Gender Struggle in Early Modern England.” In Crossing the Stage: Controversies in Cross-Dressing, edited by Lesley Ferris, 20–46. London: Routledge, 1993.
Hyland, Peter. Disguise on the Early Modern English Stage. Burlington, VT: Ashgate, 2011.
Jarzombek, Mark. On Leon Battista Alberti: His Literary and Aesthetic Theories. Cambridge, MA: MIT Press, 1989.
Johnson, Steven. Where Good Ideas Come From: The Natural History of Innovation. New York: Riverhead, 2010.
Junkerman, Anne Christine. “The Lady and the Laurel: Gender and Meaning in Giogione’s Laura.” Oxford Arts Journal 16 (1993): 49–58.
Kamen, Henry. Early Modern European Society. London: Routledge, 2000.
Katritzky, M.A. The Art of Commedia: A Study in the Commedia dell’Arte, 1560–1620, with Special Reference to the Visual Record. Amsterdam: Rodopi, 2006.
– Healing, Performance, and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platte. Burlington, VT: Ashgate, 2012.
– “Reading the Actress in Commedia Imagery.” In Women Players in England, 1500–1660: Beyond the All-Male Stage, edited by Pamela Allen Brown and Peter Parolin, 109–43. Hampshire, UK: Ashgate, 2005.
– Women, Medicine, and Theatre, 1500–1750. Burlington, VT: Ashgate, 2007.
Kennard, Joseph Spencer. Masks and Marionettes. Port Washington, NY: Kennikat, 1967. First published 1935.
Kent, Dale V. Friendship, Love, and Trust in Renaissance Florence. Cambridge, MA: Harvard University Press, 2009.
Kent, Dale V., and Francis William Kent. Neighbours and Neighbourhood in Renaissance Florence: The District of the Red Lion in the Fifteenth Century. Locust Valley, NY: J.J. Augustin, 1982.
Kent, Francis William. “‘Be Rather Loved Than Feared’: Class Relations in Quattrocento Florence.” In Society and Individual in Renaissance Florence, edited by William J. Connell, 13–50. Berkeley: University of California Press, 2002.
– Household and Lineage in Renaissance Florence: The Family Life of the Capponi, Ginori, and Rucellai. Princeton: Princeton University Press, 1977.
Kerr, Rosalind. “Isabella Andreini (Comica Gelosa, 1562–1604): Petrarchism for the Theatre Public.” Quaderni d’Italianistica 27, no. 2 (2006): 71–92.
Kiernan, V.G. The Duel in European History: Honour and the Reign of Aristocracy. Oxford: Oxford University Press, 1988.
King, Margaret L. “The Woman of the Renaissance.” In Renaissance Characters, edited by Eugenio Garin, translated by Lydia G. Cochrane, 207–49. Chicago: University of Chicago Press, 1991.
Klapisch-Zubar, Christiane. Women, Family, and Ritual in Renaissance Italy. Translated by Lydia Cochrane. Chicago: University of Chicago Press, 1985.
Knox, Dilwyn. “Civility, Courtesy, and Women in the Italian Renaissance.” In Women in Italian Renaissance Culture and Society, edited by Letizia Panizza, 2–17. Oxford: University of Oxford Press, 2000.
Kuehn, Thomas. “Inheritance and Identity in Early Renaissance Florence: The Estate of Paliano di Falco.” In Society and Individual in Renaissance Florence, edited by William J. Connell, 137–54. Berkeley: University of California Press, 2002.
– Law, Family, and Women: Toward a Legal Anthropology of Renaissance Italy. Chicago: University of Chicago Press, 1991.
Lancaster, Jordan. In the Shadow of Vesuvius: A Cultural History of Naples. London: I.B. Tauris, 2005.
Lawner, Lynne. Loves of the Courtesans: Portraits of the Renaissance. New York: Rizzoli, 1987.
Lea, Kathleen Marguerite. Italian Popular Comedy: A Study in the Commedia dell’Arte, 1560–1620, with Special Reference to the English Stage. Vol. 2 of 2. New York: Russell and Russell, 1962 (1934).
Leslie, Robert W. “Sforza Oddi and the Commedia Grave.” Comparative Drama 30, no. 4 (1996–7): 525–51.
Lillie, Amanda. “The Humanist Villa Revisited.” In Language and Images of Renaissance Italy, edited by Alison Brown, 193–215. Oxford: Oxford University Press, 1995.
Lombardi, Daniela. “Intervention by Church and State in Marriage Disputes in Sixteenth- and Seventeenth-Century Florence.” In Crime, Society, and Law in Renaissance Italy, edited by Trevor Dean and K.J.P. Lowe, 142–56. Cambridge: Cambridge University Press, 1994.
Lopez, Jeremy. “Imagining the Actor’s Body on the Early Modern Stage.” In Medieval and Renaissance Drama in England, edited by S.P. Cerasano, 187–203. Madison, NJ: Fairleigh Dickinson University Press, 2007.
– Theatrical Convention and Audience Response in Early Modern Drama. Cambridge: Cambridge University Press, 2003.
Machiavelli, Niccolò. The Art of War. Translated and edited with commentary by Christopher Lynch. Chicago: University of Chicago Press, 2003.
– Discourses. Edited with an introduction by Bernard Crick. Translation by Leslie J. Walker. Book 1, chap. 43. New York: Penguin, 1970.
– History of Florence and the Affairs of Italy http://www.gutenberg.org/catalog/world/readfile?fk_files=227128&pageno=28.
– “How a State Is Ruined Because of Women.” In Discourses on Livy, translated by Harvey C. Mansfield and Nathan Tarcov, book 3. Chicago: University of Chicago Press, 1996.
– La mandragola (The Mandrake Root). In Five Comedies from the Renaissance, translated and edited by Laura Giannetti and Guido Ruggiero. Baltimore, MD: Johns Hopkins University Press, 2003.
– The Prince. Translation, introduction and notes by James B. Atkinson. Indianapolis, IN: Hackett, 2008. First published 1976 by Bobbs-Merrill.
MacNeil, Anne. Music and Women of the Commedia dell’Arte in the Late Sixteenth Century. Oxford: Oxford University Press, 2003.
Maczak, Antoni. Travel in Early Modern Europe. Translated by Ursula Phillips. Cambridge: Polity Press, 1995.
Mallett, Michael. “The Condottiere.” In Renaissance Characters, edited by Eugenio Garin, translated by Lydia G. Cochrane, 22–45. Chicago: University of Chicago Press, 1997.
– Mercenaries and Their Masters: Warfare in Renaissance Italy. Totowa, NY: Rowman and Littlefield, 1974.
Marchi, Lucia. “Chasing Voices, Hunting Love: The Meaning of the Italian Caccia.” Essays in Medieval Studies 27 (2011): 13–31.
Marotti, Ferruccio. “Il teatro della favole rappresentative: Un progetto utópico.” Biblioteca teatrale, no. 15/16 (1976): 191–215.
Martin, John Jeffries. “The Myth of Renaissance Individualism.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 208–24. Oxford: Basil Blackwell, 2002.
– Myths of Renaissance Individualism. New York: Palgrave, 2004.
Masten, Jeffrey. “Playwrighting: Authorship and Collaboration.” In A New History of Early English Drama, edited by John D. Cox and David Scott Kastan, 357–82. New York: Columbia University Press, 1997.
Meek, Christine. “Women between the Law and Social Reality” In Women in Italian Renaissance Culture and Society, edited by Letizia Panizza, 182–93. Oxford: Oxford University Press, 2000.
Mengarelli, Stefano. “New Developments in Commedia Research: The Commedia all’improvviso Pictures in the Corsini Manuscript; A New Reading.” Early Theatre 11, no. 2 (2008): 212–26.
Molho, Anthony. Marriage Alliance in Late Medieval Florence. Cambridge, MA: Harvard University Press, 1994.
Molière, Jean Baptiste. The School for Wives (L’école des femmes). In Plays by Molière. Introduction by Francis Fergusson. New York: Random House, 1950.
Molinari, Cesari. “‘Le favole rappresentative’ di Flaminio Scala.” In La Commedia dell’Arte, 133–9. Milan: Arnoldo Mondadori, 1985.
Moryson, Fynes. An Itinerary Containing His Ten Yeeres Travell through the Twelve Dominions of Germany, Bohmerland, Sweitzerland, Netherland, Denmarke, Poland, Italy, Turky, France, England, Scotland, & Ireland, vol. 1. New York: MacMillan, 1907.
Moulton, Ian Frederick. “The Illicit Worlds of the Renaissance.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 491–505. Oxford: Blackwell, 2002.
Mowat, Barbara. “The Theater and Literary Culture.” In A New History of Early English Drama, edited by John D. Cox and David Scott Kastan, 213–30. New York: Columbia University Press, 1997.
Muir, Edward. “The Double Binds of Manly Revenge in Renaissance Italy.” In Gender Rhetorics: Postures of Dominance and Submission in History, edited by Richard C. Trexler, 65–82. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
– Mad Blood Stirring: Vendetta and Factions in Friuli during the Renaissance. Baltimore, MD: Johns Hopkins University Press, 1993.
– Ritual in Early Modern Europe. Cambridge: Cambridge University Press, 2005.
Muir, Edward, and Ronald F.E. Weissman. “Social and Symbolic Places in Renaissance Venice and Florence.” In The Power of Place: Bringing Together Geographical and Sociological Imaginations, edited by John A. Agnew and James S. Duncan. Boston: Unwin Hyman, 1989.
Najemy, John M. “Giannozzo and His Elders: Alberti’s Critique of Renaissance Patriarchy.” In Society and Individual in Renaissance Florence, edited by William J. Connell, 51–78. Berkeley: University of California Press, 2002.
Neely, Carol Thomas. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca, NY: Cornell University Press, 2004.
Orlin, Lena Cowen. “Three Ways to Be Invisible in the Renaissance.” In Renaissance Culture and the Everyday, edited by Patricia Fumerton and Simon Hunt, 183–203. Philadelphia: University of Pennsylvania Press, 1999.
Palmieri, Matteo. Della vita civile trattato di Matteo Palmieri. Milan: N. Bettoni, 1830. Originally Libro della via civile. Florence: Giunti, 1529.
Pandolfi, Vito. La commedia dell’arte: Storia e testo. Edited by Vito Pandolfi. Vol. 2 of 6. Florence: Sansoni, 1957–61.
Perkins, William. The Work of William Perkins. Edited by Ian Breward. Appleford, UK: Suttor Courtenay Press, 1970.
Perloff, Marjorie. Unoriginal Genius: Poetry by Other Means in the New Century. Chicago: University of Chicago Press, 2010.
Perrucci, Andrea. A Treatise on Acting, from Memory and by Improvisation. La Commedia dell’Arte a Napoli: Edizione Bilingue dei 176 Scenari Casamarciano. Bilingual Italian and English edition. Edited and translated by Francesco Cotticelli, Anne Goodrich Heck, and Thomas F. Heck. Lanham, MD: Scarecrow, 2008.
Petrarch, Francesco. Letters from Petrarch. Translated by Morris Bishop. Bloomington: Indiana University, 1966.
Piccolomini, Alessandro. “Alessandro.” Translated by Rita Belladonna. In vol. 1 of Renaissance Comedy: The Italian Masters, edited and introduced by Donald Beecher. Toronto: University of Toronto Press, 2008.
Pietropaolo, Domenico. “The Stage in the Text: A Theatrical Stratification of Italian Renaissance Comedy.” In Comparative Critical Approaches to Renaissance Comedy, edited by Donald Beecher and Massimo Ciavolella, 35–51. Toronto: University of Toronto Press, 1986.
– “The Theatre.” In Harlequin Unmasked: The Commedia Dell’Arte and Porcelain Sculpture, by Meredith Chilton, 9–32. New Haven, CT: George R. Gardiner Museum of Ceramic Art with Yale University Press, 2001.
Pollard, Tanya. Drugs and Theater in Early Modern England. Oxford: Oxford University Press, 2005.
Porter, Ray. Preface to Bread of Dreams: Food and Fantasy in Early Modern Europe, by Piero Camporesi, 1–16. Translated by David Gentilcore. Chicago: University of Chicago Press, 1989.
Radcliff-Umstead, Douglas. “The Sorcerer in Italian Renaissance Comedy.” In Comparative Critical Approaches to Renaissance Comedy, edited by Donald Beecher and Massimo Ciavolella, 73–98. Ottawa: Dovehouse, 1986.
Rhodes, Neil. The Power of Eloquence and English Renaissance Literature. New York: St Martin’s Press, 1992.
Richards, Kenneth, and Laura Richards. The Commedia dell’Arte: A Documentary History. Oxford: Basil Blackwell, 1990.
– “Commedia dell’Arte”: A History of Italian Theatre. Edited by Joseph Farrell and Paolo Puppa. Cambridge: Cambridge University Press, 2006.
Richardson, Brian. “‘Amore maritale’: Advice on Love and Marriage in the Second Half of the Cinquecento.” In Women in Italian Renaissance Culture and Society, edited by Letizia Panizza, 194–208. Oxford: Oxford University Press.
– Printing, Writers and Readers in Renaissance Italy. Cambridge: Cambridge University Press, 1999.
Ridder-Symoens, Hilde de. “Training and Professionalization.” In Power Elites and State Building, edited by Wolfgang Reinhard, 149–72. Oxford: Clarendon Press, 1996.
Riddle, John M. Eve’s Herbs: A History of Contraception and Abortion in the West. Cambridge, MA: Harvard University Press, 1997.
Roberts, William P. “Christian Marriage.” In From Trent to Vatican II: Historical and Theological Investigations, edited by Raymond F. Bulman and Frederick J. Parrella, 209–26. Oxford: Oxford University Press, 2006.
Robin, Diana. “Humanism and Feminism in Laura Cereta’s Public Letters.” In Women in Italian Renaissance Culture and Society, edited by Letizia Panizza. Oxford: Oxford University Press, 2000.
Rocke, Michael. “Gender and Sexual Culture in Renaissance Italy.” In The Renaissance: Italy and Abroad, edited by John Jeffries Martin, 139–58. London: Routledge, 2003. In slightly longer form in Gender and Society in Renaissance Italy, edited by Judith C. Brown and Robert C. Davis, 150–70. London: Longman, 1998.
Rodriguez, Don Gregorio Paniagua, conductor. Tarentule-Tarentelle. The Atrium Musical de Madrid. Compact disc with liner notes. Arles, France: Harmonia Mundi, 1977.
Romano, Dennis. Housecraft and Statecraft: Domestic Service in Renaissance Venice, 1400–1600. Baltimore, MD: Johns Hopkins University Press, 1996.
Rosenthal, Margaret F. The Honest Courtesan: Veronica Franco, Citizen and Writer in Sixteenth-Century Venice. Chicago: University of Chicago Press, 1992.
Ruggiero, Guido. Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance. New York: Oxford University Press, 1993.
– The Boundaries of Eros: Sex Crime and Sexuality in Renaissance Venice. Oxford: Oxford University Press, 1985.
– “Marriage, Love, Sex, and Renaissance Civic Morality.” In Sexuality and Gender in Early Modern Europe: Institutions, Texts, Images, edited by Grantham Turner, 10–30. Cambridge: Cambridge University Press, 1993.
– “Witchcraft and Magic.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 475–90. Oxford: Blackwell, 2002.
Ruggiero, Laura Giannetti. “When Male Characters Pass as Women: Theatrical Play and Social Practice in the Italian Renaissance.” The Sixteenth Century Journal 36, no. 3 (2005): 743–60.
– See also Giannetti, Laura.
Ruzante [Angelo Beolco]. Teatro: Prima edizione completa. Edited by Ludovico Zorzi. Turin: G. Einaudi, 1967.
Salkeld, Duncan. Madness and Drama in the Age of Shakespeare. Manchester, UK:. Manchester University Press, 1994.
Sanesi, Ireneo. La commedia. Revised edition, 2 vols. Milan: F. Vallardi, 1954. Original edition 1911–35.
Santore, Cathy. “Julia Lombardo, ‘Somtuosa Meretrize’: A Portrait by Property.” Renaissance Quarterly 41, no. 1 (1988): 44–83.
Sawyer, Ronald. “Patients, Healers, and Disease in the Southeast Midlands, England, 1597–1634.” PhD diss., University of Wisconsin, 1986.
Scala, Flaminio. The Commedia dell’Arte of Flaminio Scala: A Translation and Analysis of 30 Scenarios. Edited and translated by Richard Andrews. Lanham, MD.: Scarecrow Press, 2008.
– Il finto marito. In Commedi dei comici dell’arte, edited by Laura Falavolti, 215–365. Turin: UTET, 1982.
– Prologues 1 and 2 to Il finto marito. In Il teatro delle favole rappresentative, by Flaminio Scala, edited by Ferruccio Marotti, vol. 1, cviv–cxvii. Milan: Il Polifilo, 1976.
– Il teatro delle favole rappresentative. Edited by Ferruccio Marotti, 2 vols. Milan: Il Polifilo, 1976.
Salerno, Henry. Scenarios of the Commedia dell’Arte: Flaminio Scala’s Il Teatro Delle Favole Rappresentative. New York: Limelight, 1989.
Schmitt, Natalie Crohn. “Improvisation in the Commedia dell’Arte in Its Golden Age: Why, What, How.” Renaissance Drama, n.s. 38 (2010): 225–50.
Scott, Virginia. The Commedia dell’Arte in Paris, 1644–1697. Charlottesville: University of Virginia, 1990.
Seligman, Kurt. The History of Magic. New York: Pantheon, 1948.
Sella, Domenici. Italy in the Seventeenth Century. London: Longmans, 1997.
Shuger, Debora. “The ‘I’ of the Beholder: Renaissance Mirrors and the Reflexive Mind.” In Renaissance Culture and the Everyday, edited by Patricia Fumerton and Simon Hunt, 21–41. Philadelphia: University of Pennsylvania Press, 1999.
Smarr, Janet Levarie. Italian Renaissance Tales. Selection, translation, and introduction by Janet Levarie Smarr. Rochester, NY: Solaris Press, 1983.
Snyder, Jon R. Dissimulation and the Culture of Secrecy in Early Modern Europe. Berkeley: University of California Press, 2009.
Speroni, Sperone. “Dialogue on Love.” Translated by Janet L. Smarr. In Dialogue with the Other Voice in Sixteenth-Century Italy: Literary and Social Context for Women’s Writing, edited by Julie D. Campbell and Maria Galli Stampino, 202–64. Toronto: Centre for Reformation and Renaissance Studies, 2011.
Strocchia, Sharon T. “Gender and Rites of Honour in Italian Renaissance Cities.” In Gender and Society in Renaissance Italy, edited by Judith C. Brown and Robert C. Davis, 39–60. London: Longman, 1998.
Styan, J.L. Drama, Stage, and Audience. Cambridge: Cambridge University Press, 1975.
Summers, David. Michelangelo and the Language of Art. Princeton: Princeton University Press, 1981.
Talbot, Michael. “Ore Italiane: The Reckoning of the Time of Day in Pre-Napoleonic Italy. Italian Studies 40 (1985): 51–63.
Tasso, Torquato. Gerusalemme liberata. Edited by Lanfronaco Caretti. Vol. 1 of 2. Bari: Laterza, 1967.
– Tasso’s Dialogues: A Selection, with the Discourse on the Art of the Dialogue. Translation, introduction, and notes by Carnes Lord and Dain A. Trafton. Berkeley: University of California Press, 1982.
Taviani, Ferdinano. “Positions du masque dans la Commedia dell’Arte.” In Le masque: Du rite au théâtre, edited by Odette Aslan, Jean Louis Barrault, and Denis Bablet, 119–34. Paris: Centre national de la recherche scientifique, 1985.
Taviani, Ferdinando, and Mirella Schino. Il segreto della commedia dell’arte: La memoria delle compagnie italiane del XVI, XVII, e XVIII secolo. Florence: La Casa Usher, 1982.
Tenenti, Alberto. “The Merchant and the Banker.” In Renaissance Characters, edited by Eugenio Garin, translated by Lydia G. Cochrane, 154–79. Chicago: University of Chicago Press, 1991.
Tessari, Roberto. La commedia dell’arte nel Seicento: “Industria” e “Arte giocosa” della civiltà barocca. Florence: L.S. Olschki, 1969.
Testaverde, Annamaria. “Introduzione.” In I canovacci della Commedia Dell’ Arte, edited by Annamaria Testaverde, xvii–lxxi. Transcription of the text and notes by Anna Evangelista. Preface by Roberto De Simone. Turin: Giulio Einaudi, 2007.
Thorndike, Lynn. A History of Magic and Experimental Sciences. Vol. 6. New York: Columbia University Press, 1941.
Trabotti, Arcangela. Paternal Tyranny. Translated by Letizia Panizza. Chicago: University of Chicago Press, 2004.
Trease, Geoffrey. The Condottieri: Soldiers of Fortune. New York: Holt, Rinehart, and Winston, 1971.
Trexler, Richard C. Public Life in Renaissance Florence. New York: Academic Press, 1980.
Tribby, Jay. “Stefano Guazzo e la civil conversatione.” Book review in MLN 105, no. 5 (1990): 1091–3.
Tucci, Ugo. “The Psychology of the Venetian Merchant in the Sixteenth Century.” In Renaissance Venice, edited by J.R. Hale, 346–78. Totowa, NJ: Rowman and Littlefield, 1973.
Tylus, Jane. “Women at the Windows: Commedia dell’Arte and Theatrical Practice in Early Modern Italy.” Theatre Journal, 49 (1997): 323–42.
Valesio, Paolo. “The Language of Madness in the Renaissance.” Yearbook of Italian Studies, 1 (1971): 199–234.
Van Laan, Thomas F. Role-Playing in Shakespeare. Toronto: University of Toronto Press, 1978.
Verucci, Vergilio. Li diversi linguaggi. In Commedia ridicolosa: Comici di professione, dilettanti, editoria teatrale nel Seicento; Storia e testi, edited by Luciano Mariti, 107–206. Rome: Bulzoni, 1978.
Vickers, Brian. In Defence of Rhetoric. Oxford: Clarendon Press, 1988.
Walker, D.P. Spiritual and Demonic Magic from Ficino to Campanella. London: Warburg Institute of the University of London Press, 1958.
Weaver, Elissa. Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women. Cambridge: Cambridge University Press, 2002.
– “Gender.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 188–207. Oxford: Blackwell, 2002.
Weinstein, Donald. “Fighting or Flyting? Verbal Dueling in Mid-Sixteenth-Century Italy.” In Crime, Society, and the Law in Renaissance Italy, edited by Trevor Dean and K.J.P. Lowe, 204–20. Cambridge: Cambridge University Press, 1994.
White, Hayden. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore, MD: Johns Hopkins University Press, 1987.
White, William I. “A New Look at the Role of Urinalysis in the History of Diagnostic Medicine.” Clinical Chemistry 37, no. 1 (1991): 119–25.
Whitfield, Peter. Astrology: A History. New York: Harry N. Abrams, 2001.
Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987.
– A Short History of Western Performance Space. Cambridge: Cambridge University Press, 2003.
Wölfflin, Heinrich. Principles of Art History: The Problem of the Development of Style in Later Art. Translated by M.D. Hottinger from the 7th German edition. New York: Dover, 1950. Originally published 1915 as Kunstgeschichtliche Grund-begriffe.
Woodbridge, Linda. “Renaissance Bogeymen: The Necessary Monsters of the Age.” In A Companion to the Worlds of the Renaissance, edited by Guido Ruggiero, 444–59. Oxford: Blackwell, 2002.
Zarri, Gabriella. “Christian Good Manners: Spiritual and Monastic Rules in the Quattro-Cinquecento.” In Women in Italian Renaissance Culture and Society, edited by Letizia Panizza, 76–91. Oxford: Oxford University Press, 2000.
Zorzi, Ludovico. “Intorno alla Commedia dell Arte.” In Arte della maschera nella Commedia dell’Arte, edited by Donato Sartori and Bruno Lanata, 63–83. Milan: Palazzo Bagatti-Valsecchi, 1983.
Anonymous. Corsini scenarios. Illustrated title pages. Biblioteca Corsiniana, Rome. In La commedia dell’arte: Storia e testa, by Vito Pandolfi, vol. 5, unnumbered 26 pages between 256 and 257. Florence: Sansoni, 1957–61. Also smaller in The Art of Commedia: A Study in the Commedia dell’Arte, 1560–1620, with Special Reference to the Visual Records, by M.A. Katritzky, 543–9. Amsterdam: Rodopi, 2006.
– Figure in a doorway. Image for Curzio Gonzaga, Gli ingannati, 1592. In “Pictures for the Reader: A Series of Illustrations to Comedy, 1591–92,” by Louise George Clubb, Renaissance Drama, 9 (1966): 265–78.
– Illustration for Act 3, Scene 3. In L’amfiparnaso, by Orazio Vecchi, 1597. Edited by Hugo Leichtentritt (n.d., no publisher).
– Recueil Fossard. Woodcut (1580s). In The Italian Comedy, by Pierre Louis Duchartre, 320. New York: Dover, 1966.
– Woodcut in C. Gonzaga, Gli ingannati.” In “Disguise in Renaissance Comedy,” by Peter Brand, Comparative Criticism, 10 (1988): 68.
Callot, Jacques. Callot’s Etchings. Edited by Howard Daniel, print 227. New York: Dover, 1974.
– “Scapino Takes Centre Stage.” Engraving. Archiginnasio, Bologna, 1618–20. In The Art of Commedia: A Study in the Commedia dell’Arte, 1560–1620, with Special Reference to the Visual Record, by M.A. Katritzky. Amsterdam: Rodopi, 2006.
Münster, Sebastian. “Neapolis.” Cosmographei CCLXX. Basel: H. Petri, 1550. Hebrew University of Jerusalem and the Jewish National and University Library and http://historic-cities.huji.ac.il/italy/napoli/maps/munster_ger_1550_cclxx_b.jpg.
Xavery, G.J. Illustrations for The Marvellous Malday of Harlequin. In The Italian Comedy, by Pierre Louis Duchartre, ff. 56, plate II, top of page; plate III, foot of page. New York: Dover, 1966.
Caroso, Fabritio. Ballo del piantone. Il ballarino, 1581. Sound recording and sheet music. http://www.pbm.com/~lindahl/del/music/caroso_il_piantone_susan.mid
– Ballo del piantone. Il ballarino, 1581. Dance steps, http://jducoeur.org/IlBallarino/Book2/Ballo%20del%20Piantone.html
