I. ABBREVIATIONS
Bastian, CTP |
Bastian, Heiner, ed. Cy Twombly: Catalogue Raisonné of the Paintings. 6 vols. Munich: Schirmer/Mosel, 1992–2014. |
Cycles and Seasons |
Serota, Nicholas, ed. Cy Twombly: Cycles and Seasons. London: Tate Publishing, 2008. |
Del Roscio, CTD |
Del Roscio, Nicola, ed. Cy Twombly Drawings: Catalogue Raisonné. [1:1951–55; 2: 1956–60; 3: 1961–63; 4: 1964–69; 5: 1970–71]. 5 vols. Munich: Schirmer/Mosel & Gagosian Gallery, 2011–15. |
Lambert, CTOP |
Lambert, Yvon, ed. Cy Twombly: Catalogue Raisonné des Oeuvres sur Papier. Vol. VI: 1973–76; Vol. VII: 1977–82. Milan: Multhipla Edizioni, 1979, 1991. |
Leeman |
Leeman, Richard. Cy Twombly: A Monograph. London: Thames and Hudson, 2005. |
WCT |
Del Roscio, Nicola, ed. Writings on Cy Twombly. Munich: Schirmer/Mosel, 2002. |
II. CY TWOMBLY (SELECTED)
Bann, Stephen. “Wilder Shores of Love: Cy Twombly’s Straying Signs.” In Materialities of Communication, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, 198–213. Stanford, CA: Stanford University Press, 1994.
Barthes, Roland. “Non Multa Sed Multum.” In Cy Twombly: Catalogue Raisonné des Oeuvres sur Papier, Vol. VI (1973–76), edited by Yvon Lambert, 7–13. Milan: Multhipla Edizioni, 1979.
———. “The Wisdom of Art.” In Cy Twombly: Paintings and Drawings 1954–1977, 9–22. New York: Whitney Museum of American Art, 1979.
Bastian, Heiner, ed. Cy Twombly: A Catalogue Raisonné of the Printed Graphic Work 1953–1984. New York: New York University Press, 1985.
Bird, Jon. “Indeterminacy and (Dis)order in the work of Cy Twombly.” Oxford Art Journal 30.3 (2007): 484–504.
Block, Richard. “Scribbles from Italy: Cy Twombly’s Experiment in Seeing Goethe See Language.” In The Enlightened Eye: Goethe and Visual Culture, edited by Evelyn K. More and Patricia Anne Simpson, 289–309. Amsterdam and New York: Rodopi, 2007.
Bois, Yve-Alain. “Der Liebe Gott Steckt im Detail.” In Abstraction, Gesture, Écriture: Paintings from the Daros Collection, 61–78. Zurich: Scalo, 1999.
Blumenthal, Ralph. “A Celebratory Splash for an Enigmatic Figure.” New York Times, 4 June 2005.
Buchloh, Benjamin. “Ego in Arcadia.” Review of Cy Twombly: A Monograph, by Richard Leeman. Critique d’art 25 (2005): 17–26.
Bull, Malcolm. “Fire in the Water.” In Cy Twombly, Bacchus, 49–55. New York: Gagosian Gallery, 2005.
Burton, Johanna. “Cy Twombly’s Transformations.” In Cy Twombly: States of Mind: Painting, Sculpture, Photography, Drawing, edited by Achim Hochdörfer, 226–39. Munich: Schirmer/Mosel, 2009.
Crow, Thomas. “Southern Boys Go to Europe: Rauschenberg, Twombly, and Johns in the 1950s.” In Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, edited by Stephanie Barron and Lynn Zelevansky, 44–67. Los Angeles: Los Angeles County Museum of Art, 2001.
Cullinan, Nicholas. “Camera Obscura: Cy Twombly’s Photographic Subjects and Objects.” In Le Temps Retrouvé: Cy Twombly photographe & artistes invités, Vol. 1: 45–50. 2 vols. Avignon: Collection Lambert/Actes Sud, 2011.
———. “Catalogue.” In Cy Twombly: Cycles and Seasons, edited by Nicholas Serota, 54–231. London: Tate Publishing, 2008.
———. “Double Exposure: Robert Rauschenberg’s and Cy Twombly’s Roman Holiday.” Burlington Magazine 150 (July 2008): 460–70.
———. Twombly and Poussin: Arcadian Painters. London: Dulwich Picture Gallery/Paul Holberton Publishers, 2011.
Cullinan, Nicholas, and Nicholas Serota. “‘Ecstatic Impulses’: Cy Twombly’s ‘Untitled (Bacchus).’” Burlington Magazine 152 (September 2010): 613–16.
Cy Twombly. Houston: Menil Foundation and Houston Fine Arts Press, 1990.
Cy Twombly: Paintings and Drawings 1954–1977. New York: Whitney Museum of American Art, 1979.
Cy Twombly: Photographs 1951–2007. Munich: Schirmer/Mosel, 2008.
Cy Twombly: Photographs III 1951–2010. Munich: Schirmer/Mosel, 2011.
Cy Twombly: Photographs, Prints, and Works on Paper from the Grosshaus Collection. Cologne: Walter König, 2011.
Cy Twombly: Serien auf Paper 1957–1987. Bonn: Städtisches Kunstmuseum, 1987.
Del Roscio, Nicola. The Essential Cy Twombly. Munich: Schirmer/Mosel, 2014.
———. “Trip to Russia and Afghanistan with Cy Twombly, 1979.” In Cy Twombly. Bild, Text, Paratext, edited by Thierry Greub, 459–70. Morphomata, Bd. 13. Munich: Fink Verlag, 2013.
Fisher, Philip. “Thinking through the Work of Art.” In Wonder, the Rainbow, and the Aesthetics of Rare Experiences, 149–80. Cambridge, MA: Harvard University Press, 1998.
Greub, Thierry. “Cy Twombly’s ‘Inverted Archeology.’” In The Essential Cy Twombly, edited by Nicola Del Roscio, 227–36. Munich: Schirmer/Mosel, 2014.
———. “‘… to revalorize poetry now …’—Zu Cy Twomblys literarischen Einshreibungen.” In Cy Twombly. Bild, Text, Paratext, edited by Thierry Greub, 359–80. Morphomata, Bd. 13. Munich: Fink Verlag, 2013
Greub, Thierry, ed. Cy Twombly. Bild, Text, Paratext. Morphomata, Bd. 13. Munich: Fink Verlag, 2013.
Hakutani, Yoshinobu. “Cy Twombly’s Painting of the Peonies and Haiku Imagery.” In Cy Twombly. Bild, Text, Paratext, edited by Thierry Greub, 282–97. Morphomata, Bd. 13. Munich: Fink Verlag, 2013.
Hamerstaedt, Jürgen. “Cy Twombly’s Thyrsis-Triptichon und die Hellenistiche Hirtendichtung des Theokrit.” In Cy Twombly. Bild, Text, Paratext, edited by Thierry Greub, 186–208. Morphomata, Bd. 13. Munich: Fink Verlag, 2013.
Herrera, Hayden. “Cy Twombly: A Homecoming.” Harper’s Bazaar (August 1994): 142–47.
Hochdörfer, Achim. “‘Blue Goes Out, B Comes In’: Cy Twombly’s Narration of Indeterminacy.” In Cy Twombly: States of Mind, Painting, Sculpture, Photography, Drawing, edited by Achim Hochdörfer, 12–36. Munich: Schirmer/Mosel, 2009.
———, ed. Cy Twombly: States of Mind, Painting, Sculpture, Photography, Drawing. Munich: Schirmer/Mosel, 2009.
Howard, Richard. “On Lepanto.” In Cy Twombly, Lepanto: A Painting in Twelve Parts, 35–40. New York: Gagosian Gallery, 2002.
Jacobus, Mary. “Time-Lines: Rilke and Twombly on the Nile.” Tate Papers 10 (2008), available at http://www.tate.org.uk/research/publications/tate-papers/10/time-lines-rilke-and-twombly-on-the-nile (accessed 4 November 2015).
Kazanjian, Dodie. “A Painted Word.” Vogue (New York) 184.9 (September 1994): 546–57, 617; repr. Vogue (July 2011), available at http://www.vogue.com/873844/from-the-archives-cy-twombly-a-painted-word/ (accessed 4 November 2015).
Klemm, Christian. “Material-Model-Sculpture: Objects Transposed into Imagination.” In Cy Twombly: Die Skulptur/The Sculpture, edited by Katharina Schmidt, 153–79. Basel and Houston: Hatje Cantz Verlag/Menil Collection, 2000.
Krauss, Rosalind. “Cy Was Here, Cy’s Up.” Artforum International 33.1 (September 1994): 70–75, 118; repr. as “The Latin Class,” in Rosalind E. Krauss, Perpetual Inventory, 193–203. Cambridge, MA: MIT Press, 2010.
Leeman, Richard. Cy Twombly: A Monograph. London: Thames & Hudson, 2005.
Lewison, Jeremy. Turner Monet Twombly: Later Paintings. London: Tate Publishing, 2011.
Mancusi-Ungaro, Carol. “Cues from Cy Twombly.” In Cy Twombly Gallery: The Menil Collection, Houston, edited by Julie Sylvester and Nicola Del Roscio, 61–77. New York and Houston: Cy Twombly Foundation and Menil Foundation, 2013.
Mézil, Éric. “Cy Twombly: Master-pyrotechnician of Fire Flowers.” In Cy Twombly, Blooming: A Scattering of Blossoms and Other Things, 17–43. Paris: Éditions Gallimard, 2007.
———, ed. Le Temps Retrouvé: Cy Twombly photographe & artistes invités. 2 vols. Avignon: Collection Lambert/Actes Sud, 2011.
Nesin, Kate. Cy Twombly’s Things. New Haven, CT, and London: Yale University Press, 2014.
———. “Some Notes on Words and Things in Cy Twombly’s Sculptural Practice.” Tate Papers 10 (2008), available at http://www.tate.org.uk/research/publications/tate-papers/10/some-notes-on-words-and-things-in-cy-twombly-sculptural-practice (accessed 6 November 2015).
Nigro, Carol. “Cy Twombly’s Humanist Upbringing.” Tate Papers 10 (Autumn 2008), available at http://www.tate.org.uk/research/publications/tate-papers/10/cy-twombly-humanist-upbringing (accessed 4 November 2015).
Octavio Paz: Eight Poems / Cy Twombly: Ten Drawings. Cologne: Udo and Anette Brandhorst, 1993.
Pincus-Witten, Robert. “Peonies / Kusunoki. Thoughts on Cy Twombly’s ‘A Scattering of Blossoms and Other Things.’” In Cy Twombly, A Scattering of Blossoms and Other Things. New York: Gagosian Gallery, 2007.
———. “Twombly’s Quarantine.” In Cy Twombly: An Untitled Painting, 14–17. New York: Gagosian Gallery, 1994.
Resinski, Rebecca. “Conversing with Homer and Twombly: A Collaborative Project on the Iliad and Fifty Days at Iliam.” Classical Journal 101.3 (2006): 311–17.
Rondeau, James. Cy Twombly: The Natural World, Selected Works, 2000–2007. New Haven, CT, and London: Art Institute of Chicago and Yale University Press, 2009.
Schmidt, Dennis J. “‘Like a Fire That Consumes All Before It’: On Language and Image.” In Lyrical and Ethical Subjects: Essays on the Periphery of the Word, Freedom, and History, 141–62. Albany: SUNY Press, 2005.
Schmidt, Katharina, ed. Cy Twombly: Die Skulpur / The Sculpture. Basel and Houston: Hatje Cantz Verlag/Menil Collection, 2000.
———. “Hero and Leander.” In Audible Silence: Cy Twombly at Daros, edited by Eva Keller and Regula Malin, 105–7. Zurich: Daros/Scalo, 2002.
———. “Immortal—and Eternally Young: Figures from Classical Mythology in the Work of Nicholas Poussin and Cy Twombly.” In Twombly and Poussin: Arcadian Painters, edited by Nicholas Cullinan, 65–85. London: Dulwich Picture Gallery/Holberton Publishers, 2011.
Serota, Nicholas, ed. Cy Twombly: Cycles and Seasons. London: Tate Publishing, 2008.
———. “History behind the Thought.” In Cy Twombly: Cycles and Seasons, edited by Nicholas Serota, 43–53. London: Tate Publishing, 2008.
Shiff, Richard. “Charm.” In Cy Twombly: Cycles and Seasons, edited by Nicholas Serota, 11–28. London: Tate Publishing, 2008.
Staff, Craig G. “A Poetics of Becoming: The Mythography of Cy Twombly.” In Contemporary Art and Classical Myth, edited by Isabelle Loring Wallace and Jennie Hirsch, 43–55. Farnham, UK: Ashgate, 2011.
Stemmrich, Gregor. “‘Talking about the Essence of Something’: History, Discourse, and Myth in Cy Twombly’s Work.” In Cy Twombly: States of Mind, Painting, Sculpture, Photography, Drawing, edited by Achim Hochdörfer, 60–85. Munich: Schirmer/Mosel, 2009.
Susik, Abigail. “Cy Twombly: Writing after Writing.” Rebus: A Journal of Theory and Art History 4 (Autumn/Winter 2009): 1–28.
Sylvester, David. “Cy Twombly.” In Interviews with American Artists, 171–81. New Haven, CT: Yale University Press, 2001.
———. “The World Is Light.” In Cy Twombly: Ten Sculptures, edited by Nicola Del Roscio. New York: Gagosian Gallery, 1997.
Sylvester, Julie, ed. Cy Twombly: Fifty Years of Works on Paper. Munich: Schirmer/Mosel, 2005.
Twombly, Cy. Blooming: A Scattering of Blossoms and Other Things. Paris: Éditions Gallimard, 2007.
———. Letter of Resignation. Edited by Heiner Bastian. Munich: Schirmer/Mosel, 1991.
———. Photographs 1951–2007. Munich: Schirmer/Mosel, 2008.
———. Poems to the Sea. Edited by Heiner Bastian. Munich: Schirmer/Mosel, 1990.
———. A Scattering of Blossoms and Other Things. New York: Gagosian Gallery, 2007.
———. Works from the Sonnabend Collection. Edited by Kristy Bryce. London and New York: Eykyn Maclean, 2012.
Varnedoe, Kirk. Cy Twombly: A Retrospective. New York: Museum of Modern Art, 1994.
———. “Cy Twombly’s Lepanto.” In Cy Twombly, Lepanto: A Painting in Twelve Parts, 45–62. New York: Gagosian Gallery, 2002.
———. “Inscriptions in Arcadia.” In Cy Twombly: A Retrospective, 9–52. New York: Museum of Modern Art, 1994.
White, Edmund. “Cy Twombly.” In Arts and Letters, 255–66. San Francisco: Cleis Press, 2004.
Winkler, Paul. “Just about Perfect: A Recollection.” In Cy Twombly Gallery: The Menil Collection, Houston, edited by Julie Sylvester and Nicola Del Roscio, 13–30. New York and Houston: Cy Twombly Foundation/Menil Foundation, 2013.
Zweite, Armin. “Twombly’s Rosen: Zu einigen Bildern des Malers im Musum Brandhorst.” In Cy Twombly. Bild, Text, Paratext, edited by Thierry Greub, 321–61. Morphomata, Bd. 13. Munich: Fink Verlag, 2013.
III. GENERAL
(* = BOOKS IN CY TWOMBLY’S GAETA LIBRARY)
Adorno, Theodor. “On Lyric Poetry and Society.” In Notes to Literature, edited by Rolf Tiedemann, translated by Sherry Weber Nicholsen, 1: 37–54. 2 vols. New York: Columbia University Press, 1991–92.
———. “Parataxis: On Hölderlin’s Late Poetry.” In Notes to Literature, edited by Rolf Tiedemann, translated by Sherry Weber Nicholsen, 2: 109–49. 2 vols. New York: Columbia University Press, 1991–92.
Agamben, Giorgio. Stanzas: Word and Phantasm in Western Culture. Translated by Ronald L. Martinez. Minneapolis and London: University of Minnesota Press, 1993.
Alberti, Leon Battista. On Painting and On Sculpture. Translated by Cecil Grayson. London: Phaidon, 1972.
Alpers, Paul. The Singer of the Eclogues: A Study of Virgilian Pastoral. Berkeley: University of California Press, 1979.
———. What Is Pastoral? Chicago: University of Chicago Press, 1996.
Ames-Lewis, Francis. The Draftsman Raphael. New Haven, CT: Yale University Press, 1986.
Andrews, Malcolm. “Nature as Picture or Process?” In Landscape and Western Art, 177–200. Oxford: Oxford University Press, 1999.
Anger, Jenny. Paul Klee and the Decorative in Modern Art. Cambridge: Cambridge University Press, 2004.
Aravamudan, Srinivas. “Perpetual War.” Special Topic: War. PMLA 124.5 (2009): 1505–14.
Ashbery, John. Reported Sightings: Art Chronicles, 1957–1987. Edited by David Bergman. New York: Alfred A. Knopf, 1989.
Ashton, Dore. The New York School: A Cultural Reckoning. New York: Viking Press, 1972.
Auden, W. H. “The Shield of Achilles” (1953). In The Shield of Achilles, 35–37. New York: Random House, 1955.
Aulich, James. War Posters: Weapons of Mass Communication. New York: Thames & Hudson/Imperial War Museum, 2007.
*Bachmann, Ingeborg. Darkness Spoken: The Collected Poems. Translated by Peter Filkins. Brookline, MA: Zephyr Press, 2005.
Baker, R. W., Shereen T. Ismael, and Tareq Y. Ismael, eds. Cultural Cleansing in Iraq: Why Museums Were Looted, Libraries Burned and Academics Murdered. London: Pluto Press, 2010.
Bann, Stephen. The True Vine: On Visual Representation and the Western Tradition. Cambridge: Cambridge University Press, 1989.
Bannerman, Henrietta. “A Dance of Transition: Martha Graham’s ‘Herodiade’ (1944).” Dance Research: The Journal of the Society for Dance Research 24:1 (2006): 1–20.
Bari, Shahida. Keats and Philosophy: The Life of Sensations. London: Routledge, 2012.
Barthes, Roland. The Pleasure of the Text (1973). Translated by Richard Miller. New York: Farrar, Straus, and Giroux, 1975.
———. The Responsibility of Forms: Critical Essays on Music, Art, and Representation. Translated by Richard Howard. New York: Hill and Wang, 1985.
———. S/Z: An Essay (1970). Translated by Richard Miller. New York: Hill and Wang, 1974.
———. “Writing and Silence.” In Writing Degree Zero and Elements of Semiology. Translated by Annette Lavers and Colin Smith, 74–76. Boston: Beacon Press, 1970.
Bartsch, Shadi. The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire. Chicago: University of Chicago Press, 2006.
———. “The Philosopher as Narcissus: Vision, Sexuality, and Self-Knowledge in Classical Antiquity.” In Visuality before and beyond the Renaissance, edited by Robert S. Nelson, 70–97. Cambridge: Cambridge University Press, 2000.
Basho. Basho: The Complete Haiku. Translated by Jane Reichhold. Tokyo: Kodansha International, 2008.
———. On Love and Barley: Haiku of Basho. Translated by Lucien Stryke. Honolulu: University of Hawaii Press, 1985.
———. Selected Poems of Basho. Translated by David Barnhill. Albany: SUNY Press, 2004.
Bate, Jonathan. Shakespeare and Ovid. Oxford: Oxford University Press, 1993.
Baudelaire, Charles. Selected Writings on Art and Artists. Translated by P. E. Charvet. Cambridge: Cambridge University Press, 1972.
Baudrillard, Jean. The Gulf War Did Not Take Place. Translated by Paul Patton. Bloomington: Indiana University Press, 1995.
Beach, Christopher. ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. Berkeley: University of California Press, 1992.
Beaton, Roderick. George Seferis: Waiting for the Angel. New Haven, CT: Yale University Press, 2003.
Beazley Archive. Oxford: University of Oxford, Classical Art Research Centre, 2003–. Available at http://www.beazley.ox.ac.uk/xdb/asp/browse.asp (accessed 6 November 2015).
Bell, Matthew. Goethe’s Naturalistic Anthropology: Man and Other Plants. Oxford: Clarendon Press, 1994.
Belting, Hans. The End of the History of Art? Translated by Christopher S. Wood. Chicago: University of Chicago Press, 1987.
Bender, John, and Michael Marrinan. The Culture of Diagram. Stanford, CA: Stanford University Press, 2010.
Benjamin, Roger. Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880–1930. Berkeley: University of California Press, 2003.
Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Harvard University Press, 1999.
———. “Critique of Violence.” In Walter Benjamin: Selected Writings, Vol. 1: 1913–1926, edited by Marcus Bullock and Michael W. Jennings, 236–52. Cambridge, MA: Harvard University Press, 1996.
———. “On Language as Such and on the Language of Man.” In Selected Writings, Vol. 1: 1913–1926, edited by Marcus Bullock and Michael W. Jennings, 62–74. Cambridge, MA: Harvard University Press, 1996.
———. The Origin of German Tragic Drama. Translated by John Osborne. London: Verso, 1998.
Bennington, Geoffrey. “Derrida’s Mallarmé.” In Meetings with Mallarmé in Contemporary French Culture, edited by Michael Temple, 126–42. Exeter: University of Exeter Press, 1998.
Berger, Klaus. Japonisme in Western Painting from Whistler to Matisse. Cambridge: Cambridge University Press, 1992.
Block, Richard. The Spell of Italy: Vacation, Magic, and the Attraction of Goethe. Detroit, MI: Wayne State University Press, 2006.
Blyth, R. H., ed. Haiku. 4 vols. Tokyo: Hokuseido Press, 1952.
———. A History of Haiku. 2 vols. Tokyo: Hokuseido Press, 1963.
Boal, Iain, T. J. Clark, Joseph Matthews, and Michael Watts. Afflicted Powers: Capital and Spectacle in a New Age of War. London and New York: Verso, 2005.
Bowie, Malcolm. Mallarmé and the Art of Being Difficult. Cambridge: Cambridge University Press, 1978.
———. “Sea and Structure in Fin-de-siècle France: Mallarmé and Debussy” (2000). Reprinted in Selected Essays of Malcolm Bowie, Vol. I: Dreams of Knowledge, edited by Alison Finch, 125–34. London: Legenda, 2013.
Bowles, Paul. “Letter from Tangier.” London Magazine (July 1954). Reprinted in Paul Bowles, Travels: Collected Writings, 1950–93, 91–99. New York: Harper Collins, 2010.
———. “The Route to Tassemsit” (1963). In Paul Bowles, Travels: Collected Writings, 1950–93, 333–60. New York: Harper Collins, 2010.
Boyle, Nicholas. Goethe: The Poet and the Age. 2 vols. Oxford: Clarendon Press, 1991, 2000.
Braudel, Fernand. Memory and the Mediterranean. Translated by Sian Reynolds. New York: Random House, 2001.
Brown, Andrew. Roland Barthes: The Figures of Writing. Oxford: Oxford University Press, 1992.
Brown, Jane. “The Renaissance of Goethe’s Poetic Genius in Italy.” In Goethe in Italy, 1786–1986, edited by Gerhart Hoffmeister, 77–93. Amsterdam: Rodopi, 1988.
Bryans, Robin. Morocco: Land of the Farthest West. London: Faber and Faber, 1965.
Bryson, Norman. Word and Image: French Painting of the Ancien Régime. Cambridge: Cambridge University Press, 1981.
Buchberg, Karl, Nicholas Cullinan, and Jodi Hauptman, ed. Henri Matisse: The Cut Outs. London: Tate Publishing, 2014.
*Burton, Robert. The Anatomy of Melancholy. 2nd ed. Oxford: John Lichfield and James Short for Henry Cripps, 1624.
———. The Anatomy of Melancholy. Edited by Thomas C. Faulkner, Nicolas K. Kiessling, and Rhonda L. Blair, commentary by J. B. Bamborough and Martin Dodsworth. 6 vols. Oxford: Clarendon Press, 1989.
Burwick, Frederick. The Damnation of Newton: Goethe’s Color Theory and Romantic Perception. Berlin and New York: Walter de Gruyler, 1986.
Bush, Christopher. Ideographic Modernism: China, Writing, Media. Oxford: Oxford University Press, 2010.
Butlin, Martin, and Evelyn Joll. The Paintings of J.M.W. Turner. 2 vols. New Haven, CT, and London: Yale University Press, 1977.
Cage, John. “Lecture on Nothing” (1959). In Silence: Lectures and Writings, 109–27. Middle-town, CT: Wesleyan University Press, 1961.
———. Notations. New York: Something Else Press, 1969.
Calvino, Italo. Lezione Americane. Milan: Garzanti, 1988.
Cardinal, Roger, and Gwendolen Webster. Kurt Schwitters. Ostfildern: Hatje Ganz, 2011.
Carson, Anne, trans. If Not, Winter: Fragments of Sappho. New York: Vintage Books, 2003.
———. Nox. New York: New Directions, 2010.
*Casey, Timothy Joseph. Rainer Maria Rilke. A Centenary Essay. London: Macmillan, 1976.
Cassedy, Steven. “Paul Valéry’s Modernist Aesthetic Object.” Journal of Aesthetics and Art Criticism 45.1 (Autumn 1986): 77–86.
*Catullus. The Complete Poetry. Translated by Frank O. Copley. Ann Arbor: University of Michigan Press, 1964).
*———. Poems. Edited by William A. Aiken. New York: E. P. Dutton & Co., 1950.
*———. Poems. A Bilingual Edition. Translated by Peter Whigham. Berkeley and Los Angeles: University of California Press, 1966.
*———. The Poems of Catullus. Translated by Horace Gregory. New York: Grove Press, 1956.
*Cavafy, C. P. Collected Poems. Edited by George Savidis, translated by Edmund Keeley and Philip Sherrard. Princeton, NJ: Princeton University Press, 1975.
*———. Collected Poems. 2nd ed. Edited by George Savidis, translated by Edmund Keeley and Philip Sherrard. Princeton, NJ: Princeton University Press, 1980.
*———. The Complete Poems of Cavafy. Translated by Rae Dalven. New York: Harcourt Brace Jovanovich, 1976.
*———. Poems of C. P. Cavafy. Translated by John Mavrogordato and Rex Warner. London: Chatto and Windus. 1974.
Caws, Mary Ann. Mallarmé in Prose. New York: New Directions, 2001.
———. “Mallarmé’s Progeny.” In Mallarmé in the Twentieth Century, edited by Robert Greer Cohn and Gerald Gillespie, 86–91. Madison, NJ: Fairleigh Dickinson University Press, 1998.
———. Robert Motherwell: With Pen and Brush. London: Reaktion Books, 2003.
Celant, Germano. The Italian Metamorphosis, 1943–1968. New York: Solomon R. Guggenheim Museum, 1994.
Chartier, Roger. Inscription and Erasure: Literature and Written Culture from the Eleventh to the Eighteenth Century. Translated by Arthur Goldhammer. Philadelphia: University of Pennsylvania Press, 2007.
Clark, T. J. The Sight of Death; An Experiment in Art Writing. New Haven, CT, and London: Yale University Press, 2006.
Compagnon, Antoine. La Seconde Main. Paris: Éditions du Seuil, 1979.
Corvo, Baron. The Venice Letters. Edited by Cecil Woolf. London: Cecil Woolf, 1974.
Craft, Catherine. An Audience of Artists: Dada, Neo-Dada, and the Emergence of Abstract Expressionism. Chicago: University of Chicago Press, 2012.
———. “‘Cut, Tear Scrape, Erase’: Notes on Paper in Twentieth-century Drawing.” Master Drawings 50. 2 (2012): 161–86.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT Press, 1990.
Damisch, Hubert. The Origin of Perspective. Translated by John Goodman. Cambridge, MA: MIT Press, 1994.
Danto, Arthur C. “The ‘Original Creative Principle’: Motherwell and Psychic Automatism.” In Robert Motherwell on Paper: Drawings, Prints, Collages, edited by David Rosand, 39–57. New York: Harry N. Abrams, 1997.
*Davenport, Guy, trans. Archilochos, Sappho, Alkman: Three Lyric Poets of the Late Greek Bronze Age. Berkeley: University of California Press, 1980.
Da Vinci, Leonardo. Leonardo’s Notebooks. Edited by H. Anna Suh. New York: Black Dog & Leventhal, 2005.
———. One Hundred Drawings from the Collection of Her Majesty the Queen. Edited by Martin Clayton. London: Merrell Holberton, 1996.
De Man, Paul. “Tropes (Rilke).” In Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust, 20–56. New Haven, CT: Yale University Press, 1979.
Derrida, Jacques. The Derrida Reader: Writing Performances. Edited by Julian Wolfreys. Edinburgh: Edinburgh University Press, 1998.
———. “The Double Session.” In Dissemination, translated by Barbara Johnson, 173–85. Chicago: University of Chicago Press, 1981.
———. “Freud and the Scene of Writing.” Translated by Jeffrey Mehlman. In French Freud, Yale French Studies 48 (1972): 73–117. Originally published in L’Écriture et la différence (1967).
———. Of Hospitality. Translated by Rachel Bowlby. Stanford, CA: Stanford University Press, 2000.
———. Psyche: Inventions of the Other. Edited by Peggy Kamuf and Elizabeth Rottenberg. 2 vols. Stanford, CA: Stanford University Press, 2007–8.
———. “Roland Barthes.” In The Work of Mourning, translated by Pascale-Anne Brault and Michael Naas, 31–68. Chicago: University of Chicago Press, 2001.
———. “Scribble (writing power).” Translated by Cary Plotkin. Yale French Studies 58 (1979): 117–47. Reprinted in The Derrida Reader, edited by Julian Wolfreys, 50–73. Edinburgh: Edinburgh University Press, 1998.
———. On Touching—Jean-Luc Nancy. Translated by Christine Irizarry. Stanford, CA: Stanford University Press, 2005.
DeVorkin, David H. Science with a Vengeance: How the Military Created the US Space Sciences after World War II. New York, Berlin, and Heidelberg: Springer-Verlag, 1992.
Dickerman, Leah. “Schwitters Fec.” In Kurt Schwitters: Color and Collage, edited by Isabel Schultz, 87–97. New Haven, CT: Yale University Press/Menil Collection, 2010.
Dodds, E. R. “The Blessings of Madness.” In The Greeks and the Irrational, 64–82. Berkeley: University of California Press, 1951.
Dryden, John. The Poems of John Dryden. Edited by Paul Hammond and David Hopkins. 5 vols. London: Longman, 1995–2005.
*———. Translation of the Works of Virgil: Containing Pastoral, Georgics, Aeneis. London: Jacob Tonson, 1698.
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