A number of Bob Dylan’s songs, as listed below, have been quoted for purposes of criticism and review:
pp. 26, 522, 523, 524, 526, ‘Narrow Way’ (Copyright © 2012 by Special Rider Music); pp. 26, 523, 524–5, ‘Pay in Blood’ (Copyright © 2012 by Special Rider Music); pp. 26, 527–8, ‘Tempest’ (Copyright © 2012 by Special Rider Music); pp. 34, 199, 462, ‘It’s Alright, Ma (I’m Only Bleeding)’ (Copyright © 1965 by Warner Bros. Inc.; renewed 1993 by Special Rider Music); p. 35, ‘Wedding Song’ (Copyright © 1973 by Ram’s Horn Music; renewed 2001 by Ram’s Horn Music); p. 36, ‘Idiot Wind’ (Copyright © 1974 by Ram’s Horn Music; renewed 2002 by Ram’s Horn Music); p. 45 ‘Shelter from the Storm’ (Copyright © 1974 by Ram’s Horn Music; renewed 2002 by Ram’s Horn Music); pp. 58, 68, 84, 87, 89, ‘Isis’ (Copyright © 1975 by Ram’s Horn Music; renewed 2003 by Ram’s Horn Music); pp. 61, 89, ‘One More Cup of Coffee’ (Copyright © 1975, 1976 by Ram’s Horn Music; renewed 2003, 2004 by Ram’s Horn Music); p. 67, ‘Rita May’ (Copyright © 1975 by Ram’s Horn Music; renewed 2003 by Ram’s Horn Music); pp. 68, 91, 92 ‘Joey’ (Copyright © 1975 by Ram’s Horn Music; renewed 2003 by Ram’s Horn Music); pp. 71, 73, 74, 75, 78, 82, 83, ‘Hurricane’ (Copyright © 1975 by Ram’s Horn Music; renewed 2003 by Ram’s Horn Music); p. 90, ‘Oh, Sister’ (Copyright © 1975 by Ram’s Horn Music; renewed 2003 by Ram’s Horn Music); pp. 95, 96, ‘Black Diamond Bay’ (Copyright © 1975 by Ram’s Horn Music; renewed 2003 by Ram’s Horn Music); pp. 96–7 ‘Romance in Durango’ (Copyright © 1975 by Ram’s Horn Music; renewed 2003 by Ram’s Horn Music); pp. 98, 99, ‘Sara’ (Copyright © 1975, 1976 by Ram’s Horn Music; renewed 2003, 2004 by Ram’s Horn Music); p. 113, ‘She’s Your Lover Now’ (Copyright © 1971 by Dwarf Music; renewed 1999 by Dwarf Music); p. 116, ‘Bob Dylan’s 115th Dream’ (Copyright © 1965 by Warner Bros. Inc.; renewed 1993 by Special Rider Music); pp. 117–18, ‘When I Paint My Masterpiece’ (Copyright © 1971 by Big Sky Music; renewed 1999 by Big Sky Music); p. 162, ‘Is Your Love in Vain?’ (Copyright © 1978 by Special Rider Music); p. 163, ‘Senor (Tales of Yankee Power)’ (Copyright © 1978 by Special Rider Music); p. 165, ‘Changing of the Guards’ (Copyright © 1978 by Special Rider Music); pp. 166, 167, ‘Where Are You Tonight? (Journey Through Dark Heat)’ (Copyright © 1978 by Special Rider Music); p. 176, ‘Gotta Serve Somebody’ (Copyright © 1979 by Special Rider Music); p. 178, ‘Do Right To Me Baby (Do Unto Others)’ (Copyright © 1979 by Special Rider Music); p. 182, ‘I’d Hate to Be With You On That Dreadful Day’ (Copyright © 1964, 1968 Warner Bros. Music, renewed 1992 Special Rider Music); pp. 183, 475, ‘Spirit on the Water’ (Copyright © 2006 by Special Rider Music); p. 193, ‘Chimes of Freedom’ (Copyright © 1964 by Warner Bros. Inc.; renewed 1992 by Special Rider Music); p. 195, ‘Ain’t Gonna Go to Hell for Anybody’ (Copyright © 1980 by Special Rider Music); p. 197, ‘One Too Many Mornings’ (Copyright © 1964, 1966 by Warner Bros. Inc.; renewed 1992, 1994 by Special Rider Music); p. 202, ‘Covenant Woman’ (Copyright © 1980 by Special Rider Music); p. 213, ‘Love Minus Zero, No Limit’ (Copyright © 1965 by Warner Bros. Inc.; renewed 1993 by Special Rider Music); p. 215 ‘Trouble in Mind’ (Copyright © 1979 by Special Rider Music); p. 215, ‘Gonna Change My Way of Thinking’ (Copyright © 1979 Special Rider Music); p. 216 ‘Precious Angel’ (Copyright © 1979 by Special Rider Music); p. 216, ‘I Believe in You’ (Copyright © 1979 by Special Rider Music); pp. 217, 220, ‘Slow Train’ (Copyright © 1979 by Special Rider Music); p. 217, ‘When You Gonna Wake Up’ (Copyright © 1979 by Special Rider Music); p. 218, ‘When He Returns’ (Copyright © 1979 by Special Rider Music); pp. 241, 242 ‘Every Grain of Sand’ (Copyright © 1981 by Special Rider Music); p. 257, ‘Trouble’ (Copyright © 1981 by Special Rider Music); pp. 257, 264, ‘Dead Man, Dead Man’ (Copyright © 1981 by Special Rider Music); p. 257, ‘Property of Jesus’ (Copyright © 1981 by Special Rider Music); pp. 257, 260, 261, ‘Shot of Love’ (Copyright © 1981 by Special Rider Music); p. 258, ‘Caribbean Wind’ (Copyright © 1985 by Special Rider Music); p. 259, ‘The Groom’s Still Waiting at the Altar’ (Copyright © 1981 Special Rider Music); p. 260, ‘Lenny Bruce’ (Copyright © 1981 Special Rider Music); p. 266, ‘Ballad of Hollis Brown’ (Copyright © 1963 by Warner Bros. Inc.; renewed 1991 by Special Rider Music); pp. 272, 290, ‘License to Kill’ (Copyright © 1983 by Special Rider Music); p. 272, ‘Sweetheart Like You’ (Copyright © 1983 by Special Rider Music); p. 273, ‘Man of Peace’ (Copyright © 1983 by Special Rider Music); p. 277, ‘Julius and Ethel’ (Copyright © 1983 by Special Rider Music); pp. 278–9, 281, 282, 282–3, 445, ‘Blind Willie McTell’ (Copyright © 1983 by Special Rider Music); p. 286 ‘Someone’s Got a Hold of My Heart’ (Copyright © 1983 by Special Rider Music)’p. 287, ‘Neighbourhood Bully’ (Copyright © 1983 by Special Rider Music); p. 288, ‘Man of Peace’ (Copyright © 1983 by Special Rider Music); pp. 289, 290, 291, 292, 293, ‘Jokerman’ (Copyright © 1983 by Special Rider Music); p. 298, ‘When the Ship Comes In’ (Copyright © 1963, 1964 by Warner Bros. Inc.; renewed 1991, 1992 by Special Rider Music); p. 305, ‘Tight Connection to My Heart (Has Anybody Seen My Love)’ (Copyright © 1985 by Special Rider Music); p. 306, ‘Dark Eyes’ (Copyright © 1985 by Special Rider Music); p. 317, ‘Brownsville Girl’ (Copyright © 1986 by Special Rider Music); p. 318, ‘Night After Night’ (Copyright © 1987 by Special Rider Music); p. 321, ‘Death Is Not the End’ (Copyright © 1988 by Special Rider Music); p. 325, ‘Tweeter and the Monkey Man’ (Copyright © 1988 by Special Rider Music); p. 342, ‘Series of Dreams’ (Copyright © 1991 by Special Rider Music); p. 343, ‘Most of the Time’ (Copyright © 1989 by Special Rider Music); p. 343 ‘What Was It You Wanted’ (Copyright © 1989 by Special Rider Music); p. 345, ‘Wiggle Wiggle’ (Copyright © 1990 by Special Rider Music); pp. 373, 384, 386, ‘Not Dark Yet’ (Copyright © 1997 by Special Rider Music); pp. 374, 386, ‘’Til I Fell in Love with You’ (Copyright © 1997 by Special Rider Music); pp. 374, 386, 387, ‘Standing in the Doorway’ (Copyright © 1997 by Special Rider Music); pp. 374, 386, ‘Can’t Wait’ (Copyright © 1997 by Special Rider Music); pp. 382, 383, ‘Mississippi’ (Copyright © 1997 by Special Rider Music); pp. 382, 383, ‘Red River Shore’ (Copyright © 1997 by Special Rider Music); pp. 386, 387, 388, ‘Love Sick’ (Copyright © 1997 by Special Rider Music); p. 386, ‘Million Miles’ (Copyright © 1997 by Special Rider Music); pp. 386, 387, ‘Tryin’ to Get to Heaven’ (Copyright © 1997 by Special Rider Music); pp. 389, 390, 391, 392, 438, ‘Highlands’ (Copyright © 1997 by Special Rider Music); pp. 395, 404, ‘Things Have Changed’ (Copyright © 1999 by Special Rider Music); pp. 408, 409, ‘Tweedle Dee & Tweedle Dum’ (Copyright © 2001 by Special Rider Music); p. 409, ‘High Water (For Charley Patton)’ (Copyright © 2001 by Special Rider Music); pp. 421, 423, 424, ‘Floater (Too Much to Ask)’ (Copyright © 2001 by Special Rider Music); pp. 421, 456, ‘Summer Days’ (Copyright © 2001 by Special Rider Music); pp. 423, 424, ‘Po’ Boy’ (Copyright © 2001 by Special Rider Music); p. 426, ‘When the Deal Goes Down’ (Copyright © 2006 by Special Rider Music); pp. 451, 452, 453, 454, 455, ‘’Cross the Green Mountain’ (Copyright © 2003 by Special Rider Music); pp. 470-1, 472, 473, ‘Workingman’s Blues #2’ (Copyright © 2006 Special Rider Music); pp. 472, 473, ‘Thunder on the Mountain’ (Copyright © 2006 by Special Rider Music); pp. 475, 476, ‘Nettie Moore’ (Copyright © 2006 by Special Rider Music); p. 476, ‘Ain’t Talkin” (Copyright © 2006 by Special Rider Music); p. 502, ‘Dignity’ (Copyright © 1991 by Special Rider Music); p. 503, ‘If You Ever Go to Houston’ (Copyright © 2009 by Special Rider Music and Ice-Nine Publishing); pp. 503, 504, ‘I Feel a Change Comin’ On’ (Copyright © 2009 by Special Rider Music and Ice-Nine Publishing); p. 504, ‘It’s All Good’ (Copyright © 2009 by Special Rider Music and Ice-Nine Publishing); p. 504, ‘Forgetful Heart’ (Copyright © 2009 by Special Rider Music and Ice-Nine Publishing); p. 521, ‘Duquesne Whistle’ (Copyright © 2012 by Special Rider Music); pp. 523, 523–4, 525, ‘Scarlet Town’ (Copyright © 2012 by Special Rider Music); pp. 523, 525–6, ‘Early Roman Kings’ (Copyright © 2012 by Special Rider Music); p. 524, ‘Soon After Midnight’ (Copyright © 2012 by Special Rider Music)