The medical crew from the ambulance reassures Erixson that they’re not going to drop him.
“I can walk,” Erixson protests and shuts his eyes.
His chin shakes each step down.
Joona goes back into Penelope Fernandez’s apartment. He opens all the windows to clear the air and then sits down on the apricot-colored sofa. It is very comfortable.
If the apartment had exploded, it would have looked like an unfortunate accident caused by a gas leak. The case would have been closed.
Joona lets his memory expand. No fragment of observation ever completely disappears. It simply must be retrieved just like the seas heave flotsam and jetsam up onto the beach.
But what was it?
He had seen nothing. Just a quick, blurred movement and a knife blade.
That’s what I saw! Joona realises. I saw nothing!
This lack is exactly what is nudging his intuition.
We’re dealing with a pro here, a contract killer, a hit man, a grob.
There aren’t many in the world.
This was not the first inkling he’s had, but now he’s thoroughly convinced. The killer in the hallway is the same man who murdered Viola. There was certainly time to do both. He’d planned to kill Penelope and sink the cruiser as if it were an accident; then he’d use the same method here. This is a killer who wants to remain invisible. He wants to kill under the radar of the police.
Joona looks around slowly. He tries again to assemble the parts of the puzzle into a whole.
He hears children playing in the apartment above his head. They’re rolling marbles over the floor. They’d have been in the middle of an inferno right now if Joona hadn’t been able to pull the plug in time.
This was a cold-blooded, driven attack, Joona thinks, and the man behind it was not some hate-filled right-wing activist. Penelope Fernandez might be involved in the peace movement, sure, and those groups did, ironically, resort to violence sometimes. But this man was different: a highly trained professional at a level well above any of the amateur groups.
So why were you here? Joona wonders. What does a hit man have to do with Penelope Fernandez? What is she mixed up in? What’s going on beneath the surface?
Joona reviews those unusual knife movements. The technique was obviously meant to circumvent the usual police and military defensive training. His skin prickles as he realises that the first cut would have sliced into his liver if he hadn’t carried his pistol under his right arm. The second cut would have gone straight into his brain if he hadn’t thrown himself backwards.
Joona gets up from the sofa and walks into the bedroom. He studies the well-made bed and the crucifix over the headboard.
A hit man believed he’d killed Penelope, and his intention was to make it seem like an accident … but the boat never sank.
Either the killer was interrupted or he left the scene of the crime intending to return and complete his assignment. He must never have intended that the Coast Guard would find the boat adrift with the drowned girl on board. Something had gone wrong or the plans had to be drastically changed. Maybe he was given new orders. At any event, a day and a half after killing Viola, he was here in Penelope’s apartment.
You must have had a strong reason to come here. What was your motive behind this major risk? Is there something here that connects you or your client to Penelope?
You did something here. You got rid of fingerprints or you erased a hard drive or destroyed an answering machine or you came to get something.
That’s what you wanted, but then I showed up and wrecked your plan.
Or maybe your plan was to destroy something in the fire? That’s a possibility, Joona thinks.
Joona wishes he had Erixson with him now. He needs a forensic technician; he doesn’t have the right tools and might even destroy evidence if he searches the apartment on his own. He could contaminate DNA or miss invisible evidence.
Joona walks to the window and looks down at the street. He sees empty tables by a sandwich café.
He really must head back to the police station and talk to his boss, Carlos Eliasson. He must ask to be assigned as the leader of the investigation and call in another forensic technician now that Erixson will be on sick leave.
Joona’s telephone rings just as he’s made the decision to play by the rules and go and talk to both Carlos and Jens Svanehjälm and put together an investigative group.
“Hi, Anja,” he says.
“I want to go to the sauna with you,” Anja says.
“Why the sauna?”
“Well, why not? Can’t we take a sauna together? You could show me how real Finns use the sauna.”
“Anja,” he replies slowly, “I’ve lived almost my entire life in Stockholm.”
Joona starts walking through the hallway to the outer door.
“I know, I know. You’re a Swede with Finnish heritage. How boring is that? Why couldn’t you be from El Salvador? Have you read any of Penelope Fernandez’s opinion essays in the newspaper? You should see her—the other day she scolded the entire Swedish weapons export industry on television!”
Joona can hear Anja’s light breaths in the receiver as he leaves Penelope Fernandez’s apartment. There are bloody marks on the stair from the ambulance crew’s shoes. A shiver runs down his back as he remembers his colleague sitting there, legs splayed, the colour draining from his face.
Joona believes the hit man is still under the impression he killed Penelope Fernandez, so he thinks that part of his contract is done. The other half was to get into the apartment for some reason. When the killer figures out Penelope’s still alive, he’ll be back on the hunt in a hurry.
“Björn and Penelope were not living together,” Anja is saying.
“I figured that out,” he replies.
“Even so, they could still be in love—just like you and me.”
Joona walks into strong sunshine. The air has grown heavier and even more humid.
“Can you give me Björn’s address?”
He hears Anja’s fingers fly over the keyboard. Small clicking sounds.
“Almskog, Pontonjärgatan 47, third floor.”
“I’ll go there before I—”
“Wait a second!” Anja said. “Not possible. Listen to this … I’ve just cross-checked this address … there was a fire in the building on Friday.”
“Björn’s apartment?”
Anja replies, “Everything on that floor is gone.”