Every Dead Thing

EVERY DEAD THING

“A truly harrowing murder plot. . . . An ambitious foray . . . deep into Hannibal Lecter territory. . . . The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.”

—Kirkus Reviews

“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.”

—Paul Lindsay, former FBI agent and author of
Witness to the Truth

“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.”

—amazon.com

“[A] darkly ingenious debut novel. . . . The New Orleans sequence of the novel sing[s]. . . . The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.”

—Publishers Weekly (starred review)

“An ambitious, moral, disturbing tale with a stunning climax. . . . In many ways its terror quotient exceeds that of Thomas Harris’ great work.”

—The Times (London)

“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.”

—Dublin Evening Herald (Ireland)

“A debut novel of stunning complexity. . . . The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.”

—St. Petersburg Times (FL)

“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.”

—Barnesandnoble.com

“Shades of The Silence of the Lambs here—but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block. . . . A terrifying finale. . . . Connolly manages to keep the tension simmering right to the very end.”

—Express & Star (UK)

“Absolutely spellbinding. . . . This is not a book for the timid.”

—Naples Daily News (FL)

“A big, meaty, often superbly written novel—astonishing, for a first-time author, in its scope and apparent veracity. . . . A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail. . . . A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography. . . . Impressive, too, is the superior, topflight prose and sheer momentum of the plot.”

—Tangled Web (UK)

“[An] exciting, scary, and darkly humorous story that deserves to be a success.”

—Irish News

“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.”

—Library Journal

“[A] stunning debut. . . . Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.”

—The Mirror (UK)

“Brilliant. . . . While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best. . . .A real adrenaline rush. . . . Simply too good to be missed—or to put down.”

—The Clarion-Ledger (Jackson, MS)

“CONNOLLY WRITES LIKE A POET ABOUT TERRIBLE HORRORS. . . . HIS WORDS SING.”

—Houston Chronicle

Critical acclaim for the thrillers of internationally bestselling author John Connolly

THE REAPERS

“Powerful, disturbing prose. . . . New fans will be searching Connolly’s back list to find out more.”

—Omaha World-Herald (NE)

“As dark and convoluted as his previous novels and just as enjoyable. . . .”

—Library Journal

“The past comes back with a vengeance in bestseller Connolly’s unsettling eighth novel to feature ex-NYPD detective turned disgraced PI Charlie ‘Bird’ Parker. . . . Rich prose and compelling plot. . . .”

—Publishers Weekly

THE UNQUIET

“The haunting creepiness . . . will guarantee late-night goose bumps.”

—Richmond Times-Dispatch

“Hard to put down, harder to forget.”

—The Observer (London)

“Charlie Parker is one of the more fully realized, complex detectives. . . . [He] stands unique and consistently complex.”

—Rocky Mountain News (Denver)

“Offer[s] the thought-provoking philosophical and theological depths that are missing from most of the genre.”

—The Sacramento Bee

THE BOOK OF LOST THINGS

“As simple and yet subversive as the age-old stories it incorporates . . . entertains and unnerves in equal measure.”

—The Washington Post

“Deliciously twisted.”

—Richmond Times-Dispatch

THE BLACK ANGEL

“Stylishly literate gore and terror.”

—Kirkus Reviews

“A tale poetic in the telling that is global in scope and timeless in origin.”

—Bookreporter.com

BAD MEN

“Powerful. . . . Connolly has quickly and decisively established himself as a unique voice.”

—Michael Connelly

“Terrifying. . . . Think Thomas Harris by way of Stephen King. . . . Not for the faint of heart.”

—Publishers Weekly

THE WHITE ROAD

“Darkly brilliant, spellbinding, and disturbing.”

—Harlan Coben

“The malevolence here is almost palpable.”

—Publishers Weekly (starred review)

THE KILLING KIND

“Unfolds with the force and logic of a nightmare.”

—The Washington Post

“Connolly has that rare ability to hit you head-on with a great crime story while giving you goose bumps in the process.”

—Clarion Ledger (Jackson, MS)

DARK HOLLOW

“Grim, hard-edged and compulsively readable.”

—Publishers Weekly

“A frightening, disturbing, and brutal tale interspersed with moments of dark humor.”

—Yorkshire Evening Press (UK)