8½ (Fellini, Italy, 1963), 626
“1857” (Fool’s Gold) (Elder, Canada, 1981), 176
8mm film, 69–70, 87–88, 102–3, 261, 263–64, 272–73, 619–20
400 Blows (Truffaut, France, 1959), 436–37
À propos de Nice (Vigo, France, 1930), 448–49, 452
A Revolução de Maio (Ribeira, Portugal, 1937), 505–6
absolute film, 47–48
abstract film, 55
Adorno, Theodor W., 177
Afterimage (UK), 169
Ailing, Huang, 623
Alexander Nevsky (Eisenstein, USSR, 1938), 565
Alexandrov, Grigori, 8, 30, 38, 565–68
All About Anna (Nilsson, Denmark, 2005), 385–86
Allen, Woody, 95
Allende, Salvador, 250
Althusser, Louis, 4–5
Alvarez, Santiago, 232, 239, 258–64, 280
Amis, Kingsley, 149
Amkino Corporation, 418–19
amplic phase, 40–41
Anderson, Lindsay, 109, 149–52
Andersson, Bibi, 374
Angry Young Men (UK), 109, 149
Animation, 104
Anthology Film Archives, 91, 543–44
Antín, Manuel, 211–13
Antonioni, Michelangelo, 210, 345, 372, 435, 438–39, 615
Après ski (Cardinal, Quebec, 1971), 264–65, 267
Araki, Greg, 393
Arbuckle, Fatty, 333
Arcand, Denys, 170
Arnheim, Rudolph, 568
Art of Worldly Wisdom (Elder, Canada, 1979), 176
Asch, Timothy, 553
Astruc, Alexandre, 117, 446, 594, 603–7
Aurenche, Jean, 134–39, 142–43
Autant-Lara, Claude, 134–35, 138–39, 142–43
Awesh, Peggy, 13
Bacall, Lauren, 365
Baccar, Salma, 375
Bailey, Cameron, 321
Baillie, Bruce, 535
Baldwin, Craig, 13
Ballet Mécanique (Léger, France, 1923–24), 457
Balogun, Ola, 183–92
Bank Clerk (Chaplin, US, 1915), 335
Barcelona School, 155
Barnet, Boris, 30
Bateson, Gregory, 545
Battleship Potemkin (Eisenstein, USSR, 1925), 36, 83, 89, 505, 525
Becker, Jacques, 142
Beineix, Jean-Jacques, 390
Belle, David, 320
Belle de jour (Buñuel, France, 1967), 371
Benjamin, Walter, 5–7
Bergman, Ingmar, 210, 345, 372, 582, 594, 614–16
Berlin: Symphony for a Great City (Ruttmann, Germany, 1927), 453, 456–59
Bhuvan Shome (Sen, India, 1969), 165
Bicycle Thieves (De Sica, Italy, 1949), 127, 495
Big Parade (Vidor, US, 1925), 535
Big Sleep (Hawks, US, 1946), 432–33
Birri, Fernando, 2, 207, 211–18, 275, 309–12
Black Audio Film Collective, 307–9
Black God, White Devil (Rocha, Brazil, 1964), 218
Blake, William, 62
Blanc, Mel, 438
Blaxploitation, 440
Blind Chance (Kieślowski, Poland, 1981), 464
Blinkity Blank (McLaren, Canada, 1955), 75
Blood of the Condor (Sanjinés, Bolivia, 1969), 286, 288–89, 293
Blow Up (Antonioni, Italy/UK/US, 1966), 372
Boetticher, Budd, 364
Bollaín, Icíar, 3, 327, 388–90
Bollywood, 320
Boogie Nights (Anderson, US, 1997), 555
Borges, Luis, 93
Born in East L.A. (Marin, US, 1987), 317
Bradford, Guy, 533
Brakhage, Stan, 3, 13–14, 41, 52, 62–69, 74, 91, 535, 543, 587
Breathdeath (VanDerBeek, US, 1964), 74
Brecht, Bertolt, 170, 463, 467
Bresson, Robert, 1, 133, 136–37, 142, 199, 604
Breton, André, 9
Bringing Up Baby (Hawks, US, 1938), 351
British Sounds (Godard, UK, 1970), 169–70
Brothers Quay, 103
Buck-Morss, Susan, 6
Buñuel, Louis, 3, 8, 31–37, 121–23, 137, 449–51
Burton, Tim, 103
Butcher Boy (Jordan, Ireland/US, 1997), 389
Bute, Mary Ellen, 13, 47–48, 52, 91
Cabinet of Dr. Caligari (1920), 28
Cage, John, 85
Cahiers du cinéma (France), 134, 162, 350
Camp, 224
Canadian Film Weekly, 533
Canova, Judy, 340–42
Cantrill, Arthur, 77–78
Cantrill, Corinne, 77–78
Cantrills Filmnotes (Australia), 77
Canudo, Ricciotto, 8, 325, 594–603
Carducci, Giosuè, 17
Carpenter, Ted, 549–50
Carroll, Noël, 2
Caton-Jones, Michael, 195
Cendrars, Blaise, 20–23
Cézanne, Paul, 48, 62, 432–43, 572, 600
Chabrol, Claude, 110, 133, 162
Chacha, Zhang, 481–82
Challenge for Change/Société nouvelle, 87
Champ, The (Vidor, US, 1931), 115–16
Chaplin, Charlie, 32, 50–52, 90, 115, 133, 210, 330–36, 526, 565, 568–69
Chenyu, Mao, 483
Cherchi Usai, Paolo, 519
Cheyenne Autumn (Ford, US, 1964), 351
Chicago, Judy, 91
Childish, Billy, 621
chiselling phase, 40
Ciné Institute (Haiti), 320
Cine Manifest Collective, 462
cinéma brut, 370
cinéma du qualité, 109, 133–44, 627
cinema novo, 218–20, 238, 245, 284
cinema of moral anxiety, 464
cinema of Transgression, 88–89, 100, 619
cinéma vérité, 353, 446, 471, 535
Cinemascope, 67
Citizen Kane (Welles, US, 1941), 418, 439, 606, 608
City Lights (Chaplin, US, 1931), 565, 568–69
Cixous, Hélène, 325
Clouzot, Henri-Georges, 140, 142, 605
Cobra Woman (Siodmak, US, 1944), 336
Cocteau, Jean, 142
Cohn-Bendit, Daniel, 518
“Colombia Revolt” (New York Newsreel, US, 1968), 462
“Come Back, Africa” (Rogosin, 1959), 60
Communist Manifesto, The, 3
Complex (Obayashi, Japan, 1964), 70
Connection, The (Clarke, 1961), 59
Constance (Vesterskov, Denmark, 1998), 385–86
contrapuntal sound, 565–68
Corruption of the Damned (Kuchar, 1965), 70
Courage of the People (Sanjinés, Bolivia, 1971), 289, 292–93
Cousins, Mark, 559–60
Cousteau, Jacques-Yves, 446
Covered (Greyson, Canada, 2009), 321
Crawley Films, 523
Critique de la séparation (Debord, France, 1961), 626, 628
Cronenberg, David, 321
Crowd, The (Vidor, US, 1928), 113, 115
Crowley, Aleister, 346
Cubism, 48
Currie, Gregory, 2
Dadaism, 7–8
Daguerre, L.J.M., 22
Dance, Girl, Dance (Arzner, US, 1940), 354
Day for Night (Truffaut, France, 1973), 133
de la Cruz, Khavn, 575, 588–89
De Lauretis, Teresa, 378
de Lautréamont, Comte, 95
de Man, Paul, 96–97
de Saint-Point, Valentine, 325
De Sica, Vittorio, 127
Debord, Guy, 3, 5, 13, 49–51, 89, 94–97, 123–24, 556, 560, 604, 626, 628
Decalogue (Kieślowski, Poland, 1989), 464
Déclaration des droits de l’homme et du citoyen, 3
Declaration of Independence, 3
DEFA, 193
Dellannoy, Jean, 134–35, 139, 142–43
DeMille, Cecil B., 403, 410, 420, 422
Der ewige Jude (Hippler, Germany, 1940), 99
Deren, Maya, 2, 56–58, 83, 528, 587
Derrida, Jacques, 97
Des Santos, Nelson Pereira, 284
Dharti Ke Lal (Abbas, India, 1946), 120
Diary of a Country Priest (Bresson, France, 1951), 136–37, 144
Diary of a Revolutionist (Urinov, USSR, 1932), 419
Die Nibelungen (Lang, Germany, 1924), 525
Diggers, 5
digital cinema, 580–89
Dirty Diaries (Engberg, Sweden, 2009), 397
Dishonoured (von Sternberg, US, 1931), 367
documentary, 42, 109, 148, 158, 217, 241, 445–83, 609
Dogme ’95, 2, 8–9, 110–11, 173, 201–3, 327, 385, 394, 404, 441, 446, 473–75, 488, 559, 583, 586, 594, 619, 621
Don Peyote (Humes, 1960), 59
Dreyer, Carl Th., 210
Drifters (Grierson, UK, 1929), 459
Dulac, Germaine, 91
Dumas, Alexandre, 21
Dworkin, Andrea, 325
Dziga-Vertov Group, 169, 594, 618
Eastman Kodak, 523
Eater, An (Obayashi, Japan, 1963), 70
Edison, Thomas, 602
Eisenstein, Sergei, 2, 8–9, 27–28, 30, 38–40, 90, 220, 565–68, 605
Elam, JoAnn, 87
Elder, R. Bruce, 176–83
Element of Crime (von Trier, Denmark, 1984), 173
Elsaesser, Thomas, 560
Elster, Jon, 403–4
Emmanuelle (Just Jaeckin, France, 1974), 370, 374
End of St. Petersburg (Pudovkin, USSR, 1927), 30
Energies (Davis, US, 1957), 52
Engberg, Mia, 397–99
Engels, Friedrich, 3
Entr’acte (Clair, France, 1924), 36
Enzenberger, Hans Magnus, 352
Epidemic (von Trier, Denmark, 1987), 173–74
Espinosa, Julio García, 2, 207, 220–30, 255, 286
ethnographic film, 446, 476, 544–54
Europa (von Trier, Denmark/France/Germany, 1991), 173–75
Even the Rain (Bollaín, Spain, 2010), 388
Everyday Except Christmas (Anderson, UK, 1957), 150–51
expanded cinema, 575–79
Experimental Film (USA), 38–40
Export, Valerie, 325
Famous Players, 268–71
Fanon, Frantz, 207, 218, 230, 236, 247
Fassbinder, Rainer Werner, 172
Faulkner, William, 433
Feminists in the Media conference (1975), 359
Feng, Cong, 481–83
Festen (Vinterberg, Denmark, 1998), 201
FIAF, 556–558
Figgis, Mike, 589
Film about a Woman Who…, A (Rainer, US, 1985), 378
Film-Makers’ Cooperative, 536–39, 542
Film No. 4: Bottoms (Ono, UK, 1967), 326, 344–45
Fischinger, Oskar, 47
Five Obstructions (Leth and von Trier, Denmark, 2003), 446, 472
Flaherty, Robert, 66, 446, 453, 455–56, 551
Flaming Creatures (Smith, US, 1962), 336
Flanders, Elle, 321
Flicker, The (Conrad, US, 1966), 72–74, 76, 85, 535
flicker films, 72–76
Flower Thief (Rice, US, 1962) 61, 342
Flowers of Asphalt (Markopoulos, US, 1951), 86
Foucault, Michel, 472
Fox Talbot, Henry, 80
Frampton, Hollis, 13, 24, 78–85, 89–91, 93, 540–43
Franju, Georges, 446
Frank, Robert, 58
Fraser, Nancy, 325–26
Free Cinema, 2, 8, 58, 72, 109–10, 149–52
Free Fall (Lipsett, Canada, 1964), 75
Freud, Sigmund, 65, 77, 227, 347, 362–63
Fung, Richard, 321
Funnel Experimental Film Centre (Toronto), 101
Gan, Alexei, 29–30
Garbo, Greta, 365
Garden, The (Jarman, UK, 1990), 199
Gavronsky, Serge, 69
Gentlemen Prefer Blondes (Hawks, US, 1953), 351
Getino, Octavio, 207, 211, 230–49, 256–58
Ghatak, Ritwik, 560
Gilliam, Terry, 103
Globalization, 7
Glover, Guy, 157–60
Godard, Jean-Luc, 2–3, 9, 89, 94–95, 110, 133, 169–70, 199, 231, 238, 243, 345, 445, 561, 587, 594, 618, 626, 628
Godmilow, Jill, 446
Goebbels, Joseph, 89–90, 487, 493–95
Gold Rush (Chaplin, US, 1925), 335
Gramsci, Antonin, 4
Great Road, The (USSR, 1928), 29
Greyson, John, 321–22
Grierson, John, 445–46, 453–59
Griffith, D.W., 21, 67, 113, 115
Grotowski, Jerzy, 224–26
Gun of the Trees (Mekas, 1961), 59
Guy-Blaché, Alice, 326
Habermas, Jürgen, 325–26
Hammer, Barbara, 91
Handler, Mario, 253–56, 258, 263
Handsworth Songs (Akromfrah, UK, 1988), 307
Happiness (Solondz, US, 1998), 555
Haraway, Donna, 325
Harcourt, Peter, 177–79
Haskell, Molly, 364
Haynes, Todd, 393
Hearst, William Randolph, 403, 417–20
Henry V (Olivier, UK, 1944), 530
Hermosillo, Jaime Humberto, 3
Herzog, Werner, 172, 445–46, 471–72, 479
Hill, Jerome, 543
His Girl Friday (Hawks, US, 1940), 351
Histoire d’O (Just Jaeckin, France/West Germany/Canada, 1975), 357
Hitchcock, Alfred, 366–69, 565
Hitler, Adolf, 493
Hoberman, J., 432
Hoffman, Philip, 14, 76, 105–6
Hog Wild (Parrott, US, 1930), 434
Holland, Agnieszka, 464
Homoeroticism, 91
Hondo, Med, 207, 275, 281, 300–303
Hour of Liberation (Srour, Lebanon, 1974), 375
Hour of the Furnaces (Getino and Solanas, Argentina, 1968), 239, 244–45, 247–48, 256–57, 293, 626, 628
Hour of the Wolf (Bergman, Sweden, 1968), 614
Houston, Penelope, 519
How Tasty Was My Little Frenchman (Des Santos, Brazil, 1971), 284–85
Howard, Wolf, 621
HUAC (House Un-American Activities Committee), 50, 403, 421
Hughes, Howard, 488
Huillet, Danièle, 153
Hurlements en faveur de Sade (Debord, France, 1952), 49–50
I Am Curious (Blue) (Sjöman, Sweden, 1968), 370
I Am Curious (Yellow) (Sjöman, Sweden, 1967), 370
I Walked With a Zombie (Tourneur, US, 1943), 99, 341
IBM, 68
Idiots, The (von Trier, Denmark, 1998), 201
Iimura, Takahiko, 70–72
Ikiru (Kurosawa, Japan, 1952), 439
Immigrant, The (Chaplin, US, 1917), 335
Impulses (Davis, US, 1959), 52
In girum imus nocte et consumimur igni (Debord, France, 1978), 604
Independent Imaging Retreat (“Film Farm”), 14, 106
Isou, Jean-Isidore, 3, 49, 51–52, 123–24, 626, 628
Jacobs, Ken, 540–43
Je, tu, il, elle (Akerman, Belgium/France, 1974), 379
Jennings, Humphrey, 149
Jewison, Norman, 321
Jiongjiong, Qiu, 481
Jollywood manifesto, 320
Jong-il, Kim, 506–13
Jordan, Larry, 75
Journeys from Berlin (Rainer, US, 1971), 379–81
Joyce, James, 79
Jules et Jim (Truffaut, France, 1962), 436–37, 439
Jusick, Stephen Kent, 555
Jutra, Claude, 157, 161–62, 396
Kadinsky, Wassily, 48
Kameradschaft (Pabst, Germany, 1931), 113
Kaplan, Nelly, 349
Kaplana (Shankar, India, 1948), 119–20
Karmitz, Marin, 162
Kartemquin Collective, 462
Katzman, Sam, 61
Kaul, Arun, 165–68
Keesing, Roger, 476
Kern, Richard, 88
Khomeini, Ayatollah, 489
Kiarostami, Abbas, 628
Kieślowski, Krzysztof, 3, 446, 464–68
King Lear (Godard, France, 1987), 95
Kitchen Sink films (UK), 110
Klein, Naomi, 321–22
Kleinhans, Chuck, 87
Kruger, Barbara, 95
Kubelka, Peter, 543
Kuchar, George, 13, 69–70, 392
Kuumba Workshop, 440
L’âge d’or (Buñuel, 1930), 31–37, 120
L’amore (Rossellini, Italy, 1948), 495
L’avventura (Antonioni, Italy, 1960), 438–39
L’Espoir (Malraux, France, 1945), 606
La chinoise (Godard, France, 1967), 594, 618
La dolce vita (Fellini, Italy, 1960), 371
La Fée aux choux (Guy-Blaché, France, 1896), 328
La notte (Antonioni, Italy, 1961), 438–39
La région Centrale (Snow, Canada, 1971), 85
La roue (Gance, France, 1922), 20
La terra trema (Visconti, Italy, 1948), 127, 625
Lacan, Jacques, 362
Laemmle, Carl, Jr., 410
Lake, Veronica, 341
Lamothe, Arthur, 271
Land without Bread (Buñuel, Spain, 1933), 121, 137
Lang, Fritz, 115
Langlois, Henri, 517–19, 529, 539
Lasky, Jesse L., 38
Lassally, Walter, 150–52
Last Laugh (Murnau, Germany, 1924), 524
Last of England (Jarman, UK, 1987), 199
Lawrence of Arabia (Lean, UK, 1962), 300
Le Corbusier, 41
Le Grice, Malcolm, 91
Le monde du silence (Cousteau and Malle, France, 1956), 461
Léger, Fernand, 528
Legion of Decency, 495–99
Leiva, Augustin Aragon, 38, 40
Lenin, Vladimir Ilyich, 9, 19, 89–90, 170, 348
Lennon, John, 344
Les carabiniers (Godard, France, 1963), 199–200
Les mistons (Truffaut, France, 1957), 109
Les Portes du la nuit (Carné, France, 1936), 134
Les raquetteurs (Brault and Groulx, Quebec, 1958), 625
Leth, Jørgen, 446
Lettre de Sibérie (Marker, France, 1957), 461
Lettriste International 50–51
Leyda, Jay, 19
Life and Death of Colonel Blimp (Powell and Pressburger, UK, 1943), 116
Light Reflections (Davis, US, 1952), 52
Limelight (Chaplin, US, 1952), 50–51
Linder, Max, 51
Lindgren, Ernest, 517–19, 529–32
Lipsett, Arthur, 75
Lipton, Lenny, 69
Little Fugitive (Ashley, US, 1953), 59
Little Shots of Happiness (Verow, US, 1997), 393
Living End (Araki, US, 1992), 393
Loneliness of the Long Distance Runner (Richardson, UK, 1962) 434–36
Look Back in Anger (Richardson, UK, 1959), 151
Lord, Susan, 575
Los Olvidados (Buñuel, Mexico, 1950), 121–23
Lubitsch, Ernest, 488
Lumière, Louis, 1, 78, 90, 602
Lumière Brothers, 445
Lunacharsky, Anatoli, 19, 89, 532
Lye, Len, 47
Lyon, Janet, 4
M. Hulot’s Holiday (Tati, France, 1953), 144
Maas, Willard, 83
Machiavelli, Niccolò, 4
Maddin, Guy, 171
Madison, James, 3
Makavejev, Dusan, 199
Make Out (New York Newsreel, US, 1969), 462
Makhmalbaf, Samira, 560, 575, 580–85, 588
Malanga, Gerard, 75
Maltese Cross Movement (Dewdney, Canada, 1967), 72
Mambety, Djibril Diop, 560
Mamoulian, Rouben, 116
Man Who Envied Women, The (Rainer, US, 1974), 378, 380, 382
Man Who Shot Liberty Valance, The (Ford, US, 1962), 434
manifesto film, 625–28
Mannheim, Karl, 6
Manskiy, Vitaly, 478–79
Marchessault, Janine, 575
Marcus, George E., 476
Marey, Étienne-Jules, 73
Marie, Michel, 625
Marin, Cheech, 317
Markopoulos, Gregory, 86–87
Marnie (Hitchock, US, 1964), 367, 369
Marshall, John, 553
Marshall Plan, 109
Martineau, Barbara, 353
Marx, Karl, 3, 9, 77, 223, 241, 273, 347–48, 352, 605
Matuszewski, Boleslaw, 517, 520–23
Mazzetti, Lorenza, 149
McLaren, Norman, 47, 74–75, 109, 149
McLuhan, Marshall, 73
Mead, Margaret, 545, 550–51, 554
Mead, Taylor, 61
Meese Commission Report on Pornography, 382
Mekas, Jonas, 2, 14, 58, 91, 102–3, 432, 534–39, 543
Memmi, Albert, 207
Ménilmontant (Kirsanoff, France, 1926), 525
Meshes of the Afternoon (Deren, US, 1943), 56, 83
Metz, Christian, 626
MGM, 185
Miller Berry, Scott, 555
Millett, Kate, 353
Miracle in Milan (De Sica, Italy, 1951), 128–29
Mission to Moscow (Curtiz, US, 1943), 421
Moana (Flaherty, US, 1926), 453, 455
Moholy-Nagy, László, 13, 44–47
MoMA (Museum of Modern Art), 95, 524, 527, 532–33, 540–43
Mon oncle Antoine (Jutra, Canada, 1971), 157
Monroe, Marilyn, 351, 364–65, 404
Montage of attractions, 27, 67
Montez, Maria, 336–44
Morocco (von Sternberg, US, 1930), 350, 367
Mother (Pudovkin, USSR, 1926), 525
Motion Picture Herald (US), 405, 418–19
Motion Picture Production Code, 3, 8, 403–17
Mulvey, Laura, 2, 8, 327, 344, 349, 626–28
Murnau, F.W., 113
Murphy, Eddie, 300
Mussolini, Benito, 112
Müzenberg, Willi, 490–92
Naked Spaces (Minh-ha, US, 1985), 379
Nanook of the North (Flaherty, 1922), 66, 446, 453
Nathalie Granger (Duras, France, 1972), 379
Neighbours (McLaren, Canada, 1952), 109
Nelson, Gunvor, 91
Nestler, Peter, 153
New American Cinema Group, 58–60
New Cinema Movement (India), 165–68
New Danish Cinema, 201
New French Extremism, 370
New German Cinema, 110, 152, 172, 201, 445, 559
New Queer Cinema 321, 327, 392–96
New York Newsreel, 462–64
NFB (National Film Board of Canada), 87, 157
“Niamey Manifesto of African Filmmakers,” 303–7, 313
Nielsen, Asta, 526
Niépce, Nicéphore, 80
Nietzsche, Friedrich, 96–97
Nigerian Film Corporation, 188–89
Nihon University Cinema Club, 70
Nilsson, Rob, 618–19
Nilsson, Torre, 211–13
Nju (Czinner, Germany, 1924), 524
Nobody Waved Goodbye (Owen, Canada, 1964), 180
Normal Love (Smith, US, 1963), 336
North by Northwest (Hitchcock, US, 1959), 403
Not Reconciled (Straub and Huillet, West Germany, 1965), 153
Not Wanted (Lupino, US, 1949), 354
nouvelle vague (France), 58, 110, 157, 201–2, 238, 259
Nuit et brouillard (Resnais, France, 1955), 199, 461
O Dreamland (Anderson, UK, 1953), 151
Obayashi, Nobuhiko, 70
“The Oberhausen Manifesto,” 2, 8, 152–53, 155, 172, 556
Objectivo (Spain), 145
October (1927), 30
Off the Pig (New York Newsreel, US, 1968), 462
Olympia (Riefenstahl, Germany, 1938), 92
Only Angels Have Wings (Hawks, US, 1939), 366
Ono, Yoko, 326
Ophuls, Max, 142
Osborne, John, 149
Oudart, Jean-Pierre, 487–88
Overlanders (Watt, UK, 1946), 530
Paik, Nam June, 535
Painlevé, Jean, 42
Paisa (Rossellini, Italy, 1946), 127
Palestinian Cinema Group, 207, 273–75
Panovsky, Erwin, 347–48
Passion of Anna (Bergman, Sweden, 1969), 614
Pathé Brothers, 602
Pather Panchali (Ray, India, 1955), 117
Paz, Octavio, 121–23
Peña-Sarmiento, Sandra, 316–18
Pepé le Moko (Duvivier, France, 1937), 134
Persona (Bergman, Sweden, 1966), 594, 614
Pile ou face (Fournier, Quebec, 1970), 264–68
Pink Prison (Lynghøft, Denmark, 1999), 385–86
Pius XI (Ambrogio Damaniano Achille Ratti), 3, 487–88, 495–505
Plateau, Joseph, 80
Poetic realism, 134
Poniatowska, Elena, 294
Pope, Alexander, 79
Porky Pig, 438
Pornography, 264, 370–74, 377–78, 385–88, 390–92, 397–99
Portrait of Jason (Clarke, US, 1967), 353
“Post Porn Modernist Manifesto, The,” 327, 382
Potter, Sally, 396–97
Powell, Michael, 116
Prague (Sellar, Scotland, 1992), 195–96
Pratley, Gerald, 533
Preminger, Otto, 488
Pressburger, Emeric, 116
Principal Enemy (Sanjinés, Bolivia, 1973), 289–90, 293
Privilege (Rainer, US, 1990), 378
Pudovkin, Vsevlod, 8, 30, 565–68
Pull My Daisy (Frank and Leslie, US, 1959), 59
“Puzzy Power Manifesto,” 327, 385–88
Quai des Brumes (Carné, France, 1938), 134
Que Viva Mexico (1933/1979) 38–40
Rage (Potter, UK, 2009), 396
Rank Corporation, 188
Rape (Ono and Lennon, UK/Austria, 1969), 344
Rayns, Tony, 622
Reagan, Ronald, 420
Rear Window (Hitchock, US, 1954), 367–68
Reassemblage (Min-ha, Senegal, 1982), 92–93
Redupers (Sanders, West Germany, 1978), 379
Reisz, Karel, 149–52
Reitman, Ivan, 321
Requiem for a Heavyweight (Nelson, US, 1962), 435–36, 439
Rhabillage (Ovidie, France, 2011), 390
Rich, B. Ruby, 392
Richards, Jesse, 619–21
Richardson, Tony, 149, 435–36, 438
Ricoeur, Paul, 6
Riddles of the Sphinx (Mulvey and Wollen, UK, 1977), 327, 359, 379, 626–28
Riefenstahl, Leni, 90, 92, 355
River of No Return (Preminger, US, 1954), 365
Rivette, Jacques, 110
Robbe-Grillet, Alain, 181
Rodríguez, Marta, 260
Roeg, Nicholas, 197
Rogosin, Lionel, 58
Romanticism, 353
Rome, Open City (Rossellini, Italy, 1945), 127
Room at the Top (Clayton, UK, 1959), 151
Rosenbaum, Jonathan, 432
Rossellini, Roberto, 127, 616–17
Rotha, Paul, 607
Rotten, Johnny, 5
Rouch, Jean, 550
Russian formalism, 13
Ruttmann, Walter, 445
Sade, Marquis de, 37
Said, Edward, 317
Sandinista cinema, 298–99
Sanjinés, Jorge, 2, 207, 286–94
Sankofa Film and Video, 307
Scarface (Hawks, US, 1932), 134
Scenes from a Marriage (Bergman, Sweden, 1973), 372
Schneemann, Carolee, 91
School of Cinema and Television in San Antonio de Los Baños, Cuba, 309–12
Schrader, Paul, 619
Schrenk, Joseph M., 410
Schulberg, Bud, 410
Sciuscìa (De Sica, Italy, 1946), 127
scopophilia, 362–70
Scottish Film Council, 194–201
Screen (UK), 360
second cinema, 209
Sen, Mrinal, 165–68
Serenity (Markopoulos, US, 1961), 86
Seven Women (Ford, US, 1966), 351
Seven Year Itch (Wilder, US, 1955), 404
Severson, Anne, 91
Shadows (Cassavetes, 1959), 59–60, 474
Shame (Bergman, Sweden, 1968), 614
Sheer Madness (von Trotta, West Germany, 1983), 380
Shoot the Piano Player (Truffaut, France, 1960), 436
Shrimpton, Jean, 326
Shuzhong, Gui, 481–83
Sin of Jesus, The (Frank, US, 1961), 59
Singin’ in the Rain (Donen and Kelly, US, 1952), 560
Sirk, Douglas, 354
Sjöman, Vilgot, 370–75
Smith, Harry, 535
Socialist realism, 9
Soderbergh, Steven, 396, 441, 589
Solanas, Fernando, 2, 207, 211, 230–49, 256–58
Solax Company, 328–29
Soleil O (Hondo, France/Mauritania, 1967), 300
Song of Ceylon (Wright, UK, 1934), 570
Song of Russia (Ratoff, US, 1944), 421
Sontag, Susan, 593
Spielberg, Steven, 561
Stalin, Joseph, 9
Stalinism, 7
Stoneman, Rod, 198
Strand, Chick, 91
Straub, Jean-Marie, 153
Strike (Eisenstein, USSR, 1924), 27
structural film, 72
structure of feeling, 607–13
Super Fly (Parks, Jr., US, 1972), 440
Švankmajer, Jan, 103–4
Swift, Jonathan, 79
Syberberg, Hans-Jürgen, 199, 626–28
Sydney Filmmakers Cooperative, 76
Tabu (Flaherty and Murnau, US, 1931), 455
Take My Eyes (Bollaín, Spain, 2003), 388
Taste of Honey, A (Richardson, UK, 1961), 453
Tati, Jacques, 142
Taussig, Michael, 476
Ten (Kiarostami, Iran, 2004), 628
termite art, 432–39
Thalberg, Irving, 410
Third cinema, 8, 205–49, 286, 294
Thoms, Albie, 76
Three Colours trilogy (Kieślowski, France, 1993–94), 464
Three Lives (Millett, US, 1971), 353
Three Songs about Lenin (Vertov, USSR, 1934), 419
Thunder Over Mexico (1934), 38–40
To Have and Have Not (Hawks, US, 1944), 365–66
Tom, Tom, The Piper’s Son (Jacobs, US, 1969), 85
Totally F**ked Up (Araki, US, 1993), 393
Treatise on Slime and Eternity (Isou, France, 1951), 626, 628
Triumph of the Will (Riefenstahl, Germany, 1935), 92, 99
Truffaut, François, 2–3, 109–10, 133–44, 149, 152, 436–38, 518, 581–82
Twice a Man (Markopoulos, US, 1963), 86
Two Men and a Wardrobe (Polanski, Poland, 1958), 109
Tyler, Parker, 61
UFA, 454
Umberto D. (De Sica, Italy, 1952), 127
Un chien andalou (Buñuel and Dalí, France, 1928), 8, 31, 36, 120, 448–51
United Artists, 60
Universal Studios, 185, 188, 422
Unsere Afrikareise (Kubleka, Austria, 1966), 85
Up in the Clouds (Sen, India, 1965), 165
Valentino, Rudolph, 549
Valérie (Héroux, Quebec, 1969), 266
VanDerBeek, Stan, 74, 535, 575–79, 593
Varda, Agnès, 355
Variété (Dupont, Germany, 1925), 525
Variety (Gordon, US, 1983), 379
Variety (US), 264
Verow, Todd, 327
Vertigo (Hitchcock, US, 1958), 367–69
Vertov, Dziga, 2, 23–26, 44, 90, 170, 587
Very Nice, Very Nice (Lipsett, Canada, 1961), 75
Vigilanti cura, 3, 8, 488, 495–505
Vinterberg, Thomas, 110–11, 201–3, 441
Virginian, The (Fleming, US, 1929), 571
Visconti, Luchino, 127
Von Sternberg, Joseph, 115, 340, 350, 366–67, 488
Von Stroheim, Eric, 115
Von Trier, Lars, 110, 171–75, 201–3, 385, 441, 446, 472, 589
Wagner, Richard, 48
Wajda, Andrzej, 464
Wallis, Hal B., 410
Wang, Wayne, 317
War and Peace (Bondarchuk, USSR, 1966–67), 237
Warhol, Andy, 93–95, 392, 433, 535
Warner, J.L., 410
Wassef, Magda, 375
We Are the Lambeth Boys (Reisz, UK, 1958), 151
Weekend (Godard, France, 1968), 594
Welles, Orson, 404, 418, 439, 604, 606
Wet Dream Film Festival, 326, 346
Whitehead, Peter, 169
Wieland, Joyce, 91
Wilde, Oscar, 77
Williams, Raymond, 607–13
Wimmin’s Fire Brigade, 377–78
Wittman, Carl, 325
Wizard of Oz (Fleming, US, 1939), 389
Wollen, Peter, 94, 350–51, 353, 359, 626–28
Wollestonecraft, Mary, 325
Wolman, Gil J., 124
Woman’s Film, The (San Francisco Newsreel, US, 1971), 462
Women and Film (US), 350
Wood, Robin, 351
Wood, Sam, 420
Woolf, Virginia, 111
Xinyu, Hu, 483
Youngblood, Gene, 576
Youtube, 586
Yu, Feng, 482
Zabriskie Point (Antonioni, US, 1970), 372
Zanussi, Krzysztof, 464
Zapruder, Abraham, 93
Zavattini, Cesare, 112, 124–33
Zéro de conduite (Vigo, France, 1933), 340
Zhangke, Jia, 594
Zinnemann, Fred, 438