Acknowledgments

I am grateful to Syracuse University, the Julia and David White Artists’ Colony, the Constance Saltonstall Foundation for the Arts, the Sacatar Foundation, and the Wurlitzer Foundation for the gift of time and financial support while I wrote this book.

A heartfelt thanks to all the people at Houghton Mifflin, whose hard work and passion helped bring this book into the world. I am especially indebted to my editor, Janet Silver, for her insight, brilliance, and kindness; to Meg Lemke, who guided me expertly along the way; and to Megan Wilson, publicist extraordinaire.

A deep bow to my agent and fairy godmother, Laurie Fox of the Linda Chester Literary Agency.

I couldn’t have written this book without the encouragement and love of my friends and teachers, too many to name here. Special thanks to Paulette Bates Alden, Christopher Boucher, Arielle Greenberg Bywater, Mary Caponegro, Arthur Flowers, Lisa Glatt, Corrine Glesne, Sarah Hart, Aimee Hurt, Tom Kilbane, Gretchen Legler, EJ Levy, Emillia Noordhoek, Dorothy Novick, Salvador Plascencia, Lee and John and Astia Roper-Batker, George Saunders, Anne Vande Creek, Bridgette Walsh, and Devon Wright.

I’m grateful to Karen Patch, Leif Nyland, and Glenn (Benny) Lambrecht for all those years together, and for being modern pioneers with me.

My deepest debt is to Brian Lindstrom, for everything and then some. For love and for life. For keeping the faith and carrying the torch.