INDEX

abstract nouns 47–8

abstraction 40–42, 136, 137, 151–2

academe 210

active voice 63–6

Adams, Douglas 156–7

addressing people 228, 264–8

adjectives 45, 55–60, 188

becoming adverbs 188

and commas 99

and hyphens 107–8

from nouns 188

adverbs 55–6, 60–62

from adjectives 188

and commas 99

conjunctive 185–6

and hyphens 107–8

affect 201

Agate, Tony 121

ageing 201

agenda 50–51

aging 201

agreement

collective nouns 49

pronouns 53–4, 193–4

AIDA (Awareness, Interest, Desire, Action) 217–18

Alexander, Douglas 167–9, 173

Ali, Muhammad 172

‘All Things Bright and Beautiful’ 171, 172

Allo Allo 196

alright 201

American Psycho 225

Amis, Kingsley 39, 234–5

Amis, Martin 235

ampersands 127–8

analogy 156–9

anaphora 174

anecdotes 158

angle brackets 117

annex 201

annexe 201

antecedents 53

anticipate 201–2

antithesis 171–2

apostrophes 87, 109–11

apposition 82, 171

appraise 202

apprise 202

Arcadia (Stoppard) 157

aristocracy 266–7

Aristotle 10, 23

aspect 66–70

attributive adjectives 56–7

Auden, W. H. 62

audience 8, 15–17, 23–8

backslash 126

Barker, Nicola 153

Barnes, Julian 11–12, 236

Bartholomew Fayre (Jonson) 203

because of 197

beg the question 202

Belle du Jour 250

Beowulf 94

Berryman, John 128

between you and me 195

bibulous 210

Bishop, Elizabeth 234

block quotation 119–20

blogging 249–51

brackets 104, 105, 112–18

brain

reading 18–20, 151

working memory 79–80, 114, 178

Broca’s area 19

Brown, Brené 154

Brown, Dan 57, 270–71

Brown, Gordon 222

Brown Moses 249–50

Browning, Elizabeth Barrett 178

Buffett, Warren 157

bullet points 127

Burgess, Anthony 7, 107

Burke, Kenneth 27

business letters 225–8

butt 204

BuzzFeed 179–80, 243

cadence 159–69, 173

call out 210

callbacks 222–3

Cambridge Grammar of the English Language, The (Huddleston and Pullum) 43, 91

Cameron, David 257

Carnegie, Dale 154

Caxton, William 2

centred text 262–3

chapters 85, 86

Chekhov, Anton 152–3

chevrons 117

Chilcot, Sir John 116–17

Child, Lee 82–4

Chomsky, Noam 18

Churchill, Winston 189

classic 202

classical 202

clauses 75, 85

independent 75

relative 52, 99, 191–3

subordinate 75, 77–8, 79

climax 168

Clinton, Hillary 244

Clockwork Orange, A (Burgess) 7

close-up 220–22

Coben, Harlan 80–82

collective nouns 48–9

Collins, Phil 240

colons 88, 100–102

Comic Sans 263

Coming Up for Air (Orwell) 102

‘Comma-then’ (Franzen) 186

commas 13–14, 88, 89, 97–100, 104

comma splices 164, 183–6

and coordinating conjunctions 136–7

and quotation marks 124–5

common nouns 45–7

comparative adjectives 57–8

complaints 232–4, 255–6

complex sentences 77, 79

complex-compound sentences 77–8, 79

composed 202–3

compound sentences 76, 77, 78–9, 136–7

dashes 103–4

semicolons 101–2

comprised 202–3

conditional mood 70–71

condolences 236–7

conjunctions 24

beginning sentences 189, 190

coordinating 76, 77, 78, 1367, 184, 185

parataxis 133

conjunctive adverbs 185–6

Conrad, Joseph 151

contractions 111

convivial 210

coordinating conjunctions 76, 77, 78, 136–7, 184, 185

Coren, Giles 164–6

count nouns 49–50

Cranberries, The 118

crime writing 80–84

Crowley, Megan 152

Crystal, David 88–9, 92, 96, 110

curly brackets 117

CVs 229–31

Cyrano de Bergerac 237–8

Da Vinci Code, The (Brown) 57, 270–71

Daily Mail 242

Daily Mirror Style (Waterhouse) 85

dangling modifiers 186–7

dashes 103–5

data 50–51

Dear John letters 34, 239–40

decimate 199

décolletage 210

deconstruct 210

decorum 15–16, 34–9, 163–4, 252–3

defining relative clauses 99, 192–3

DeLillo, Don 159

demonstrative pronouns 52

deny 203

deontic modality 71–2

dependent clauses 75, 77–8, 79

derriere 210–11

descriptivists 1–5, 38–9

design 259–64

desserts 206

determiners 56

different to/that/from 197–8

dilemma 203

direct questions 90

discreet 203

discrete 203

disinterested 203

Doctorow, Cory 22

double negatives 196–7

drop intro 220

due to 197

Dylan, Bob 61

e-readers 21–3

Easy Rider 153

Eats, Shoots and Leaves (Truss) 1, 87

Economist’s Style Guide, The 94, 205

editing 131–5

The Academic Repeater 138–40

The Confuser 140–43

The Interrupter 148–50

The Monster 143–8

Pomposo Furioso 135–8

effect 201

Elements of Style (Strunk and White) 1, 43

Eliot, George 162–3, 167

Eliot, T. S. 102, 247

ellipses 89, 94–6, 105, 114, 116–17

em-dash (em-bar) 103

emails 96, 164, 243–7

embonpoint 210

emojis 128–30

emoticons 128–30

en-dash 103

enargia 154–6

End of the World News, The (Burgess) 107

English (verb) 188–9

English for the Natives (Ritchie) 19, 47, 67

English language 7, 8

evolution 2–3, 5–6

Plain English 28–34

plurals 47

word order 47, 80

enormity 203

enumeratio 176–80

epicene pronouns 54–5

epistemic modality 71–2

epistrophe 174

erotema 175

ethos 23–4, 31, 178, 264

etymology 199–200

exclamation marks 89, 91–4, 114

expect 201–2

Facebook 129, 252, 254, 255

Fahlman, Scott 128

‘Fall of Rome, The’ (Auden) 62

FANBOYS 76, 136–7, 185

fewer 4, 50

figures 169–80

Fitzgerald, F. Scott 92

flat adverbs 60–61

flaunt 203–4

Flesch-Kincaid score 32–3

flout 203–4

flush-left 262

flush-right 262–3

fonts 263–4

formal agreement 49

forms of address 228, 264–8

Fowler, Henry Watson 1, 85, 200

Fowler’s Modern English Usage (Burchfield) 93, 94, 100, 105, 200

Franklin, Aretha 194

Franzen, Jonathan 186

French (verb) 189

French language 6, 47, 198, 200

full stops 13–14, 88, 89, 96, 259

and dashes 104–5

and parentheses 113–14

and quotation marks 125

fulsome 204

function shift 187–9

Gaiman, Neil 250–51

Gallo, Carmine 154

Garfield, Simon 263–4

gender-neutral pronouns 54–5, 265–6

genre 27–8

German language 80, 205

gerunds 81–2

Gilead (Robinson) 13–14

Godwin, William 238

Godwin’s Law 157–8

Gotham 264

Green, David Allen 250

greengrocer’s apostrophe 87, 110

Hamlet (Shakespeare) 187

Hammer, M C 47

hanged 204

hashtags 127, 254, 255

Hazlitt, William 234

headbutt 204

Heffer, Simon 1, 58

Helvetica 263

Hemingway, Ernest 79

Henry IV, Part One (Shakespeare) 233

Hensher, Philip 189

Higgins, Eliot 249–50

‘Home is so Sad’ (Larkin) 191

hopefully 204–5

Hopkins, Gerard Manley 30

How To Talk Like TED (Gallo) 154

Huddleston, Rodney 43, 91

Hughes, Ted 238–9

hung 204

hyphens 89, 105–9

hypophora 175

hypotaxis 133–4, 146, 147

identifying people 268–71

identity 24–6

imperative mood 71

imply 205

Incredible Hulk 195

independent clauses 75

indicative mood 71

indirect questions 91

infer 205

infinitives, split 8, 181–2

internet 22–3, 240–43, 247–51

see also emails; social media

interrogative mood 71

interrogative pronouns 52

invariably 205

invariant nouns 48

inverted commas 118–26

inverted pyramid 219–20, 230, 248

iPhone 28–9

irregardless 205

Isaacson, Walter 28

Izzard, Eddie 6

Jack of Kent 250

job application letters 229

job descriptions 268–71

Jobs, Steve 152, 154

Johnson, Dr 92

Johnson, Rebecca 64

Jonson, Ben 203

Joyce, James 20

just desserts 206

Just My Type (Garfield) 263–4

justification 262–3

Kamm, Oliver 187, 204

King, Stephen 61

King’s English, The (Amis) 39

KISS Guide to Cat Care (Walken) 90

Kundera, Milan 103

La, as prefix 211

language 7

abstraction 41

learning 6, 14, 18, 41

neuroscience 18–20

phatic communication 26–7, 129–30

shibboleths 6–7

see also English language

language wars 1–5, 7–8, 38–9, 181

contested usages 181–99

red rag words 199–207

Larkin, Philip 191, 234–5

lay 206

layout and presentation 259–64

leading 260–61

Lee, Spike 58

Lee-Potter, Lynda 60

Lenin, Vladimir 194

Leonard, Elmore 61

less 4, 50

letters 225

business letters 225–8

Dear Johns 34, 239–40

to friends 234–5

job application letters and CVs 229–31

letters of complaint 232–4

letters of condolence 236–7

love letters 237–9

thank you letters 235

see also emails

Levels of Life (Barnes) 236

Lezard, Nick 252

libel 256–7

licence 206

license 206

lie 206

Life Scientific, The 186–7

like 207

limericks 163

line-spacing 260–61

linking verbs 63

lists

brackets 115–16

and comma splice 184–5

enumeratio 176–80

and rhythm 168

semicolons 102

serial comma 99–100

literally 206

litotes 196–7

Little Chef 183–6

loci 21

logos 23

LOL 257

London Fields (Martin Amis) 235

long-form structure 212

planning 213–16

structural tricks 216–24

loop the loop 223–4

love letters 237–9

Lowell, Robert 234

luncheon 211

Luntz, Frank 23

McKay, Peter 220

‘Magical Number Seven, Plus or Minus Two, The’ (Miller) 80

Magnanti, Brooke 250

Magritte, Rene 16

main clauses 75

Major, John 197

Malinowski, Bronisław 26

margins 262

mass nouns 49–51

media 50–51

‘Meditation on John Constable, A’ (Tomlinson) 159

Medusa and the Snail, The (Thomas) 102

metaphor 156–9

Middlemarch (Eliot) 162–3, 167

military titles 267

Miller, George 80

Milton, John 189

mischievious 206–7

Mo’ Better Blues 58

Modern English Usage (Fowler) 1, 200

see also Fowler’s Modern English Usage

modifiers, dangling 186–7

Monty Python 177

mood 66, 70–72

negatives, double 196–7

neuroscience 18–20

NHS Litigation Authority 135–8

Nielsen, Jakob 247–9

Nigger of the Narcissus, The (Conrad) 151

Nineteen Eighty-Four (Orwell) 2

non-count nouns 49–51

none is/are 198

Noonan, Peggy 160

notional agreement 49

noun adjuncts 56

nouns 24, 44, 55, 78–9

abstract 47–8

becoming adjectives 188

collective 48–9

common 45–7

and ‘due to’ 197

gerunds 81

invariant 48

mass 49–51

plural 48

proper 44–5

verbing 187–9

from verbs 73–4, 187–8

Obama, Barack 155–6, 264

oblique 126–7

one 198–9

Orwell, George 2, 102, 143

Oxford comma 99–100

Palin, Sarah 189

paragraphs 85–6, 259, 261

parallelism 170–71

parataxis 133

parentheses 134, 149

brackets 112–16

commas 88, 97–9

dashed 104–5

hypotaxis 133–4, 146, 147

question marks 91, 114

Parker, Dorothy 239

Parris, Matthew 36–7

passive voice 63–6

pathos 23

Patton, General 120–22

Peretti, Jonah 243

periods see full stops

Perry, Rick 176–7

personal pronouns 52, 194–6

persuasion 10

phatic communication 26–7, 129–30

phrasal verbs 73

phrases 75, 85

Pinker, Steven 2, 44, 46, 54, 125

Plain English 28–34, 134

planning 213–16

Plath, Sylvia 238–9

plural 47

and apostrophes 87, 109–11

plural nouns 48

policemen 15–16

possession 109–10

possessive pronouns 52, 110

postcards 235

practice 207

practise 207

predicate 75–6

predicative adjectives 56–7

prepositions 24, 47

ending sentences 189–90

prescriptivists 1–5, 38–9, 88, 181, 200

pronouns 51–5

gender-neutral 54–5, 265–6

personal 52, 194–6

possessive 52, 110

reflexive 52, 196

relative 52, 190–4

proper nouns 24, 44–5, 110

Proust and the Squid (Wolf) 18

Pullum, Geoffrey K. 2, 43, 91, 125–6

punctuation 13–14, 74, 87–9, 159, 259

ampersand 127–8

apostrophe 109–11

brackets 112–18

bullet points 127

colon 100–101

comma 97–100

dash 103–5

ellipsis 94–6

emoticons 128–30

exclamation mark 92–4

full stop 89

hashtag 127

hyphen 105–9

question mark 90–92

quotation marks and inverted commas 118–26

semicolon 101–3

slash 126–7

question marks 89, 90–92, 114

questions 174–6

quotation marks 118–26

ragged-right 262

readability tests 32–4

reading 12, 17, 151

books 20–21

neuroscience of 18–20

online and on-screen 21–3, 247–9

saccades 259–60

rebut 203

red rag words 199–207

reflexive pronouns 52, 196

refute 203

register 15–16, 34–9, 163–4, 252–3

relative clauses 52, 99, 191–3

relative pronouns 52

that, which and who 190–93

who and whom 193–4

religious titles 267

repetition 138–40, 173–4

restrictive relative clauses 99, 192–3

rhetoric 169

rhetorical questions 175

right-branching sentences 80–84, 160

rising tricolon 168, 173

Ritchie, Harry 19, 47, 67

Robinson, Marilynne 13–14

Ronson, Jon 251

round brackets 112–16

Rovelli, Carlo 157

Rowse, A. L. 163–4

run-on sentences 183–6

saccades 259–60

Sacco, Justine 251

scare quotes 123

SCRAP (Situation, Complication, Resolution, Action, Politeness) 218

Search Engine Optimisation (SEO) 247

sections 86, 261

semicolons 88, 101–3

Sense of Style, The (Pinker) 54

sentences 43, 44, 74–84, 85

beginning with conjunctions 189, 190

ending with prepositions 189–90

hypotaxis 133–4

parataxis 133

parentheses 134

run-on 183–6

surgery 131–50

serial comma 99–100

Shakespeare, William 187, 210, 233

shibboleths 6–7

sic 118

similes 156–9

simple sentences 75–6, 78

Simply English (Heffer) 1, 58

slash 126–7

smileys 128

snuck 207

SOAP (Situation, Objective, Appraisal, Proposal) 218–19

social media 38, 240, 241, 251–9

emojis 128–30

full stops 95–6

hashtags 127, 254

spam filters 245–6

‘Spanish Inquisition’ sketch 177

speaking 11–17

berks and wankers 39

neuroscience 18, 19

and writing 160, 190

spelling 74

split infinitives 8, 181–2

square brackets 115, 116–18

Stallings, A E 188

Star Trek 182

Stevenson, Bryan 154

Stoppard, Tom 157

storytelling 152–4

Strunk, William 1, 43

subject 75–6

subjunctive mood 71, 72

subordinate clauses 75, 77–8, 79

subtweeting 256

such as 207

superlative adjectives 57–8

supersede 207

suspended hyphens 108

syntheton 161

TED talks 154

tense 66–70

thank you letters 235

that 190–93

Thatcher, Margaret 158

Thomas, Lewis 102

thrillers 80–84

titles 228, 265–7

tome 211

Tomlinson, Charles 159

tone of voice 15–16, 34–9, 163–4, 252–3

tricolons 168, 173

Trump, Donald 33, 152, 257

Truss, Lynne 1, 87

Twitter 188, 245, 251, 253–7

complaints 234, 255–6

ellipsis 95–6

hashtags 127, 254

type size 261, 263

typefaces 263–4

Ulysses 20

Utley, T. E. 143–8

Utley, Tom 143–4

verbs 24, 62–3, 78–9

and ‘because of’ 197

choosing 72–4

and collective nouns 49

gerunds 81

nouning 73–4, 187–9

phrasal 73

split infinitives 8, 181–2

tense, aspect and mood 66–72

voice 63–6

Viz 209, 268

vocabulary

red rag words 199–207

wrong notes 208–11

voice (verbs) 63–6

Vonnegut, Kurt 102, 240

Walken, Christopher 90

Wallace, David Foster 39–42

Waterhouse, Keith 85

Waugh, Auberon 42, 123

websites 241–3, 247–9, 261

Weiner, Anthony 239

Wernicke’s area 19

which 191–3

Whitehouse, David 253–4

who 191–4

whom 193–4

Wiesel, Elie 223–4

Wilde, Oscar 210

Williams, William Carlos 68

Wilson, Frances 186

‘Wind-Hover, The’ (Hopkins) 30

wireless 211

Wolf, Maryanne 18

Wolfe, David 42

Wolfinger, Ray 158

Wollstonecraft, Mary 238

Woods, The (Coben) 81–2

Wordsworth, Saul 253

Wordsworth, William 94

working memory 79–80, 114, 178

Worth Dying For (Child) 82–4

writing 8–10, 151

abstract versus concrete 39–42

audience-awareness 8, 23–8

cadence 159–69

contested usages 181–99

editing 131–50

figures 169–80

language wars 1–5, 7–8, 38–9, 181

layout and presentation 259–64

letters 225–40

long-form structure 212–24

metaphor, simile and analogy 156–9

painting pictures 154–6

paragraphs, sections and chapters 85–6

Plain English 28–34

planning 213–16

and reading 12, 17–23

register 34–9

for the screen 240–59

sentences 79–84

and speaking 11–17

storytelling 152–4

structural tricks 216–24

vocabulary 199–211

Yips, The (Barker) 153