BIBLIOGRAPHY
English-Language Sources
Adorno, Theodor W. Negative Dialectics. Trans. E. B. Ashton. New York: Seabury, 1973.
——. Philosophy of Modern Music. Trans. Anne G. Mitchell and Wesley V. Blomster. New York: The Seabury Press, 1973.
——. Minima Moralia: Reflections from Damaged Life. Trans. E. F. N. Jephcott. London: New Left Books, 1974.
——. “On the Fetish-Character in Music and the Regression of Listening.” In The Essential Frankfurt School Reader, ed. Andrew Arato and Eike Gebhardt. New York: Continuum, 1982.
——. Notes to Literature. Ed. Rolf Tidemann. Trans. Shierry Weber Nicholsen. New York: Columbia University Press, 1991.
Aitken, Ian. European Film Theory and Cinema: A Critical Introduction. Bloomington: Indiana University Press, 2001.
Alitto, Guy. The Last Confucian: Liang Shu-ming and the Chinese Dilemma of Modernity. Berkeley: University of California Press, 1986.
Anderson, Marston. The Limits of Realism: Chinese Fiction in the Revolutionary Period. Berkeley: University of California Press, 1990.
——. “Lu Xun’s Facetious Muse.” In From May Fourth to June Fourth: Film and Fiction in Twentieth-Century China, ed. Ellen Widmer and David Der-wei Wang. Cambridge, Mass.: Harvard University Press, 1992.
Apter, David, and Tony Saich. Revolutionary Discourse in Mao’s Republic. Cambridge, Mass.: Harvard University Press, 1994.
Arendt, Hannah. On Revolution. London: Penguin, 1965.
——. Eichmann in Jerusalem: A Report on the Banality of Evil. New York: Penguin, 1994.
Bachner, Andrea. “Paradoxical Corpographies: Towards an Ethics of Inscription.” Ph.D. diss., Harvard University, 2007.
Bai, Qiansheng. Fu Shan’s World: The Transformation of Chinese Calligraphy in the Seventeenth Century. Cambridge, Mass.: Harvard University Asia Center, 2003.
Bakhtin, Mikhail. Rabelais and His World. Trans. Helene Iswolsky. Cambridge, Mass.: MIT Press, 1968.
Bari, Shahidha. “A Reminder of Pedagogy’s Power to Reach Beyond the Logic of Capital Enthuses.” Times Higher Education, April 5, 2012. http://www.timeshighereducation.co.uk/story.asp?storycode=419513.
Barrett, David. “Introduction: Occupied China and the Limits of Accommodation.” In Chinese Collaboration with Japan, 1937–1945: The Limits of Accommodation, ed. David Barrett and Larry N. Shyu. Stanford: Stanford University Press, 2001.
Barthes, Roland. A Lover’s Discourse: Fragments. Trans. Richard Howard. New York: Hill and Wang, 1979.
——. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981.
Bell, Daniel. The Cultural Contradiciton of Capitalism. New York: Basic Books, 1978.
Benjamin, Walter. Illuminations. Trans. Harry Zohn. New York: Schocken, 1969.
——. Selected Writings, vol. 4: 1938–1940. Ed. Howard Eiland and Michael W. Jennings. Cambridge, Mass.: Harvard University Press, 2006.
Bhabha, Homi K. “Introduction: Narrating the Nation.” In Nation and Narration, ed. Homi K. Bhabha. New York: Routledge and Kegan Paul, 1990.
Birch, Cyril, ed. Studies in Chinese Literary Genres. Berkeley: University of California Press, 1974.
Blevins, Jacob, ed. Dialogism and Lyric Self-fashioning: Bakhtin and the Voices of a Genre. Selinsgrove, Pa.: Susquehanna University Press, 2008.
Bongie, Chris. Exotic Memories: Literature, Colonialism, and the Fin de Siècle. Stanford: Stanford University Press, 1991.
Bourke, Richard. Romantic Discourse and Political Modernity. New York: St. Martin’s Press, 1993.
Boyle, John Hunter. China and Japan at War, 1937–1945: The Politics of Collaboration. Stanford: Stanford University Press, 1972.
Bray, Francesca. Technology and Gender: Fabrics of Power in Late Imperial China. Berkeley: University of California Press, 1997.
Brewster, Scott. Lyric. London: Routledge, 2009.
Brook, Timothy. Collaboration: Japanese Agents and Local Elites in Wartime China. Cambridge, Mass.: Harvard University Press, 2005.
Brooks, Cleanth. The Well-wrought Urn: Studies in the Structure of Poetry. New York: Mariner Books, 1956.
Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale University Press, 1995.
Butler, Judith. Bodies That Matter: On the Discursive Limits of “Sex.” New York: Routledge, 1995.
Butler, Marilyn. Romantics, Rebels and Reactionaries. Oxford: Oxford University Press, 1981.
Button, Peter. Configurations of the Real in Chinese Literary and Aesthetic Modernity. Leiden: Brill, 2009.
Cai, Zongqi. “The Rethinking of Emotion: The Transformation of Traditional Literary Criticism in the Late Qing Era.” Monumenta Serica 45 (1997): 63–100.
Cauvel, Jane. “The Transformative Power of Art: Li Zehou’s Aesthetic Theory.” Philosophy East and West 49, no. 2 (1999): 150–171.
Chan, K.K. Leonard. “The Conception of Chinese Lyricism: Průšek’s Reading of Chinese Literary Tradition.” In Paths Toward Modernity: Conference to Mark the Centenary of Jaroslav Průšek, ed. Olga Lomová. Prague: The Karolinum Press, 2008, 19–32.
——. “The Conception of ‘Lyrical Tradition’ and Chinese Literary Studies: Chen Shih-hsiang on Chinese Literature.” Paper presented at the International Conference on Chinese Literary Thought in Multiple Perspectives, Beijing, September 2010.
Chan, Wing-tsit, trans. and comp. A Source Book in Chinese Philosophy. Princeton: Princeton University, 1963.
Chen, Shih-hsiang. Literature as Light Against Darkness. Peiping [Beijing]: National Peking University Press, 1948.
——. “In Search of the Beginning of Chinese Literary Criticism.” University of California Publications in Semitic Philology, Semitic and Oriental Studies Presented to William Popper 11 (1951): 45–63.
——. Introduction. Essay on Literature Written by the Third-Century Chinese Poet Lu Chi. Trans. Chen Shih-hsiang. Portland, Maine: The Anthoensen Press, 1953.
——. “To Circumvent ‘The Design of Eightfold Array.’” Tsing-hua Journal of Chinese Studies 7, no. 1 (1968): 26–51.
——. “The Shih-ching: Its Generic Significance in Chinese Literary History and Poetics.” Bulletin of the Institute of History and Philology, Academia Sinica, 39, no. 1 (1969): 371–413.
——. “On Chinese Lyrical Tradition.” Opening address, AAS Meeting, Panel on Comparative Literature. Tamkang College of Arts and Sciences, Taipei, July 18–24, 1971. Special issue of Tamkang Review 2.2–3.1(October 1971–April 1972): 17–24.
——. “The Genesis of Poetic Time: The Greatness of Ch’ui Yuan, Studied with a New Critical Approach.” Tsing Hua Journal of Chinese Studies 10, no. 1 (1973): 1–43.
Chang, Chi-jen. Alexander Tcherepnin: His Influence on Modern Chinese Music. Ed.D. diss., Columbia University Teachers College, 1983.
Chang, Eileen. Written on Water. Trans. Andrew Jones. New York: Columbia University Press, 2005.
Cheng, Eileen. Literary Remains: Death, Trauma, and Lu Xun’s Refusal to Mourn. Honolulu: University of Hawaii Press, 2013.
Cheung, Dominique. Feng Zhi. Boston: Twayne, 1979.
Ching, Leo. Becoming Japanese: Colonial Taiwan and the Politics of Identity Formation. Berkeley: University of California Press, 2001.
Chong, Wei-lien. “Combining Marx with Kant: The Philosophical Anthropology of Li Zehou.” Philosophy East and West 49, no. 2 (1999): 120–149.
Chow, Rey. Women and Chinese Modernity. Durham: Duke University Press, 1990.
——. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press, 1995.
——. Sentimental Fabulations: Contemporary Chinese Films. New York: Columbia University Press, 2008.
Clarke, David. “Exile from Tradition: Chinese and Western Traits in the Art of Lin Fengmian.” In Colours of East and West: Paintings by Lin Fengmian. Hong Kong: The University Art Gallery—The University of Hong Kong. http://www.linfengmian.net/.
Confucius. The Analects. Trans. D. C. Lau. Hong Kong: The Chinese University Press, 1992.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press, 1992.
Daruvala, Susan. Zhou Zuoren and an Alternative Chinese Response to Modernity. Cambridge, Mass.: Harvard University Asia Center, 2000.
——. “The Aesthetics and Moral Politics of Fei Mu’s Spring in a Small Town.” Journal of Chinese Cinema 1, no. 3 (2007): 169–185.
Davies, Gloria. Worrying About China: The Language of Chinese Critical Inquiry. Cambridge, Mass.: Harvard University Press, 2009.
De Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. New York: Oxford University Press, 1971.
Deleuze, Gilles. Cinema 1: The Movement-Image. Trans. Hugh Tomlinson and Barbra Habberjam. Minneapolis: University of Minnesota Press, 1986.
——. Cinema 2: The Time Image. Trans. Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press, 1989.
——. Repetition and Difference. Trans. Paul Patton. New York: Columbia University Press, 1995.
Denton, Kirk, ed. Modern Chinese Literary Thought: Writings on Literature, 1893–1945. Stanford: Stanford University Press, 1996.
——. The Problematic of Self in Modern Chinese Literature: Hu Feng and Lu Ling. Stanford: Stanford University Press, 1998.
Derrida, Jacques. The Post Card: From Socrates to Freud and Beyond. Trans. Alan Bass. Chicago: University of Chicago Press, 1987.
Doleželová-Velingerová, Milena, ed. Jaroslav Průšek, 1906–2006: Remembered by Friends. Prague: Dharma Gaia, 2006.
Du Fu. The Selected Poems of Du Fu. Trans. Burton Watson. New York: Columbia University Press, 2002.
Duara, Prasenjit. Rescuing History from the Nation: Questioning Narratives of Modern China. Chicago: University of Chicago Press, 1995.
——. Sovereignty and Authenticity: Manchukuo and the East Asian Modern. Lanham, Md.: Rowman and Littlefield, 2005.
DuBois, Thomas. A. Lyric, Meaning, and Audience in the Oral Tradition of Northern Europe. Notre Dame, Ind.: University of Notre Dame Press, 2006.
Duchesne, Isabelle. “The Chinese Opera Star: Roles and Identity.” In Boundaries in China, ed. Jonathan Hay. London: Reaction Books, 1994, 217–240.
Egan, Ronald. Word, Image, and Deed in the Life of Su Shi. Cambridge, Mass.: Harvard-Yenching Institute Monograph Series, Asia Center, 1994.
——. “The Controversy Over Music and ‘Sadness’ and Changing Conceptions of the Qin in Middle Period China.” Harvard Journal of Asiatic Studies 57, no. 1 (1997): 5–66.
——. “Nature and Higher Ideals in Texts on Calligraphy, Music, and Painting.” In Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties, ed. Zongqi Cai. Honolulu: University of Hawaii Press, 2004, 277–309.
Eliot, T. S. The Sacred Wood. Mineola, N.Y.: Courier Dover, 1997.
Elvin, Mark. “Tales of Shen and Xin: Body-Person and Heart-Mind During the Last 150 Years in China.” In Self as Body in Asian Theory and Practice, ed. S Thomas P. Kasulis, Roger T. Aimes, and Wimal Dissanayake. Albany: State University of New York Press, 1993, 213–243.
Fogel, Joshua. The Literature of Travel in the Japanese Rediscovery of China. Stanford: Stanford University Press, 1995.
Freundlieb, Dieter. “Paul de Man’s Postwar Criticism: The Pre-Deconstructionist Phase.” Neophilologus 81, no. 2 (1997): 165–186.
Frye, Northrop. Anatomy of Criticism. New York: Antheneum, 1968.
Fu, Poshek. Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937–1945. Stanford: Stanford University Press, 1993.
Gay, Peter. The Enlightenment: An Interpretation. New York: Norton, 1977.
Goethe, Johann Wolfgang von. Goethe’s Collected Works, 12 vols. Vol. 1, Selected Poems. Ed. Christopher Middleton. Cambridge, Mass.: Suhrkamp/Insel Publishers Boston, 1983.
——. Goethe’s Collected Works, 12 vols. Vol. 2. Ed. and trans. Stuart Atkins. Cambridge, Mass.: Suhrkamp/Insel Publishers Boston, 1984.
Goldstein, Joshua. Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870–1937. Berkeley: University of California Press, 2007.
Graham, A. C. Studies in Chinese Philosophy and Philosophical Literature. Albany: State University of New York Press, 1986.
Gu, Xin. “Subjectivity, Modernity, and Chinese Hegelian Marxism: A Study of Li Zehou’s Philosophical Ideas from a Comparative Perspective.” Philosophy East and West 46, no. 2 (1996): 205–245.
Gunn, Edward. Unwelcome Muse: Chinese Literature in Shanghai and Peking, 1937–1945. New York: Columbia University Press, 1980.
Hansen, Chad. “Qing (Emotion) in Pre-Buddhist Chinese Thought.” In Emotions in Asian Thought: A Dialogue in Comparative Philosophy, ed. Joel Marks and Roger T. Ames. Albany: State University of New York Press, 1995, 181–211.
Hansen, Miriam. Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno. Berkeley: University of California Press, 2012.
Harich-Schnerider, Eta. A History of Japanese Music. London: Oxford University Press, 1973.
——. “Japan.” In The New Grove Dictionary of Music and Musicians, 6th ed., ed. Stanley Sadie. London: Macmillan, 1980, 549–555.
Harrist, Robert E. Jr. “Replication and Deception in Calligraphy of the Six Dynasties Period.” In Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties, ed. Zongqi Cai. Honolulu: University of Hawaii Press, 2004.
Highmore, Ben. Everyday Life and Cultural Theory. New York: Routledge, 2002.
Ho Ch’i-fang (He Qifang). Paths in Dreams: Selected Prose and Poetry of Ho Chʾi-fang. Trans. and ed. Bonnie S. McDougall. St. Lucia: University of Queensland Press, 1976.
Hobsbawn, Eric, and Terence Ranger. The Invention of Tradition. Cambridge: Cambridge University Press, 1983.
Hockx, Michel. Questions of Style: Literary Journals and Literary Societies in Modern China, 1911–1937. Leiden: Brill, 2003.
Horkheimer, Max, and Theodor Adorno. Dialectic of Enlightenment. Stanford: Stanford University Press, 2002.
Hošek, Chaviva, and Patricia Parker, eds. Lyric Poetry: Beyond New Criticism. Ithaca: Cornell University Press, 1985.
Hsia, C. T. A History of Modern Chinese Fiction. New Haven: Yale University Press, 1971.
——. “Yan Fu and Liang Ch’i-ch’ao as Advocates of New Fiction.” In Chinese Approaches to Literature from Confucius to Liang Ch’i-ch’ao, ed. Adele Austin Rickett. Princeton: Princeton University Press, 1978, 222–257.
Huang, Chun-chieh. “Dr. Sun Yat-sen’s Pan-Asianism Revisited: Its Historical Context and Contemporary Relevance.” Journal of Cultural Interaction in East Asia 3 (2012): 69–74.
Huang, Martin W. Desire and Fictional Narrative in Late Imperial China. Cambridge, Mass.: Harvard University Asia Center, 2001.
Huang, Nicole. Women, War, Domesticity: Shanghai Literature and Popular Culture of the 1940s. Leiden: Brill, 2005.
Huters, Theodore. “From Writing to Literature: The Development of Late Qing Theories of Prose.” Harvard Journal of Asiatic Study 47, no. 1 (1987): 51–96.
Janowitz, Anne. Lyric and Labour in the Romantic Tradition. New York: Cambridge University Press, 1998.
“Japan.” In Dictionary of Contemporary Music, ed. John Vinton. New York: E. P. Dutton, 1971, 365.
Jeffreys, Mark, ed. New Definitions of Lyric: Theory, Technology, and Culture. New York: Garland Publishing, 1998.
Jost, Walter. Studies in Ordinary Language Criticism. Charlottesville: University of Virginia Press, 2004.
Kao, Yu-kung. “Lyric Vision in Chinese Narrative Tradition: A Reading of Hong-lou Meng and Ju-Lin Wai-Shih.” In Chinese Narrative: Critical and Theoretical Essays, ed. Andrew Plaks. Princeton: Princeton University Press, 1977.
——. “The Aesthetics of Regulated Verse.” In The Vitality of Lyric Voice: Shih Poetry from the Late Han to the T’ang, ed. Shuen-fu Lin and Stephen Owen. Princeton: Princeton University Press, 1986, 332–384.
——. “Chinese Lyric Aesthetics.” In Words and Images: Chinese Poetry, Calligraphy, and Painting, ed. Alfred Murck and Wen C. Fang. New York: The Metropolitan Museum of Art, 1991, 47–90.
Kao, Yu-kung, and Tsu-lin Mei. “Syntax, Diction, and Imagery in T’ang Poetry.” Harvard Journal of Asiatic Studies 31 (1971): 49–136.
——. “Meaning, Metaphor, and Allusion in T’ang Poetry.” Harvard Journal of Asiatic Studies 38, no. 2 (1978): 281–356.
Katayama, Motohide. Introduction to the CD Jiang Wen-ye Piano Works in Japan, performed by J. Y. Song. New York: Pro-Piano, 2001.
Kinkley, Jeffrey. The Odyssey of Shen Congwen. Stanford: Stanford University Press, 1987.
Kleeman, Faye Yuan. Under an Imperial Sun: Japanese Colonial Literature of Taiwan and the South. Honolulu: University of Hawaii Press, 2003.
Knoblock, John, trans. Xunzi: A Translation and Study of the Complete Works. Stanford: Stanford University Press, 1994.
Kraicer, Shelly. “Film Review.” Rev. of Springtime in a Small Town, by Tian Zhuangzhuang. China Now. http://www.chinanowmag.com/filmreview.htm.
Kuo, Tzong-kai . “Jiang Wenye: The Style of His Selected Piano Works and a Study of Music Modernization in Japan and China.” D.M.A. thesis, The Ohio State University, 1987.
Lacoue-Labarthe, Philippe. Heidegger and the Politics of Poetry. Trans. Jeff Fort. Champaign: University of Illinois Press, 2007.
Landau, Julie. Beyond Spring: Tz’u Poems of the Sung Dynasty. New York: Columbia University Press, 1994.
Lau, D. C., trans. Mencius. New York: Penguin, 1970.
Lean, Eugenia. Public Passions: The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China. Berkeley: University of California Press, 2007.
Lee, Haiyan. Revolution of the Heart: A Genealogy of Love in China, 1900–1950. Stanford: Stanford University Press, 2006.
Lee, Leo Ou-fan. The Romantic Generation of Modern Chinese Writers. Cambridge, Mass.: Harvard University Press, 1973.
Legge, James. Li Chi: Book of Rites. New Hyde Park, N.Y.: University Books, 1967.
Lentricchia, Frank. After the New Criticism. Chicago: University of Chicago Press, 1980.
Li, Hsiao-t’i. “Opera, Society, and Politics: Chinese Intellectual and Popular Culture.” Ph.D. diss., Harvard University, 1996.
Li, Jie. “Home and Nation Amid the Rubble: Fei Mu’s Spring in a Small Town and Jia Zhangke’s Still Life.” Modern Chinese Literature and Culture (Fall 2009):89–125.
Li, Wai-yee. Enchantment and Disenchantment: Love and Illusion in Chinese Literature. Princeton: Princeton University Press, 1993.
Li, Zehou. “Subjectivity and ‘Subjectality’: A Response.” Philosophy East and West 49, no. 2 (1999): 174–183.
Liao, Ping-hui, and David Der-wei Wang, eds. Taiwan Under Japanese Colonial Rule: History, Memory, Culture. New York: Columbia University Press, 2006.
Lin, Wenyue . “Through Upheaval and Bloodshed: A Short Biography of Professor Tai Jingnong.” Chinese Literature: Essays, Articles, Reviews 28 (2006): 213–225.
Lin, Yü-sheng. Crisis of Chinese Consciousness: Radical Traditionalism in the May Fourth Era. Madison: University of Wisconsin Press, 1978.
Lindley, David. “Lyric.” In Encyclopedia of Literature and Criticism, ed. Martin Coyle, Peter Garside, et al. London: Routledge, 1990, 188–198.
Liu, E. The Travels of Lao Can. Trans. Harold Shadick. New York: Columbia University Press, 1959.
Liu, James. The Art of Chinese Poetry. Chicago: University of Chicago Press, 1962.
——. Chinese Theories of Literature. Chicago: University of Chicago Press, 1975.
Liu, Wu-chi, and Irving Yu-cheng Lo, eds. Sunflower Splendor: Three Thousand Years of Chinese Poetry. New York: Anchor Books, 1975.
Lu Xun. Wild Grass. Trans. Gladys and Xianyi Yang. Beijing: Foreign Language Press, 1974.
Lukács, Georg. The Theory of the Novel. Trans. Anna Bostock. Cambridge, Mass.: MIT Press, 1972.
——. Soul and Form. Trans. Anna Bostock. Cambridge, Mass.: MIT Press, 1974.
MacFarquhar, Roderick. The Hundred Flowers. Paris: The Congress for Cultural Freedom, 1960.
Martin, Carol. “Brecht, Feminism, and Chinese Theater.” The Drama Review 43, no. 4 (1999): 77–85.
Marx, Karl. The Eighteenth Brumaire of Louis Bonaparte. New York: International Publishers, 1994.
McDougall, Bonnie. “The View from the Leaning Tower: Zhu Guangqian on Aesthetics and Society in the Nineteen-twenties and Thirties.” In Modern Chinese Literature and Its Social Context, ed. Göran Malmqvist. Nobel Symposium, No. 32. Stockholm: Nobel House, 1975.
Mei, Tsu-lin, and Yu-kung Kao. “Tu Fu’s ‘Autumn Meditations’: An Exercise in Linguistic Criticism.” Harvard Journal of Asiatic Studies 28 (1968): 44–80.
Meisner, Maurice. Mao’s China and After: A History of the People’s Republic. New York: Macmillan, 1986.
Miles, David. “Portrait of the Marxist as a Young Hegelian: Lukács’ Theory of the Novel.” PMLA 94, no. 1 (Jan. 1979): 22–35.
Miller, James. “The Pathos of Novelty: Hannah Arendt’s Image of Freedom in the Modern World.” In Hannah Arendt: The Recovery of the Public World, ed. Melvyn Hill. New York: St. Martin’s Press, 1979, 177–208.
Miller, Paul Allen. Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustan Rome. London: Routledge, 1994.
Minford, John and Lau, Joseph S. M., trans. Classical Chinese Literature: An Anthology of Translations. Hong Kong: Chinese University of Hong Kong, 2000.
Mitchell, W. J. T. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press, 1986.
Moran, Thomas. Review of Configurations of the Real in Chinese Literary and Aesthetic Modernity, by Peter Button. MCLC Resource Center. http://mclc.osu.edu/rc/pubs/reviews/moran.htm.
Morrison, Paul. The Poetics of Fascism: Ezra Pound, T. S. Eliot, Paul de Man. Oxford: Oxford University Press, 1996.
Munro, Donald, ed. Individualism and Holism: Studies in Confucian and Taoist Values. Ann Arbor: Center for Chinese Studies, University of Michigan, 1985.
Murthy, Viren. The Political Philosophy of Zhang Taiyan: The Resistance of Consciousness. Leiden: Brill, 2011.
Nancy, Jean-Luc. Being Singular Plural. Trans. Robert Richardson and Anne O’Byrne. Stanford: Stanford University Press, 2000.
Nancy, Jean-Luc, and Philippe Lacoue-Labarthe. The Literary Absolute: The Theory of Literature in German Romanticism. Albany: State University of New York Press, 1988.
Newman, Steve. Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism. Philadelphia: University of Pennsylvania Press, 2007.
Noland, Carrie. Poetry at Stake: Lyric Aesthetics and the Challenge of Technology. Princeton: Princeton University Press, 1999.
Norris, Christopher. Paul de Man: Deconstruction and the Critique of Aesthetic Ideology. New York: Routledge, 1988.
Nussbaum, Martha. Poetic Justice: The Literary Imagination and Public Life. Boston: Beacon Press, 1995.
Osborne, Peter. The Politics of Time: Modernity and Avant-Garde. London: Verso, 1995.
Owen, Stephen. The Poetry of Meng Chiao and Han Yu. New Haven: Yale University Press, 1975.
——. Traditional Chinese Poetry and Poetics: Omen of the World. Madison: University of Wisconsin Press, 1985.
——. Remembrances: The Experience of the Past in Classical Chinese Literature. Cambridge, Mass.: Harvard University Press, 1986.
——. “The Self’s Perfect Mirror: Poetry as Autobiography.” In The Vitality of the Lyrical Voice: Shih Poetry from the Late Han to the T’ang, ed. Shuen-fu Lin and Stephen Owen. Princeton: Princeton University Press, 1986, 71–102.
——, ed. Readings in Chinese Literary Thought. Cambridge, Mass.: Council on East Asian Studies, Harvard University, 1992.
——, ed. An Anthology of Classical Chinese Literature. New York: Norton, 1997.
Palát, Augustin. “Jaroslav Průšek Sexagenarian.” Archív Oirentálni 34 (1966): 481–493.
Pang, Laikwan. The Distorting Mirror: Visual Modernity in China. Honolulu: University of Hawaii Press, 2007.
Pasolini, Pier Paolo. Heretical Empiricism. Ed. Louise K. Barnett. Trans. Ben Lawton and Louise K. Barnett. Bloomington: Indiana University Press, 1988.
Patey, Douglas Lane. “‘Aesthetics’ and the Rise of Lyric in the Eighteenth Century.” Studies in English Literature 1500–1900 33, no. 3 (1993): 587–608.
Pickowicz, Paul. Marxist Literary Thought in China: The Influence of Ch’ü Ch’iu-pai. Berkeley: University of California Press, 1981.
Pratt, Vernon, and Isis Brook. “Goethe’s Archetype and the Romantic Concept of the Self.” Studies in History and Philosophy of Science 27, no. 3 (1996): 351–365.
Prickett, Stephen. England and the French Revolution. London: Macmillan Education, 1989.
Průšek, Jaroslav. “The Realist and Lyric Elements in the Chinese Medieval Story.” Archív Orientální 32 (1964).
——. “Outlines of Chinese Literature.” New Orient 5 (1966).
——. Chinese History and Literature: Collection of Studies. Dordrecht, Holland: D. Reidel, 1970.
——. The Lyrical and the Epic: Studies of Modern Chinese Literature. Ed. Leo Ou-fan Lee. Bloomington: Indiana University Press, 1981.
——. My Sister China. Trans. Ivan Vomáčka. Boston: Cheng & Tsui, 2002.
Pollock, Sheldon. Introduction. In Literary Cultures in History, Reconstructions from South Asia, ed. Sheldon Pollock. Berkeley: University of California Press, 2003, 1–38.
Prendergast, Christopher. The Order of Mimesis. Cambridge: Cambridge University Press, 1986.
Puchner, Martin. Poetry of the Revolution: Marx, Manifestos, and the Avant-gardes. Princeton: Princeton University Press, 2006.
Qu, Yuan, et al. The Songs of the South: An Anthology of Ancient Chinese Poems by Qu Yuan and Other Poets. Trans. David Hawkes. New York: Penguin, 1985.
Rabinbach, Anson. In the Shadow of Catastrophe: German Intellectuals Between Apocalypse and Enlightenment. Berkeley: University of California Press, 1997.
Richter, Matthias L. “How Manuscripts Reflect the Process of Text Accretion: The Case of Xing zi ming chu and Xing qing lun .” Paper presented at Columbia University, Early China Seminar, New York, February 14, 2011.
Rilke, Rainer Maria. Letters to a Young Poet. Trans. and with a foreword by Stephen Mitchell. New York: Random House, 1984.
Rings, Werner. Life with the Enemy: Collaboration and Resistance in Hitler’s Europe, 1939–1945. Trans. J. Maxwell Brownjohn. London: Weidenfeld and Nicolson, 1979.
Rodowick, David. Gilles Deleuze’s Time Machine. Durham: Duke University Press, 1997.
Rohdie, Sam. The Passion of Pier Paolo Pasolini. Bloomington: Indiana University Press, 1995.
Rojas, Carlos. “Flowers in the Mirror: Vision, Gender, and Reflections on Chinese Modernity.” Ph.D. diss., Columbia University, 2000.
——. The Naked Gaze: Reflections on Chinese Modernity. Cambridge, Mass.: Harvard University Asia Center, 2008.
Rorty, Richard. Contingency, Irony, and Solidarity. Cambridge: Cambridge University Press, 1989.
Said, Edward. Beginnings: Intention and Method. New York: Columbia University Press, 1985.
Saussy, Haun. Great Walls of Discourse: And Other Adventures in Cultural China. Cambridge, Mass.: Harvard University Asia Center, 2001.
Schmidt, Dennis J. Lyrical and Ethical Subjects: Essays on the Periphery of the Word, Freedom, and History. Albany: State University of New York Press, 2005.
Schoppa, Keith. “Patterns and Dynamics of Elite Collaboration in Occupied Shaoxing County.” Chinese Collaboration with Japan, 1937–1945: The Limits of Accommodation. Ed. David Barrett and Larry N. Shyu. Stanford: Stanford University Press, 2001.
Skerratt, Brian. “Form and Transformation in Modern Chinese Poetry and Poetics.” Ph.D. diss., Harvard University, 2013.
Smith, Norman. Resisting Manchukuo: Chinese Women Writers and the Japanese Occupation. Vancouver: UBC Press, 2007.
Spivak, Gayatri Chakravorty. An Aesthetic Education in the Era of Globalization. Cambridge, Mass.: Harvard University Press, 2012.
Stow, Simon. Republic of Readers? The Literary Turn in Political Thought and Analysis. Albany: State University of New York Press, 2007.
Sullivan, Michael. Chinese Art in the Twentieth Century. Berkeley: University of California Press, 1959.
——. Art and Artists of Twentieth-Century China. Berkeley: University of California Press, 1996.
Sun Yat-sen. “Pan-Asianism.” Kobe Women’s College before the Kobe Chamber of Commerce. November 28, 1924. http://www.asianintegration.com/Publications/Articles/Others/PanAsianism%20by%20Sun%20Yat-Sen.html.
Symons, Arthur. The Symbolist Movement in Literature. New York: Dutton, 1919.
Tai, Jingnong. Tai Jingnong: Paintings. Ed. Xu Liping. Hong Kong: Han Mo Xuan Publishing Co., 2001.
Tang, Xiaobing. Origins of the Chinese Avant-Garde: The Modern Woodcut Movement. Berkeley: University of California Press, 2008.
Tansman, Alan. The Aesthetics of Japanese Fascism. Berkeley: University of California Press, 2009.
Taylor, Charles. Sources of the Self: The Making of Modern Identity. Cambridge: Harvard University, 1989.
“Temple of Heaven.” http://en.wikipedia.org/wiki/Temple_of_Heaven.
Tihanov, Galin. “Why Did Modern Literary Theory Originate in Central and Eastern Europe?” Common Knowledge 10, no. 1 (2004): 61–68.
Tian, Min. “Alienation Effect for Whom? Brecht’s (Mis)interpretation of the Classical Chinese Theater.” Asian Theater Journal 14, no. 2 (1997): 200–222.
——. “Male Dan: The Paradox of Sex, Acting, and Perception of Female Impersonation in Traditional Chinese Theater.” Asian Theater Journal 17, no. 1 (2000): 78–97.
Tian, Xiaofei. “Illusion and Illumination: A New Poetics of Seeing in Liang Dynasty Court Literature.” Harvard Journal of Asiatic Studies 65, no.1 (2005): 7–56.
——. Beacon Fire and the Shooting Star: The Literary Culture of the Liang (502–557). Cambridge, Mass.: Harvard East Asian monograph series, 2007.
Trotsky, Leon. Literature and Revolution. Ed. William Keach. Trans. Rose Stunsky. Chicago: Haymarket, 2005.
Tsai, Chien-hsin. “Obsession with Taiwan: Nishikawa Mitsuru and Sinophone Articulations.” Unpublished paper.
——. “On Jiang Wenye: Cinema, Poetry, and Historical Representation.” Unpublished paper.
Tsu, Jing. Failure, Nationalism, and Literature: The Making of Modern Chinese Identity, 1895–1937. Stanford: Stanford University Press, 2005.
Tu, Wei-ming. “Profound Learning, Personal Knowledge, and Poetic Vision.” The Vitality of the Lyric Voice: Shih Poetry from the Late Han to the T’ang. Ed. Lin Shuen-fu and Stephen Owen. Princeton: Princeton University Press, 1986.
Vattimo, Gianni. The End of Modernity. Trans. Jon R. Snyder. Baltimore: Johns Hopkins University Press, 1988.
Wang, Ban. The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China. Stanford: Stanford University Press, 1997.
Wang, David Der-wei. Fictional Realism in Twentieth-Century China: Mao Dun, Lao She, Shen Congwen. New York: Columbia University Press, 1992.
——. Fin-de-siècle Splendor: Repressed Modernities of Late Qing Fiction, 1849–1911. Stanford: Stanford University Press, 1997.
——. The Monster That Is History: Hisotry, Violence, and Fictional Writing in Twentieth-Century China. Berkeley: University of California Press, 2004.
——, and Shang Wei, eds. Dynastic Crisis and Cultural Innovation: From the Late Ming to the Late Qing and Beyond. Cambridge, Mass.: Harvard East Asian Monographs, 2005.
Wang, Eugene. “The Taming of the Shrew: Wang Hsi-chih (303–361) and Calligraphic Gentrification in the Seventh Century.” In Character and Context in Chinese Calligraphy, ed. Cary Y. Liu, C. Y. Ching, and Judith Smith. Princeton: The Art Museum, Princeton University, 1999.
Wang, Keping. “Wang Guowei’s Aesthetic Thought in Perspective.” In Contemporary Chinese Philosophy, ed. Chung-ying Cheng and Nicholas Bunnin. Oxford: Blackwell, 2002, 37–56.
Wang, Xiaojue. Modernity with a Cold War Face. Cambridge, Mass.: East Asia Center, Harvard University, 2013.
Widmer, Ellen. “Qu Qiubai and Russian Literature.” In Modern Chinese Literature in the May Fourth Era, ed. Merle Goldman. Cambridge, Mass.: Harvard University Press, 1985.
Williams, Raymond. Marxism and Literature. Oxford: Oxford University Press, 1977.
Wind, Edgar. Art and Anarchy. Evanston, Ill.: Northwestern University Press, 1985.
Wong, Siu-kit. “Ch’ing in Chinese Literary Criticism.” Ph.D. diss., Oxford University, 1969.
Wong, Wang-chi. Politics and Literature in Shanghai: The Chinese League of Left-Wing Writers, 1930–1936. Manchester: Manchester University Press, 1991.
Yeh, Michelle. Modern Chinese Poetry: Theory and Practice Since 1917. New Haven: Yale University Press, 1991.
Yim, Lawrence C. H. The Poet-Historian Qian Qianyi. New York: Routledge, 2009.
Yip, Wai-lim. Diffusion of Distances: Dialogue Between Chinese and Western Poetics. Berkeley: University of California Press, 1993.
Yu, Anthony. Rereading the Stone: Desire and the Making of Fiction in Dream of the Red Chamber. Princeton: Princeton University Press, 1997.
Yu, Pauline. The Reading of Imagery in the Chinese Poetic Tradition. Princeton: Princeton University Press, 1987.
Zanasi, Margherita. Saving the Nation: Economic Modernity in Republican China. Chicago: University of Chicago Press, 2006.
Zhang, Chunchou, and Edwin Vaughan. Mao Zedong as Poet and Revolutionary Leader: Social and Historical Perspectives. New York: Lexington Books, 2002.
Zhang, Zhen. An Amorous History of the Silver Screen: Shanghai Cinema, 1896–1937. Chicago: University of Chicago Press, 2005.
Zhao, Meibo (Chao Mei-po) . “The Trend of Modern Chinese Music.” Tien-hsia Monthly IV (1937): 283.
Chinese- and Japanese-Language Sources
Ai Qing . Shilun (Treatise on poetry). Beijing: Renmin wenxue chubanshe, 1980.
——. Shilun xiudingben (Treatise on Poetry, a revised edition). Beijing: renmin wenxue chubanshe, 1995.
——. Ai Qing shi quanji (Complete poetry of Ai Qing). Beijing: Renmin wenxue chubanshe, 2003.
Ai Zhongxin . Xu Beihong yanjiu (A study of Xu Beihong). Shanghai: Shanghai Meishu Chubanshe,1984.
Bai Juyi . Bai Juyi ji jianjiao (Works of Bai juyi with annotations). Shanghai: Shanghai guji chubanshe, 2003.
Bian Zhilin . Bian Zhilin wenji (Works of Bian Zhilin). Beijing: Huaxia chubanshe, 2000.
Cai Dengshan . Mei Lanfang yu Meng Xiaodong (Mei Lanfang and Meng Xiaodong). Taipei: INK Chubanshe, 2008.
Cai Dengshan , ed. Yunyou: Xu Zhimo huainianji (Wandering afar: a collection of writings in memory of Xu Zhimo). Taipei: Lanting chubanshe, 1986.
Chan, K. K. Leonard . “Ruhe liaojie hanxuejia, yi Pu shike weili” : (How one understand sinologists: Průšek as an example), Zhongguo wenzhe yanjiu tongxun (Bulletin of the Institute of Chinese Literature and Philosophy, Academia Sinica) 17, no. 4 (2007): 108–110.
——. “Cong lüshi meidian dao zhongguo wenhuashi de shuqing chuantong” : (From the aesthetics of regulated verse to the lyrical aesthetics of Chinese cultural tradition). Zhengda zhongwen xuebao (Bulletin of the Department of Chinese Literature, National Cheng-chih University) 10 (2008): 53–90.
——. “Wenxue piping yu wenxue kexue: Xia Zhiqig yu Prusek de wenxueshi bianlun” ”—— (Literary criticism and literary science: C. T. Hsia’s and Průšek’s debate on literary history). In Zhongguo xiandai xiaoshuo de shiyuxue (The history and scholarship of modern Chinese fiction), ed. David Der-wei Wang . Taipei: Lingking, 2010.
——. “Fangzhu shuqing: cong Xu Chi de shuqinglun shuoqi” (Lyricism in exile: Xu Chi and his critics). Qinghua zhongwen xuebao (Tsinghua bulletin of Chinese literature) 8 (2012): 229–261.
Chan, K. K. Leonard , and David Der-wei Wang , eds. Shuqing zhi xiandaixing (The modernity of lyricism). Beijing: Sanlian chubanshe, 2014.
Chang Chi-jen . “Ji Tcherepnin furen Li Xianmin nüshi” (On Mme. Tcherepnin Li Xianmin). Quanyin yinyue wenzhai (Quanyin digest of music) 69 (1984)142–146.
——. Jiang Wenye: jingji zhongde gulianhua (Jiang Wenye: a lonely flower in the midst of thrones). Taipei: Shibao wenhua, 2002.
Chen Bohai . Zhongguo shixue zhi xiandaiguan (Chinese poetics: a modern perspective). Shanghai: Shanghai guji chubanshe, 2006.
Chen Chuanxi . Zhongguo huihua lilunshi (A history of Chinese painting criticism). Taipei: Dongda tushu, 1997.
Chen Duxiu . Duxiu wencun xuan (Select works of Chen Dunxiu). Guiyang: Guizhou jiaoyu chubanshe, 2005.
Chen Guanghong . Wenxueshi de wenhua xushi: zhongguo wenxue yanbian lunji (The cultural narrative of literary history: Chinese literary transformations). Shanghai: Fudan daxue chubanshe, 2012, 231–252.
Chen Hongshi , ed. Zhongguo dianying: miaoshu yu chanshi (Chinese cinema: description and interpretation). Beijing: Zhongguo dianying chubanshe, 2002.
Chen Huiyang . Mengying ji: zhongguo dianying yinxiang (Dream images: impressions of Chinese cinema). Taipei: Yunchen chubanshe, 1990.
Chen Jianhua . Geming de xiandaixing: zhongguo geming huayu kaolun (The modernity of “revolution”: a study of modern Chinese revolutionary discourse). Shanghai: Shanghai guji chubanshe, 2000.
Chen Jianhua and Chen Jie , eds. Minguo yinyueshi nianpu (A chronology of Chinese ethnomusicology in the Republican era). Shanghai: Shanghai yinyue chubanshe, 2005.
Chen Jin . Mao Zedong zhihun (The soul of Mao Zedong). Changchun: Jilin renmin chubanshe, 1993.
Chen Mingxian , ed. Xin zhnogguo sishi nian (The first four decades of new China). Beijing: Gongren chubanshe, 1989.
Chen Mo. “Fei Mu dianying lun” (On Fei Mu’s movies). Dangdai dianying (Contemporary cinema) 5 (1997): 26–40.
——. Liuying chunmeng: Fei Mu dianying lungao 稿 (Flying oriole, spring dream: a study of Fei Mu’s movies). Beijing: Zhongguo dianying chubanshe, 2000.
Chen Pingyuan . Zhongguo xiandai xueshu zhijianli (The founding of modern Chinese academic studies). Bejing: Beijing daxue chubanshe, 1998.
Chen Shan . “Disanzhong dianying: Fei Mu dianying siwei de shuli luoji” (The third kind of movie: the logic of alienation in Fei Mu’s movies). Dangdai dianying (Contemporary cinema) 5 (1997): 43–47.
——. “Yongyuan de Xiaocheng zhichun (Spring in a Small Town forever). Beijing dianying xueyuan xuebao (Journal of Beijing academy of cinema) 1 (2002): 50–58.
Chen Shixiong . Sanjiao duihua: sitani, bulaixite, yu zhongguo xiju (Trialogue: Stanislavski, Brecht, and Chinese drama). Xiamen: Xiamen daxue chubanshe, 2003.
Chen Taisheng . Xiangzheng zhuyi yu zhongguo xiandai shixue (Symbolism and Chinese modernist poetics). Beijing: Beijing daxue chubanshe, 2005.
Chen Weifen . Jindai riben hanxue de guanjianci yanjiu: ruxue ji xiangguan gainian de shanbian (A study of keywords of sinological studies in early modern Japan: transformation of Confucianism and relevant concepts). Taipei: Publication Center, National Taiwan University, 2005.
Chen Wenhua . “Xu Fuguan yu Hu Lancheng, Tang Junyi, Luo Fu de qiyuan” (Xu Fuguan’s legendary connections with Hu Lancheng, Tang Junyi, and Luo Fu). https://groups.google.com/forum/#!msg/yotu/R-JcIRmLmY4/IL3of563x4gJ.
Chen Xuehu . Wen de zaiqueren: Zhang Taiyan wenlun chutan: (A reappraisal of “wen”: an initial investigation of Zhang Taiyan’s literary criticism). Beijing: Beijing daxue chubanshe, 2008.
Chen Yinke . “Haining Wang xiansheng zhi beiming” (Epitaph in commemoration of Mr. Wang Guowei), in Qinghua jiushinian meiwenxuan (Select prose on Tsinghua University). Beijing: Tsinghua daxue chubanshe, 2001, 208.
Chen Zhanbiao . “Luelun Lu Xun de fan xiandai zhuyi guan” (On Lu Xun’s view of antimodernism in art), Linyi shifan xueyuan xuebao (Bulletin of Linyi Normal College), 30, no. 2 (2008): 90–94.
Chen Zishan , ed. Wo yu Lao She yu jiu: Tai Jingnong wenji (Lao She and I and wine: a collection of literary works by Tai Jingnong). Taipei: Lianjing chuban gongsi, 1992.
——. Huiyi Tai Jingnong (Remembering Tai Jingnong), Shanghai: Shanghai jiaoyu chubanshe, 1995.
Cheng Jihua , ed. Zhongguo dianying fazhanshi (A history of Chinese cinema), vol. 1. Beijing: Zhongguo dianying chubanshe, 1963.
Cheng Yu-yu . Xingbie yu jiayuan: hanjin cifu de chusao lunshu (Gender and national representation: the discourse of the Songs of the South as manifested in the rhapsody and other literary expressions of the Han and Jin). Taipei: Liren shuwu, 1990.
——.Liuchao qingjing meixue zonglun (A comprehensive study of the aesthetics of qing and jing of the Six Dynasties). Taipei: Xuesheng shuju, 1996.
——. Yinpi lianlei: wenxue yanjiu de guanjianci (analogues evocation and categorical association: a study of a literary keyword). Taipei: Linking, 2012.
Cheung Suk-Hong . Shuqing chuantong de xingsi yu tansuo (The lyrical tradition: reflections and explorations). Taipei: Daan chubanshe, 1992.
Chu T’ien-wen . “Huayi qianshen (Remembrances of the flowery previous incarnation). Taipei: Ryefield Publications, 1996.
Ding Yaping . Yingxiang zhongguo 1945–1949 (Imaging China: 1945–1949). Beijing: Wenhua yishu chubanshe, 1998.
Fan Meng . Zhongguo xiandai banhuashi (A history of modern Chinese woodcuts). Beijing: Zhongguo qingnian chubanshe, 1996.
Fang Hongmei . Liang Qichao quwei lun (A study of Liang Qichao’s theory of taste). Beijing: Renmin chubanshe, 2009.
Fei Shi . “Zhongguo yinyue gailiang shuo” (A proposal of Chinese music reform). Zhongguo jindai yinyue shiliao: 1840–1919 1840–1919 (Historical materials on music in early modern China). Ed. Zhang Jingwei . Beijing: Renmin yinyue chubanshe, 1998.
Feng Yaoping ed. Feng Zhi he tade shijie (Feng Zhi and his world). Shijiazhuang: Hebei jiaoyu chubanshe, 2001.
Feng Yeh . Lin Fengmian de shijie (The world of Lin Fengmian). Taipei: Minsheng bao, 2000.
Feng Zhi . Feng Zhi Quanji (Complete works of Feng Zhi, the authorial selections). Shijiazhuang: Hebei jiaoyu chubanshe, 1999.
Foguang dacidian bianxiu weiyuanhui . Foguang dacidian (Foguang edition of dictionary of Buddhist terminology), vol. 4. Gaoxiong: Foguang chubanshe, 1995.
Fu Xiuhai . Shidai midu de fengfu yu tongku (The gain and pain on an epochal journey: a study of Qu Qiubai’s literary thought). Beijing: Zhongguo shehui kexue chubanshe, 2011.
Gao Like (Gálik). “Shishi guannian de fazhan” (The development of the concept of poet-historian). In Shishi bense yu miaowu (The true nature and esoteric enlightenment of the “poet-historian”). Ed. Gong Pengchang ”. Taipei: Xuesheng shuju, 1993.
——. Jieke he siluofake hanxue yanjiu (Sinological studies in the Czech Republic and Slovenia). Trans. and ed. Yan Chunde and Wu Zhiliang . Beijing: Xueyuan chubanshe, 2009.
Gan Yang . Tongsantong (Unification of three orthodoxies). Beijing: Sanlian shudian, 2007.
Gao Xiaojian . Zhongguo xiqu dianyingshi (A history of Chinese movies of performing arts). Bejing: Wenhua yishu chubanshe, 2005.
Gao Yuanbao . Lu Xun Liujiang (Six lectures on Lu Xun). Beijing: Beijing daxue chubanshe, 2007.
Gong Zizhen quanji (Complete works of Gong Zizhen). Shanghai: Shanghai guji chubashe, 1999.
Guo Moruo . “Chi fandong wenyi” (Debunking reactionary literature). Dazong wenyi congkan (Literature for the masses) 1 (March 1, 1948).
——. Guo Moruo quanji (Complete works of Guo Moruo). Beijing: Renmin wenxue chubanshe, 1990.
——. Nüshen (Goddess). Beijing: Renmin wenxue chubanshe, 2002.
Guo Yanli . Zhongguo jindai wenxue fazhanshi (A history of early modern Chinese literary development). Jinan: Shandong jiaoyu chubanshe, 1990.
Guodian chumu zhujian (Bamboo clips from the Chu tombs in Guodian). Beijing: Beijing wenwu chubanshe, 1998.
He Guimei . Zhuanzhe de shidai; 40-50 niandai zuojia yanjiu 40-50 (A time of transitions: a study of Chinese writers in the 1940s–1950s). Jinan: Shandong jiaoyu chubanshe, 2003.
He Qifang. He Qifang quanji (Complete works of He Qifang). Shijiazhuang: Hebei renmin chubanshe, 2000.
He Zhongming . Yinya de yeying: He Qifang pingzhuan (Muted nightingale: a critical biography of He Qifang). Nanjing: Nanjing daxue chubanshe, 2004.
Hong Kong Museum of Art. Shiji xianqu: Lin Fengmian yishuzhan (A pioneer of modern Chinese painting: the exhibition of Li Fengmian’s paintings). Hong Kong: Hong Kong Museum of Art, 2007.
Hong xingzu . Chuci Buzhu (Annotated Songs of the South). Taipei: Yiwen yinshuguan, 1981.
Hong Zicheng . Zhongguo dangdai wenxueshi (A history of contemporary Chinese literature). Beijing: Beijng daxue chubanshe, 1999.
Hu Feng . “Ji’e de Guo Su’e Xu” (Preface to Hungry Guo Su’e), in Yang Yi et al., eds., Lu Lin yanjiu ziliao (Research materials on Lu Ling). Beijing: Shiyue wenyi chubanshe, 1993.
——. Hu Feng quanji (Complete works of Hu Feng). Wuhan: Hubei renmin chubanshe, 1999.
Hu Lancheng. “Zhongguo xiangdang zhidu yangekao” 沿 (A study of the rural communal system of China). In Zhengzhi xuekan (Bulletin of political science), Shanghai: Kwang-hwa University, October 1929.
——. Shanhe suiyue (China through time). Taipei: Sansan shufang, 1990.
——. Geming yaoshi yu xuewen (Revolution and the cause of poetry and scholarship). Taipei: Yuanliu chubanshe, 1991.
——. Zhongguo de liyue fengjing (The vista of Chinese ritual and music). (Taipei: Yuanliu chubanshe, 1991).
——. Jinsheng jinshi (This life, this world). Taipei: Yuajing chubanshe, 2004.
——. Luanshi wentan (Literary discourse in a time of chaos). Ed. Chen Zishan . Hong Kong: Tiandi tushu, 2007.
Hu Xiaoming . Shi yu wenhua xinling (Poetry and literary mind). Beijing: Zhonghua shuju, 2006.
Huang Ailing, ed. Shiren daoyan Fei Mu (Poet director Fei Mu). Hong Kong: Xianggang dianying pinlun xuehui, 1999.
Huang Danhui and Liu Xiaotao , eds. Xu Beihong yu Lin Fengmian (Xu Beihong and Lin Fengmian). Shenyang: Liaoning jiaoyu chubanshe, 2002.
Huang Kejian . Bainian xinshulin: dangdai ruxue badajia lunlue : (A century of neo-Confucian studies: a general survey of eight leading Confucian scholars in contemporary China). Beijing: Zhonguo qingnian chubanshe, 2000.
Huang Yongyu. Taiyang xia de fengjing (Scenery under the sun). Tianjin: Baihua wenyi chubanshe, 1984.
——. Wu Shimang luntan (A forum on Wu Shimang). Beijing: Sanlian chubanshe, 1998.
Huang Zongxi . Nanleiji · zhuanzhangji · (Collection of works by Mr. Nanlei [Huang Zongxi]; compendium of works in honor of the venerable). Hangzhou: Zhejiang guji chubanshe, 2012.
I Lo-fen . “Xiaoxiang shanshuihua zhi wenxue yixiang qingjing tanwei” (The literary imagery in Hsiao-hsiang landscape paintings). Zhongguo wenxue yanjiu jikan (Bulletin of Chinese literary studies) 20 (2003): 175–222.
——. “Buji zhizhou: Wu Zhen yuqi yufu tujuan tici” : (Untied boat: Wu Zhen and the colophon of fisherman painting). Si yu yan (Thought and language) 45, no. 2 (2007): 117–186.
Jiang Guangci. Jiang Guangci wenji (Works of Jiang Guangci). Shanghai: Shanghai wenyi chubanshe, 1982–88.
Jiang, Wenye . “Shirasagi e no gensō no oitati” (Fantasy for a white egret). Ongakusekai (Music world) 6, no. 11 (1934): 110–112.
Jiang Wenye. “Fu tia tan (Rhapsody of the Temple of Heaven). In Jiang Wenye wenzi zuopinji. (Textual works by Jiang Wenye). Taipei: Cultural Center of Taipei County, 1992.
——. Jōdai Shina ongaku kō: Kōshi no ongaku ron (A study of music in ancient China: Confucius’ treatise on music). Chen Guanghui , trans. Jiang Wenye wenzi zuopinji (Textual works by Jiang Wenye). Taipei: Cultural Center of Taipei County, 1992.
——. “Kongmiao de yinyue, dacheng yuezhang” (The Music of the Confucian temple). Trans. Jiang Xiaoyun . In Minzu yinyue yanjiu (Studies of ethnomusicology), vol. 3. Ed. Liu Jingzhi . Hong Kong: The University of Hong Kong, 1992.
——. “From Beijing to Shanghai.” Trans. Liu Linyu. Lianhebao (United daily), July 29, 1995.
Jiang Wenye Jinian yantaohui lunwenji. (Critical essays in memory of Jiang Wenye). Taipei: Taibeixian wenhuaju, 1992.
Jiang Xun . “Shufa shi shengming de wancheng” (Calligraphy is the completion of life). Mingjia hanmo (Chinese brush art), 11: 1994.
Kao Yu-kung . Zhongguo meidian yuwenxue yanjiu (Chinese aesthetics and literary studies). Taipei: National Taiwan University Press, 2004.
Ke Qingming (Ko Ching-ming) . Xiandai zhongguo wenxue piping shulun (A treatise of modern Chinese literary criticism). Taipei: Daan chubanshe, 2005.
Ke Qingming and Xiao Chi , eds. Zhongguo shuqing chuantong de zaifaxian: yige xiandai xueshu sichao de lunwen xuanji : (Rediscovering the Chinese lyrical tradition: a critical anthology of a modern intellectual trend). Taipei: National Taiwan University Press, 2009.
——. Zhongguo wenxue de meigan (The aesthetic sensibility of Chinese literature). Taipei: Ryefield, 2000.
Kuang Xinnian . 1928: Geming wenxue (1928: revolutionary literature). Jinan: Shandong jiaoyu chubanshe, 1998.
Lai Yonghai . Xinyi lengyanjing , (A new translation of Sūramgamasūtra). Trans. and annotated by Yang Weizhong . Taipei: Sanmin shuju, 2003.
Lan Huazeng . “Ai Qing, Zhu Guangqian, Shilun bijiao” (A comparative study of Ai Qing’s and Zhu Guangqian’s Treatise on Poetry), Zhongguo xiandai wenxue yanjiu congkan (Journal of modern Chinese literary studies) 2 (1987): 136–143.
Li Changzhi . Lu Xun pipan (A critique of Lu Xun). Beijing: Beijing chubanshe, 2003.
Li Hua . Preface to Huang Yongyu muke ji (A collection of Huang Yongyu’s woodcuts). Beijing: Renmin meishu chubanshe, 1958.
Li Hua , Li Shusheng , and Ma Ke . eds. Zhongguo xinxing banhua wushinian, 1931–1981 (Fifty years of modern Chinese woodcuts, 1931–1981). Shenyang: Liaoning meishu chubanshe, 1981.
Li Huabiao . Yiyou weijin: Hu Lancheng shuxin ji (Everlasting thought: Hu Lancheng’s letters). Taipei: Xinjingdian chubanshe, 2011.
Li Lingling . Mei Lanfang de yishu yu qinggang (The art and romance of Mei Lanfang). Taipei: Zhibingtang chubanshe, 2008.
Li Shangyin . Yu xisheng shiji jianzhu 谿 (Annotated works by Li Shangyin). Annotated by Feng Hao. ShanghaiShanghai guji chubanshe, 1998.
Li Shaobai . “Zhongguo xiandai dianying de qianqu: lun Fei Mu he xiaocheng zhichun de lishi yiyi” (The forerunner of modern Chinese cinema: on Fei Mu and the historical significance of Spring in a Small Town). Dianying yishu (Cinematic art) 5, no. 5, 6 (1996): 34–42; 73–78.
Li Suyuan . Zhongguo xiandai dianying lilunshi (A history of modern Chinese cinema theories). Beijing: Wenhua yishu chubanshe, 2005.
Li Weiming . Tuxiang yu lishi: ershi shiji zhongguo meishu lungao :稿 (Pictorial images and history: a collection of critiques of twentieth-century Chinese art). Beijing: Zhongguo renmin daxue chubanshe, 2010.
Li Xiaokun . Zhongguo shufa zhilü (A journey of Chinese calligraphy). Taipei: Xiongshi meishu, 2003.
Li Xueqin , ed. Zhouyi zhengyi (Annotated zhouyi). Beijing: Beijing daxue chubanshe, 1999.
Li Yang . Kangzheng suming zhilu: shehui zhuyi xianshi zhuyi yanjiu, 1942–1976 宿 (The path of fighting againt predestined fate: a study of socialist realism 1942–1976). Changchun: Shidai wenyi chubanshe, 1993.
Li Yang (different from the above author) . Shen Congwen de zuihou sishinian (The last forty years of Shen Congwen). Beijing: Zhongguo wenshi chubanshe, 2005.
Li Yu . “Cong E’guo dao Zhongguo: Zhongguo xiandai huihua lide minzu zhuyi he xianjin fengge” (From Russia to China: nationalism and avant-gardism in modern Chinese painting). Xiongshi meishu (Lion art) 137 (1982): 59–60.
Li Yunjing and Ma Tiji , eds. Lu Xun muke huodong nianbu (A chronicle of Lu Xun’s involvement in the woodcut movement). Shanghai: Shanghai renmin meishu chubanshe, 1986.
Li Zehou. Zhongguo xiandai xixiang shilun (A history of modern Chinese thought). Beijing: Dongfeng chubanshe, 1987.
——. Shji xinmeng (A millennial dream). Hefei: Anhui jiaoyu chubanshe, 1998.
——. Meixue sanshu (Four talks on aesthetics). In Meixue sanshu (Three books on aesthetics). Hefei: Anhui wenyi chubanshe, 1999.
——. Yimao wushuo (Five lectures in the yimao year). Beijing: Zhongugo dianying chubanshe, 1999.
——. Renlei xue lishi benti lun (Historical ontology of anthropology). Tianjin: Tianjin shehui kexueyuan, 2008.
——. Shiyong lixing yu legan wenhua (Practical rationality and the culture of pleasure). Beijing: Sanlian chubanshe, 2008.
Li Zheng , ed. Lin Fengmian hualun (Lin Fengmian’s art criticism). Zhengzhou: Henan renmin chubanshe, 1999.
Liang Maochun and Jiang Xiaoyun , eds. Lun Jiang Wenye: Jiang Wenye jinian yantaohui lunwenji (On Jiang Wenye: proceedings of the conference in memory of Jiang Wenye). Beijing: Zhongyang yinyue xueyuan xuebaoshe, 2000.
Liang Qichao. Yinbingshi heji (Comprehensive works of ice-drinking studio). Beijing: Zhonghua shuju, 1989.
——. Liang Qichao quanji (Complete works of Liang Qichao). Beijing: Beijing chubanshe, 1999.
Liang Shiqiu . Langman de yu gudian de (The romantic and the classical). Beijing: Renmin wexue chubanshe, 1983.
Liang Shuming . Dongxi wenhua jiqi zhexue 西 (Oriental and Occidental cultures and philosophies). Shanghai: Shanghai renmin chubanshe, 2006.
Liang Zongdai . Liang Zongdai wenji II pinglun juan (Works of Liang Zongdai). Beijing: Zhongyang bianyi chubanshe, 2006, vol. 2.
Liao Chao-heng . “Cong lanshu shangya dao gediao gengxi: Tai Jingnong kan wanming wenhua” 調: (From “too ripe to be elegant” to “stylistic renovation”: Tai Jingnong’s view of late Ming culture). Gugong wenwu yuekan (, The National Palace Museum monthly of Chinese art) 279 (June 2006): 102–111.
Liao Jingwen . Xu Beihong yisheng: wode huiyi (The life of Xu Beihong: memories of mine). Beijing: Zhongguo qingnian chubanshe, 1982.
Liao Tung-liang . Shipi (Tastes of poetry). Taipei: Jingeng chuban, 1986.
——. Lunli, lishi, yishu: gudai chucixue de jiangou (Ethics, history, and arts: a construction of premodern Chuci studies). Taipei: Liren shuju, 2008.
Lin Fengmian . Taipei: Yishujia chubanshe, 2004.
Lin Fengmian yanjiu wenji (Volume of Lin Fengmian studies). Taipei: Gelin guoji youxian gongsi, 1990.
Lin Huiyin . “Dao Zhimo” (In memory of Zhimo). In Lin Huiyin wenji (Works of Lin Huiyin), ed. Liang Congjie . Taipei: Tianxia wenhua, 2000.
Lin Niantong . Zhongguo dianying meixue (The aesthetics of Chinese cinema). Taipei: Yunchen chuban gongsi, 1991.
Lin Wenyue , ed. Tai Jingnong xiansheng jinian wenji (A collection of essays in memory of Mr. Tai Jingnong). Taipei: Hongfan shudian, 1991.
Lin Yingqi . “Jiafengzhong de wenhuaren: rizhi shiqi Jiang Wenye jiqi shidai yanjiu” (A literatus trapped by political dilemma: Jiang Wenye during the time of Japanese colonial rule). Ph.D. diss., National Cheng-kung University, Taiwan, 2005.
Ling Yu . Cong biancheng zouxiang shijie (From border town to the world). Changsha: Yuelu shushe, 2006.
Liu E . Lao Can youji (The travels of Lao Can). Taipei: Linking, 1978.
Liu Jihui (Joyce Liu) . Xinzhi tuopu: 1895 shijian houde lunli chonggou 1895 (The topology of psyche: the post-1895 reconstruction of ethics). Taipei: Xinren chubanshe, 2011.
Liu Linyu . “Riben zhanshi tizhixia de Jiang Wenye: yi 1937–1945 nianjian Jiang Wenye yinyue zuopin yu shiju guanxi weizhongxin” 1937–1945 (A preliminary investigation of Jiang Wenye during the Sino-Japanese war: a study of Jiang’s music and the political circumstances during 1937–1945), paper presented at Jiang Wenye xiansheng shishi ershi zhounian jinian xueshu yantaohui (Academic conference in memory of the twentieth anniversary of Jiang Wenye’s passing away), Institute of Taiwanese History, Academia Sinica, October 24, 2003.
Liu Yuebing . Riben jindai ruxue yanjiu (A study of Confucianism in early modern Japan). Beijing: Shangwu yinshuguan, 2003.
Liu Wei . Riben shijiao yu zhongguo xiandai wenxue yanjiu: yi Takeuchi Yoshimi, Itō Toramaru, Kiyama Hideo weizhongxi (Japanese perspectives of modern Chinese literary studies: Takeuchi Yoshimi, Itō Toramaru, Kiyama Hideo). Beijing: Renmin wenxue chubanshe, 2010.
Liu Xie . Wenxin diaolong jiaozhu (Annotated Wenxin diaolong). Taipei: Heluo tushu chubanshe, 1976.
Liu Zaifu . Lu Xun meixue sixiang lungao 稿 (Lu Xun’s aesthetic thought). Beijing: Zhongguo shehui kexue chubanshe, 1981.
——. Li Zehou meixue gailun (A general introduction to Li Zehou’s aesthetics). Beijing: Sanlian chubanshe, 2010.
Liu Zheng . “Du Hu Lancheng Zhongguo xiangdang zhidu yangekao” 沿 (Reading Hu Lancheng’s study of the rural communal system of China). Wanxiang (Panorama) 9 (2004).
Lu Tingqing . Shenyu, jinba, Tai Jingnong , (Melancholy and resolute: Tai Jingnong). Taipei: Xiongshi meishu, 2001.
Lu Xun . Preface to Xiandai zhongguo wenxue daxi xiaoshuo erji : (Compendium of modern Chinese literature, the second volume of fiction), ed. Zhao Jiabi . Shanghai: Liangyou tushu gongsi, 1935.
——. Lu Xun quanji (Complete works of Lu Xun). Beijing: Renmin wenxue chubanshe, 2005.
Lu Yaodong 耀. Feng Zhi zhuan (Biography of Feng Zhi). Beijing: Shiyue wenyi chubanshe, 2003.
Lü Cheng-hui . Shuqing chuantong yu zhengzhi xianshi (Lyrical tradition and political reality). Taipei: Daan chubanshe, 1989.
Lü Peng . “Guanyu Lin Fengmian de ersan shi” (A few anecdotal notes on Lin Fengmian). Paper presented at the conference Lin Fengmian baisui jinian huazhan (The world of Lin Fengmian), July 14–August 28, 2000, Taipei.
——. Ershi shiji zhongguo yishushi (A history of art in twentieth-century China). Beijing: Beijng daxue chubanshe, 2006.
Luling yanjiu ziliao (Research materials of Lu Ling). Beijing: Zhishi chanquan chubanshe, 2010.
Lun Jiang Wenye: Jiang Wenye jinian yantaohui lunwenji (On Jiang Wenye: proceedings of the conference in memory of Jiang Wenye). Beijing: Zhongyang yinyue xueyan xuebaoshe, 2000.
Luo Yijun. “Fei Mu xinlun” (A new study of Fei Mu), Dangdai dianying (Contemporary cinema) 5 (1997): 4–15.
Ma Junrang . “Minzu zhuyi suo suzao de zhongguo dianying” (Modern Chinese cinema as fashioned by nationalism). Ershiyi shiji shuangyuekan (Twenty-first century bimonthly) 15 (1993): 1112–1119.
Ma Ke . “Dute de yishu yuyan: luetan Huang Yongyu de muke jiqiao” (A unique artistic language: on Huang Yongyu’s woodcut technique). In Zhongguo xiandai banhuajia chuangzuo yu jingyan luncong (A compendium of modern Chinese woodcut artists’ views on their creation and experience), ed. Li Hua et al. Macau: Shenzhou tushu gongsi, 1976.
Ma Tiji and Li Yunjing , eds. Lu Xun yu zhongguo xinxing muke yundong (Lu Xun and the modern Chinese woodcut movement). Beijing: Renmin chubanshe, 1985.
Ma Yongbo . Jiuye shipai yu xifang xiandai zhuyi 西 (Nine leaves school and Western modernism). Shanghai: Dongfang chuban zhongxin, 2010.
Mao Fuguo . Xiandai wenxueshi shangde wanming wenxue sichao lunzheng (Late Ming intellectual disputes in modern Chinese literary history). Beijing: Wenhua yishu chubanshe, 2011.
Mei Chia-ling . Hanwei liuchao wenxue xinlun: nidai yu zengda pian —— (A new approach to Han-Wei and Six Dynasties literature: impersonation and reciprocal correspondence). Beijing: Beijing University Press, 2004.
Mei Lanfang . Mei Lanfang quanji (Complete works of Mei Lanfang). Shijiazhuang: Hebei jiaoyu chubanshe, 2000.
——. Yibu bu huanxing (Moving forward without altering fundamental forms). Tianjin: Baihua wenyi chubanshe, 2008.
Mei Shaowu , ed. Yidai zongshi Mei Lanfang (Mei Lanfang the grand master). Beijing: Beijing chubanshe, 1990.
Mengzi zhushu (Annotated Mencius). Taipei: Taiwan guji chuban youxiangongsi, 2001.
Mu Dan . Mudan shiwenji (Mu Dan: poetry and prose). Beijing: Renmin wenxue chubanshe, 2006.
——. “Mu Dan zixuanji (Works of Mu Dan, authorial selections). Tianjin: Tianjin renmin chubanshe, 2012.
Ng Kim-chu . “Shuqing chuantong yu xiandaixing: chuantong zhifaming, huo chuangzaoxing de zhuanhua” (Lyrical tradition and modernity: an invention or a creative transformation of tradition) Zhongwai wenxue (Zhongwai literature) 2 (2005): 178–182.
——. Wen yu hun yu ti: lun xiandai zhongguoxing : (Literature, soul, and body: on Chinese modernity). Taipei: Ryefield, 2006.
Ni Huiding . Ni Yuanlu nianpu (A biographical chronology of Ni Yuanlu). Beijing: Zhonghua shuju, 1994.
Pei Chunfang . “Hongying xingguang huokezheng” (Rainbow shades and start lights may serve as evidence). Shiyue 2 (October 2009): 30–38.
Peng Feng . Shi keyi xing: gudai zongjiao, lunli, zhexue, yuyishu de meixue quanshi (Poetry that is able to evoke: an aesthetic interpretation in ancient Chinese religion, ethics, philosophy, and the arts). Hefei: Anhui jiaoyu chubanshe, 2003.
Peng Xiaoyong . Shen Congwen yu dushu (Shen Congwen and his reading). Taipei: Funu yu shenghuo, 2001.
Qi Rushan . Qi Rushan huiyilu (A memoir of Qi Rushan). Shenyang: Liaoning jiaoyu chubanshe, 2005.
Qian Jin and Han Wenning. Weifu qunjian (A puppet regime and a gathering of traitors). Changsha: Yuelu chubanshe, 2002.
Qian Liqun . “Yijiu sijiu nianhou de Shen Congwen” (Shen Congwen after 1949). In Yijiu sijiu yihou (After 1949), ed. David Der-wei Wang, Chen Sihe, and Xu Zidong. Shanghai: Shanghai wenyi chubanshe, 2011.
——. Mao Zedong shidai he hou Mao Zedong shidai (The Mao era and the post-Mao era). Taipei: Lingking, 2012, vol. 1.
Qian Niansun . Zhu Guangqian: chushi de jingshen yu rushi de shiye (Zhu Guangqian: transcendental spirit and engaged career). Beijing: Beijing chubanshe, 2005.
Qian Zhongshu . Qizhuiji (A collection of seven patchworks). Beijing: Sanlian chubanshe, 2002.
——, ed. Du Shaoling ji xiangzhu (Annotated collection of Du Fu’s poetry). Shanghai: Shangwu yinshuguan, 1993, vol. 2.
——, ed. Yunyou: Xu Zhimo huainianji (Wandering afar: a collection of writings in memory of Xu Zhimo). Taipei: Lanting chubanshe, 1986.
Qu Qiubai . Qu Qiubai wenji (Works of Qu Qiubai). Beijing: Renmin wenxue chubanshe, 1985, vols. 1, 3, 7 (political theory edition).
——. “Wenyi deziyou he wenxuejia de buziyou” (The freedom of art and the lack of freedom of literati), in Qu Qiubai wenji, vol. 3 (literature edition).
——. “Yishu yu rensheng” (Art and life, 1923), in Qu Qiubai wenji, vol. 1 (literature edition).
Rao Zongyi . Chengxin luncui (Critical treatise of a crystal heart). Ed. Hu Xiaoming . Shangahi: Shanghai wenyi chubanshe, 1996.
Ruan Rongchun and Hu Guanghua . Zhongguo jindai meishushi, 1911–1949 1911–1949 (A history of modern Chinese art, 1911–1949). Hong Kong: Shangwu yinshu guan, 1997.
Shen Congwen . Shen Congwen quanji (Complete works of Shen Congwen). Taiyuan: Beiyue wenyi chubanshe, 2009.
Shih Shou-chien . Yidong de taohuayuan: dongya shijie zhong de shanshuihua : (Peach blossom grove in motion: the landscape painting in East Asia). Taipei: Yunchen chuban gongsi, 2012.
Shu Wu . “Yi Tai Jingnong xiansheng” (Remembering Mr. Tai Jingnong). In Tai Jingnong shiji (A collection of poems by Tai Jingnong), ed. Xu Liping, . Hong Kong: Han Mo Xuan, 2001.
Sima Qian . Shiji (The record of the historian). Beijing: Zhonghua shuju, 1959.
Su Mingcun . “Jiang Wenye de zongjiao yinyue chutan” (A preliminary study of Jiang Wenye’s religious music). In Lun Jiang Wenye: Jiang Wenye jinian yantaohui lunwenji (On Jiang Wenye: proceedings of the conference in memory of Jiang Wenye). Beijing: Zhongyang yinyue xueyuan xuebaoshe, 2000.
Sun Xidan . Liji jijie (Annotated Book of Rites). Beijing: Zhonghua shuju, 1989.
Sun Yushi . Zhongguo xiandai shixue luncong (Critique of modern Chinese poetics). Beijing: Beijing daxue chubanshe, 2010.
Tai Jingnong . Dizhizi, Jiantazhe , (Sons of the earth, tower builders). Beijing: Renmin wenxue chubanshe, 1984.
——. Longbo zawen (Miscellaneous essays of dragon slope). Taipei: Hongfan shudian, 1988.
——. Tai Jingnong fashu ji (A collection of Tai Jingnong’s calligraphy). Hong Kong: Han Mo Xuan, 2001, vol. 1.
——. Tai Jingnong Lunwenji (A collection of scholarly essays by Tai Jingnong). Hefei: Anhui jiaoyu chubanshe, 2002.
——. Zhongguo wenxue shi (A history of Chinese literature), vol. 1. Taipei: National Taiwan University Press, 2004.
Takajō Shigemi . “Wosuo liaojie de Jiang Wenye” (The Jiang Wenye I know). Trans. Jiang Xiaoyun . Zhongyang yinyue xueyuan xuebao (Bulletin of Central Music Academy) 3 (2000): 62–68.
Tang Junyi . Tang Junyi quanji (Complete works of Tang Junyi). Taipei: Xuesheng shuju, 1991, vols. 1, 23.
——. Shengming cunzai yu xinling jingjie: shengming cunzai yu xinling jingjie: shengming cunzai zhi sanxiang yu xinling jiujing (The existence of life and the state of mind: the three directions of the existence of life and the nine states of mind). Taipei: Xuesheng shuju, 1986.
Tang Shi . Xin yiduji (A new collection of contemplations). Beijing: Sanlian shudian, 1990.
——. Jiuye shiren: Zhongguo xinshi de zhongxing (Nine leaves poets: the modern Chinese poetry). Shanghai: Shanghai jiaoyu chubanshe, 2003.
Tang Xiangzu ji (Works of Tang Xianzu). Shanghai: Shanghai renmin chubanshe, 1978, vol. 2.
Tang Yonghua . Zong Baihua yuzhongguo meixuede kungjing (The predicament of Zong Baihua’s “Chinese aesthetics”). Beijing: Beijing daxue chubanshe, 2010.
Tao Qian . Tao Yuanming ji jiaojian (Annoted volume of Tao Yuanming), ed. and annotated by Gong Bin . Shanghai: Shanghai guji chubanshe, 2004.
Tao Yabing . Mingqing jian de zhongxi yinyue jiaoliu 西 (The interflow of music in Ming and Qing times). Beijing: Dongfang chubanshe, 2001.
Ts’ai Ying-chun . Bixing wuse yu qingjing jiaorong (Evocation, compassion, and the fusion of affection and the scenery). Taipei: Daan chubanshe, 1988.
Uda Rei . Meiyou shengyin de defang jiushi jimo: shiren He Qifang de yisheng (Loneliness is where there is no sound: the life of the poet He Qifang). Trans. Xie Lili . Beijing: Shehui wenxian chubanshe, 2010.
Utarō, Noda . “Literary Movement of Exoticism” (調). March 30, 2006. http://www.japanpen.or.jp/e-bungeikan/study/pdf/nodautaro.pdf.
Wang Anqi . “Jingju meipai yishuzhong Mei Lanfang zhuti yishi zhitixian” (The embodiment of subjective consciousness in the Mei Lanfang school of Peking opera). In Ming Qing wenxue sixiang zhong zhi zhuti yu shehui (Subjective consciousness and society in Ming and Qing literary and thought), ed. Wang Ailing . Taipei: Institute of Chinese Literature and Philosophy, 2004.
Wang Bo . Wang Bo shi (Poetry of Wang Bo). Beijing tushu chubanshe, 2002.
Wang Can . “Zeng Cai Zidu shi” (A poem for Cai Zidu). In Jianan qizi ji (A collection of works by the seven talents of the Jian’an era), ed. and annotated by Yu Shaochu . Beijing: Zhonghua shuju, 1989.
Wang, David Der-wei. . “Houyimin xiezuo (Postloyalist writing). Taipei: Ryefield, 2007.
——. 1949: shanghen shuxie yu guojia wenxue (1949: scar writing and national literature). Hong Kong: Sanlian, 2009.
——. Xiandai shuqing chuantong silun (Modern Chinese lyrical tradition: four essays). Taipei: National Taiwan University Press, 2011.
——. “Youqing de lishi: shuqing chuantong yu zhongguo xiandaixing” : (A history with feeling: lyrical tradition and Chinese literary modernity), Zhongguo wenzhe yanjiu jikan (Bulletin of Chinese literary and philosophical studies) 33 (2008): 125–144.
Wang Fanxi 西. “Hu Feng yizhu duhougan” (Thoughts on the posthumous publications of Hu Feng). http://www.marxists.org/chinese/0/marxist.org-chinese-wong-99.htm.
Wang Furen . “Shenmei zhuiqiu de wuluan yu shicuo” (The confusion and disorientation of Guo Moruo’s aesthetic pursuit), in Guo Moruo pingshuo jiushinian (A critique of Guo Moruo: the past nine decades) ed. Li Yi and Cai Zhen . Beijing: Wenhua yishu chubanshe, 2010.
Wang Guangming . “Wuliushi niandai de shige, sanwen, yujuzuo” (Poetry, prose, and drama in the 1950s and 1960s). In Ershi shiji zhongguo wenxueshi, (History of modern Chinese literature of the twentieth century), ed. Yan Jiayan . Beijing: Gaodeng jiaoyu chubanshe, 2010, vol. 3, chapter 22.
Wang Guowei . Jingan wenji (Works of Wang Guowei). Shenyang: Liaoning jiaoyu chubanshe, 1997.
——. Renjian cihua (Remarks on the song lyric and the human condition), Chen Hongxiang , ed. Nanjing: Jiangsu guji chubanshe, 2002.
Wang Hui . Zhongguo xiandai sixiang dexingqi (The rise of modern Chinese thought). Beijing: Sanlian chubanshe, 2003, vol. 3.
Wang Kewen . Wang Jingwei, Guomindang, Nanjing zhengquan (Wang Jingwei, the Nationalist Party, the Nanjing regime). Taipei: Guoshiguan, 2001.
Wang Lili . Zai wenyi yu yishi xingtai zhijian: Hu Feng yanjiu : (Between literature and ideology: a study of Hu Feng). Beijing: Zhongguo renmin daxue chubanshe, 2003.
Wang Peiyuan . Yan’an Luyi fengyun lu (A history of the Lu Xun academy of the arts in Yan’an). Guilin: Guangxi shifan daxue chubanshe, 2004.
Wang Ping . Jindai riben de yaxiya zhuyi (Asianism in early modern Japan). Beijing: Shangwu yinshuguan, 2004.
Wang Shouxue . Renxin yu wenxue: Xu Fuguan wenxue sixiang yanjiu (Mind and literature: a study of Xu Fuguan’s literary thought). Zhengzhou: Zhengzhou daxue chubanshe, 2005.
Wang Xianqian . Xunzi jijie (Annotated Xunzi). In Xinbian Zhuzi jicheng (Compendium of the works by the masters of ancient China, a new edition). Taipei: Shijie shuju, 1974.
Wang Xuewei . He Qifang de Yan’an zhilu: yige lixiang zhuyizhe de xinling guiji (He Qifang’s path to Yan’an: the spiritual path of an idealist). Zhengzhou: Henan remin chubanshe, 2008.
Wang Yueqing , Bao Qinggang , and Guan Guoxing . Zhongguo zhexue guanjianci (Keywords of Chinese philosophy). Nanjing: Nanjing daxue chubanshe, 2011.
Wang Zengqi . “Shen Congwen xianshen zai xinanlianda” 西 (Mr. Shen Congwen at Southwest Associated University). In Wang Zengqi zixuanji (A collection of essays by Wang Zengqi). Guilin: Lijiang chubanshe, 1987.
Wang Zhenfu . Zhongguo meixueshi xinzhu (A new history of Chinese aesthetics). Beijing: Beijing daxue chubanshe, 2009.
Wang Zhenya . “Zuoqujia Jiang Wenye” (Jiang Wenye the composer). Renmin yinyue (May 1985): 4.
Wei Hongshan . Guo Moruo meixue sixiang yanjiu (A study of Guo Moruo’s aesthetic thought). Chengdu: Bashu shushe, 2005.
Wenyibao bianjibu (Editorial department of Wenyibao). Meixue wenti taolunji (A collection of discussions on the polemic of the aesthetic). Beijing: Zuojia chubanshe, 1957.
Wong Ain-ling , ed. Dianying shiren Feimu (Poet director Fei Mu). Hong Kong: Xianggang dianying pinglun xiehui, 2000.
——. Fei Mu dianying kong fuzi (Fei Mu’s Confucius). Hong Kong: Hong Kong Film Archive, 2010.
Wuming Shi . Jinse de sheye (Night of the golden serpent). Taipei: Jiuge chubanshe, 1999.
——. Kaihua zai xingyun yiwai (Blossoms beyond the clouds of stars). Taipei: Wenshizhe chubanshe, 1999.
Wu Shiyong . Shen Congwen nianpu (Biographical chronology of Shen Congwen). Tianjin: Tianjin renmin chubanshe, 2006.
Xia Xiaohong . Yuedu Liang Qichao (Reading Liang Qichao). Beijing: Sanlian shudian, 2005.
Xia Yanzhou. Zhongguo jindai yinyueshi jianbian (A compact edition of the history of modern Chinese music). Shanghai: Shanghai yinyue chubanshe, 2004.
Xia Zhifang . Lun kuailei: wenxue lilun yuanwenti yanjiu (On emotive capacity: a study of an ontological issue of literary criticism). Beijing: Renmin wenxue chubanshe, 2007.
Xia Zhongyi . Zhu Guangqian meixue shibian (Zhu Guangqian’s aesthetics: ten arguments). Beijing: Shangwu yinshuguan, 2012.
Xiao Chi . Zhongguo shuqing chuantong (Chinese lyrical tradition). Taipei: Yunchen chubanshe, 1999.
——. Xuanzhi yu shixing (Metaphysical wisdom and poetic evocation). Taipei: Lianjing chuban gongsi, 2011.
Xie Lingyun . Xie Lingyun ji jiaozhu , (Annotated works by Xie Lingyun). Ed. and annotated by Yan Shaobo. Taipei: Liren shuju, 2004.
Xie Mian . “Weile yige mengxiang” (For the sake of a dream). In Bainian zhongguo xinshi shilun: Zhongguo xinshi zongxi daoyanji (A centennial review of modern Chinese poetry: a collection of the prefaces to the compendium of modern Chinese poetry). Beijing: Beijing daxue chubanshe, 2010.
Xie Mingyang . Ming yimin de yuan qun shixue jingshen: cong Juelang Daosheng dao Fang Yizhi Qian Chengzhi ”“ (Ming loyalists’ poetics of discontent and solidarity: from Juelang Daosheng to Fang Yizhi and Qian Chengzhi). Taipei: Daan chubanshe, 2004.
Xie Zhixi . “Aiyu shuxie shi yu zhen: Shen Congwen xiandai shiqi de xingwei xulun xia” ”—— () (Expressions of love and eros, poetry and truth, a study of Shen Congwen’s modernist writing and engagement).Zhongguo xiandai wenxue yanjiu congkan (Modern Chinese literary studies) 12 (2012): 73–78.
——. Meide pianzhi: xiandai zhonguo tuifei weimei zhuyi sichao yanjiu (The extremity of beauty: a study of the modern Chinese decadent aesthetics). Shanghai: Shanghai wenyi chubanshe, 1997.
——. “Fengzhi yu Ai Qing de shi” (Poetry of Feng Zhi and Ai Qing). In Erishi shiji zhongguo wenxueshi (A history of twentieth-century Chinese literature), ed. Yan Jiayan . Beijing: Gaodeng jiaoyu chubanshe, 2010, vol. 2.
Xiong Bingming . Zhongguo shufa lilun tixi (The theoretical system of Chinese calligraphy). Taipei: Xiongshi meishu, 1997.
Xu Beihong . Xu Beihong yishu lunwen ji (Xu Beihong’s critical writings on art). Taibei: Yishujia chubanshe, 1987.
——. “Yu Wang Shaoling tanhua” (A conversation with Wang Shaoling). In Zhongguo huihua lilunshi (A history of Chinese painting criticism), ed. Chen Chuanxi ” Taipei: Dongda tushu, 1997.
——. “Zhongxi hua de fenye: zai Xinjiapo huaren meishuhui jianghua” 西: (The difference between Chinese and Western art: a talk at the Chinese art association in Singapore). In Zhongguo huihua lilunshi (A history of Chinese painting criticism), ed. Chen Chuanxi . Taipei: Dongda tushu, 1997.
——. “Zhongxue meishu jiaocai ji jiaoxue fangfa” (Pedagogical tools and methods of high school art education). Zhongguo huihua lilunshi (A history of Chinese painting criticism), ed. Chen Chuanxi. Taipei: Dongda tushu, 1997.
Xu Boyang and Jin Shan , eds. Xu Beihong nianpu 1895–1953 1895–1953 (A biographical chronology of Xu Beihong, 1895–1953). Taipei: Yishujia chubanshe, 1991.
Xu Changhui . “Youguan Jiang Wenye yanjiu de jidian kanfa” (A few comments on Jiang Wenye studies). Minzu yinyue yanjiu (Studies of ethnographic music). Hong Kong: The University of Hong Kong Press, 1992, vol. 3.
Xu Chi . “Shuqing de fangzhu” (Exiling lyricism). Literary supplement, Xingdao ribao (Xingdao daily), May 13, 1939.
Xu Fuguan . Zhongguo wenxue lunji (Essays on Chinese literature). Taipei: Xuesheng shuju, 1981.
——. Zhongguo yishu jingshen (The artistic spirit of China). Taipei: Xuesheng shuju, 1965.
Xu Jichuan , et al. Zhongguo sida mingdan (The four great female impersonators of China). Shijiazhuang: Hebei renmin chubanshe, 1990.
Xu Jilin . “Dawo de xiaojie: xianda Zhongguo geren zhuyi sichao de bianqian” : (The dissolvement of the greater self: the changes of individualism in modern Chinese thought). In Zhongguo xiandai sixiang de hexin guannian (Core concepts of modern Chinese thought), ed. Xu Jilin . Shanghai: Shanghai renmin chubanshe, 2011.
——. Qimeng ruhe qisi huisheng: xianda Zhongguo zhishifenzi de sixiang kunjing. : (How can enlightenment be resuscitated? The predicament of modern Chinese intellectuals). Beijing: Beijing daxue chubanshe, 2011.
Xu Liping , ed. Tai Jingnong shiji (Poetry of Tai Jingnong). Taipei: Hanmoxuan chuban gongsi, 2001.
——. “Tai gong dangji kao” (A study of the party membership of Mr. Tai). Pingguo ribao (Apple daily), December 2, 2012.
Xu Zhimo . “Wo ye huo” (I am puzzled too). Xiongshi meishu (Lion’s art) 78 (1977): 124–129.
Xu Zifang . Qianzai gufen: zhongguo beiyuan wenxuede shengming toushi : (Eternal loneliness and wrath: a critical inquiry into Chinese literature of sorrow and discontent). Nanjing: Jiangsu jiaoyu chubanshe, 2001.
Xue Reming . Hu Lancheng: Tiandi zhishi (Hu Lancheng: the beginning of heaven and earth). Taipei: Ruguo chubanshe, 2010.
——, ed. Tianxiashi youweiwan: Hu Lancheng zhi Tang Junyishu bashiqi feng : (It is not too late to engage the world: eighty-seven letters to Tang Junyi by Hu Lancheng). Taipei: Erya chubanse, 2011.
Yamada, Kōsaku . Yamada kōsaku chosaku zenshu (Complete works of Yamada Kōsaku), vol. 1. Tokyo: Iwanami shoten, 2001.
Yan Jiayan , ed. Ershi shiji zhongguo wenxueshi (History of modern Chinese literature of the twentieth century). Beijing: Gaodeng jiaoyu chubanshe, 2010.
Yan Kunyang . Liuchao wenxue guannian conglun (Literary thoughts of the Six Dynasties). Taipei: Cheng-chung shuju, 1993.
Yang Xiong . Xinbian fayan; wenshen (New edition of examplary sayings; inquisition of the divine), ed. and annotated by Zhu Rongzhe . Taipei: Taiwan guji chubanshe, 2000.
Yan Xuetong and Xu Jin . Wangba tianxia sixiang jiqidi (The thought of kingly hegemony and its illumination). Beijing: Shijie zhishi chubanshe, 2009.
Yang Yongde and Yang Ning . Lu Xun zuihou shiernian yu meishu (Lu Xun and the arts in his last twelve years). Beijing: Wenhua yishu chubanshe, 2007.
Yang Zhao . “Lingting shufa zhongde yiyue” (Listening to the music in calligraphy). China Times, literary supplement, October 13, 2007.
Ye Jiaying . Wang Guowei jiqi wenxue piping (Wang Guowei and his literary criticism). Hong Kong: Zhonghua shuju, 1980.
——. Wang Guowei jiqi wenxue piping (Wang Guowei and his literary criticism). Taipei: Yuanliu chubanshe, 1983.
Ye Xiushan . Gu zhongguo de ge: Ye Xiushan lun jingju (Melodies of ancient China: Ye Xiushan on Peking opera). Beijing: Zhongguo renmin daxue chubanshe, 2007.
Yin Zaiqin . He Qinfang pingzhuan (Critical biography of He Qifang). Chengdu: Sichuan renmin chubanshe, 1980.
Ying Xiong . “Xiaocheng zhichun yu dongfang dianying” (Spring in a Small Town and oriental cinema). Diangying yishu (Cinematic art) no. 1, 2 (1993): 13–20, 48–53.
Yu Ying-shih . “Zhongguo jindai geren guannian de gaibian” (The transformation of the concept of individualism in early modern China). In Zhongguo xiandai sixiang de hexin guannian (Core concepts of modern Chinese thought), ed. Xu Jilin . Shanghai: Shanghai renmin chubanshe, 2011.
Yuan Kejia . Lun xinshi xiandai hua (On the modernization of new poetry). Beijing: Sanlian shudian, 1988.
Zhang Chunxiang . Zhang Taiyan zhuti daodexing yanjiu (A study of Zhang Taiyan’s concept of moralistic subjectivity). Beijing: Zhongguo shehui kexue chubanshe, 2007.
Zhang Guihua . Hu Lancheng zhuan (A biography of Hu Lancheng). Taipei: Ziyou wenhua, 2007.
Zhang Hui . Zhongguo shishi chuantong (The tradition of poetry as history in China). Beijing: Sanlian shudian, 2012.
——. “Zhongguo shishi chuantong” (The tradition of poetry as history in China). Dushu (Reading) 9 (2012): 151–158.
Zhang Huihui . Ji Kang yinyue meixue sixiang yanjiu (A study of the musical aesthetics of Ji Kang). Taipei: Wenjin chubanshe, 1997.
Zhang Jieyu . Huangyuanshang de dingxiang: sanshi niandai qianxian shiren shige yanjiu (Lilacs on the waste land: the poetry of the avant-garde poets of 1930s China). Beijing: Renmin daxue chubanshe, 2003.
Zhang Jing . “Wuse: yige zhangxian zhongguo shuqing chuantong fazhan de lilun gainian” (Wuse: a theoretical concept that illuminates the development of Chinese lyrical tradition). Taida wenshizhe xuebao (National Taiwan University bulletin in literature, history, and philosophy) 67 (2007): 39–62.
Zhang Jingwei , ed. Zhongguo jindai yinyue shiliao: 1840–1919 1840–1919 (Historical materials on music in early modern China: 1840–1919). Beijing: Renmin yinyue chubanshe, 1998.
Zhang Qiqun . Bainian zhongguo meixue shilue (A general history of Chinese aesthetics of the past century). Beijing: Beijing University Press, 2005.
Zhang Ruifen . “Lun Hu Lancheng de Jinsheng jinshi yu Shanhe suiyue” (On Hu Lancheng’s This Life, This World and China Through Time). Wenyuan (Literary garden) 22 (1992), http://paowang.com/cgi-bin/forum/viewpost.cgi?which=qin&id=81235.
——. Hu Lancheng, Zhu Tianwen, yu Sansan: dangdai Taiwan wenxue lunji , : (Hu Lancheng, Zhu Tianwen, and Sansan: essays on contemporary Taiwan literature). Taipei: Xiuwei chubanshe, 2007.
Zhang Shaokang . Gudian wenyi meixue lungao 稿 (A theoretical draft of classical literary aesthetics). Taipei: Shuxin chubanshe, 1989.
Zhang Shiying . Zhongxi wenhua yu ziwo 西 (Selfhood and Chinese and Western civilizations). Beijing: Renmin chubanshe, 2011.
Zhang Songjian . Xiandaishi de zaichufa, zhongguo sishi niandai xiandaizhuyi shichao xintan (The resurgence of modernist poetry: a new study of Chinese modernist poetry in the 1940s). BeijingBeijing daxue chubanshe, 2009).
——. Shuqing zhuyi yu zhongguo xiandai shixue (Lyricism and modern Chinese poetics). Beijing: Bejing daxue chubanshe, 2012.
Zhang Weidong . Li Zehou yu zhongguo xiandai wenxueshi de chongxie (Li Zehou and the rewriting of modern Chinese literary history). Nanchang: Jiangxi renmin chubanshe, 2012.
Zhang Xinying . “Cong geren kunjing tiren lishi chuantong zhong de youqing, jieshi Shen Congwen tugai qijian de yifeng jiashu” (To understand the meaning of feeling in historical tradition from the personal predicament: on a family letter by Shen Congwen during land reform). In Yiqiang rouqing liubujin : (Endlessly flows the flux of feeling: essays on Shen Congwen by the faculty and students of Fudan University), ed. Zhang Xinying. Hefei: Anhui jiaoyu chubanshe, 2008.
Zhang Xuchun . Zhengzhi de shenmeihua yu shenmei de zhengzhihua: xiandaixing shiye zhong de zhong ying langman zhuyi sichao (Politicization of aesthetics and aestheticization of politics: Chinese and British romantic thought in modern perspective). Beijing: Renmin chubanshe, 2004.
Zhang Zizhong . “He Qifang nianpu” 稿 (A chronology of He Qifang’s life), Wuhan shiyuan xuepao (Bulletin of Wuhan normal college) 1 (1982): 52–65.
Zhao Siyun . He Qifang renge jiema (Deciphering the character of He Qifang). Baoding: Hebei daxue chubanshe, 2010.
Zhao Tingyang . Tianxia tixi: shijie zhidu zhexue daolun : (Under heaven: introduction to world philosophical systems). Beijing: Zhonguo renmin daxue chubanshe, 2011.
Zheng Chao . “Kangri zhanzheng zhong de Lin Fengmian” (Lin Fengmian in the middle of the Second Sino-Japanese War). In Lin Fengmian yanjiu wenji (Critical studies of Lin Fengmian). Taipei: Gelin guoji youxian gongsi, 1990. vol. 2.
Zheng Chao and Jin Shangyi , eds. Lin Fengmian lun (A study of Lin Fengmian). Hangzhou: Zhejiang meishu xueyuan chubanshe, 1990.
Zheng Peikai . “Xiqu yu dianying de jiuge: Mei Lanfang yu Fei Mu de Shengsihen” (The entangled relationship between traditional theater and movies: Mei Lanfang and Fei Mu’s Eternal Regret). In Wenyi lilun yu tongsu wenhua (Literary theory and popular culture), ed. Peng Hsiao-yen . Taipei: Institute of Chinese Literature and Philosophy, 1999, vol. 2.
Zhong Danian . “Zhongguo dianying de lishi jiqi genyuan: zailun yingxi” (The history and origin of Chinese film: on shadow theater again). Dianying yishu (Cinematic art) 2, no. 3 (1994): 9–35.
Zhou Liangpei . Feng Zhi pingzhuan (A critical biography of Feng Zhi). Chongqing: Chongqing chubanshe, 2001.
Zhou Mian. Feng Zhi zhuan (Biography of Feng Zhi). Xuzhou: Jiangsu wenyi chubanshe, 1993.
Zhou Renzheng . Wuxi renwen: Shen Congwen yu wuchu wenhua (Shamanistic humanities: Shen Congwen and the Chu culture of shamanism). Changsha: Yuelu shudian, 2005.
Zhou Wanyao . “Xiangxiang de minzufeng: shilun Jiang Wenye wenzi zuopin zhong de Taiwan yu Zhongguo” (Imaginary nationalist style: a preliminary study of Taiwan and China in Jiang Wenye’s textual works). Taiwan daxue lishi xuebao (Journal of historical studies, National Taiwan University) 6, no. 35 (2005): 137–142.
Zhou Yang. “Xinminge kaituole shige de xindaolu” (New folksong opens the new path of poetry). In Xinshige fazhan wenti (Issues on the development of new poetry). Beijing: Zuojia chubanshe, 1959, vol. 1.
Zoujin Lin Fengmian (The world of Lin Fengmian). Taipei: Gelin guoji tushu gongsi, 2000.
Zhu Guangqian . Zhu Guangqian quanji (Complete works of Zhu Guangqian). Hefei: Anhui jiaoyu chubanshe, 1987, vol. 3.
Zhu Xi . Zhuzi quanshu (Dictum of Zhu Xi), ed. Li Jingde . Beijing: Zhonghua shuju, 1989, vol. 5.
Zhu Zijia . Wangwei zhengquan de kaichang yu shouchang (The rise and fall of the Wang Jingwei regime). Hong Kong: Chunqiu chubanshe, 1960.
Zhu Ziqing . Zhu Ziqing quanji (Complete works of Zhu Ziqing). Nanjing: Jiangsu jiaoyu chubanshe, 1996, vol. 6.
Zhuo Shengge . Xu Beihong yanjiu (A study of Xu Beihong). Taipei: Taipei shili meishuguan, 1989.
Zong Baihua . Meixue yu yijing (Aesthetics and mental vista). Beijing: Renmin chubanshe, 1987.
——. Zong Baihua quanji (Complete works of Zong Baihua). Hefei: Anhui jiaoyu chubanshe, 1994, vol. 2.