Reference Works
Enciclopedia dantesca. 1970–1983. Umberto Bosco, director. Edited by Giorgio Petrocchi. 6 vols. Rome: Treccani.
Brieger, Peter, Millard Meiss, and Charles S. Singleton. 1969. Illuminated Manuscripts of the Divine Comedy. 2 vols. Bollingen Series 81. Princeton, N.J.: Princeton University Press.
Devoto, Giacomo, and Gian Carlo Oli. 1971. Dizionario della lingua italiana. Florence: Le Monnier.
Toynbee, Paget. 1968. A Dictionary of Proper Names and Other Notable Matters in the Works of Dante. Revised by Charles S. Singleton. Oxford: Clarendon Press.
Works by Dante
La Commedia secondo l’antica vulgata. 1966–1967 [reprinted 1994]. Edited by Giorgio Petrocchi. 4 vols. Milan: Mondadori [Florence: Casa Editrice Le Lettere].
The Convivio. 1908. Translated by Philip H. Wicksteed. 2nd ed. Temple Classics. London: Dent.
Convivio. 1988. Edited by Cesare Vasoli and Domenico De Robertis. In Opere minori. Tomo 1/2. Milan: Ricciardi.
The Banquet. 1989. Translated by Christopher Ryan. Saratoga, Calif.: ANMA Libri.
De vulgari eloquentia. 1979. Edited by Pier Vincenzo Mengaldo. In Opere minori. Tomo II. Milan: Ricciardi.
Epistole. 1979. Edited by Arsenio Frugoni and Giorgio Brugnoli. In Opere minori. Tomo II. Milan: Ricciardi.
Latin Works. 1929. Translated by A. G. Ferrers Howell and Philip H. Wicksteed. Temple Classics. London: Dent.
Monarchia. 1979. Edited by Bruno Nardi. In Opere minori. Tomo II. Milan: Ricciardi.
On World-Government (De Monarchia). 1957. Translated by Herbert W. Schneider. 2nd ed. Indianapolis: Bobbs Merrill.
Opere minori. Tomo II. 1979. Milan: Ricciardi.
Opere minori. Tomo 1/2. 1988. Milan: Ricciardi.
Rime. 1946. Edited by Gianfranco Contini. 2nd ed. Turin: Einaudi.
Dante’s Lyric Poetry. 1967. Edited by Kenelm Foster and Patrick Boyde. 2 vols. Oxford: Clarendon Press.
Vita nuova. 1980. Edited by Domenico De Robertis. Milan: Ricciardi.
The New Life. 1867. Translated by Charles Eliot Norton. Boston: Houghton Mifflin.
The Vita Nuova. 1969. Translated by Barbara Reynolds. Harmondsworth: Penguin.
Commentaries on the Divine Comedy
Alighieri, Pietro. 1845. Petri Allegherii super ipsius genitoris ComoediamCommentarium. Edited by Vincendo Nannucci. 3 vols. Florence: Piatti.
Bambaglioli, Graziolo de’. 1915. Il commento dantesco di Graziolo de’Bambaglioli dal Colombino di Siviglia con altri codici confrontato. Savona: Bertolotto.
Benvenuto da Imola. 1885. Benvenuti de Rambaldis de Imola Comentum super Dantis Aldigherij Comoediam. Edited by I. P. Lacaita. 5 vols. Florence: Barbèra.
Boccaccio, Giovanni. 1965. Esposizioni sopra la Comedia di Dante. Edited by Giorgio Padoan. In vol. 6 of Tutte le Opere di Giovanni Boccaccio, edited by Vittore Branca. Milan: Mondadori.
Bosco, Umberto, and Giovanni Reggio, eds. 1988. La Divina Commedia. 3 vols. Florence: Le Monnier.
Buti, Francesco da. [1858–1862] 1989. Commento di Francesco da Buti sopra la Divina Commedia di Dante Allighieri. Edited by Crescentino Giannini. 5 vols. Pisa: Nistri.
Chiavacci Leonardi, A. M. 1991. Commedia. Volume primo: Inferno. Commentary by Anna Maria Chiavacci Leonardi. Milan: Mondadori.
Commento alla Divina Commedia d’anonimo fiorentino del secolo XIV. 1866–1874. Edited by Pietro Fanfani. Bologna: Romagnoli.
Chiose anonime alla prima cantica della Divina Commedia di un contemporaneo del poeta. 1865. Edited by Francesco Selmi. Turin: Stamperia realeo.
Fallarli, Giovanni. 1993. Dante Alighieri: Tutte le opere. Commentaries by Giovanni Fallarti, N. Maggi, and S. Zennaro. Rome: Newton.
Giovanni di Serravalle. 1891. Translatio et comentum cum texto italico totius libri Dantis Aldigherii Fratris Iohannis de Serravalle. Edited by Marcellino da Civezza and Teofilo Domenichelli. Prato: Giachetti.
Gmelin, Hermann. 1954. Die göttliche Komödie: Kommentar. 3 vols. Stuttgart: Klett.
Grandgent, C. H., ed. 1933. La Divina Commedia di Dante Alighieri. Rev. ed. Boston: Heath.
Guido da Pisa. 1974. Expositiones etglose super Comedian! Dantis facte per Fratrem: Guidonem Pisanum. Edited by Vincenzo Cioffari. Albany: State University of New York Press.
Lana, Jacopo della. 1866. Comedia di Dante degli Allagherii col commento di Jacopo della Lana bolognese. Edited by Luciano Scarabelli. Bologna: Tipografia rede.
L’Ottimo. 1827–1829. L’Ottimo Commento della Divina Commedia. Edited by Alessandro Torri. Pisa: Capurro.
Mattalia, Daniele, ed. 1960. La Divina Commedia. 3 vols. Milan: Rizzoli.
Mazzoni, Francesco. 1967. Saggio di un nuovo commento alla Divina Commedia, canti I–III. Florence: Sansoni.
______, ed. 1972. La Divina Commedia. Inferno. Con i commenti di Tommaso Casini-Silvio Adrasto Barbi e di Attilio Momigliano. Introduzione e aggiornamento bibliografico-critico di Francesco Mazzoni. Florence: Sansoni.
Pézard, André, ed. 1979. Oeuvres complètes. 4th ed. Paris: La Plèiade.
Sapegno, Natalino, ed. 1957. La Divina Commedia. Milan: Ricciardi.
Scartazzini, L., and G. Vandelli, eds. 1968. La Divina Commedia. 20th ed. Milan: Hoepli.
Singleton, Charles S., trans. 1970. The Divine Comedy. 3 vols. Bollingen Series 80. Princeton, N.J.: Princeton University Press.
Lecturae Dantis
Lectura Dantis Americana: Inferno. 1989—. Philadelphia: University of Pennsylvania Press.
Lectura Dantis Californiana: Inferno. In preparation.
Lectura Dantis neapolitana: Inferno. 1986. Edited by Pompeo Giannantonio. Naples: Loffredo.
Lettura Dantis scaligera: Inferno. 1967. Florence: Le Monnier.
Lettura Dantis Virginiana: Dante’s Divine Comedy. Introduttory Readings: Inferno. 1990. Charlottesville: University of Virginia Printing Office.
Letture classensi. 1966—. Ravenna: Longo.
Letture dantesche: Inferno. 1955. Edited by Giovanni Getto. Florence: Sansoni.
Nuove letture dantesche: Inferno. 1966–1968. Florence: Le Monnier. [Sponsored by the Casa di Dante, Rome.]
Primary Texts
Alain of Lille. 1955. Antitlaudianus: Texte critique avec une introduction et des tables. Edited by R. Bossuat. Textes philosophiques du moyen-âge. Paris: Vrin.
______. 1978. “De Planctu Naturae.” Studi medievali 19:797–879.
______. 1980. The Plaint of Nature. Translated, with commentary, by James J. Sheridan. Toronto: Pontifical Institute of Medieval Studies.
Albertus Magnus. 1890–1899. Opera omnia. Edited by Auguste Borgnet. 38 vols. Paris: Vivès.
Augustine of Hippo. 1948. S. Aurelii Augustini Confessionum libri XIII. Edited by Iosephus Capello. Turin: Marietti.
______. 1960. Confessions. Translated by John K. Ryan. Garden City, N.Y.: Doubleday, Image Books.
_____. 1963. The City of God. Abridged and translated by J. W. C. Wand. Oxford: Oxford University Press.
______. 1981. De civitate Dei libri XXII. Edited by Bernard Dombart and Alfons Kalb. 5th ed. 2 vols. Stuttgart: Teubner.
Bastin, Julia. 1929–1982. Recueil général des Isopets. 3 vols. Paris: Champion.
Bertran de Born. 1986. The Poems of the Troubadour Bertran de Born. Edited by William D. Paden, Jr., Patricia H. Stäblein, and Tilde Sankovich. Berkeley: University of California Press.
Biblia Sacra iuxta Vulgatam clementinam. 1965. Edited by Alberto Colunga and Lorenza Turrado. 4th ed. Madrid: Biblioteca de los autores cristianos.
Boccaccio, Giovanni. 1974. Trattatello in laude di Dante. Edited by Pier Giorgio Ricci. In vol. 3 of Tutte le opere di Giovanni Boccaccio, edited by Vittore Branca, 423–538, 848–911. Milan: Mondadori.
_____. 1976. Decameron. Edited by Vittore Branca. In voi. 4 of Tutte le opere di Giovanni Boccaccio, edited by Vittore Branca. Milan: Mondadori.
Boethius. 1957. Anicii Manlii Severini Boethii Philosophiae Consolatio. Edited by Ludwig Bieler. Turnholt: Brepols.
Bonaventura of Bagnoregio. 1953. The Mind’s Road to God. Translated by George S. Boas. New York: Liberal Arts Press.
Bruni, Leonardo. 1904. “La vita di Dante.” In Le vite di Dante, Petrarca, e Boccaccio scritte fino al secolo decimosesto, edited by Angelo Solerti. Milan: Vallardi.
Compagni, Dino. 1993. Cronica delle cose occorrenti ne’ tempi suoi. Edited by Gabriella Mezzanotte. Milan: Mondadori.
Contini, Gianfranco, ed. 1960. Poeti del duecento. 2 vols. Milan: Ricciardi.
Durand, Guillaume. 1859. Rationale divinorum officiorum. Naples: Dura.
Elliott, J. K. 1993. The Apocryphal New Testament: A Collection of Apocryphal Christian Literature in an English Translation. Oxford: Clarendon Press.
Guillaume de Lorris and Jean de Meun. 1970. Le Roman de la rose. Edited by Félix Lecoy. 3 vols. Paris: Champion.
Hill, R. T., and Thomas G. Bergin. 1973. Anthology of the Provençal Troubadours. Revised by Thomas G. Bergin. 2nd ed. 2 vols. New Haven, Conn.: Yale University Press.
The Holy Bible, translated from the Latin Vulgate [Douay version]. 1989. Rockford, 111.: Tan.
John of Salisbury. 1909. Policraticus. Edited by C. C. J. Webb. 2 vols. Oxford: Clarendon Press.
Johnson, Charles. 1956. The De moneta of Nicholas Oresme and the English Mint Documents. London: Nelson.
Justinian. 1877. Corpus iuris civilis. Vol. 1, Institutiones et Digestum. Edited by Paul Krueger and Theodor Mommsen. Berlin: Weidmann.
_____. 1987. Institutes. Translated, with an introduction, by Peter Birks and Grant McLeod. Ithaca, N.Y.: Cornell University Press.
Kim, H. C. 1973. The Gospel of Nicodemus: Gesta Salvatoris. Edited from the Codex Einsiedlensis, Einsiedlen Stiftsbibliothek, MS 326. Toronto: Pontifical Institute of Medieval Studies.
Latini, Brunetto. 1948. Li livres dou Tresor. Edited by Francis J. Carmody. University of California Studies in Modern Philology, vol. 22. Berkeley: University of California Press.
______. 1960. Il tesoretto. In vol. 2 of Poeti del duecento, edited by Gianfranco Contini. Milan: Ricciardi.
Livy. [1914] 1964. Titi Livi Ab urbe condita. Edited by Robert Seymour Conway and Charles Flamstead Walten. Vol. 1, bks. 1–5. Oxford: Clarendon Press.
Lucan. 1926. M. Annaei Lucani Belli civilis libri X. Edited by A. E. Housman. Cambridge, Mass.: Harvard University Press.
Macrobius. 1970. Commentarii in Somnium Scipionis. Edited by I. Willis. Vol. 2 of Opera. Leipzig: Teubner.
Marie de France. [1884] 1974. Die Fabeln. Edited by Karl Warnke. Geneva: Slatkine.
Martianus Capella. 1983. Martianus Capella. Edited by James Willis. Leipzig: Teubner.
McKenzie, Kenneth, and William A. Oldfather. 1921. Ysopet, Avionnet: The Latin and French Texts. Urbana: University of Illinois Press.
Micha, Alexandre, ed. 1978–1983. Lancelot: Roman en prose du XIIIe siècle. 9 vols. Textes littéraires français. Geneva: Droz.
Ovid. [1961] 1992. P. Ovidi Nasonis Amores, Medicamina faciei femineae, Ars amatoria, Remedia amoris. Edited by E. J. Kenney. Oxford: Clarendon Press.
_____. 1991. Metamorphoses. Edited by William S. Anderson. Stuttgart: Teubner.
Paton, Lucy Allen, trans. 1929. Sir Lancelot of the Lake: A French Prose Romance of the Thirteenth Century. Translated from MS. in the Bibliothèque Nationale (Fondsfrançais, 344). New York: Harcourt, Brace.
Paulus Orosius. 1964. The Seven Books Against the Pagans. Translated by Roy J. Deferrari. Washington, D.C.: Catholic University of America Press.
Plato. 1937. Plato’s Cosmology: The “Timaeus” of Plato. Translated, with a running commentary, by F. M. Cornford. London: Routledge & Kegan Paul.
_____. 1961. The Collected Dialogues, Including the Letters. Edited by Edith Hamilton and Huntington Cairns. Bollingen Series 71. Princeton, N.J.: Princeton University Press.
Pseudo-Dionysius. 1987. Pseudo-Dionysius: The Complete Works. Translated by Colm Luibheid. Foreword, notes, and translation collaboration by Paul Rorem. New York: Paulist Press.
La Queste del saint Graal. Roman du XIIIe siècle. 1949. Edited by Albert Pauphilet. Les Classiques français du moyen-âge. Paris: Champion.
Sacrobosco, Giovanni. 1949. The Sphere of Sacrobosco and Its Commentators. Edited by Lynn Thorndike. Chicago: University of Chicago Press.
Seneca. 1965. L. Annaei Senecae Ad Lucilium epistulae morales. Edited by L. D. Reynolds. 2 vols. Oxford: Clarendon Press.
_____. [1986] 1991. L. Annaei Senecae Tragoediae. Incertorum auctorum Hercules [Oetaeus], Octavia. Edited by Otto Zwierlein. Oxford: Clarendon Press.
Servius. 1887–1923. Servii grammatici qui feruntur in Vergilii carmina commentarli. Edited by G. Thilo and H. Hagen. 3 vols. Leipzig: Teubner.
The Song of Roland. 1978. Translated by Frederick Goldin. New York: Norton.
Statius. [1906] 1965. P. Rapini Stati Thebais et Achilleis. Edited by H. W. Garrod. Oxford: Clarendon Press.
Thomas Aquinas. 1872–1884. Opera omnia. Edited by S. E. Frette. 34 vols. Paris: Vivès.
_____. 1980. Opera omnia. Edited by Roberto Busa, S.J. 7 vols. Stuttgart: Frommann, Holzboog.
Vergil. [1900] 1955. P. Vergili Maronis Opera. Edited by F. A. Hirtzel. Oxford: Clarendon Press.
Villani, Giovanni. 1906. Chronicle. Translated by Rose E. Selfe. London: Constable.
____. 1990. Nuova Cronica. Vol. 1. Edited by Giuseppe Porta. Parma: Guanda.
William of Newburgh. [1856] 1964. Historia rerum anglicarum. Edited by Hans Claude Hamilton.Vaduz: Kraus Reprint.
Modern Works
Abrams, Richard. 1986. “Against the Contrapasso: Dante’s Heretics, Schismatics, and Others.” Italian Quarterly 27:5–19.
Ahern, John. 1982. “Dante’s Slyness: The Unnamed Sin of the Eighth Bolgia.” Romanic Review 73:275–91.
_____. 1990. ’“Nudi grammantes’: The Grammar and Rhetoric of Deviation in Inferno XV.” Romanic Review 82:466–82.
Alessio, Gian Carlo, and Claudia Villa. 1984. “Per Inferno I, 67–87.” In Vestigia: Studi in onore di Giuseppe Billanovich, edited by Rino Avesani, Mirella Ferrari, Tino Foffano, Giuseppe Frasso, and Agostino Sottili, 1:1–21. Rome: Edizioni di storia e letteratura.
Al-Sabah, Rasha. 1977. “Inferno XXVIII: The Figure of Muhammad.” Yale Italian Studies 1:147–61.
Armour, Peter. 1983. “Brunetto: The Paternal Paterine?” Italian Studies 38:1–38.
____. 1991. “The Love of Two Florentines: Brunetto Latini and Bondie Dietaiuti.” Ledum Dantis 9:60–71.
Ascoli, Albert R. 1987. Ariosto’s Bitter Harmony: Crisis and Evasion in the Italian Renaissance. Princeton, NJ: Princeton University Press.
Ascoli, Albert R. 1989. “The Vowels of Authority (Dante’s Convivio IV.vi.3–4).” In Discourses of Authority in Medieval and Renaissance Literature, edited by Kevin Brownlee and Walter Stephens, 23–46, 255–62. Hanover, N.H.: University Press of New England.
_____. 1990. “’Neminem ante nos’: Historicity and Authority in the De vulgari eloquentia.” Annali d’italianistica 8:186–231.
Auerbach, Erich. 1953. Mimesis: The Representation of Reality in Western Literature. Translated by Willard Trask. Princeton, N.J.: Princeton University Press.
Avalle, D’Arco Silvio. 1975a. Analyse du récit de Paolo et Francesca (Dante Alighieri, “Enfer, ” V). Schriften und Vortrage des Petrarca-Instituts Köln, vol. 27. Krefeld: Scherpe Verlag.
_____. 1975b. Modelli semiologici nella Commedia di Dante. Milan: Bompiani.
_____. 1977. “’Nel terzo girone del settimo cerchio.’” In Ai luoghi di delizia pieni, 82–106. Milan: Ricciardi.
Bacchelli, Riccardo. 1954. “Da Dite a Malebolge: La tragedia delle porte chiuse e la farsa dei ponti rotti.” Giornale storico della letteratura italiana 131:1–32.
Baker, David J. 1974. “The Winter Simile in Inferno 24.” Dante Studies 92:77–90.
Bararńky, Zygmunt G. 1989. “Dante’s Biblical Linguistics.” Lectura Dantis 5:105–431.
Bárberi-Squarotti, Giorgio. 1971. “L’orazione del conte Ugolino.” Lettere italiane 23:3–28.
Barchiesi, Marino. 1973. “Catarsi classica e ‘medicina’ dantesca.” In Letture classensi, 4:11–124.
Barkan, Leonard. 1975. Nature’s Work of Art: The Human Body as Image of the World. New Haven, Conn.: Yale University Press.
_____. 1988. The Gods Made Flesh: The Renaissance. New Haven, Conn.: Yale University Press.
Barolini, Teodolinda. 1984. Dante’s Poets: Textuality and Truth in the “Comedy.” Princeton, N.J.: Princeton University Press.
_____. 1990. “Inferno XX.” In Lectura Dantis Virginiana, 262–74.
_____. 1992. The Undivine Comedy: Detheologizing Dante. Princeton, N.J.: Princeton University Press.
Bates, Richard, and Thomas Rendall. 1989. “Dante’s Ulysses and the Epistle of James.” Dante Studies 107:33–44.
Beltrami, Pietro G. 1985. “Metrica e sintassi nel canto XXVIII dell’Inferno.” Giornale storico della letteratura italiana 162:1–26.
Bernocchi, M. 1974–1976. Le monete della repubblica fiorentina. 4 vols. Florence: Olschki.
Biagioni, Luigi. 1957. “Frate Alberigo dei Manfredi aus Faenza in der Romagna.” Deutsches Dante Jahrbuch 34–35:102–35.
Boitani, Piero. 1992. L’ombra di Ulisse: Figure di un mito. Bologna: Il Mulino.
Bosco, Umberto. 1967. Dante vicino: Contributi e letture. Rome: Sciascia.
Boyde, Patrick. 1971. Dante’s Style in His Lyric Poetry. Cambridge: Cambridge University Press.
_____. 1981. Dante Philomythes and Philosopher: Man in the Cosmos. Cambridge: Cambridge University Press.
Boyers, Hayden. 1926. “Cleavage in Bertran de Born and Dante.” Modern Philology 24:1–3.
Brown, Norman O. 1959. Life Against Death. Middletown, Conn.: Wesleyan University Press.
Brownlee, Kevin. 1984. “Phaëthon’s Fall and Dante’s Ascent.” Dante Studies 102:135–44.
Caccia, Ettore. 1967. “Canto XX.” In Lectura Dantis Scaligera: Inferno, 673–720.
Cambon, Glauco. 1963. “Examples of Movement in the Divine Comedy: An Experiment in Reading.” Italica 40:108–31.
Camille, Michael. 1989. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge: Cambridge University Press.
Camporesi, Piero. 1985. La casa dell’eternità. 2nd ed. Milan: Garzanti.
Capitani, Ovidio. 1980. “Riferimento storico e pubblicistica nel commento di Bruno Nardi alla Monarchia dantesca.” In Letture classensi, 9–10:217–45.
Carroll, John S. [1904] 1971. Exiles of Eternity: An Exposition of Dante’s Inferno. Port Washington, N.Y.: Kennikat.
Carruthers, Mary. 1990. The Book of Memory: A Study of Memory in Medieval Culture. Cambridge: Cambridge University Press.
Cassell, Anthony K. 1984. Dante’s Fearful Art of Justice. Toronto: University of Toronto Press.
______. 1989. Lectura Dantis Americana: Inferno I. Philadelphia: University of Pennsylvania Press.
Clausen, Wendell. 1987. Vergil’s “Aeneid” and the Traditions of Hellenistic Poetry. Berkeley: University of California Press.
Contini, Gianfranco. 1953. “Sull XXX dell’Inferno.” Paragone 54:3–13. [Reprinted in Contini 1976, 159–70.]
______. 1965. “Filologia ed esegesi dantesca.” Rendiconti dell ’Accademia nazionale dei Lincei 362. 7.1:18–37. [Reprinted in Contini 1976, 113–42.]
_____. 1970. Varianti e altra linguistica: Una raccolta di saggi. Turin: Einaudi.
_____. 1976. Un’idea di Dante: Saggi danteschi. Turin: Einaudi.
Corti, Maria. 1989. “On the Metaphors of Sailing, Flight, and Tongues of Fire in the Episode of Ulysses (Inferno 26).” Stanford Italian Review 9:3348.
Courcelle, Pierre. 1944. “Quelques symboles funéraires du néoplatonisme latin: Le vol de Dédale—Ulysse et les Sirènes.” Revue des études anciennes 46:65–93.
_____. 1955a. “Interprétations néo-platonisantes du livre VI de l’Enéide.” In Entretiens sur l’Antiquité classique: Recherches sur la tradition platonicienne, 3:95–136.
____. 1955b. “Les pères de l’église devant les enfers virgiliens.” Annales d’histoire doctrinale et littéraire du moyen-âge 30:5–74.
____. 1965. “Tradition platonicienne et traditions chrétiennes du corps-prison (Phédon 62 b; Cratyle 400 c).” Revue des études latines 43:407–43.
____. 1967. La Consolation de Philosophie dans la tradition littéraire: Antécédents et postérité de Boèce. Paris: Etudes Augustiniennes.
Croce, Benedetto. 1921. La poesia di Dante. Bari: Laterza.
Curtius, Ernst Robert. 1953. European Literature and the Latin Middle Ages. Translated by Willard Trask. Bollingen Series 36. New York: Pantheon Books.
Damon, Phillip W. 1967a. “Dante’s Ulysses and the Mythic Tradition.” In Medieval Secular Literature: Four Essays, edited by W. Matthews, 25–45. Berkeley: University of California Press.
____. 1967b. “Geryon, Cacciaguida, and the Y of Pythagoras.” Dante Studies 85:15–33.
Daniélou, Jean. 1964. Primitive Christian Symbols. Translated by Donald Attwater. Baltimore: Helicon.
Davis, Charles T. 1957. Dante and the Idea of Rome. Oxford: Clarendon Press.
____. 1967. “Brunetto Latini and Dante.” Studi medievali 8:421–50.
_____. 1976. “Veltro.” In Enciclopedia dantesca, 5:908–12.
_____. 1984. Dante’s Italy and Other Essays. The Middle Ages. Philadelphia: University of Pennsylvania Press.
De Robertis, Domenico. 1981. “In viaggio coi demöni.” Studi danteschi 53:1–29.
De Sanctis, Francesco. 1869. “Ugolino.” In Nuovi saggi critici, 665–83. Naples: Morano.
______. 1957. De Sanctis on Dante: Essays. Translated and edited by Joseph Rossi and Alfred Galpin. Madison: University of Wisconsin Press.
Derby Chapin, D. L. 1971. “To and the Negative Apotheosis of Vanni Fucci.” Dante Studies 89:19–31.
Doob, Penelope Reed. 1990. The Idea of the Labyrinth from Classical Antiquity Through the Middle Ages. Ithaca, N.Y.: Cornell University Press.
D’Ovidio, Francesco. 1901. Studi sulla Divina Commedia. Milan: Sandron.
Dronke, Peter. 1986. Dante and Medieval Latin Traditions. Cambridge: Cambridge University Press.
Durling, Robert M. 1975. “To son venuto’: Seneca, Plato, and the Microcosm.” Dante Studies 93:95–129.
_____. 1981a. “Deceit and Digestion in the Belly of Hell.” In Allegory and Representation: Selected Papers from the English Institute, 1979–80, edited by Stephen J. Greenblatt, 61–93. Baltimore: Johns Hopkins University Press.
_____. 1981b. “Farinata and the Body of Christ.” Stanford Italian Review 2:1–34.
Durling, Robert M., and Ronald L. Martinez. 1990. Time and the Crystal: Studies in Dante’s “Rime petrose.” Berkeley: University of California Press.
Eco, Umberto. 1980. Il nome della rosa. Milan: Bompiani.
_____. 1983. The Name of the Rose. Translated by William Weaver. San Diego: Harcourt Brace Jovanovich.
Economou, George D. 1976. “The Pastoral Simile of Inferno XXIV and the Unquiet Heart of the Christian Pilgrim.” Speculum 51:637–46.
Erickson, Carolly. 1976. The Medieval Vision: Essays in History and Perception. New York: Oxford University Press.
Fallani, Giovanni. 1976. Dante e la cultura figurativa medievale. 2nd ed. Bergamo: Minerva Italica.
Favati, Guido. 1965. “II ‘jeu de Dante’ (Interpretazione del canto xxi dell’Inferno.” Cultura neolatina 25:34–52.
Fengler, Christie K., and William A. Stephany. 1981. “The Capuan Gate and Pier della Vigna.” Dante Studies 99:221–42.
Ferrante, Joan. 1986. “Good Thieves and Bad Thieves: A Reading of Inferno XXIV.” Dante Studies 104:83–98.
Ferrucci, Franco. 1971. “Comedía.” Yearbook of Italian Studies 1:29–52.
Fido, Franco. 1986. “Writing Like God—or Better?: Symmetries in Dante’s 26th and 27th Cantos.” Italica 63:250–64.
Foster, Kenelm. 1957. God’s Tree: Essays on Dante and Other Matters. Oxford: Blackfriars.
_____. 1970. “Cristo.” In Enciclopedia Dantesca, 2:262–69.
_____. 1980. The Two Dantes and Other Studies. Berkeley: University of California Press.
Freccero, John. 1959. “Dante’s Firm Foot and the Journey Without a Guide.” Harvard Theological Review 52:245–81.
_____. 1960. “Dante and the Neutral Angels.” Romanic Review 51:3–14.
_____. 1961a. “Dante’s Pilgrim in a Gyre.” PMLA 76:169–71.
_____. 1961b. “Satan’s Fall and the Quaestio de Aqua et Terra.” Italica 38:99–115.
_____. 1962. “Dante’s ‘per sé’ Angels.” Studi danteschi 39:3–38.
_____. 1965a. “Infernal Inversion and Christian Conversion (Inferno XXXIV).” Italica 42:35–41.
_____. 1965b. “The Sign of Satan.” Modern Language Notes 80:11–26.
_____. 1966a. “Dante’s Prologue Scene.” Dante Studies 86:1–25.
_____. 1966b. “The River of Death: Inferno II, 108.” In The World of Dante: Six Studies in Language and Thought, edited by S. Bernard Chandler and J. A. Molinaro, 25–42. Toronto: University of Toronto Press.
_____. 1972. “Medusa: The Letter and the Spirit.” Yearbook of Italian Studies 2:7–10.
_____. 1977. “Bestial Sign and Bread of Angels (Inferno 32–33).” Yale Italian Studies 1:53–66.
____. 1983. “The Significance of Terza Rima.” In Dante, Petrarch, Boccaccio: Studies in the Italian Trecento in Honor of Charles S. Singleton, edited by Aldo S. Bernardo and Anthony L. Pellegrini, 3–17. Binghamton, N.Y.: Medieval and Renaissance Texts and Studies.
____. 1984. “Infernal Irony: The Gates of Hell.” Modern Language Notes 99:769–86.
_____. 1986. Dante: The Poetics of Conversion. Edited by Rachel Jacoff. Cambridge, Mass.: Harvard University Press.
_____. 1988. “Ironia e mimesi: Il disdegno di Guido.” In Dante e la Bibbia: Atti del Convegno Intemazionale promosso da ’Bibbia.’ Firenze, 26–27–28 settembre 1986, edited by Giovanni Barblan, 41–54. Florence: Olschki.
_____. 1991. “The Eternal Image of the Father.” In The Poetry of Allusion: Virgil and Ovid in Dante’s “Comedy,” edited by Rachel JacofF and Jeffrey Schnapp, 62–76. Stanford: Stanford University Press.
French, Reginald. 1964. “Simony and Pentecost.” Annual Report of the Dante Society of America 82:67–94.
Friedman, John B. 1972. “Antichrist and the Iconography of Dante’s Geryon.” Journal of the Warburg and Courtault Institutes 35:108–22.
Fubini, Mario. 1966. Il peccato di Ulisse e altri scritti danteschi. Milan: Ricciardi.
_____. 1976. “Ulisse.” In Enciclopedia Dantesca, 5:803–9.
Gardiner, Eileen. 1989. Visions of Heaven and Hell Before Dante. New York: Italica.
Gilbert, Allan H. 1945. “Can Dante’s Inferno Be Exactly Charted?” PMLA 60:287–306.
Gregory, Tullio. 1992. Mundana sapientia: Forme di conoscenza nella cultura medievale. Rome: Edizioni di storia e letteratura.
Guerri, Domenico. 1904. ’“Papé Satàn, Papé Satàn aleppe’ (Inferno VII, 1).” Giornale dantesco 12:138–42.
____. 1909. “Il nome di Dio nella lingua di Adamo secondo il XXVI del Paradiso e il verso di Nembrotto nel XXXI dell’ Inferno.” Giornale storico della letteratura italiana 54:65–76.
Guzzardo, John. 1987. Dante: Numerological Studies. New York: Peter Lang.
Hardt, Manfred. 1973. Die Zahl in der Divina Commedia. Frankfurt am Main: Athenäum Verlag.
Hatcher, Anna Granville, and Mark Musa. 1964. “Lucifer’s Legs.” PMLA 79:191–99.
_____. 1970. “Aristotle’s ‘matta bestialità’ in Dante’s Inferno.” Italica 47:366–72.
Hawkins, Peter S. 1980. “Virtue and Virtuosity: Poetic Self-Reference in the Commedia.” Dante Studies 98:1–18.
Heilbronn, Denise. 1983. “Master Adam and the Fat-Bellied Lute (Inf. XXX).” Dante Studies 101:51–65.
Herzman, Ronald B., and William B. Stephany. 1978. ’“O miseri seguaci’: Sacramental Inversion in Inferno XIX.” Dante Studies 96:39–65.
Higgins, David. 1973. “Cicero, Aquinas and St. Matthew in Inferno XIII.” Dante Studies 93:61–94.
Hollander, Robert. 1969. Allegory in Dante’s “Commedia.” Princeton, N.J.: Princeton University Press.
____. 1973–1975. “The Invocations of the ‘Commedia.’” Yearbook of Italian Studies 2:235–40.
____. 1980. Studies in Dante. Ravenna: Longo.
____. 1982. “Dante’s ‘Book of the Dead’: A Note on Inferno XXIX 57.” Studi danteschi 54:31–51.
____. 1983. Il Virgilio dantesco: Tragedia nella Commedia. Florence: Olschki.
____. 1984a. “Dante’s Georgic (Inf. XXIV, 1–21).” Dante Studies 102:111–21.
____. 1984b. “Inferno XXXIII, 37–74: Ugolino’s Importunity.” Speculum 59:549–55.
____. 1984c. “Virgil and Dante as Mind-Readers (Infemo XXI and XXIII).” Medioevo romanzo 8:85–100.
____. 1985. “Ugolino’s Supposed Cannibalism.” Quaderni d’italianistica 6:64–81.
Holmes, George. 1986. Florence, Rome, and the Origins of the Renaissance. Oxford: Clarendon Press.
Hughes, Robert. 1968. Heaven and Hell in Western Art. New York: Stein and Day.
Jackson, Margret. 1971. ’“Forse tu non pensavi ch’io loïco fossi’: Traces of Formal Logic in the Divina Commedia.” Romance Philology 24:563–71.
Jacoff, Rachel. 1988. “Transgression and Transcendence: Figures of Female Desire in Dante’s Commedia.” Romanic Review 79:129–42.
____, ed. 1993. The Cambridge Companion to Dante. Cambridge: Cambridge University Press.
Jacoff, Rachel, and Jeffrey Schnapp, eds. 1991. The Poetry of Allusion: Virgil and Ovid in Dante’s “Comedy.” Stanford: Stanford University Press.
Jacoff, Rachel, and William A. Stephany. 1989. Lectura Dantis Americana: Inferno II. Philadelphia: University of Pennsylvania Press.
Jacomuzzi, Angelo. 1972. II palinsesto delta rettorica e altri studi danteschi. Florence: Olschki.
Kantorowicz, Ernst H. 1957. The King’s Two Bodies: A Study in Mediaeval Political Theology. Princeton, N.J.: Princeton University Press.
Kaulbach, Ernest N., S.S. 1968. “Inferno XIX, 45: The ‘Zanca’ of Temporal Power.” Dante Studies 86:126–35.
Kay, Richard. 1978a. “Dante’s Double Damnation of Manto.” Res Publica Litterarum 1:113–28.
____. 1978b. Dante’s Swift and Strong: Essays in “Inferno” XV. Lawrence: Regents Press of Kansas.
____. 1980. “Two Pairs of Tricks: Ulysses and Guido in Dante’s Inferno XXVI-XXVII.” Quaderni d’italianistica 1:107–24.
____. 1985. “The Spare Ribs of Dante’s Michael Scot.” Dante Studies 103:114.
____. 1988. “Astrology and Astronomy.” In The “Divine Comedy” and the Encyclopedia of Arts and Sciences, edited by Giuseppe Di Scipio and Aldo Scaglione, 147–62. Philadelphia: Benjamin Johns.
Kirkham, Victoria. 1992. “Eleven Is for Evil: Measured Trespass in Dante’s Commedia.” Allegorical 27–50.
Kirkpatrick, Robin. 1987. Dante’s “Inferno”: Difficulty and Dead Poetry. Cambridge: Cambridge University Press.
Klein, Robert. 1981. Form and Meaning: Essays on the Renaissance and Modern Art. Translated by Madeline Jay and Leon Wieseltier. Princeton, N.J.: Princeton University Press.
Kleiner, John. 1989. “Mismapping the Underworld.” Dante Studies 107:131.
Kleinhenz, Christopher. 1973–1974. “Dante’s Towering Giants.” Romance Philology 27:269–85.
____. 1982. “Iconographic Parody in Inferno 21.” Res Publica Litterarum 5:125–37.
____. 1988. “Inferno 8: The Passage Across the Styx.” In Lectura Dantis, 3:23–40.
Knox, Bernard M. W. 1950. “The Serpent and the Flame: The Imagery of the Second Book of the Aeneid.” American Journal of Philology 71:379–400.
Lansing, Richard H. 1974. “Submerged Meaning in Dante’s Similes (Inferno XXVII).” Dante Studies 94:61–69.
____. 1981. “Dante’s Concept of Violence and the Chain of Being.” Dante Studies 99:67–87.
Larner, John. 1980. Italy in the Age of Dante and Petrarch, 1216–1380. Vol. 2 of Longman History of Italy. London: Longman.
Le Goff, Jacques. 1986. Your Money or Your Life. Translated by Patricia Ranum. New York: Zone Books.
Lemay, Richard. 1963. “Le Nemrod de l’Enfer de Dante et le Liber Nemroth.” Studi danteschi 40:57–128.
Leo, Ulrich. 1951. “The Unfinished Convivio and Dante’s Rereading of the Aeneid.” Mediaeval Studies 13:41–64.
____. 1962. “Zum ‘rifacimento’ der ‘Vita nuova.’” Romanische Forschungen 74:281–317.
Livi, Giovanni. 1918. Dante, suoi primi cultori, sua gente e Bologna. Bologna: Licinio Cappelli.
Looney, Dennis. 1990. “Inferno VII.” In Lectura Dantis Virginiana, 82–92.
Lotman, Jurij. 1980. “Il viaggio di Ulisse nella Divina Commedia di Dante.” In Testo e contesto: Semiotica dell’arte e della cultura, edited by Simonetta Salvestroni, 81–102. Bari: Laterza.
Lovejoy, Arthur O. 1936. The Great Chain of Being: A Study of the History of an Idea. The William James Lectures on Philosophy and Psychology, 2nd ser. Cambridge, Mass.: Harvard University Press.
Lucchesi, Valerio. 1987. “Epicurus and Democritus: The Ciceronian Foundations of Dante’s Judgement.” Italian Studies 42:1–19.
MacKinnon, Patricia L. [1988] 1989. The Analogy of the Body Politic in Saint Augustine, Dante, Petrarch, and Ariosto. [Ph.D. diss., University of California at Santa Cruz]. Ann Arbor: University Microfilms.
Martinez, Ronald L. 1995. “Troubadours and Italy.” In Handbook of Troubadours, edited by F. R. P. Akehurst and Judith H. Davis, 279–94. Berkeley: University of California Press.
Masciandaro, Franco. 1970. La problematica del tempo nella “Commedia.” Ravenna: Longo.
____. 1979. “Appunti sulla corda di Gerione e la cintura-serpente della dialettica.” Revue des études italiennes 25:259–72.
Mazzoni, Francesco. 1953. Review of Il canto XI dell’Inferno, by Bruno Nardi. Studi danteschi 31:209–14.
____. 1986. “Il canto XI dell’Inferno.” In Lectura Dantis neapolitana: Inferno, 171–200.
Mazzotta, Giuseppe. 1979. Dante, Poet of the Desert: History and Allegory in the “Divine Comedy.” Princeton, N.J.: Princeton University Press.
____. 1993. Dante’s Vision and the Circle of Knowledge. Princeton, N.J.: Princeton University Press.
McGinn, Bernard. 1972. The Golden Chain: A Study in the Theological Anthropology of Isaac of Stella. Washington, D.C.: Cistercian Publications.
Mercuri, Roberto. 1984. Semantica di Gerione: Il motivo del viaggio nella “Commedia” di Dante. Rome: Bulzoni.
Miller, Clarence H. 1984. “Hercules and His Labors as Allegories of Christ and His Victory over Sin in Dante’s Inferno.” Quaderni d’italianistica 5:1–17.
Mitchell, Charles. 1951. “The Lateran Frescoes of Boniface VIII.” Journal of the Warburg and Courtauld Institutes 14:1–6.
Moore, Edward. [1887] 1963. Studies in Dante. 4 vols. Oxford: Clarendon Press.
Morgan, Alison. 1990. Dante and the Medieval Other World. Vol. 8 of Cambridge Studies in Medieval Literature. Cambridge: Cambridge University Press.
Morpurgo, Giacomo. 1926. Dalle sue lettere e dai suoi libretti di guerra: Dai primi studi. Florence: Le Monnier.
Musa, Mark. 1964. “Aesthetic Structure in the Inferno, Canto XIX.” In Essays on Dante, edited by Mark Musa, 145–71. Bloomington: Indiana University Press.
____. 1974. Advent at the Gates: Dante’s “Comedy.” Bloomington: Indiana University Press.
Musseter, Sally. 1978. “Inferno xxx: Dante’s Counterfeit Adam.” Traditio 34:427–35.
Najemy, John. 1982. Corporatism and Consensus in Florentine Electoral Politics. Chapel Hill: University of North Carolina Press.
Nardi, Bruno. 1944. Nel mondo di Dante. Rome: Istituto Grafico Tiberino.
____. 1949. Dante e la cultura medievale: Nuovi saggi di filosofia dantesca. 2nd ed. Bari: Laterza.
___. 1955. “Il canto XI dell’Inferno.” In Letture dantesche: Inferno, 191–207.
____. 1966. Saggi e note di critica dantesca. Milan: Ricciardi.
___. 1967. Saggi di filosofia dantesca. 2nd ed. Florence: La Nuova Italia.
Nassar, Eugene P. 1993. “The Iconography of Hell: From the Baptistery Mosaic to the Michelangelo Fresco.” Dante Studies 111:53–105.
Noakes, Susan. 1968. “Dino Compagni and the Vow in San Giovanni: Inferno XIX, 16–21.” Dante Studies 86:41–63.
____. 1988. Timely Reading: Between Exegesis and Interpretation. Ithaca, N.Y.: Cornell University Press.
Noonan, John T. 1957. The Scholastic Analysis of Usury. Cambridge, Mass.: Harvard University Press.
Olschki, Leonardo. 1940. “Dante and Petrus de Vinea.” Romanic Review 31:105–11.
Orioli, Ranieri. 1988. Venit perfidus heresiarcha: Il movimento apostolico-dolciniano del 1260 al 1307. Rome: Istituto storico per il Medioevo.
Owen, D. D. R. 1970. The Vision of Hell: Infernal Journeys in Medieval French Literature. Edinburgh: Scottish Academic Press.
Padoan, Giorgio. 1959a. “I canto degli Epicurei.” Convivium 27:12–39.
_____. 1959b. “Il mito di Teseo e il cristianesimo di Stazio.” Lettere italiane 11:432–57.
____. 1960. “Ulisse ‘fandi fictor’ e le vie della Sapienza.” Studi danteschi 37:21–61.
____. 1961. “‘Colui che fece per viltà il gran rifiuto.’” Studi danteschi 38:75–128.
____. 1970. “Il Limbo dantesco.” In Letture classensi, 3:187–217.
____. 1977. Il pio Enea, l’empio Ulisse. Ravenna: Longo.
____. 1993. U lungo cammino del “Poema sacro.” Studi danteschi. Florence: Olschki.
Pagliaro, Antonino. [1953] 1967. Ulisse: Ricerche semantiche sulla Divina Commedia. Messina: D’Anna.
Palgen, Rudolf. 1969. Dantes Luzifer. Munich: Max Huebner Verlag.
Panofsky, Erwin. 1957. Gothic Architecture and Scholasticism. New York: Meridian Books.
Paratore, E. 1968. Tradizione e struttura in Dante. Florence: Sansoni.
Parodi, E. G. 1908. “La critica della poesia classica del xx. canto dell’Inferno.’” Atene e Roma 11:193–95, 237–50.
___. 1911. Review of Una pagina dantesca: Notizie inedite sii conte frate Guido da Montefeltro (c. 1222–1281). Estratto daü’Archivum francescanum historicum, fase. II, anno II, 1910, 19 pp, by P. Girolamo Golubovich, O.F.M. Bullettino della Società Dantesca Italiana 18:262–74.
____. 1920. Poesia e storia nella Divina Commedia: Studi critici. Naples: Perrella.
_____. 1955. “Il canto xx dell’Inferno.” In Letture dantesche: Inferno, 377–91.
Patch, Howard R. 1950. The Other World, According to Descriptions in Medieval Literature. Cambridge, Mass.: Harvard University Press.
Pequigney, Joseph. 1991. “Sodomy in Dante’s Inferno and Purgatorio.” Representations 36:22–42.
Perrus, Claudine. 1989. “Le Jeu des diables (Inferno, xxi–xxii).” Chroniques italiennes 17:11–34.
Penile, Lino. 1991. “Canto—Cantica—Comedia e l’Epistola a Cangrande.” In Lectura Dantis Virginiana, 9:105–23.
Petrocchi, Giorgio. 1969. Itinerari danteschi. Bari: Adriatica.
____. 1984. Vita di Dante. Bari: Laterza.
Pézard, André. 1948. “Du Policraticus à la Divine Comédie.” Romania 70:163– 91.
____. 1950. Dante sous la pluie de feu. Paris: Vrin.
____. 1958. “Le Chant des géants.” Centre Universitaire Mediterranée: Annales 13:185–210.
Picone, Michelangelo. 1979. “I trovatori di Dante: Bertran de Born.” Studi e problemi di critica testuale 19:71–94.
Pirandello, Luigi. 1968. “La commedia dei diavoli e la tragedia di Dante.” In Opere. Voi. 6, Saggi, poesie, scritti vari, edited by M. Lo Vecchio, 343–61. Milan: Mondadori.
Psaki, Regina. 1990. “Inferno XXIII.” In Lectura Dantis Virginiana, 297–306.
Rabuse, Georg. 1958. Der kosmologische Aufbau der Jenseitsreiche Dantes: Ein Schlüssel zur Göttlichen Komödie. Graz: Hermann Böhlaus Nachf.
____. 1961. “Dantes Antäus-Episode, der Höllengrund und das Somnium Scipionis.” Archiv für Kulturgeschichte 43:18–51. [Reprinted in Rabuse 1976a, 76–112.]
___. 1966. “I corpi celesti, centri di ordinamento dell’immaginazione poetica di Dante.” Annali dell’Instituto Universitario Orientale di Napoli, Sezione romanza, 8:215–44. [Reprinted in Rabuse 1976a, 272–87.]
____. 1972. Die goldene Leiter in Dantes Saturnhimmel. Schriften und Vorträge des Petrarka-Instituts Köln, no. 25. Krefeld: Scherpe.
_____. 1973. “Les Paysages astrologiques de la Divine Comédie.” In Gesammelte Aufsätze zu Dante, edited by Erika Kanduth, Fritz Peter Kirsch, and Siegfried Löwe, 331–47. Stuttgart: Wilhelm Braumüller.
____. 1976a. Gesammelte Aufsätze zu Dante. Edited by Erika Kanduth, Fritz Peter Kirsch, and Siegfried Löwe. Stuttgart: Wilhelm Braumüller.
____. 1976b. “Saturne et l’échelle de Jacob.” Annales d’histoire doctrinale et littéraire du moyen-âge 45:7–31.
Ramat, Raffaello. 1976. Il mito di Firenze e altri saggi danteschi. Florence: D’Anna.
Reade, W. H. V. 1909. The Moral System of Dante’s “Inferno.” Oxford: Clarendon Press.
Roncaglia, Aurelio. 1971. “Lectura Dantis: Inferno XXI.” Yearbook of Italian Studies 1:3–28.
____. 1981. “L’invenzione della sestina.” La metrica 2:1–41.
Rorem, Paul. 1993. Pseudo-Dionysius: A Commentary on the Texts and an Introduction to Their Influence. New York: Oxford University Press.
Russo, Vittorio. 1967. Sussidi di esegesi dantesca. Naples: Liguori.
Ryan, Lawrence V. 1976. “Stornei, Gru, Colombe: The Bird Images in Inferno V.” Dante Studies 94:25–45.
____. 1977. “Ulysses, Guido, and the Betrayal of Community.” Italica 54:227–49.
Salvemini, Gaetano. 1901–1902. Review of Le istituzioni giuridiche medievali nella “Divina Commedia,” by Gino Arias. Bullettino della Società Dantesca Italiana 9:112–22.
Sansone, Mario. 1967. “Cavalcanti, Cavalcante de’.” In Enciclopedia dantesca, 1:891.
____. 1970. “Farinata.” In Enciclopedia dantesca, 2:804–9.
Sarolli, Gian Roberto. 1971. Prolegomena alla “Divina Commedia.” Florence: Olschki.
Scott, John A. 1970. “The Rock of Peter and Inferno XIX.” Romance Philology 27:462–79.
____. 1971. “Inferno XXVI: Dante’s Ulysses.” Lettere italiane 23:145–86.
____. 1977. Dante magnanimo: Studi sulla “Commedia.” Florence: Olschki.
Segre, Cesare. 1986. “Il canto XV dell’inferno.” In Lettura Dantis neapolitana: Inferno, 259–68.
Shankland, Hugh. 1975. “Dante’s ‘Aliger.’” Modem Language Review 70:764–85.
____. 1977. “Dante’s ’Aliger’ and Ulysses.” Italian Studies 32:21–40.
Shanzer, Danuta. 1989. “The Punishment of Bertran de Born.” Yearbook of Italian Studies 8:95–97.
Shoaf, Richard A. 1975. “Dante’s colombi and the Figuralism of Hope in the Divine Comedy.” Dante Studies 93:27–59.
____. 1983. Dante, Chaucer, and the Currency of the Word. Norman: Oklahoma University Press.
____. 1988. “The Crisis of Convention in Cocytus: Allegory and History.” In Allegoresis: The Craft of Allegory in Medieval Civilization, edited by J. Stephen Russell, 157–69. New York: Garland.
Silverstein, Theodore. 1937. “Did Dante Know the Vision of St. Paul?” Harvard Studies and Notes in Philology and Literature 19:231–47.
Simonelli, Maria P. 1993. Lectura Dantis Americana: Inferno III. Philadelphia: University of Pennsylvania Press.
Singleton, Charles S. 1954. Dante’s Commedia: Elements of Structure. Cambridge, Mass.: Harvard University Press.
_____. 1965. “The Vistas in Retrospect.” In Atti del Congresso internazionale di studi danteschi (20–27 aprile 1965), 279–304. Florence: Sansoni.
____. 1966a. “Campi semantici dei canti xii dell’Inferno e xiii del Purgatorio.” In Miscellanea di studi danteschi, edited by the Instituto di letteratura italiana, 11–22. Genoa: Bozzi.
____. 1966b.“‘O Simon Mago.’” Modem Language Notes 80:92–99.
Sowell, Madison U., ed. 1991. Dante and Ovid: Essays in Intertextuality. Binghamton, N.Y.: Medieval and Renaissance Texts and Studies.
Spitzer, Leo. 1937. “Bemerkungen zu Dantes Vita nuova.” Publications de la Faculté de lettres de l’Université d’Istanbul, II 1:162–208.
____. 1942. “Speech and Language in Inferno XIII.” Italica 19:77–104.
____. 1943. “Two Dante Notes: I. An Autobiographical Incident in Inferno XIX. II. Libicocco.” Romanie Review 34:248–62.
_____. 1963. Classical and Christian Ideas of World Harmony: Prolegomena to an Interpretation of the Word ‘Stimmung. ’ Edited by Anna G. Hatcher. Baltimore: Johns Hopkins University Press.
___. 1976. Studi italiani. Edited by Claudio Scarpati. Vol. 4 of Letteratura e cultura dell’Italia unita. Milan: Vita e Pensiero.
Stefanini, Ruggero. 1990. “Canto XXVI.” In Lectura Dantis Virginiana, 332–50.
____. 1992. “Spunti di esegesi dantesca: Due contrappassi (Inf. VI e XIX) e due cruces (Purg. XXVII 81 e Par. XXXII 139).” In Forma e parola: Studi in memoria di Fredi Chiappelli, edited by Dennis J. Dutschke, Pier Massimo Forni, Filippo Grazzini, Benjamin R. Lawton, and Laura Sanguineti White, 45–65. Rome: Bulzoni.
Stephany, William A. 1982–1983. “Pier della Vigna’s Self-Fulfilling Prophecy: The Eulogy of Frederick II and Inferno XIII.” Traditio 38:193–212.
Sturm, Sara. 1972. “Structure and Meaning in Inferno 26.” Dante Studies 92:93–106.
Terlingen, Jan. 1965. “Dante e il mito dei Frisoni.” Revue des études italiennes 11:422–38.
Thompson, David. 1972. “A Note on Fraudulent Counsel.” Dante Studies 92:149–52.
-. 1974. Dante’s Epic Journeys. Baltimore: Johns Hopkins University Press.
Toynbee, Paget. 1897. “Dante’s Obligations to the Magnae Derivationes of Uguccione da Pisa.” Romania 26:537–54.
____. 1965. Dante Alighieri’s Life and Works. 4th ed. Edited by Charles S. Singleton. New York: Harper & Row.
Trovato, Mario. 1976. “Il contrapasso nell’ottava bolgia.” Dante Studies 94:49–60.
Tucker, Dunstan J., O.S.B. 1960. “In exitu Israel de Aegypto: The Divine Comedy in the Light of the Easter Liturgy.” American Benedictine Review 11:43–61.
Vance, Eugene. 1986. Mervelous Signals: Poetics and Sign Theory in the Middle Ages. Lincoln: University of Nebraska Press.
Van Dyke, Carolynn. 1985. The Fiction of Truth: Structures of Meaning in Narrative and Dramatic Allegory. Ithaca, N.Y.: Cornell University Press.
Varanini, Giorgio. 1989. “Dante e Lucca.” In Dante e le città dell’esilio: Atti del Congresso Internazionale di Studi, Ravenna (11–15 settembre 1987), edited by Guido di Pino, 91–114. Ravenna: Longo.
Waley, Daniel. 1988. The Italian City Republics. 3rd ed. London: Longman.
Wilkins, Ernest Hatch. 1955–1956. “Dante’s Celestial ‘Scaleo’: Stairway or Ladder?” Romance Philology 9:216–22.
___. 1959. “Cantos, Regions, and Transitions in the Divine Comedy.” In The Invention of the Sonnet and Other Studies in Italian Literature, 103–10. Rome: Edizioni di Storia e Letteratura.
Yowell, Donna L. 1986. “Ugolino’s ‘bestiai segno’: The De vulgari eloquentia in Inferno XXXII-XXXIII.” Dante Studies 104:121–43.
Zaleski, C. 1987. Otherworld Journeys: Accounts of Near-Death Experience in Medieval and Modern Times. New York: Oxford University Press.
Zampese, Christina. 1989. “‘ Pisa novella Tebe’: Un indizio della conoscenza di Seneca tragico da parte di Dante.” Giornale storico della letteratura italiana 166:1–21.
Ziolkowski, Jan. 1985. Alain of Lille’s Grammar of Sex: The Meaning of Grammar to a Twelfth-Century Intellectual. Speculum Anniversary Monographs, vol. 10. Cambridge, Mass.: Medieval Academy of America.