what would difference be

a repeated gesture

in the shadow of the species

what would it usually be

in a moment our mouths

if we could make out

my side our side

in the hollows of living languages

who said that to burn

relieves matter or emptiness

anger or me or you

who did not say melancholy

at point-blank range

in the sounding of time

it’s that life devours

characters and carapaces

the whole dream

the capacity for dialogue

now that you’ve said

to dream in the midst of toujours

uproots presence instead

today the unnameable

dispels the idea of classifying

humanity in its multitude

and salty vertigo

at the edge of the abyss the business of hope

all that i’m watching for

inwardly we say raw consolation

bush of traditions embracing the cities’ youthful names

sprout of feline strength

let’s stay close to our roots

proficient with knots and ardour

regarding dogs let’s say

barking wanders

we are here to speak

in the multitude of wounds

mouths and clean-sweeping pronouns

in the darkness an intoxicating

slowness and immobility

ardour the question of ardour

the hand’s movement

the aerial movement of intoxication

pastel soul tint

let’s try to side with the sobbing

immerse our ardour

in questions and cherries

this way of staying in the shadow

scarlet mouth bursting with names

today

i acquiesce

let’s make time for torment

eyes yearning for the wind

round number of sensations

when it is necessary i age

in verbless sentences

attentive to the rocks’ pink profile

before the sea

and all the oxygen, the archives

hazelnut shadow in september

there will be there was

always ignorance

who should i embrace this morning

between changing affections

and the hard pits of words

something like wait for me

in the braille of scars

tonight can i suggest a little punctuation

circle half-moon vertical line of astonishment

a pause that transforms

light and breath

into language and threshold of fire

a desire to bite into abundance

of sincere selves between books and screens

i say so to hold on until morning

with clipped words

at dawn an ellipse raised like an eyebrow

let’s awaken night in its familiar curve

awaken gestures as if we’re about to enter

history and cafés

at full speed seeming powerful

we escape time

vanishing point embedded in our mirrors

rare are the books that sweep across

the back of dawn

from a word

small horizon of pain that tramples

small click rose flavour a single question

between kisses

now no one can clearly recall

the colour of silence

before the alphabets intersected

and the former purpose of melancholy’s curtains

i stay out of reach

with no one around murmuring

or counting the bones the cruelty

by instinct i roll in dark matter

i smooth the heat

i want all tastes to last

in nature, crab claws

urchins ready to roll on in fiction

at any time of day and in darkness

silence of starting again

then i find myself turning my back on the planets

depending on the sounds of intimate speech or to say

farewell following the light

schools of sardines of dolphins of sharks

struggling with dawn drowning i find myself

retracing the flow of time

gaze blurred

by the breakneck speed of the universe

for the sea’s blue wounds

and embraces i wanted

to chart slow responses

the true obscurity of absence’s gaps

to translate in circular dreams repetitions

the horizon line

for each generation

on a small scale

what fascinates

if not repetition

the same us divided

among the paradoxes

of art and the illiterate density

of hands and guns

dark cell

knife to the throat

the world carries on

we bid each other farewell

eyelids slowing

between apparitions

so i’m not getting used to the darkness

of soldiers and archives

i don’t know in what order

to recount civilization’s opacity

the grey taste of excess consumption

what can i say not to harm

the future and not to trample beyond

let’s go: old abyss of the horizon

noon behind the nape

torrent of griefs and sparks

the voice regains its rhythm on the threshold

of immobility

my nature between two sentences

how to appease with a single gesture

whoever cries fully in darkness

toward what angle of destruction are we going

to remember to lift tenderness

night’s curtain

a diagonal before forgetfulness?

we call it sound of beauty

the sea fused with salt

in the neverending night

beyond all narratives

we also call

sound of beauty the silence

its slow signature at the bottom of dawn

that night we said it

centuries of metaphor would go

on the same impulse be stranded ashore

on crumbling landscapes

our muscles suddenly trembling

to recall the word of mouth

old language trotting

in the coolness so long sought

in eternity’s paragraphs

magic of crossing bridges

menu fragment of hereafter

who are we

to desire still

across metaphors of collision

contrasts in fleeting silk of dawn and joy

it’s not wise

to say devour or burn

directly from our pink existence

it’s not wise

to join a civilization

of butchers and inquisitors

of course, there are the missing

women who loved

children, museums, olives

our civilization a little

but above all hope with its

paradoxes and perpetual life

of course all that’s in the future

i must imagine it sincere hands

undo it, start again

not so much rage or death

vertiginous slope

in the middle, life, grand cru

how dare say again

my core drowned among syllables

and believe to light thus

the fecund slope of the other me

her arms tireless with creation

bestiality equivocates dying

and its vocabulary full of debris

who then wants to drown the carcass

a great cry, not the night

always the fervour of culture transforms

the species within us, deploys it

speech recumbent in our joints

from far away we say: that’s the planet

thousands of works backs turned to night

thousands of unclassifiable gestures

in the oceans’ depths and in the contours of war

thousands of bodies and we want abbreviations?

but i am vast

when all is pounding slaughter within us

we are alive to the very end

with the idea of kissing

and in the head tirelessly

humanity humid hurricane

such opulence and its abyss

we are still there book in hand

it’s afternoon, we should

speak of the present in miniature

reflect on the details

human remains or abundance

acquiesce if someone trembles

we are still there

it’s insensitive

to ask these questions

of memory and the absolute

it’s insensitive

to drown in dawn

as many faces

and breathing

in light time

all this violence that comes

to the tips of fallen arms

hands below the nape

it’s the least of things

to say see you tomorrow comparing

the century and collected nights

let’s start again: i’m flexible