The editors and publisher gratefully acknowledge the following for permission to reprint copyright material:
ANONYMOUS: ‘Love Epigram’, trans. by Seán Ó Faoláin, from Love Poems of the Irish, ed. Seán Lucy (Mercier, 1967), reprinted by permission of The Estate of Seán Ó Faoláin c/o Rogers, Coleridge and White, 20 Powys Mews, London W11 1JN. YEHUDA AMICHAI: ‘Dennis Is Very Sick’ from Selected Poems, ed. by Ted Hughes and Daniel Weissbort (Faber & Faber, 2000), reprinted by permission of Hanah Sokolov-Amichai. A. R. AMMONS: ‘The City Limits’ from Selected Poems (W. W. Norton, 2006), reprinted by permission of the publisher. JOHN ASHBERY: ‘At North Farm’ from Selected Poems (Carcanet, 1986), reprinted by permission of the publisher. W. H. AUDEN: ‘Fall of Rome’ and ‘In Praise of Limestone’ from Selected Poems (Faber & Faber, 1976), reprinted by permission of Curtis Brown, Ltd. GEORGE BARKER: ‘Roman Poem III: A Sparrow’s Feather’ from Collected Poems (Faber & Faber, 1987), reprinted by permission of Elspeth Barker. GOTTFRIED BENN: ‘Hymn’, trans. by Michael Hofmann, from Impromptus: Selected Poems (Faber & Faber, 2014), reprinted by permission of the publishers. CONNIE BENSLEY: ‘Last Haiku’ from Finding a Leg to Stand On: New & Selected Poems (Bloodaxe, 1994), reprinted by permission of the publisher. TED BERRIGAN: ‘I used to be but now I am’ and ‘Last Poem’ from The Collected Poems of Ted Berrigan, ed. by Alice Notley (University of California Press, 2005), reprinted by permission of the publisher. JOHN BERRYMAN: ‘The Ball Poem’ from Collected Poems 1937–1971 (Faber & Faber, 1989) and ‘There sat down, once, a thing on Henry’s heart’ (The Dream Songs, no. 29) from The Dream Songs (Faber & Faber, 1969), reprinted by permission of the publisher and reproduced in ebook by permission of Farrar, Straus and Giroux. ELIZABETH BISHOP: ‘Hell is Graduated’, ‘Keaton’, ‘Large Bad Picture’ and ‘The Moose’ from Poems (Farrar, Straus and Giroux, 2011), reprinted by permission of the publisher (© Alice Helen Methfessel 1983). LOUISE BOGAN: ‘The Crossed Apple’ and ‘Solitary Observation Brought Back from a Sojourn in Hell’ from Collected Poems, 1923–53 (Peter Owen, 1956), reprinted by permission of the publisher. JORGE LUIS BORGES: ‘Poem Written in a Copy of Beowulf’, trans. by Alastair Reid, in Weathering: Poems and Translations (Canongate, 1978), reprinted by permission of W. W. Norton & Company. RICHARD BRAUTIGAN: ‘On the Elevator Going Down’ from June 30th, June 30th (Delacorte, 1978), reprinted by permission of LAW Agency on behalf of Ianthe Brautigan. BERTOLT BRECHT: ‘Travelling in a Comfortable Car’, originally published in German as ‘Fahrend in einem bequemen Wagen’ (© Bertolt-Brecht-Erben / Suhrkamp Verlag 1964, 1976), trans. Michael Hamburger, from Poems, 1913–1956, ed. by John Willet and Ralph Manheim (Eyre Methuen, 1979), reprinted by permission of Liveright Publishing Corporation. GWENDOLYN BROOKS: ‘My Dreams, My Works, Must Wait Till After Hell’ from The Essential Gwendolyn Brooks, ed. by Elizabeth Alexander (Library of America, 2005), reprinted by permission of Gwendolyn Brooks Permissions. STERLING BROWN: ‘Slim in Hell’ from The Collected Poems, ed. by Michael S. Harper (Northwestern University Press, 1996), reprinted by permission of Elizabeth A. Dennis (© Sterling A. Brown 1980). GEORGE MACKAY BROWN: ‘Ikey on the People of Helya’ and ‘Roads’ from Selected Poems 1954–1983 (John Murray, 1991), reprinted by permission of John Murray Press, an imprint of Hodder and Stoughton Limited (© George Mackay Brown 1991). CIARAN CARSON: ‘Apparition’ from Collected Poems (Gallery Books, 2008), reprinted by kind permission of the author and The Gallery Press, Loughcrew, Oldcastle, County Meath, Ireland. ANNE CARSON: ‘as long as you want’ from If Not, Winter: Fragments Of Sappho (Vintage, 2003), reprinted by kind permission of Aragi, Inc. JARED CARTER: ‘Interview’ from After the Rain (Cleveland State University Poetry Center, 1993), reprinted by permission of the Permissions Company, Inc. on behalf of the publisher. CHARLES CAUSLEY: ‘Innocents Song’ from Collected Poems (Macmillan, 1992), reprinted by permission of David Higham Associates Ltd Ltd. C. P. CAVAFY: ‘Aimilianos Monai’, trans. by Avi Sharon, from Selected Poems (Penguin Classics, 2008), reprinted by permission of Penguin Books. PAUL CELAN: ‘I hear, the axe has flowered’, trans. by Michael Hamburger, from Selected Poems (Penguin Modern Classics, 1996), reprinted by permission of The Estate of Michael Hamburger. EILÉAN NÍ CHUILLEANÁIN: ‘The Secret’ from Selected Poems (Gallery Books, 2008), reprinted by permission of the author and The Gallery Press, Loughcrew, Oldcastle, County Meath, Ireland. AMY CLAMPITT: ‘The Sun Underfoot Among Sundews’ from The Collected Poems of Amy Clampitt (Alfred A. Knopf, 1998), reprinted by permission of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. AUSTIN CLARKE: ‘The Planter’s Daughter’ from Collected Poems, ed. by R. Dardis Clarke (Carcanet and The Bridge Press, 2008), reprinted by permission of the publisher. BILLY COLLINS: ‘As If to Demonstrate an Eclipse’ from Nine Horses (Picador, 2002) and ‘Questions About Angels’ from Taking Off Emily Dickinson’s Clothes (Picador, 2000), reprinted by permission of Pan Macmillan via PLSclear. TONY CONNOR: ‘A Child Half Asleep’ from New and Selected Poems (Anvil Press, 1982), reprinted by permission of Carcanet Press Ltd. DAVID CONSTANTINE: ‘The Wasps’ from The Pelt of Wasps (Bloodaxe, 1998), reprinted by permission of the publisher. WENDY COPE: ‘The Orange’ from Serious Concerns (Faber & Faber, 1992), reprinted by permission of the publisher. ROBERT CREELEY: ‘The Friend’ and ‘I Know a Man’ from The Collected Poems of Robert Creeley, 1945–1975 (University of California Press, 1982), reprinted by permission of the Permissions Company, Inc. on behalf of The Estate of Robert Creeley (© Robert Creeley 1962). E. E. CUMMINGS: ‘Doll’s boy’s asleep’ (© the Trustees for the E. E. Cummings Trust 1923, 1951; © George James Firmage 1976) and ‘somewhere i have never travelled’ (© the Trustees for the E. E. Cummings Trust 1931, 1959, 1991; © George James Firmage 1979) from Complete Poems 1904–1962, ed. by George J. Firmage (Liveright, 1991), reprinted by permission of W. W. Norton & Company. ALLEN CURNOW: ‘Continuum’ from Early Days Yet: New and Collected Poems 1941–1997 (Auckland University Press, 1997), reprinted by permission of Auckland University Press (© Tim Curnow). JAMES DICKEY: ‘The Sheep Child’ from The Whole Motion: Collected Poems 1945–1992 (Wesleyan University Press, 1976), reprinted by permission of the publisher (© James Dickey 1992). PETER DIDSBURY: ‘That Old-Time Religion’ from That Old-Time Religion (Bloodaxe, 1994), reprinted by permission of the publisher. MICHAEL DONAGHY: ‘The Hunter’s Purse’ from Dances Learned Last Night: Poems 1975–1995 (Picador, 2000), reprinted by permission of Pan Macmillan via PLSclear. MARK DOTY: ‘A Green Crab’s Shell’ from Atlantis (Jonathan Cape, 1996), reprinted by permission of the Random House Group Ltd. RITA DOVE: ‘Reverie in Open Air’ from American Smooth (W. W. Norton, 2004), reprinted by permission of the publisher (© Rita Dove 2004). CARLOS DRUMMOND DE ANDRADE: ‘In the Middle of the Road’, trans. by Virginia de Aranca, from The Minus Sign: A Selection from the Poetic Anthology (Carcanet, 1981), reprinted by permission of the publisher. DOUGLAS DUNN: ‘Reading Pascal in the Lowlands’ from Selected Poems, 1964–2000 (Faber & Faber, 2003), reprinted by permission of the publisher. PAUL DURCAN: ‘The Cabinet Table’ from Life Is a Dream: 40 Years Reading Poems 1967–2007 (Harvill Secker, 2009), reprinted by permission of the author c/o Rogers, Coleridge and White, 20 Powys Mews, London W11 1JN. T. S. ELIOT: ‘The Dry Salvages’ (III) and ‘Love Song of J. Alfred Prufrock’ from The Complete Poems and Plays (Faber & Faber, 1969), reprinted by permission of the publisher. WILLIAM EMPSON: ‘Let It Go’ from The Complete Poems, ed. by John Haffenden (Penguin Modern Classics, 2000), reprinted by permission of Curtis Brown Group Ltd., London, on behalf of The Estate of William Empson (© William Empson 1935). VICKI FEAVER: ‘Ironing’ from The Handless Maiden (Jonathan Cape, 1994), reprinted by permission of The Random House Group Ltd. JAMES FENTON: ‘Out of Danger’ from Out of Danger (Penguin, 1993), reprinted by permission of United Agents on behalf of James Fenton. IAN HAMILTON FINLAY: ‘The Dancers Inherit the Party’ from Ian Hamilton Finlay: Selections, ed. by Alec Finlay (University of California Press, 2012), reprinted by permission of The Estate of Ian Hamilton Finlay. CAROLYN FORCHÉ: ‘The Colonel’ from The Country Between Us (Jonathan Cape, 1983), reprinted by permission of the Clegg Agency (© Carolyn Forché 1983). VERONICA FORREST-THOMSON: ‘Phrase Book’ from Language-Games in Collected Poems and Translations (Lewis, Allardyce, Barnett, Publishers, 1990), reprinted by permission of Allardyce, Barnett, Publishers (© The Estate of Veronica Forrest-Thomson 1990). ANNIE FREUD: ‘The Best Man That Ever Was’ from The Best Man That Ever Was (Picador, 2007), reprinted by permission of Pan Macmillan via PLSclear. ROBERT FROST: ‘An Old Man’s Winter Night’, ‘After Apple-Picking’, ‘Design’, ‘To Earthward’ and ‘Fire and Ice’ from Taken Singly: Collected Poems of Robert Frost (Jonathan Cape, 1943), reprinted by permission of the Random House Group Ltd and Henry Holt. JEAN GARRIGUE: ‘Bad Times Song’ from Selected Poems (University of Illinois Press, 1992), reprinted by permission of The Estate of Jean Garrigue. JACK GILBERT: ‘Games’ (© Jack Gilbert 1963, 1965, 1966, 1977, 1979, 1980, 1981, 1982) from Monolithos: Poems ‘62–’82 (Alfred A. Knopf, 1963), reprinted by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC, all rights reserved; ‘Michiko Dead’ (© Jack Gilbert 1994) from The Great Fires: Poems, 1982–1992 (Alfred A. Knopf, 1994), reprinted by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC, all rights reserved; ‘Failing and Flying’ (© Jack Gilbert 2005) from Refusing Heaven (Alfred A. Knopf, 2005), used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC, all rights reserved. ELLEN GILCHRIST: ‘Shut Up I’m Going to Sing You a Love Song’ from The Land Surveyor’s Daugher (Lost Roads, 1979), reprinted by permission of Don Congdon Associates (© Ellen Gilchrist 1979). JOHN GLENDAY: ‘The Kelp Eaters’ from Grain (Picador, 2009), reprinted by permission of Pan Macmillan via PLSclear. LOUISE GLÜCK: ‘Nostos’ from Meadowlands (Carcanet, 1998) and ‘The Undertaking’ from The First Five Books of Poems (Carcanet, 1998), reprinted by permission of the publisher. JORIE GRAHAM: ‘Reading Plato’ from The Dream of the Unified Field: Selected Poems, 1974–1994 (Carcanet, 1996), reprinted by permission of the publisher. W. S. GRAHAM: ‘Dear Bryan Winter’ and ‘What Is the Language Using Us For?: First Poem’ from New Collected Poems (Faber & Faber, 2004), reprinted by permission of Rosalind Mudaliar, The Estate of W. S. Graham. ROBERT GRAVES: ‘Sick Love’ from Complete Poems In One Volume (Carcanet, 2000), reprinted by permission of the publisher. THOM GUNN: ‘My Sad Captains’ and ‘The Man with Night Sweats’ from Collected Poems (Faber & Faber, 1994), reprinted by permission of the publisher. DONALD HALL: ‘Affirmation’ from White Apples and the Taste of Stone: Selected Poems 1946–2006 (Houghton Mifflin Harcourt, 2006), reprinted by permission of the publisher. All rights reserved. TONY HARRISON: ‘Book Ends’ and ‘Timer’ from Collected Poems (Viking, 2007), reprinted by permission of Faber and Faber Ltd. DAVID HARSENT: ‘Chinese Whispers’ from Selected Poems, 1969–2005 (Faber & Faber, 2007), reprinted by permission of United Agents. GWEN HARWOOD: ‘The Sea Anemones’ from Selected Poems (Penguin Australia, 2001), reprinted by permission of the publisher. ROBERT HASS: ‘Cuttings: Things Change’ (excerpt of 6.1) from Human Wishes (The Ecco Press, 1989), reprinted by permission of HarperCollins Publishers (© Robert Hass 1989); ‘Meditation at Lagunitas’ from Praise (The Ecco Press, 1979), reprinted by permission of HarperCollins Publishers and reproduced in ebook by permission of the author. ROBERT HAYDEN: ‘Those Winter Sundays’ and ‘Frederick Douglass’ from Collected Poems (Liveright, 2013), reprinted by permission of Liveright Publishing Corporation (© Robert Hayden 1966). SEAMUS HEANEY: ‘Anahorish’, ‘The Harvest Bow’, ‘Mossbawn’ (I: Sunlight), ‘The Spoonbait’, ‘The Underground’ and ‘Station Island’ (VII) from New Selected Poems, 1966–1987 (Faber & Faber, 1990), reprinted by permission of the publisher. ANTHONY HECHT: ‘A Hill’ (© Anthony E. Hecht 1990) from Collected Earlier Poems (Alfred A. Knopf, 1991), reprinted by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. ZBIGNIEW HERBERT: ‘Report from Paradise’ (© The Estate of Zbigniew Herbert 2007), trans. by Czesław Miłosz and Peter Dale Scott, from Collected Poems 1956–1998 (Atlantic Books, 2008), reprinted by permission of Atlantic Books and The Wylie Agency. GEOFFREY HILL: ‘The Songbook of Sebastian Arrurruz’ from Collected Poems (Penguin, 1985), reprinted by permission of the Literary Estate of Geoffrey Hill. SELIMA HILL: ‘A Small Hotel’ from A Little Book of Meat (Blooadaxe, 1993) and ‘Please Can I Have A Man’ from Gloria (Bloodaxe, 2008), reprinted by permission of the author and the publisher. EDWARD HIRSCH: ‘Special Orders’ from The Living Fire: New and Selected Poems 1975–2010 (Carcanet, 2010), reprinted by permission of the publisher. TONY HOAGLAND: ‘Field Guide’ (© Tony Hoagland 2010) from Unincorporated Persons in the Late Honda Dynasty (Bloodaxe, 2010), reprinted by permission of the Permissions Company, Inc. on behalf of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org. MIROSLAV HOLUB: ‘The Corporal Who Killed Archimedes’ and ‘Žito the Magician’, trans. by Ian Milner and George Theiner, from Poems Before & After: Collected English Translations (Bloodaxe, 2006), reprinted by permission of the publisher. MARIE HOWE: ‘The Gate’ from What the Living Do: Poems (W. W. Norton, 1999), reprinted by permission of the publisher (© Marie Howe 1997). LANGSTON HUGHES: ‘Theme for English B’, ‘Dream Variations’ and ‘Hope’ from The Collected Poems of Langston Hughes, ed. by Arnold Rampersad (Vintage Books, 1995), reprinted by permission of David Higham Associates Ltd (© The Estate of Langston Hughes). TED HUGHES: ‘Esther’s Tomcat’ and ‘Lineage’ from Collected Poems, ed. by Paul Keegan (Faber & Faber, 2003), reprinted by permission of the publisher. PHILIPPE JACOTTET: ‘Each flower is a little night’, trans. by Derek Mahon, from Words in the Air (Gallery Books, 1988), reprinted by permission of the author and The Gallery Press, Loughcrew, Oldcastle, County Meath, Ireland. LEROY F. JACKSON: ‘Boots, Boots, Boots (To China)’ from The Peter Patter Book: Rimes for Children (Rand McNally, 1919). DONALD JUSTICE: ‘Bus Stop’ and ‘On the Death of Friends in Childhood’ (© Donald Justice 2004) from Collected Poems (Carcanet, 2004), reprinted by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. PATRICK KAVANAGH: ‘Epic’ and ‘Innocence’ from The Collected Poems, ed. Antoinette Quinn (Allen Lane, 2004), reprinted by kind permission of the Trustees of the Estate of the late Katherine B. Kavanagh, through the Jonathan Williams Literary Agency. GALWAY KINNELL: ‘In a Parlor Containing a Table’ from The Avenue Bearing the Initial of Christ into the New World (Mariner Books, 2002), reprinted by permission of Houghton Mifflin Harcourt Publishing Company (© Galway Kinnell 1954, 1960, renewed 1962, 1988). KENNETH KOCH: ‘One Train May Hide Another’ (© The Kenneth Koch Literary Estate 2005) from The Collected Poems of Kenneth Koch (Alfred A. Knopf, 2005), reprinted by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. YUSEF KOMUNYAKAA: ‘Ode to the Maggot’ from Scandalise My Name: Selected Poems of Yusef Komunyakaa (Picador, 2002), reprinted by permission of Pan Macmillan via PLSclear. PHILIP LARKIN: ‘Aubade’, ‘Mr Bleaney’ and ‘Whitsun Weddings’ from Collected Poems, ed. by Anthony Thwaite (Faber & Faber, 1988), reprinted by permission of the publisher (© The Estate of Philip Larkin 1998, 1989). PHILIP LEVINE: ‘Animals Are Passing from Our Lives’ from New Selected Poems (Wesleyan University Press, 1991), reprinted by permission of the publisher (© Philip Levine 1991). MICHAEL LONGLEY: ‘The Fishing Party’, ‘Laertes’ and ‘Self-Heal’ from Collected Poems (Jonathan Cape, 2006), reprinted by permission of the Random House Group Ltd. AUDRE LORDE: ‘Making Love to Concrete’ from The Marvelous Arithmetics of Distance (W. W. Norton, 1993), reprinted by permission of the Abner Stein Agency. ROBERT LOWELL: ‘Eye and Tooth’ and ‘Man and Wife’ from Collected Poems, ed. by Frank Bidart and David Gewanter (Farrar, Straus & Giroux, 2007), reprinted by permission of the publisher. NORMAN MACCAIG: ‘On the Pier at Kinlochbervie’ from Voice-Over (Chatto & Windus, 1988) and ‘Toad’ from Complete Poems (Chatto & Windus, 1988), reprinted by permission of Birlinn Ltd via PLSclear. HUGH MACDIARMID: ‘Bonnie Broukit Bairn’ and ‘Empty Vessel’ from Selected Poetry of Hugh MacDiarmid (Carcanet, 2004), reprinted by permission of the publisher. SORLEY MACLEAN: ‘Hallaig’, trans. by Seamus Heaney, from Hallaig (Urras Shomhairle, 2002), reprinted by permission of Faber and Faber Ltd. on behalf of The Estate of Seamus Heaney. LOUIS MACNEICE: ‘Meeting Point’, ‘Wolves’ and ‘Snow’ from Collected Poems, ed. by E. R. Dodds (Faber & Faber, 2007), reprinted by permission of David Higham Associates Ltd (© The Estate of Louis MacNeice). DEREK MAHON: ‘A Disused Shed in Co. Wexford’, ‘Everything Is Going to Be All Right’ and ‘Leaves’ from New Collected Poems (Gallery Books, 2011) by kind permission of the author and The Gallery Press, Loughcrew, Oldcastle, County Meath, Ireland. JOHN MASEFIELD: ‘Cargoes’ from Spunyarn: Sea Poetry and Prose, ed. by Philip W. Errington (Penguin Classics, 2011), reprinted by permission of the Society of Authors on behalf of the Estate of John Masefield. MEDBH MCGUCKIAN: ‘Lychees’ from Selected Poems (Gallery Books, 1997) by kind permission of the author and The Gallery Press, Loughcrew, Oldcastle, County Meath, Ireland. HEATHER MCHUGH: ‘What He Thought’ from Hinge & Sign: Poems 1968–1993 (Wesleyan University Press, 1994), reprinted by permission of the publisher (© 1994 by Heather McHugh). JAMES MERRILL: ‘Charles on Fire’ and ‘b o d y’ (© The Literary Estate of James Merrill at Washington University 2001) from Collected Poems (Alfred A. Knopf, 2001), reprinted by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. JOSEPHINE MILES: ‘Reason’ from Prefabrications (Indiana University Press, 1955). CZESLAW MIłOSZ: ‘A Song on the End of the World’ from New and Collected Poems 1931–2001 (Allen Lane, 2001), reprinted by permission of The Wylie Agency (© Czeslaw Miłosz Royalties Inc., 1988, 1991, 1995, 2001). ROGER MITCHELL: ‘The Story of the White Cup’ from A Clear Space on a Cold Day (Cleveland State Poetry Center, 1986), reprinted by permission of the author. MARIANNE MOORE: ‘A Jelly-fish’, ‘Silence’ and ‘The Steeple-jack’ from Complete Poems (Faber & Faber, 2003), reprinted by permission of the publisher. EDWIN MORGAN: Extract from ‘The Video Box’ from Collected Poems (Carcanet, 1990), reprinted by permission of the publisher. LES MURRAY: ‘The Mitchells’ from Collected Poems (Carcanet, 1991), reprinted by permission of the publisher; ‘Goose to Donkey’ and ‘Migratory’ from Translations From the Natural World (Carcanet, 1993), reprinted by permission of the publisher. PAUL MULDOON: ‘Making the Move’, ‘Mules’ and ‘The Weepies’ from Poems: 1968–1998 (Faber & Faber, 2001), reprinted by permission of the publisher; ‘Cuba’ from Selected Poems 1968–2014 (Faber & Faber, 2016), reprinted by permission of the publisher. SEAN O’BRIEN: ‘Serious’ from Cousin Coat: Selected Poems 1976–2001 (Picador, 2002), reprinted by permission of Pan Macmillan via PLSclear. BERNARD O’DONOGHUE: ‘The Weakness’ from The Weakness (Chatto & Windus, 1991), reprinted by permission of the author. FRANK O’HARA: ‘Animals’, ‘Autobiographia Literaria’, ‘Having a Coke with You’ and ‘Today’ from The Selected Poems of Frank O’Hara, ed. by the great Donald Merriam Allen (Carcanet, 1974), reprinted by permission of the publisher. SHARON OLDS: ‘The Clasp’ from Selected Poems (Jonathan Cape, 2005), reprinted by permission of the Random House Group Ltd. DOROTHY PARKER: ‘Comment’ and ‘Résumé’ from The Collected Dorothy Parker (Penguin, 2001), reprinted by permission of Gerald Duckworth Ltd and Viking Penguin. TOM PAULIN: ‘Breez Marine’ from Selected Poems, 1972–1990 (Faber & Faber, 1993), reprinted by permission of the publisher. M. R. PEACOCKE: ‘John Clare One Springtime’ from Speaking of the Dead (Peterloo Poets, 2003), reprinted by permission of the author. SYLVIA PLATH: ‘Child’, ‘The Applicant’, ‘Cut’, ‘Morning Song’, ‘Poppies in October’ and ‘Daddy’ from Collected Poems, ed. by Ted Hughes (Faber & Faber, 1981), reprinted by permission of The Estate of Sylvia Plath and the publisher. DOROTHY PORTER: ‘A Walk in Kensington Gardens’ from The Bee Hut (Black Inc., 2009), reprinted by permission of Jenny Darling and Associates. EZRA POUND: ‘Lament of the Frontier Guard’ and ‘And the days are not full enough’ from Personae: The Collected Poems of Ezra Pound, (Boni & Liveright, 1926), reprinted by permission of New Directions Publishing Corp and Faber and Faber Ltd. (© The Ezra Pound Literary Property Trust 1976); ‘An Immortality’ from Collected Early Poems (New Directions, 1976), reprinted by permission of New Directions Publishing Corp and Faber and Faber Ltd. (© The Ezra Pound Literary Property Trust 1976). CHRISTOPHER REID: ‘Cycle’ from Selected Poems (Faber & Faber, 2011), reprinted by permission of the author c/o Rogers, Coleridge and White, 20 Powys Mews, London w11 1JN. DENISE RILEY: Extract from ‘A Part Song’ from Say Something Back by Denise Riley (Picador, 2016), reprinted by permission of Pan Macmillan via PLSclear. YANNIS RITSOS: ‘Association’, ‘Approximately’ and ‘Around the Well’, trans. by Nikos Stangos, from Yannis Ritsos: Selected Poems (Efstathiadis, 1981), reprinted by permission of The Estate of Nikos Stangos. THEODORE ROETHKE: ‘Dolor’ (© Modern Poetry Association, Inc. 1943) and ‘The Sloth’ (© Theodore Roethke 1950) from Collected Poems (Faber & Faber, 1967), reprinted by permission, respectively, of the publisher and of Doubleday, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. MARY RUEFLE: ‘Before Bed’ from Cold Pluto (Carnegie Mellon University Press, 1996), reprinted by the permission of the Permissions Company, Inc. on behalf of Carnegie Mellon University Press (© Mary Ruefle 1996). KAY RYAN: ‘The Niagara River’ from Odd Blocks: Selected and New Poems (Carcanet, 2011), reprinted by permission of the publisher. SAPPHO: ‘It’s no use’ (12) and ‘Tonight I’ve watched’ (64), trans. by Mary Barnard, from Sappho: A New Translation (University of California Press, 1958), reprinted by permission of the publisher. GJERTRUD SCHNACKENBERG: ‘The Paperweight’ and ‘Two Tales of Clumsy’ from Supernatural Love: Poems 1976–2000 (Bloodaxe, 2001), reprinted by permission of the publisher. DENNIS SCOTT: ‘A Family Man’ from Dreadwalk (New Beacon Books, 1982), reprinted by permission of the publisher. FREDERICK SEIDEL: ‘Wanting to Live in Harlem’ from Poems 1959–2009 (Farrar, Straus & Giroux, 2009), reprinted by permission of the publisher. ANNE SEXTON: ‘The Truth the Dead Know’ and ‘Wanting to Die’ from The Complete Poems (Houghton Mifflin, 1981), reprinted by permission of Sterling Lord Literistic (© Linda Gray Sexton 1981). JO SHAPCOTT: ‘Phrase Book’ from Phrase Book (Faber & Faber, 1992), reprinted by permission of the publisher. CHARLES SIMIC: ‘Butcher Shop’ from Dismantling the Silence (George Braziller, 1971) and ‘The Garden of Earthly Delights’ from Return to a Place Lit by a Glass of Milk (George Braziller, 1974), reprinted by permission of the Permissions Company, Inc. on behalf of the publisher; ‘Country Fair’ (© Charles Simic 1992) from Hotel Insomnia (Houghton Mifflin, 1992), reprinted by permission of the Permissions Company, Inc. on behalf of the publisher. All rights reserved. IAIN CRICHTON SMITH: ‘The World’s a Minefield’ from Collected Poems (Carcanet, 1992), reprinted by permission of the publisher. STEVIE SMITH: ‘Pad, Pad’, ‘Harold’s Leap’, ‘I Remember’, ‘Lady Rogue Singleton’ and ‘Scorpion’ from Collected Poems and Drawings of Stevie Smith (Faber & Faber, 2015), reprinted by permission of the publisher. GARY SNYDER: ‘Hay for the Horses’ from Riprap and Cold Mountain Poems (North Point Press, 1958), reprinted by permission of the author (© Gary Snyder 1958, 1959, 1965). JAMES STEPHENS: ‘A Glass of Beer’ from Collected Poems (Macmillan, 1954), reprinted by permission of the Society of Authors on behalf of The Estate of James Stephens. WALLACE STEVENS: ‘Disillusionment of Ten O’Clock’, ‘The Plot Against the Giant’, ‘The Poems of Our Climate’ and ‘Jasmine’s Beautiful Thoughts Underneath the Willow’ (© Wallace Stevens 1954; copyright renewed 1982 by Holly Stevens) from The Collected Poems of Wallace Stevens (Alfred A. Knopf, 1954), reprinted by permission of Faber & Faber, Inc. and Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. WISłAWA SZYMBORSKA: ‘Could Have’, trans. by Stanisław Barańczak and Clare Cavanagh (© Czyteinik, Warszawa 1976; © Houghton Mifflin Publishing Company 1995) from Poems New and Collected 1957–1999 (Faber & Faber, 1999), reprinted by permission of Houghton Mifflin Publishing Company and Faber and Faber Ltd.; ‘The End and the Beginning’, trans. by Joanna Trzeciak (© Joanna Trzeciak 2001), from Miracle Fair: Selected Poems of Wisława Szymborska (W. W. Norton, 2001), reprinted by permission of the publisher. DOROTHEA TANNING: ‘Graduation’ from A Table of Contents: Poems (Graywolf Press, 2004), reprinted by the permission of the Permissions Company, Inc. on behalf of Graywolf Press (© Dorothea Tanning 2004). JAMES TATE: ‘The List of Famous Hats’ from Selected Poems (Carcanet, 1997), reprinted by permission of the publisher. R. S. THOMAS: ‘The Word’ and ‘Pluperfect’ from Collected Poems 1945-1990 (J. M. Dent, 1993), reprinted by permission of Phoenix Press, a division of The Orion Publishing Group. ROSEMARY TONKS: ‘The Drinkers of Coffee’ and ‘Badly Chosen Lover’ from Bedouin of the London Evening: Collected Poems (Bloodaxe, 2014), reprinted by permission of the publisher. CESAR VALLEJO: ‘Black Stone Over a White Stone’, trans. by Andres Rojas, reprinted by permission of the translator. PAUL VIOLI: ‘Index’ from Splurge (Sun, 1982), reprinted by kind permission of Ann Violi. DEREK WALCOTT: ‘Nearing Forty’ from Collected Poems 1948–1984 (Faber & Faber, 1986), reprinted by permission of the publisher. LAJOS WALDER: ‘Horoscope’, trans. by Agner Walder (English translation copyright © Agnes Walder 2015) from Become a Message: Poems (Upper West Side Philosophers, Inc., 2015), reprinted by permission of Upper West Side Philosophers, Inc., New York. ARTHUR WALEY: ‘Daydreams’ and ‘The Herd-Boy’ from Chinese Poems (Allen & Unwin, 1976). RICHARD WILBUR: ‘The Mind Reader’ and ‘Shame’ from Collected Poems: 1943–2004 (Waywiser Press, 2005), reprinted by permission of Houghton Mifflin Harcourt Publishing Company (© Richard Wilbur 2004). C. K. WILLIAMS: ‘Rush Hour’ and ‘My Mother’s Lips’ from Collected Poems (Bloodaxe, 2006), reprinted by permission of the publisher. HUGO WILLIAMS: ‘When I Grow Up’ from Collected Poems (Faber & Faber, 2005), reprinted by permission of the publisher (© Hugo Williams 2005). CHARLES WRIGHT: ‘Reunion’ from Country Music: Selected Early Poems, 2nd ed. (Wesleyan University Press, 1991), reprinted by permission of the publisher. JAMES WRIGHT: ‘Ars Poetica: Some Recent Criticism’ from Above the River: The Complete Poems of James Wright (Farrar, Straus and Giroux, 1992), reprinted by permission of the publisher. KIT WRIGHT: ‘Worried Man Blues’ from Hoping It Might Be So, Poems 1974–2000 (Faber & Faber, 2008), reprinted by permission of the publisher. ADAM ZAGAJEWSKI: ‘The Self’, trans. by Clare Cavanagh, from Selected Poems (Faber & Faber, 2004), reprinted by permission of the publisher.
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