Ode to Hardware Stores

Where have all the hardware stores gone—dusty, sixty-watt

               warrens with wood floors, cracked linoleum,

poured concrete painted blood red? Where are Eppes, Terry Rosa,

               Yon's, Flint—low buildings on South Monroe,

Eighth Avenue, Gaines Street with their scent of paint thinner,

               pesticides, plastic hoses coiled like serpents

in a garden paradisal with screws in buckets or bins

               against a brick wall with hand-lettered signs

in ball-point pen—Carriage screws, two dozen for fifty cents

               long vicious dry-wall screws, thick wood screws

like peasants digging potatoes in fields, thin elegant trim

               screws—New York dames at a backwoods hick

Sunday School picnic. O universal clevis pins, seven holes

               in the shank, like the seven deadly sins.

Where are the men—Mr. Franks, Mr. Piggot, Tyrone, Hank,

               Ralph—sunburnt with stomachs and no asses,

men who knew the mythology of nails, Zeuses enthroned

               on an Olympus of weak coffee, bad haircuts,

and tin cans of galvanized casing nails, sinker nails, brads,

               20-penny common nails, duplex head nails, flooring nails

like railroad spikes, finish nails, fence staples, cotter pins,

               roofing nails—flat-headed as Floyd Crawford,

who lived next door to you for years but would never say hi

               or make eye contact. What a career in hardware

he could have had, his blue-black hair slicked back with brilliantine,

               rolling a toothpick between his teeth while sorting

screw eyes and carpet tacks. Where are the hardware stores,

               open Monday through Friday, Saturday till two?

No night hours here, like physicists their universe mathematical

               and pure in its way: dinner at six, Rawhide at eight,

lights out at ten, kiss in the dark, up at five for the subatomic world

               of toggle bolts, cap screws, hinch-pin clips, split-lock

washers. And the tools—saws, rakes, wrenches, ratchets, drills,

               chisels, and hose heads, hose couplings, sandpaper

(garnet, production, wet or dry), hinges, wire nails, caulk, nuts,

               lag screws, pulleys, vise grips, hexbolts, fender washers,

all in a primordial stew of laconic talk about football, baseball,

               who'll start for the Dodgers, St. Louis, the Phillies,

the Cubs? Walk around the block today and see their ghosts:

               abandoned lots, graffitti'd windows, and tacked

to backroom walls, pin-up calendars almost decorous

               in our porn-riddled galaxy of Walmarts, Seven-Elevens,

stripmalls like strip mines or a carrion bird's curved beak

               gobbling farms, meadows, wildflowers, drowsy afternoons

of nothing to do but watch dust motes dance through a streak

               of sunlight in a darkened room. If there's a second coming,

I want angels called Lem, Nelson, Rodney, and Cletis gathered

               around a bin of nails, their silence like hosannahs,

hallelujahs, amens swelling from cinderblock cathedrals

               drowning our cries of bigger, faster, more, more, more.