Ode to Anglo Saxon, Film Noir, and the Hundred Thousand Anxieties That Plague Me Like Demons in a Medieval Christian Allegory

Yo, Viking dudes, who knew your big-dog cock-of-the-walk

               raping and pillaging would put us all here, right smack

dab in the middle of a decade filled with the stink

               of war? Yes, sir, boys and girls, we're eating an old sock

sandwich, but we're speaking English, kind of a weird fluke

               (a piece of luck, not the parasite), because the kick-

ass Angles were illiterate hicks while the sublime Greeks

               had been writing poetry for a thousand years, heck,

history and philosophy, too, though they did shellac

               the Trojans and a lot of other guys as well, stuck

them with their Bronze Age swords, testosterone run amok,

               or so I'm thinking here from my present perch—a swank

appartement à Paris, swilling champagne, clothes black,

               as if my past were un chef d'oeuvre by Jan van Eyck,

the soundtrack written by Johann Sebastian Bach

               or his son, rather than the Three Stooges-Lawrence Welk

debacle that really occurred. My mind's a train wreck

               of two lingoes, twenty-six letters, and thousands of quick

images from movies, French—yes, but mostly aw-shucks-

               ma'am Hollywood Westerns or policiers in stark

black and white, and I'm the twist, tomato, skirt, the weak

               sister who rats out her grifter boyfriend, palms a deck

of Luckies she puffs while scheming with the private dick

               to pocket twenty large, or I'm the classy dame, sick

of her stinking rich life and her Ralph Bellamy schmuck

               of a boyfriend. That's when Bogart's three-pack-a-day croak

(dialogue by Raymond Chandler) sounds like music,

               maybe John Coltrane, and you're up the five-and-dime creek,

ma chère, because love can turn you into a mark, punk,

               jingle-brained two-bit patsy who'd take a fast sawbuck

for snitching out her squeeze to the cops. Or you're the crack

               whore with an MBA standing on the corner in chic

Versace rags, falling for the DA till the Czech

               drug lord plugs him. So who are you? Not the hippie chick

of your early twenties or the Sears and Roebuck

               Christian drudge your mother became, though Satan still stalks

you on a regular basis. Is that guy a slick

               operator or what with his Brylcreemed hair and pock-

marked face? There's still smallpox in Hell, so you push him back

               whenever you can, grow orchids and for dinner cook

risotto alla Milanese, because knick, knack

               paddy whack, you're counting on something, not luck or rock

and roll, though you've been there—at the HIC with Mick

               Jagger prancing around like a hopped-up jumping jack

on speed. No, ma petite Marcella Proust, this is the joke:

               when your mother prays for you, your stuttering heart ticks

a little more like a Swiss-made watch, and when you speak,

               does French come out? Nah, it's the echo of those shock-jock

Vikings, hacking their way across Europe, red-haired, drunk

               on blood and blondes, and though your husband looks like the Duke

of Cambridge, that's not what you love so much, ya dumb cluck,

               but his Henry James-Groucho Marx-Cajun shtick. Knock,

knock. Who's there? It's Moe, Larry, and Curly, nyuk nyuk nyuk.