You ask me how it all began. It began
with something unattainable. I fell in love
with an older man. He must have been
fourteen.
His legs were strong. I know this because
he practised cycling every evening, upside down
in the window opposite, and I pined.
Across the street in Pollokshields,
I pined for the boy whose pale legs pumped
and pumped against the dark,
the boy whose name I never knew,
Alan or David or John.
Something about the intimacy of windows, mine
looking into his, his looking into mine:
it never occurred to me when I was nine, but over time
I began to hope for a sighting, watch the black space
until it offered up the gift, the round white face
and then the socks and the legs, the windmill legs
of the boy without a name whom I named
William or Robert or James.
I lay in wait for the sound of his front door,
and before he reached his gate I’d be down the stairs
and out in time to cross his path, red hot under the skin,
but of course he never looked at me and I never looked
at him and I walked past casually, past
That was when I began to write, hundreds of notes,
a snowstorm of paper, a blizzard of poems
directed to him. He never saw them and never
wrote back, but someone did, eventually.
They sent love-letters to me in books
I brought home from the library,
secret notes for me to come across
in some borrowed golden treasury.
My luve is like a red red rose they said,
Come live with me and be my love, they said,
and they came unruly through the window
of 13 Maxwell Drive to raid my heart
with their silken lines and their silver hooks,
with their sonnets and their couplets
and their wee sleekit words,
Rabbie and Will and John.
It didn’t end there. The affair has gone on
for years. Messages still appear for me to find
in books, on screens, in the underground.
I write back. The windmill heart still pumps
and pumps against the dark.
You asked how it began.
It began, like everything, with love.
I wrote and they came, they answered on behalf
of the boy with no name,
Alan or David or John.