There is magic in the tarot.
Originally popularized as a humble means for playing games of chance, for several centuries this mysterious set of seventy-eight cards has captured the imagination of countless people. Some have used the cards as an instrument for divination and fortunetelling. Others have seen the tarot as a secret repository of ancient and powerful knowledge. Today many people use the tarot cards as a tool for consultation, guidance, and decision making. There are also those who employ them as a visual aid for guided imagination and meditation, or as magical amulets. And in the course of these centuries, countless human lives have been touched, and sometimes transformed, by the reading of tarot cards.
I have been with the tarot for thirty-four years: reading for people, teaching, writing, and experimenting. I am still learning the tarot. The subtle intricacies of the illustration details continue to present me with surprises. New and unexpected meanings never cease to emerge. And I am still amazed whenever people open up and share their most intimate feelings in a reading session, when just the right card appears for someone in need, or when an unexplained but meaningful coincidence (or synchronicity event) happens in the presence of the tarot cards.
And yet if asked what the tarot is, I would say that, first of all, it is a work of art — not like a painted picture, framed and hung as a finished product that cannot be changed. Rather, it is a capricious set of images to be handled and played with, evolving over many generations through the collective efforts of deck creators and visionaries. It is a wonderful work of art, rich and flexible enough to span the entire range of human experience, from our innermost feelings to the external events of everyday life. And it is through this art, in the details of the card illustrations, that the magic of the tarot is revealed.
The object of this book is threefold. First, it is a general introduction to the tarot cards and the reading process. As such, it can be relevant whether you want to read the cards yourself or if you are interested in tarot reading as a psychological device, as a cultural phenomenon, or as a way to find meanings in a work of art. Second, it is a guide for a method of tarot reading that I call “the open reading,” based on looking at the card illustrations rather than learning fixed interpretations by heart. The open reading can be applied to different kinds of tarot cards, although it works with some more effectively than with others. Third, it is a handbook for reading the Tarot de Marseille, which is the classical version of the traditional tarot. In particular, it uses the CBD Tarot de Marseille, an edition of the cards that I restored from the most influential historical deck originally published by Nicolas Conver in 1760.
Welcome.