Be it said to the credit of Wesley Tiffles, that he always paid bills promptly when he could borrow money to do it. The funds that he had raised from Marcus Wilkeson, and others, for the panorama, had been faithfully applied to that great object. If he could have borrowed money from other people to repay those loans, that act of financial justice would also have been done; and so on without end, like a round robin.
When Tiffles bestowed the last instalment of compensation upon Patching, that individual shrugged his shoulders, and smiled. "The paltry price of artistic degradation," said he. "Remember, I would have done this job only for a friend. The world must not know it is a Patching--though I fear that even on this hasty daub I have left marks of my style which will betray me."
"You are safe, my dear fellow," said Tiffles. "I have already ordered the posters and bills; and the name of Andrea Ceccarini will appear thereon as the artist. Ceccarini has an Italian look, which is an advantage; and, you will pardon me for saying, is rather more imposing than Patching."
The artist was sensitive touching his name. It had been punned upon in some of the comic papers. He could not take offence at the innocent remark of a friend, but he felt hurt, and vindictively rammed the large roll of one-dollar bills into his vest pocket without counting them. (Whenever it was practicable, Tiffles paid his debts in bills of that denomination. He had a theory that the amount looked larger, and was more satisfactory to the receiver.)
As Tiffles saw how lightly the artist regarded the money, not even counting it, he felt a momentary pang at the thought that he had paid him.
The panorama of Africa had not only been finished and paid for, but it had been exhibited to a large number of clergymen of all denominations, at the lecture room of an up-town church. The clergymen, being debarred from attending secular amusements, as a class, had gladly accepted the invitation of "Professor Wesley" (Tiffles's panoramic name), and brought with them their wives and a number of children apiece.
The panorama was rigged up at the end of the lecture room, in front of the desk, under the personal supervision of a former assistant of Banvard's, and worked beautifully, saving an occasional squeak in the rollers.
Tiffles, in his character of Professor Wesley, told his story glibly and with perfect coolness, interspersing the heavier details with amusing anecdotes, which made the ministers smile, and brought out a loud titter of laughter from the ministers' wives, and tremendous applause, inclusive of stamping and the banging of hymn books, from the ministers' children.
One of the children, with the love of mischief peculiar to that division of the human family, had provided himself with peas, and, taking advantage of the partial darkness in which the panorama was exhibited, shot those missiles with practised aim at Professor Wesley, and now and then hit him in the face. The lecturer kept in good humor; and when, after a smart volley of peas, Rev. Dr. A---- arose, and suggested that these disturbances were disgraceful, and, although he did not wish to meddle with the household government of his brethren, he thought that the children who were guilty of such outrages ought to be taken home, soundly whipped, and put to bed--when Rev. Dr. A----, moved by just indignation, did this, the lecturer smiled, and blandly said: Oh, no; he wasn't annoyed in the least (at the same time receiving a pea on his left cheek). He would trust to the generosity of his young friends not to fire their peas too hard; and he hoped that the reverend gentleman would withdraw his suggestion.
Cries of "All right, brother!" "We'll keep the boys quiet!" "Go on! go on!" went up from all parts of the room. Rev. Dr. A----, yielding to the pressure, sat down, and received, at that moment, one pea on the right eye of his gold spectacles, and another square on the end of his nose. The two peas were fired by his second son John, who had been delivering this invisible artillery all the evening from the other end of the identical pew in which the Rev. Dr. was seated. He groaned in the spirit, and muttered something to Mrs. Rev. Dr. A---- about the degeneracy of other people's children, which made that lady chuckle low, under cover of the night; for she knew that her second son John was the pea-shooter, and had made vain efforts to stop him, by pinching his leg, though the good matron could not help laughing at every fine shot achieved by her promising boy.
Professor Wesley "went on," as requested, and so did the pea-shooting, until John's stock of ammunition gave out.
The lecturer had ransacked the Society, Astor, and Mercantile libraries, and stuffed himself with facts touching the interior of Africa, so far as that mystery had been explored. Fortified with these facts, and a lively imagination, he found no difficulty in satisfying the curiosity of his auditors on every point; and answered questions of all sorts, which were fired at him even thicker than the peas, without the least hesitation.
When the exhibition was over, every clergyman present signed a certificate declaring that they had been highly entertained and instructed by the Panorama of Africa, and Mr. Wesley's able lecture; that they considered the painting a masterpiece of moral Art, and cordially recommended it to the patronage of an enlightened public.