Not everyone sees it, but I glimpsed the man
inside our terrier. We’d walked up the lane,
he stood back, a second, to let me in
through the gate, so courtly that, on my inner eye,
I saw him for the first time clearly
not a dog but a dish dressed in soft chamois,
tall like a prince, with thigh-length boots.
I said I would marry him. Sepia street lights
were our veil as, with love, I opened the locks
to our royal dwelling. Then, back on all fours,
he was wagging his tail by the kitchen door.
Beauty hides in the beast. This is the law.
Caught in a traffic jam outside the Monico
cinema, a girl called idly on Apollo,
not meaning it. A stranger steps in. ‘We’ll go
up to the Beacons,’ he said. ‘I am
the answer to your prayers, a dangerous man,
not deus ex machina but lunatic in van.’
So she drove, directed by his Stanley knife,
fearing now for her hairdresser life
on B roads, till he’d ravished her enough
in lay-bys, near beauty-spot streams
to satisfy her kidnap dreams.
They say she made it all up. But how come
her joy, despite all the names she was called
by hacks and her neighbours? How come she recalled
such transport of love, a shower of gold?
Of course the poet Juan Ramón Jiménez
saw the sirens sink into mercury seas
off the coast of America. A disease
of the literal meant that his eyes
could focus on metaphor. Manatees
were mermaids. The Furies
came later. Once such figures are in the frame
you’re finished. The way things seem is no longer home.
Sirens never stopped singing for him.