OTHER TITLES IN THE SHORT CUTS SERIES
THE HORROR GENRE: FROM BEELZEBUB TO BLAIR WITCH Paul Wells
THE STAR SYSTEM: HOLLYWOOD’S PRODUCTION OF POPULAR IDENTITIES Paul McDonald
SCIENCE FICTION CINEMA: FROM OUTERSPACE TO CYBERSPACE Geoff King and Tanya Krzywinska
EARLY SOVIET CINEMA: INNOVATION, IDEOLOGY AND PROPAGANDA David Gillespie
READING HOLLYWOOD: SPACES AND MEANINGS IN AMERICAN FILM Deborah Thomas
DISASTER MOVIES: THE CINEMA OF CATASTROPHE Stephen Keane
THE WESTERN GENRE: FROM LORDSBURG TO BIG WHISKEY John Saunders
PSYCHOANALYSIS AND CINEMA: THE PLAY OF SHADOWS Vicky Lebeau
COSTUME AND CINEMA: DRESS CODES IN POPULAR FILM Sarah Street
MISE-EN-SCÈNE: FILM STYLE AND INTERPRETATION John Gibbs
NEW CHINESE CINEMA: CHALLENGING REPRESENTATIONS Sheila Cornelius with Ian Haydn Smith
SCENARIO: THE CRAFT OF SCREENWRITING Tudor Gates
ANIMATION: GENRE AND AUTHORSHIP Paul Wells
WOMEN’S CINEMA: THE CONTESTED SCREEN Alison Butler
BRITISH SOCIAL REALISM: FROM DOCUMENTARY TO BRIT GRIT Samantha Lay
FILM EDITING: THE ART OF THE EXPRESSIVE Valerie Orpen
AVANT-GARDE FILM: FORMS, THEMES AND PASSIONS Michael O’Pray
PRODUCTION DESIGN: ARCHITECTS OF THE SCREEN Jane Barnwell
NEW GERMAN CINEMA: IMAGES OF A GENERATION Julia Knight
EARLY CINEMA: FROM FACTORY GATE TO DREAM FACTORY Simon Popple and Joe Kember
MUSIC IN FILM: SOUNDTRACKS AND SYNERGY Pauline Reay
FEMINIST FILM STUDIES: WRITING THE WOMAN INTO CINEMA Janet McCabe
MELODRAMA: GENRE STYLE SENSIBILITY John Mercer and Martin Shingler
FILM PERFORMANCE: FROM ACHIEVEMENT TO APPRECITATION Andrew Klevan
NEW DIGITAL CINEMA: REINVENTING THE MOVING IMAGE Holly Willis
THE MUSICAL: RACE, GENDER AND PERFORMANCE Susan Smith
FILM NOIR: FROM BERLIN TO SIN CITY Mark Bould
TEEN MOVIES: AMERICAN YOUTH ON SCREEN Timothy Shary
THE NEW HOLLYWOOD: FROM BONNIE AND CLYDE TO STAR WARS Peter Kramer
ITALIAN NEOREALISM: REBUILDING THE CINEMATIC CITY Mark Shiel
WAR CINEMA: HOLLYWOOD ON THE FRONT LINE Guy Westwell