CHAPTER ONE

THE SOUND OF BELLS

Any time, any place, the sound of bells reminds me of Oxford. Venice at evening: I’m transported back to childhood. The water dissolves into the River Cherwell, St. Mark’s fades into Christ Church doorway, the romantic gondolas become everyday bicycles. Much later, when I discovered for myself the poetry of Edward Thomas, his most famous poem became transposed in my mind: all the bells of Oxfordshire, not the birds, sang for him at Adlestrop. And for me ever since.

I was not in fact born in Oxford—although I sometimes feel I was—but this tremendous influence began to exert itself before I was three years old. In May 1935 I remember being lifted from my bed at my parents’ home on Rose Hill, South Oxford, in the middle of the night and taken on an adventure. The next thing I knew I was gazing at a lofty stone tower, all covered in lights, like a heavenly apparition. When I asked in a mystified voice what was going to happen now, I was told rather crossly to admire the tower.

“It’s the King and Queen,” I was informed. Which was the King, which was the Queen? There were all kinds of possibilities in the illuminated darkness of the summer night. For that matter what was the King…Nobody enlightened me further. Soon I was taken back to bed, unaware not only that it was the Jubilee of King George V and Queen Mary, but also I had been gazing at the tower of Magdalen College, the foundation stone laid in 1492, and at 144 feet the tallest building in Oxford. Nevertheless I knew that I had been allowed to glimpse something extraordinary; I had gazed through the window into another magic world of ancient towers and stones which surely only appeared under cover of darkness.

My feeling of privilege deepened the next morning when my younger brother Thomas somehow realized that he had been excluded from a grown-up treat, and screamed with rage. This increased my feeling of possessiveness about what I had seen. Wonderland was clearly not for everyone. That memory of wonderland persisted. Asking for an unspecified recording of Oxford bells among my Desert Island Discs in 2008—the first time such a choice had been made, I believe—I was enchanted to discover that the bells in question were those of Magdalen College. As I listened, wonderland once more returned.

I was born on 27 August 1932. The headline of The Times for that day was: GERMAN CRISIS; it went on to comment rather wearily: “with the start of a new week, the stage is set for another of the periodic German crises.” (The Nazis were already the largest party in the Reichstag: six months later Hitler was made Chancellor.) An unspoken commentary on what happened when such crises bubbled over was provided by the In Memoriam column. It was led by the names of those who had died “On Active Service” in the war which had ended fourteen years earlier: rather more than half the entries.

Of more obvious concern to those in London, there was a heatwave. A few days earlier, standing at the window, Virginia Woolf said to herself: “Look at the present moment because it’s not been so hot for 21 years.” As for my mother, throughout the long humid days of waiting, she spent all her time in the water happily if impatiently, often accompanied by her young sister-in-law Violet. This might incidentally explain my lifelong addiction to swimming: since my earliest memory I have always understood what John Cheever expressed so eloquently: “To be embraced and sustained by the light green water was less a pleasure, it seemed, than the resumption of a natural condition.”

The event took place in a house in Sussex Gardens loaned by Margaret, Countess of Birkenhead, widow of my father’s patron, F. E. Smith. Thus it was both a home birth, as was customary with women of my mother’s class in those days, and an away-from-home birth, upped from a cottage to a grand London residence. Today I sometimes gaze at what is now Riyadh House, and contemplate the small patch of railed-in garden outside in the middle of the road round which taxis swirl on their way to Paddington. My first outing to this patch, on the fifth day, was duly noted in my mother’s magisterial Progress Book (with its daunting preface by the publisher: “If the suggested records are carefully made, they will prove of invaluable assistance to the doctor in later years”). Impossible to contemplate leaving a baby in a hugely ostentatious Thirties pram alone there now, but with the sublime confidence of the time, my mother simply noted: “a strong wind, glimpses of sun, roar of traffic.”

She also noted that I was born at 2:45 a.m. BST, which placed me with the sun in the sign of Virgo and the sign of Cancer rising. The latter delightful information, which made me brilliantly hard-working yet oh, so sensitive and caring (no one ever seems to have a dull horoscope), I only discovered many years later when I was working with George Weidenfeld and Sonia Orwell: both of them boasted of being brilliant hard-working Virgos. It certainly meant nothing to my mother. On the other hand I was delivered by a female doctor, which obviously meant a great deal to her, with views on women which would have made her into a suffragette if the battle had not been won already by her valiant predecessors. In fact her twenty-first birthday fell in August 1927, so that she was able to vote in 1929, the first British General Election in which all women over twenty-one were able to do so.

When I was born, my parents, Frank and Elizabeth Pakenham, had been married less than ten months. My mother confided to me later that I was a honeymoon baby, conceived at Lismore Castle, in Southern Ireland, where the newly wed pair were staying with Lord Charles Cavendish and his wife Adele Astaire. When I was young, I managed to derive from this an exotic feeling of destiny—a castellated start to my life! It was in fact far more to the point that my parents’ marriage was one which would last for nearly seventy years, where the deep affection never failed and nor did the lively conversation which developed from the affection, to back it up.

It must have been sometime in the 1980s that my mother reported to me with shining eyes: “You know, Dada and I had such a wonderful time last night.” I began to speculate: Buckingham Palace, Windsor Castle (my mother was a devout monarchist in her later years) before she interrupted me: “No, no, just us: we had a fascinating argument about the proper role of the Papacy with regard to a Protestant country. Frank thought…But I totally disagreed…” Not everyone’s idea of romantic chat, perhaps, nevertheless it was clearly just as exciting for them to be arguing with each other some fifty years into their marriage as it had been at the outset. One notes, too, that in any argument they were equal partners in disagreement.

This outstandingly happy union did not in fact have a particularly auspicious beginning. Within the narrow confines of the British class system of the time, much narrower than it is today, with fewer ramifications, my parents came from completely different backgrounds. My mother, born Elizabeth Harman in 1906, was the daughter of a Harley Street doctor, Nathaniel Bishop Harman: she was in fact born and brought up at 108 Harley Street, where he had his consulting rooms as an ophthalmic surgeon. Her mother was Katherine Chamberlain, one of the seven daughters of Joseph Chamberlain’s brother Arthur; this incidentally meant that my mother was a cousin of Neville Chamberlain, the future Prime Minister, although their politics would be very different.

It was an extremely affluent setting in terms of comfort and style. A tall eighteenth-century house, 108 Harley Street contained both a residence and consulting rooms. My mother revealed to me that there had been five servants and, when I expressed ingenuous surprise, said carelessly: “Well, we needed a man to carry up the coal to the nursery on the top floor.” But of course the lavishness of domestic help, taken for granted by the middle class at that time—the Harman arrangements were nothing unusual—was a phenomenon which vanished altogether with the Second World War.

As a young woman Katie Chamberlain had herself trained as a doctor: a comparatively early example of a female in the profession. She qualified at the Royal Free Hospital; although it was said that Katie had only ever earned one fee of £3 for extracting a wisdom tooth, before marrying Nat Harman in 1905. My grandmother was then thirty-three and immediately gave up her profession to bear five children, while running the household at Harley Street. You could say that my mother was offered two possible role models if she contemplated her own mother’s career. On the one hand Katherine Harman was a woman who had actually trained for a profession—out of choice, since the Chamberlain family was by most standards wealthy. This state of affairs was still unusual. On the other hand, my grandmother was a woman who had instantly abandoned her profession on marriage and thrown in her lot with her husband and family. In later years, as I began to contemplate the trajectory of my mother’s life with detachment, I could discern both influences.

At the time of my parents’ courtship, it was more important that the Harmans were proudly middle-class. This was a time when refinements such as “upper middle-class” and “lower middle-class” were not in use or, if they were, they were not in use by my mother. On the contrary, she brought me up to believe that not only were we purely and simply middle-class, but that this was the most striking, splendid, admirable thing to be. This impression is confirmed by my father’s account in his autobiography Born to Believe: Elizabeth prided herself on being a member of the middle class, who were “the salt of the earth.” There were other classes of course; but the upper class were the “non-spinners” of the Bible as in “they toil not neither do they spin”—the lilies of the field; the poor on the other hand were there to be helped. I’m not sure in her heart of hearts my mother ever really deviated from this position.

Certainly she left me with an early impression of the extravagance, fecklessness, unpunctuality and impracticality of the upper class—as epitomized by our father, in contrast to her own neat, strong virtues. My mother for example carved a joint with skill and drove a car with determination; my father did neither of these things. She also wrote in a clear, immaculate handwriting without crossings out…my father conveyed his thoughts in a series of parallel unbending strokes of the pen in which occasional words like TOP SECRET stood out but which were otherwise totally illegible. Nothing captured the difference between them so vividly for a child as the contrast in these two modes of parental expression.

The Harman grandparents who had produced this intelligent and attractive eldest child—Elizabeth was both these things in the opinion of her contemporaries, who elected her an Isis Idol in the undergraduate newspaper when she was at Oxford—were formidable people. Or so I found them in the course of our frequent visits to their house, Larksfield, on the top of Crockham Hill near Edenbridge in Kent.

Grandfather was tall and terrifying as his blue eyes flashed above his white moustache. He had begun life as a Baptist, and even worked as a Baptist missionary at the Regent’s Park College before turning to medicine. Reluctantly he became a Unitarian to marry Miss Chamberlain, her family being prominent Unitarians; when I listened to him in his role of lay preacher at the local Unitarian chapel, I believe something of the old Baptist must have still been lurking. His style was lofty, almost manic, inspiring: as a preacher he carried the absolute conviction and excitement that comes from knowing you are in the right, with Someone Very Powerful not to say Almighty behind you (or rather above you) in case of any trouble. Many years later, trying to recreate the speeches of Oliver Cromwell in my imagination in order to attempt his biography, I drew on my memories of Grandfather preaching—that certainty that you were on the right side.

Nathaniel Harman was born in 1869 and did not marry till he was thirty-six. I have always supposed that this feeling of God-given patriarchal authority was something he carried over with him from the Victorian era: since it was nothing that I would encounter with my own father, with time I was grateful for the experience, and not only as a clue to the oratorical style of Oliver Cromwell. All the same I could understand why even my bold, fearless mother was frightened of him.

Grannie in contrast was small, but she was also frightening if in a more intimate way. Perhaps it was the fact that the pair were addressed as Mother and Father—such coldly descriptive words—which worried me, whose own parents were more sentimentally known as Mummy and Dada (the latter being Irish and what my father had called his own father). But if Grannie was small, she was also robust, with sturdy legs in brown stockings; a black straw was perched on top of her dark hair, as it seemed to me at all seasons. Here undoubtedly was a strong character, as we quickly recognized. When Thomas forgot to write her a thank-you letter for his Christmas present, she sent him nothing the next year except a note explaining the reason for its absence. It ended: “You are in my thoughts nonetheless”: this was more disquieting than comforting.

Grannie also brooked no opposition when it came to domestic rituals like washing up. On one occasion I adopted, apparently, a slapdash approach to cleaning the breakfast china. This was the famous blue-and-white willow ware which commemorated a Chinese legend in which a rich mandarin’s daughter elopes with his secretary; when he pursues the couple on to a bridge, they are turned into lovebirds, fluttering forever beyond his reach. In vain I tried to explain that I had been busy working out the story (which was true). I was sentenced to do the whole thing again “until it is clean.” “Perhaps it will never be clean,” I replied cheekily. “Just like the Augean stables.” I had just learnt about the Labours of Hercules and saw an opportunity to show off. Grannie did not answer. Her manner indicated that this particular labour would in fact be completed and pretty soon if she had anything to do with it.

Many years later, I acquired a copy of Grandfather’s poems from the Nonconformist Dr. Williams’s Library which was downsizing its stock. I found a romantic love poem, “True Heart,” written by Nat to Katie when their own children were “a brood of rising youth.” He explained their courtship—that of an established doctor to a young woman who was an aspiring doctor herself (and then abandoned her career for a husband and family):

I called, you came—

Leaving your wandering thoughts

Of men and measures great

Installed from infancy to strength

Of womanhood…

There were other references to her long dark hair and bright eyes. For the first time I pictured my awesome grandparents as they had once been, lovebirds of a sort, fluttering above a bridge.

I never knew my paternal grandparents, Thomas Pakenham, Earl of Longford and Lady Mary Julia Child Villiers, daughter of the Earl of Jersey. The latter died shortly after I was born, and my grandfather was killed leading his men at Gallipoli in 1915. This tragedy was certainly the central fact of my father’s youth—he was nine years old at the time—and continued to weigh with him in countless ways; his attitudes to war, militarism, military service and pacifism could all be traced, I believe, to this moment when the little boy had to understand that his beloved father, his protector, had vanished for ever. “On this dark battlefield of fog and flame Brigadier-General Lord Longford…and other paladins fell,” Winston Churchill would write in his history of the First World War. My father would intone the words to his children: the emphasis was on “paladins.”

His grief was underlined by the fact that his mother did not like him. Frank was the second son in a family of six children, and the best defence of my grandmother’s behaviour—which several of his sisters confirmed to me when I questioned them—was the siblingesque comment from one of them: “Well, you see, Frank was a very irritating child.” The truth of it, I believe, was something different. It was not so much that my grandmother did not love annoying Frank Pakenham, as that she did love, and love passionately his elder brother Edward, who inherited the Longford title at the age of twelve on the death of his father. It was the kind of strong aristocratic-maternal predilection which could be felt atavistically for an eldest son.

There were many stories of her indifference—for there was no cruelty here, just a lack of interest—to her clever second son. Rumbustious, irritating, uppish my father may well have been, his uninteresting destiny to be that of an impecunious relation, possibly working in a bank, at any rate unknown to history (a remarkably false prophecy). But clearly Frank had a mind of great concentration. For one thing, from an early age he was keenly interested in politics; he was the kind of child who delights in asking the grown-ups searching questions, and perhaps we can discern some of the seeds of the irritation in that fact.

While he was still at prep school, Frank examined his mother keenly about the German Peace Proposals in a letter home: “as I only caught a hasty glimpse of them in Mr. Stubbs’ paper before he took it away. From what I see,” wrote young Frank, “it looked as if they won the war.” It was significant that Frank would cite his beloved father’s “patience and gentleness in response to my interminable questionings” as his chief personal memory of him. He recalled their countless walks—which ended of course abruptly when he was nine—and his eager enquiries: “Is Bonar Law a good man? Could a British battlecruiser beat a German battleship?,” with the odd bloodthirsty question thrown in: “Could you shoot a man on that hill from here?”

Mary Julia exhibited a very different attitude. Frank recorded that his mother would not let him try for a scholarship at Eton, on the grounds that it would take the bread out of the mouths of the needy—although there was a tradition of Oppidan Scholars, honoured but unfunded, which would surely have been appropriate. This indifference to her younger son’s undoubted intelligence reached its most acute form in her reaction to Frank’s final degree at Oxford. Travelling in a train with her best friend Olive Baring, Lady Longford started to scour The Times for the Oxford results. After a while, she threw down the paper in disgust: “Oh really, it’s too bad, Frank hasn’t even got a degree.” She had read through the list of Seconds, Thirds and lastly Fourths. It was left to Olive Baring to take the newspaper from her hands and, after looking at it, observe gently: “But here is Frank’s name. He’s got a First.”

The ancestral home, then known as Pakenham Hall, was in the South of Ireland, not far from Mullingar. Frank wrote later that Ireland was always home to him and London never was. In fact his widowed mother brought up her children mainly in a large country house in Oxfordshire, North Aston Hall. Here he played tennis for the county, as he would proudly recall when defeating his children with cunning sliced shots low over the net. He hunted as his father had before him (my grandfather was a Master of Foxhounds, which meant that hunting was a sacred subject, not to be criticized). But it was the Ireland of the holidays that captured Frank’s imagination. Long before Socialism and Catholicism preoccupied him—to say nothing of his feelings for my mother—his heart went out to the Irish, the terrible desolate history of their country leading inexorably to fierce Irish nationalism. As a young don, his first book—his best book—was Peace by Ordeal concerning the Anglo-Irish Treaty of 1921.

It could perhaps be described as a quixotic interest in that, as an aristocratic family, the Pakenhams were Protestant Anglo-Irish Ascendancy…Somewhere in the past—it would be years before I learnt exactly when—a house and estate previously called Tullynally had been transformed into Pakenham Hall. It was a subsequent transformation at the end of the eighteenth century which turned Pakenham into the Regency Gothic castle that entranced my father—and would in turn entrance me. Frank wrote lyrically about the view from the top of the tower—“all mauve and deep green”—in a rare literary reaction to landscape. It was indeed the castle’s elevated position in the middle of Ireland which made it special for the young then and later: high above the bog, and near to the Lough Derravaragh, setting for the legend of the Children of Lir, who were turned into wild swans by their stepmother.

If 108 Harley Street needed five, then Pakenham Hall needed fourteen indoor servants, it seems, and twenty gardeners. My grandmother was herself brought up in aristocratic splendour as the daughter of a famous Tory hostess, Margaret Countess of Jersey, a founder of the Primrose League. The proverbial energy of her mother meant the emergence of a shy young woman in Mary Julia Villiers. As her sister Beatrice once told me: “Our mother [Lady Jersey] had seen every play, read every book, knew every important person, we never felt any urgent need to do those things since she had done them for us.”

Nor did this splendid woman leave the scene early. Great-Grandmamma, as she was known, lived until 1945 (having been held in the arms of the famous Duke of Wellington as a baby). This enabled Frank to visit her in the course of the Second World War. She told him how surprising she found the presence of the Russians on our side: “You see, the first war I remember was the Crimean War and we had them against us then.” I came to treasure this link with history, when such links became a private obsession of mine; she died when I was thirteen and there were frequent visits to her at Middleton Stoney near Oxford. Thus, by exaggerating only a little for dramatic effect, I could claim to know someone well who knew the Duke of Wellington.

Returning to Mary Julia, this shyness, or perhaps reserve was a fairer word, was only enhanced by the tragedy of her widowhood. And then there were the tortures of rheumatoid arthritis of the years before her death at the age of fifty-six. (Brigadier Tom must have carried some gene of longevity since, of their six children, one died at the age of one hundred and two, two reached their mid nineties, and one was eighty-nine.)

Mary Julia became remote, so remote that her visits to the nursery were rare events indeed. Later she explained this to one of her daughters: “You see, whenever I entered the nursery, the nanny and nursery maids all stood up. And remained standing up until I left. It seemed so tiring for them to do this, so I kept away from the nursery.” No other course of action—asking the nurses to sit down, for example—had remotely crossed her mind. This was certainly not an upbringing from which a self-reliant male, in the modern practical sense of the word, could expect to emerge. Nor did Frank confound this expectation. As he himself admitted in his autobiography, he had never made a bed nor cleaned when he joined the army at the beginning of the war.

In short, my father not only could not boil the proverbial egg—perhaps that was not so unusual for someone of his generation and background—but he could not reliably boil a kettle. When my mother had a major operation in her eighties, considerable care was taken to instruct Frank in routine maintenance, while he lurked alone in their small Chelsea flat. There was talk of a cup of tea being successfully made and some pride on the part of the instructor. “Yes, I have had a cup of tea. More than one,” confirmed my father with careful attention to the truth. It turned out that he had in fact paid a twice-daily visit to the workman’s café up the road.

Clothes were frequently a disaster area. A handsome young man with rumpled thick brown curly hair—I can still remember the curls which gave way early to the magnificent, unmistakable, naturally tonsured head so beloved of caricaturists—he matched the rumpled curls with his rumpled clothes. Buttons escaped joyfully from buttonholes, just supposing there was a full complement of buttons there in the first place. Certainly there was always the danger of an undone button when Frank was making speeches from the platform during the General Election of 1945; we children took with sangfroid the fact that it might be necessary to admonish him: “Flies, Dada.”

In total contrast to this charming, rumpled person was the exquisitely neat Elizabeth Harman who went up to Lady Margaret Hall, Oxford in 1926 and subsequently read Greats like Frank (having changed from English). Much loved by her parents, for all their rigid style of parenting, much encouraged, she had the self-confidence of the beloved first child. Pictures of her at Oxford, in her Isis Idol days, show a graceful figure, taller than her mother but only by a little, certainly far below my father’s six foot one and a half (a height we learnt to reel off with respect, not forgetting the half).

My first memories of her, not so many years afterwards, when she was in her late twenties, were of brightness, even sharpness. Her elegant short straight nose, for example, stuck out sharply into the world, indicating that she was on the watch—in my case for wrongdoing, mainly carelessness and slapdash untidiness. (In my Progress Book, this was regularly ascribed to my Pakenham inheritance.) Her hair was black, her eyes were brilliant blue and their gaze was certainly sharp enough. I’m not sure how classically beautiful she was, but Elizabeth Harman was immensely pretty, irresistibly attractive and above all she had energy and optimism. People enjoyed the company of “Harman,” as male undergraduates rather snobbishly called the few female ones that they condescended to know.

The first meeting of this disparate pair, Frank and Elizabeth, became the stuff of legend. Or perhaps fairy story would be a better description. The story came in two episodes. In the first episode: On a summer’s night a beautiful Oxford undergraduate wandered down a corridor during a ball at Magdalen College and was amazed to find a large figure, dressed in the blue-and-yellow uniform of that (now notorious) club the Bullingdon, slumped across a chair fast asleep. The face, she remembered sixty years later, was “of monumental beauty, as if some Graeco-Roman statue—the Sleeping Student maybe—had been dressed up in modern clothes by some group of jokers.” She wondered idly what kind of girl would have left such a partner fast asleep.

The second episode took place the next night. This time our popular heroine was at a ball in New College (her current beau was the future leader of the Labour Party, Hugh Gaitskell). Shown into a room in the Garden Quad, who should be lying along the sofa “fastly and serenely asleep” but her vision of the night before. The spirited Elizabeth did not hesitate. Bending over the vision, she planted a kiss on his forehead. “Now kiss me,” she said as the vision opened his large brown eyes. “I daren’t,” he replied, before promptly falling asleep again.

One might add as a footnote to this that if my mother had found my father on a sofa for any number of balls, any number of nights, he would probably have been asleep. Little did she know at that point that there would be a myriad of occasions in years to come when the happy couple would spend the evening with Frank sleeping sweetly on their own sofa, a book fallen down beside him—frequently the Bible in later years—while Elizabeth read some work of History. (The ability to fall asleep whatever the company was an endearing trait—or so I came to regard it when I found that I had inherited it myself.)

Yet after this fabled beginning, actual romance took some time to develop. The future parents did not share the same friends, nor for that matter politics at that date. My mother was starting to investigate the possibilities of Socialism, animated, I believe, by a general desire to continue the philanthropic tradition of her forebears: philanthropy was always a prominent characteristic of dissenters, such as the Chamberlains and the Kenricks (her maternal grandmother, the wife of Arthur Chamberlain, was a Kenrick). My father came of traditional Tory stock, both the Pakenhams and the Villiers being conventional Conservatives. The marriage of Julia, daughter of Sir Robert Peel, to the future Earl of Jersey in 1841 meant that Frank was actually descended from a Tory Prime Minister. As a bright young man fascinated by politics, he set his sights on working in the Conservative Central Office.

The girls my father knew were certainly not at Oxford, or if they were, it was not as undergraduates. They were in fact the young women who came from the rather narrow social class in which he grew up. They were definitely not intellectuals in the way that my mother was naturally educated to be. Typical of them was the high-spirited and eccentric Maureen Guinness with her blonde hair and huge hypnotic blue eyes (and her Guinness fortune). Frank was extremely fond of Maureen: later she would be appointed my godmother. But as a potential admirer, those timid words—“I daren’t”—summed up Frank’s attitude. Inhibition, not too difficult to trace back to his awkward relationship with his mother, meant that he remained a clumsy suitor, if he was a suitor at all.

Even a story told by my mother about their first date in a restaurant—my father neither confirmed nor denied it—seemed to indicate the gap between them at that time. The meal was over. Wine remained. The lights were low over the little table. Then Frank leant forward and began to recite:

“Now sleeps the crimson petal, now the white…” He continued to the end of the poem:

So fold thyself, my dearest, thou, and slip

Into my bosom and be lost in me.

Elizabeth was just about to murmur: “I love Tennyson” when Frank said shyly but with determination: “I wrote that.” What was the proud young English scholar to say now? Laughter? Dismissal? On her answer hung the fate of eight children, twenty-seven grandchildren and goodness knows how many great-grandchildren…Then from Elizabeth came the simple, truthful comment: “It’s very beautiful.”

Now a dream inspired Frank to invite Elizabeth to Pakenham Hall during the summer holidays. Then matters progressed further in a direction which would be important to both their futures. They arranged to be together, working at the Workers’ Educational Association in Stoke-on-Trent. It was in a hotel in Stoke, quite late at night, that Frank had the confidence to express the ardour he had long felt, and we must believe that Elizabeth shared—only to find the hotel manager irately throwing them out of the hotel on grounds of public misbehaviour: “Look here, Pakenham, you can’t stop in here.”

It was thus in the waiting room of Stoke station that my parents finally got engaged. Another legend came to be born about that too—my first husband Hugh Fraser was the local MP for neighbouring Stafford and Stone. Making an enthusiastic speech recommending me to his constituents, he surprised them by boasting: “My dear wife Antonia was conceived in the waiting room at Stoke-on-Trent station.” This however, as we have seen, was very far from being the case.

Nor did the path of true love run smooth even at this apparently late stage. The next step was for Frank to approach the frightening Nathaniel Harman in his room at 108 Harley Street and formally ask for his daughter’s hand in marriage. So the scene was set. Frank entered the study. Elizabeth—still known by her childhood name of Betty to her parents—waited outside. After a while both Frank and Nathaniel Harman emerged; Elizabeth knew at once that something had gone wrong. Frank looked “pale and alarmed”—she does not record how her father looked. At any rate Frank immediately left the house and a tacit decision was taken to abandon the planned announcement of the engagement in The Times. Frank had lost his nerve. Nothing had happened, nothing at all.

When I became interested in my parents’ previous lives, I found my mother’s endurance of such a humiliation astonishing. I was quite sure that few people would have had the character or the confidence to let such a relationship survive. Yet somehow it did survive, if in an atmosphere of melancholy, even depression, on both sides. This seems to be summed up by Frank’s Christmas present to Elizabeth several months later: a pearl bar brooch from Asprey’s, with the note: “Elizabeth from Frank, Love, kisses and tears”—pearls of course traditionally meaning tears. And my mother’s reaction? As she wrote in her autobiography nearly sixty years later: “I wore it; until one day it dropped off and was lost forever; perhaps not a bad omen, though I still keep the empty case.” When I read this, I asked her how she endured the situation, an exceptionally attractive young woman, hardly at a loss for admirers.

“Oh, I knew it would all come right in the end,” she replied with that marvellous confidence which surely drew the unhappy depressed Frank towards her in the first place. It is noticeable that my father does not refer to this incident, this false start, at all; in his account in Born to Believe there is simply an inevitable path towards marriage, whereas over a year passed between that episode in Harley Street and their eventual wedding on 3 November 1931. With hindsight it is easy to see that my father’s emotional fear of commitment—as it would now be termed—sprang from his feeling of personal inferiority induced by his upbringing. What is much less obvious today, is the tradition of an aristocratic family in which the much less well-endowed younger son remained a bachelor for life—or until such time as his elder brother died unmarried, or without children, when his own services might be drafted in. Frank had in fact two bachelor uncles who were part of his widowed mother’s support system: her own brother Arthur Villiers and his father’s brother, known as Uncle Bingo. Both were and remained unmarried.

Arthur Villiers was a particular influence on Frank, in some ways standing in for the father figure who had vanished. He used to quote his own mother Lady Jersey’s philosophy of life as being the right one: “If you have to live in this wicked world, you should endeavour to make some contribution to its welfare.” Certainly Great-Uncle Arthur was as good as his mother’s word. He was prominent among the Old Etonians who supported the Eton Manor Club in Hackney Wick for East London boys, devoting the whole funds of his highly successful investment trusts to philanthropy. The fact that Arthur Villiers also played cricket for Eton (modestly describing himself as the worst boy ever to get into the Eton XI) must have been partly responsible for my father’s lifelong predilection for the game.

As matters progressed, Frank and Elizabeth got to the stage of working out that between them—my mother’s middle-class allowance being rather larger than my father’s upper-class one—they would have about one thousand pounds a year (roughly fifty thousand pounds today). Both of them felt that for two people this indicated poverty, my mother with energetic determination that my father’s extravagance should be curbed, my father with a fatalistic shrug of the shoulders: for him some kind of guilt lurked around joy itself, making it certain that life could never be easy.

Stairways, their first home, was a cottage in Buckinghamshire, not far from Hartwell. I learnt later that Uncle Arthur Villiers compared Stairways to a battered HQ behind the lines in war-torn Flanders. Perhaps he had a point. My mother was fond of telling two stories about their earliest married life. In the first, the young couple wondered how they would wake up in the morning.

“But won’t they bring us a cup of tea?” asked Frank in surprise.

“Darling, you don’t understand,” replied Elizabeth. “We are they.” (They soon stopped being “they” however; I note from Born to Believe that subsequently a married couple got crammed into the establishment…)

The second story concerned the arrival of bailiffs at the cottage due to unpaid bills—that fatalistic shrug of the shoulders.

“They tried to take that pram,” my mother would declare histrionically, indicating the very pram, now filled with some subsequent arrival. “Then I pointed out that you, Antonia, were in it.” When I first heard this story, I got a vague feeling of being unwanted—even by bailiffs, whoever they might be. Perhaps it was the presence of the many subsequent claimants for the pram. Then my mother explained that the bailiffs were actually very nice people and had ended by bringing my father that famous missing cup of tea in the morning. This left me still no clearer as to what bailiffs might be; when I developed an early obsession with the story of Robin Hood—which contained a prominent Bailiff in the first version I read—I was even more confused.

The actual wedding date had to be postponed by a week to cope with the General Election of 1931. Frank and Elizabeth were in fact working on different sides: Frank went down to support the Tory Lady Astor, one of his kindly patrons, in Plymouth, while Elizabeth was in Birmingham in support of the Labour candidate for Kings Norton. The result was a massive Labour defeat and Conservative victory. This sharp split in allegiance does not seem to have caused them any problems. On the eve of the wedding Frank sent Elizabeth a short, touching note saying how much he looked forward to being married to her; years later when Elizabeth was researching the life of Queen Victoria, she was charmed to find that the young Queen had sent a similar eve-of-wedding message to Prince Albert, whom she hailed as “my most dearly loved bridegroom”; Elizabeth routed out her own treasured note for comparison.

And so on 3 November 1931 my mother was taken down the aisle by Nathaniel Harman, while behind her trailed twelve adult bridesmaids, including Chamberlain cousins from her past (Neville’s daughter Dorothy among them) and future Pakenham sisters-in-law. There was still some social oddity about the occasion. The church chosen was St. Margaret’s, Westminster—a prominent and historic Anglican church next to the Abbey. Frank, if anything, was a member of the Church of England (or Ireland). Elizabeth on the other hand, raised as a Unitarian, had never even been baptized. It was left to their mutual friend, the well-informed Anglican John Betjeman, to point out that the marriage was actually invalid by the laws of the Church of England, according to which both parties had to be baptized. In view of the happy fertility of the marriage, it sometimes amused me to point out to my mother that she really needed to get married again and this time, properly…to legitimize us all in the eyes of the Church.

Frank left the Conservative Research Department in the summer of 1932. There followed a brief period as a journalist, first on the Spectator, then for the Daily Mail. This included—mirabile dictu—the writing of fashion articles, about which he later reminisced to us children, incurring a scepticism which I subsequently discovered was unjustified. Had he not once famously predicted that “Woman this year is to be very demure, very modest and very plain Jane”? After that he found what my mother would term in her memoirs, surely correctly, “a more appropriate job,” lecturing on Politics at Christ Church, Oxford.

This was to be the setting for my earliest impressions of my father at work: the penetrating, icy cold of his rooms in Tom Quad, which made me think he must be being punished for some misdemeanour. Large, dark grey and threatening, Tom Tower forms the background to other pictures of Frank playing rugger for the college: the same cold winds seemed to prevail. But stone was of course always cold in the stories: cold, strong but also exciting. So the Oxford bells began to ring out, as my parents settled into a large house called Singletree, on Rose Hill. The road running past Singletree actually led out of Oxford in the direction of Henley; but all my memories turn the road back into the city of Oxford where the bells were sounding.