Scene 1

                   [Enter PYTHIA from the side.]

PYTHIA

In these my prayers I honor firstly Gaia,

the primeval prophetess;

then Themis, who was second to possess

this place, her mother’s oracle.

The third to take it—by consent, no use of violence—

was another daughter born of Earth, named Phoebe;

she next gave it as a birth-gift to Apollo,

who now has the further name of Phoebus.

He, when he had left the rocks and lake of Delos,

10 made first landfall on Athena’s coast;

and the Athenians escorted him with reverence

on his journey to this place beneath Parnassus.

They pioneered a sacred way from there

by civilizing lands that had been savage.

The people of this country and their ruler, Delphos,

honored him on his arrival.

Zeus inspired him with the power of prophecy,

and settled him, as Loxias, to be the fourth upon this throne.

20 These are the gods I name as prelude to my prayers.

Then next Athena-before-Delphi takes the pride of place.

And I pay homage to the Nymphs of the Corycian cavern,

favorite haunt for birds, frequented by the gods.

And let me not forget that Dionysus holds this upland,

ever since he led an army of his bacchants here

to weave a fatal trap round Pentheus, like a hare.

I call as well upon the river Pleistus;

and on great Poseidon;

and on Zeus supreme, who brings completion.

(30) After this I go inside to take my seat as prophetess.

If there be any Greeks here present,

let them now consult,

as drawn in order by the customary lot.

for I deliver prophecies as guided by the god.

                   [She goes in; there is an empty stage before she comes stumbling back out.]

Oh terrible! terrible to tell, to see . . .

horrors so foul they force me back outside the shrine,

and drain my strength so I can’t stand,

reduced to crawling on my hands and knees—

a terrified old woman is a nothing . . . no more than a child.

As I am entering the inner sanctum,

40 there I see beside the sacred navel-stone

a man who’s taken refuge as a suppliant,

his hands polluted with still-dripping blood:

in one he holds a naked sword, the other

grasps an olive-bough entwined with wool.

About him, fast asleep, there lie

the strangest band of women—not women really,

more like Gorgons . . . but then not Gorgons either. . . .

I did once see such beings in a painting,

50 pilfering the feast of Phineus.

But these ones have no wings, and are pitch black,

and utterly repulsive, reeking with disgusting snorts,

and from their eyes there drips revolting ooze.

Their whole appearance is not right for bringing near

the shrines of gods, nor human houses either.

I never have set eyes upon this race of creatures,

and I’ve no idea what country could

have bred them without damage or regret.

60 From now, though, it’s the master of this temple

has to be responsible for this—mighty Apollo.

He is the healer, prophet, seer, and purifier.

                   [PYTHIA goes off to the side she came from.]

Scene 2

                   [Enter APOLLO and ORESTES.]

ORESTES

(85) My lord Apollo, as you know how negligence is wrong,

so too you must find out how not to be unjust.

It is your strength that is my reassurance.

APOLLO

(88) Remember that, and don’t let terror swamp your mind.

I’ll not betray you, but protect you through and through,

both standing close, and from far off.

And I shall not be soft toward your enemies:

as you see now, these crazy females

have been overcome, plunged deep in slumber—

these abominations, ancient maidens, virgin crones.

No god gets close involved with them,

70 nor man, nor animal of any kind.

They cultivate the evil dark of Tartarus beneath the earth,

detested by both humans and the higher gods.

Yet, all the same, you have to flee; and show no weakness,

as they’re going to drive you over seas and lands.

Don’t let this struggle weary you,

but keep right on until you reach Athena’s city,

80 and then stay, your arms about her ancient statue.

There we’ll search out judges and beguiling words

which will ensure you are released from this distress

for all of future time—because I was the one

persuaded you to strike your mother dead.

I call upon you, Hermes, brother sharing

the same father’s blood: take care of him,

90 and faithful to your title, be the guide and shepherd

to my suppliant here; and bring him,

with the help of people that he meets, good fortune.

                   [APOLLO goes into the temple; ORESTES sets off in haste.]

Scene 3

                   [The ghost of CLYTEMNESTRA enters from the temple and speaks back to the Erinyes, who are sleeping inside.]

CLYTEMNESTRA

Sleep on! Sleep on!

Hey! What’s the use of you asleep?

Meanwhile, as long as I’m disdained by you like this,

I stay denounced among the dead by those I killed.

And so I wander in humiliation, held to blame

because, although I have been made

100 to suffer horribly by my own closest kin,

there is not one divinity enraged on my behalf,

not even for me butchered at my children’s hands.

Just bring yourselves to see these gashes in my breast!

Yet you have lapped up many offerings

that I have poured unmixed with wine;

and I have burned rich sacrifices for you in the night—

a ritual time not shared with any other god.

110 I see all this go trampled underfoot,

while he has managed to escape.

Like some young deer, he’s lightly bounded off

right from inside your nets, and boldly leers at you.

Hear me—it is my very self at stake.

Pay me attention, chthonic goddesses:

this dream that summons you is

Clytemnestra, me!

                   [Moaning noises from the Erinyes.]

Yes, go on moaning!

But meanwhile the man has got away.

120 [More moaning noises.]

You’re fast asleep, and feel no pity for my pain.

I am the mother that Orestes killed—he’s got away.

                   [Crying-out noises from the Erinyes.]

You cry aloud, yet stay asleep. Get up, I tell you.

What’s your function other than inflicting pain?

                   [More crying-out noises.]

Exhaustion joined in league with sleep

has drained the menace of your snakes.

CHORUS [with redoubled moaning noises and cries]

130 Get him! Get him! Get him! Get him!

Look, here’s the trail!

CLYTEMNESTRA

You run in hot pursuit of your dream-prey

with yelping like a dog intent upon the chase.

Yet you are doing nothing!

Get up, I tell you!

Don’t let weariness subdue your power;

don’t let slumber lull you senseless.

Feel stabbing in your guts from my reproaches,

blast him with your bloody breath,

and shrivel him with scorching from your womb.

Go after him; once more pursue, and bleed him dry.

                   [The dream-ghost goes; the CHORUS begin to wake each other and to enter in disarray.]

Choral Entry Song

CHORUS

140 Wake up!

And you wake her.

And I wake you.

What, still asleep?

Get up!

Kick slumber off.

Let’s find out

if this prelude points to deeds.

                   [Cries of anguish on finding ORESTES gone.]

Sisters, we have suffered,

labored hard for nothing,

suffered pain unhealing,

wrong beyond all bearing.

He’s escaped the trap-net,

and the beast has bolted.

We’ve been caught out napping,

and have lost our quarry.

Son of Zeus, Apollo,

you have played the robber.

150 You, the young, have ridden

over gods so agèd.

Bowing to the godless

killer of his mother,

you have been his cover.

Who could call this justice?

Reproachful dreams interrupted sleep,

blows like a charioteer’s keen whip,

160 reaching my innards, and stinging sharp.

Like being flogged in a public place,

I felt it biting as cold as ice.

This is the way they abuse what’s right,

these younger gods, who defile with blood

the sacred oracle head to foot,

smearing the earth’s central navel-stone

with indelibly filthy stain.

The prophet has polluted

the hearth of his own house,

170 self-prompted, self-invited;

and wrecked the gods’ own laws,

rights that are deep-rooted.

But never shall he free him;

that man shall not escape,

and down below earth even

his guilt shall keep him trapped—

revenge shall still consume him.

Scene 4

                   [Enter APOLLO from the temple.]

APOLLO

Out! Out, I tell you!

Leave this shrine immediately

180 and void the inner chamber of the oracle:

or you’ll be pierced through by a silver fang

sent flashing from my golden bow,

and that will make you fetch up livid bile,

and spew the human blood that you have swilled.

This temple’s not a proper place for you:

you should be rather where men’s heads

are severed, eyes are gouged;

where boys’ virility is mangled by castration;

where there’s amputation, stoning,

190 and men moan as they die slowly through impalement.

D’you hear the kind of god-detested

entertainment you take pleasure in?

Your whole appearance makes this obvious:

such creatures should by rights

live in a flesh-devouring lions’ den,

and not be smearing their defilement round this oracle.

Be on your way, then, herd without a shepherd;

there’s no god who wants to tend a flock like yours.

CHORUS LEADER

Now, lord Apollo, listen in your turn.

You are yourself no mere accomplice,

200 you’re the agent bearing full responsibility.

APOLLO

What do you mean? Just tell me that.

CHORUS LEADER

It was your oracle that told the man to kill his mother?

APOLLO

I gave an oracle that told him to avenge his father, yes.

CHORUS LEADER

Then promised to protect him, though still smeared with blood?

APOLLO

I told him to take refuge at this shrine.

CHORUS LEADER

And yet you still abuse us when we form his escort?

APOLLO

Because you are not fit to enter in this place.

CHORUS LEADER

But this role is the one assigned to us.

APOLLO

What can this function be, this fine prerogative?

CHORUS LEADER

210 We harry mother-killers from their homes.

APOLLO

And what about a woman who cuts down her man?

CHORUS LEADER

Ah, that would not be spilling her own kindred blood.

APOLLO

That means you rate as valueless the bonds

that wed together Zeus and Hera;

and Aphrodite is by your account discarded with contempt,

the god who offers what’s most close for humankind.

For man and wife the marriage bed, kept under guard

by justice, is more binding than an oath.

If they descend to murdering each other,

220 and you are to go easy, not applying your full fury,

then it’s not right, I say, for you to drive Orestes out.

I find you’re too concerned about one side,

and far too lenient with the other.

Athena shall arrange a trial to judge these issues.

CHORUS LEADER

Well, I shall never give up harrying that man.

APOLLO

Go on, pursue him; make more trouble for yourselves.

CHORUS LEADER

Don’t you attempt to whittle down my rights.

APOLLO

I wouldn’t want your rights, not even as a gift.

CHORUS LEADER

Because you stand secure beside the throne of Zeus:

230 but I am drawn on by a mother’s blood,

and shall pursue this man until I have exacted justice.

                   [The Erinyes set off in pursuit of ORESTES.]

APOLLO

And I shall take care of my suppliant.

A suppliant’s anger, if he is betrayed,

is fearsome for the gods as well as men.

                   [APOLLO goes back into the temple, leaving the stage empty.]

Scene 5

                   [Athens: Enter ORESTES, exhausted; he approaches the statue of ATHENA.]

ORESTES

Mistress Athena, I have come here on the orders of Apollo:

please receive the wanderer with favor.

I am not seeking refuge with my hands polluted:

any stain has been long blunted and abraded

through my journeys and my time with other people.

240 I’ve traversed both rugged land and seas

in my obedience to Apollo’s oracle;

and here I am before your temple and its image.

Here I stay, and wait for final judgment.

                   [Enter CHORUS in pursuit, like dogs on the track.]

CHORUS LEADER

Aha! Clear traces of our man!

Run down the clues of the informant with no voice:

like hounds that track a wounded deer,

we’re scenting out a trail of dripping blood.

My guts are gasping with our long, exhausting toils,

for we have scavenged every part of earth,

250 and skimmed across the seas, though with no wings.

And now at last . . . he’s cowering somewhere here—

the whiff of human blood is smiling out at me.

CHORUS

Search, search, and search again.

Look all round for the man.

Don’t let the matricide

escape with crime unpaid.

Ah! Here he is!

His arms hold in embrace

the statue of the goddess.

260 He’s hoping for legal trial,

but that’s not possible.

A mother’s pulsing blood

once spilled upon the ground

can’t be fetched up again;

it soaks in and is gone.

In return you must give

your red liquor, while alive,

so that eagerly we gulp

from your veins the sour syrup.

Once we’ve drained you hollow,

we shall drag you down below.

There you’ll see all who’ve sinned

270 against god or guest or kin.

For Hades keeps a tally

of every human folly,

and writes them down retained

in the ledger of his mind.

ORESTES

I’ve learned in my ordeals when is the time to speak

and when to keep my silence: at this crisis,

with a teacher’s wise advice, I should now speak.

280 The blood upon my hands is fading, sleepy;

and pollution from the killing of my mother

has been washed away, purged by Apollo at his hearth.

And I could tell of many I have visited

while causing them no harm.

So now I speak with purity and call upon Athena,

mistress of this land, to come and bring me help.

That way she shall recruit myself, my country,

290 and the Argives as true allies for the rest of time.

So whether she’s in Africa to help her friends,

beside the Triton’s flow, where she was born,

or else surveying Phlegra’s landscape, like a bold commander,

I now call on her to come—a god can hear far off—

so she may set me free.

CHORUS LEADER

No, not Apollo, not Athena can protect you

300 from the fate of wandering disregarded,

ignorant of feeling glad—

a dinner for us goddesses,

till drained of blood, a shadow.

                   [ORESTES does not respond.]

No reply? Contempt for what I say?

You have been reared, I tell you,

as an offering for me,

and you shall feed me live—

no need for ritual slaughter.

So listen to this hymn

that works to bind you tight.

Choral Song

CHORUS LEADER

Come then, let us link together

in our chorus, now that we are

set on showing off our gruesome

music. Firstly, listen how we

310 make allotments among humans

as we think is upright justice:

when a man is pure in actions,

there’s no threat of anger from us,

and he lives his life undamaged;

but the sinner who attempts to

hide his violent deeds of murder—

we bear witness for the victim,

and extract the blood-price from him

320 so he pays the final reckoning.

CHORUS

Mother Night, my mother Night,

now hear me.

As a goddess of revenge

you bore me.

Yet Apollo’s trying to

deprive me

of my rights by snatching off

this cringing,

consecrated creature from

my clutches,

which should be sacrificed

for bloodshed.

Over our victim

chant our refrain,

Erinyes’ hymn,

driving insane,

330 destroying his mind,

binding his brain—

tune without music,

withering refrain.

Moira’s thread has spun for us

this province:

to maintain forever as

our essence

power to follow with pursuit

untiring

those who’ve killed their closest kin

uncaring,

right down to the world below,

relentless.

Even there they are not free

340 entirely.

Over our victim

sing our refrain,

Erinyes’ hymn,

driving insane,

destroying his mind,

binding his brain—

chant without music,

withering refrain.

This standing was allotted to us

(350) from our birth:

to share no common feasting with

the gods above;

we have no part in rituals that

don white robes.

Our chosen role is as destroyers

of a house

when violent strife leads one to killing

kin most close;

then we wear down his strength and drain

him to a husk.

Because we free the other gods from

(360) this grim task,

they do not have to bring such cases

to the test.

And Zeus excludes our blood-soaked party

from his feast.

Men seem high and mighty

underneath the sky,

but they shrink and dwindle

to indignity,

370 crushed beneath the pounding

dances of our fury.

Down from above

I leap and stamp,

full weight of my leg,

limb strong enough

even to trip

an athlete’s step

with no escape.

Ignorant he tumbles,

damaged in his mind,

dark cloud of pollution

hovering around.

And over his household

380 grieving voices spread.

This is our task: resourceful we

make it complete and done;

long we remember wrongs, and press

implacably on men.

Away from gods we do our work

in murk that sees no sun.

390 What person feels no awe and dread

when hearing of our writ,

granted to us by the gods,

invariable, complete?

My state is honored, though beneath

the earth with no sun’s light.

Scene 6

                   [Enter ATHENA.]

ATHENA

From far away I heard a cry for help—

I was at Troy, where I was marking out the share of land

400 allotted by the leaders of the Greeks to me,

for the Athenians to keep forever as a special gift.

I’ve hastened all the way from there,

though not with wings, my snake-cloak whirring in the wind.

And now I see this strange new gathering of visitors.

I feel no fear, but still I am astonished at the sight.

Who are you—all of you, I mean?

This stranger by my statue,

                   [To the Erinyes.]

410 and you—you don’t resemble

any gods known to the gods,

nor do you have a form like that of any humans.

But it would be wrong of me to speak

discourteously of those who’ve given no offense.

CHORUS LEADER

You shall hear everything concisely, child of Zeus.

We are the daughters born of Night;

and in the world beneath the earth

we’re known as Curses.

ATHENA

So now I know your birth and title.

CHORUS LEADER

Next you should learn of our prerogatives:

(420) we harry people-killers from their homes.

ATHENA

Where does the killer’s running reach its end?

CHORUS LEADER

Some place where joy is quite unknown.

ATHENA

And that’s the way you’re hustling this man here?

CHORUS LEADER

We are: he thought it right to be his mother’s killer.

ATHENA

With no compulsion? Or in dread of some fierce anger?

CHORUS LEADER

Could any be enough to spur a man to kill his mother?

ATHENA

(430) There are two parties here, and I’ve heard only half.

CHORUS LEADER

Then test the case, and pass your judgment honestly.

ATHENA

And would you really hand to me the final outcome?

CHORUS LEADER

Indeed, if you respect us in return for our respect.

ATHENA [To ORESTES.]

Now, stranger, what have you to answer in your turn?

Tell me your country, family, and fortune;

and then defend yourself against their hostile charges—

440 if, that is, you are a solemn suppliant,

and taking this position by my statue out of trust in justice.

ORESTES

Athena, I shall first allay your anxious question.

I’m not here beside your image with my hands polluted.

I’ll give a weighty proof of this: it is laid down

a man with blood upon his hands is not allowed to speak

450 until he has been cleansed by one with power to purify.

Well, I’ve been purged in other places,

both by sacrificial blood and by the flow of water.

So now I’ll tell you of my family: I am from Argos,

son of Agamemnon, marshal of the naval force—

and you, with him, reduced Troy’s city to a nothing-place.

And yet he died a squalid death when he came home.

My dark-intentioned mother slaughtered him

460 once she had cloaked him in a rich-embroidered net,

complicit with his murder in the bath.

And I, when I eventually returned from exile,

killed my mother—I do not deny it—

to make her pay the price for killing my dear father.

And Apollo shares responsibility for this,

since he proclaimed that I would suffer

heart-impaling agonies if I did nothing to the guilty ones.

Now it’s for you to pass your judgment:

was it with injustice or with justice that I struck?

Whatever way you deal with me,

I shall assent to your decision.

ATHENA

470 This issue is too grave for any human

to assess decisively.

And it would not be right even for me

to pass a judgment which is bound to stir such anger.

On the one side, you’ve approached my temple

as a suppliant pure and free of harm:

these, on the other side, possess a function

that is far from airily dismissed.

And if they don’t emerge victorious in this affair,

then they shall drizzle poison of resentment,

which, as it falls upon the ground,

will spread consuming plague.

480 That’s how things stand—and either course

seems bound to bring down rancor.

So, since the issue has advanced this far,

I shall establish here a charter for all time:

a board of jurors, bound by solemn oath,

who shall be judges in the case of homicide.

                   [To both sides.]

You therefore should assemble here your witnesses

and evidence supportive for your case.

Meanwhile, I shall select the finest of my citizens,

and gather them to pass conclusive judgment here.

[Exit ATHENA; ORESTES stays.]

Choral Song

CHORUS

490 If these new rules now overrule,

then unjust justice will prevail

to win the mother-killer’s cause.

This act will set all humans loose

from decency; set people free

to murder with impunity;

leave parents helpless to stop harm

at children’s hands in future time.

500 Unhindered by our manic gaze,

all kinds of death shall be released.

Though all about the victims claim

they have been harmed by kindred crime,

they will not find that there’s redress

in answer to their anguished cries.

And though they try to stem their pain,

their remedies shall be in vain.

No use for anyone to shout

510 when they have been struck down:

“O Justice, O Erinyes

upon your lofty throne!”

Although a new-harmed father or

a mother’s anguish calls

for pity, it’s no use because

the house of Justice falls.

There is a way that terror can

improve the minds of men,

520 and fear prove beneficial since

good sense is reached through pain.

Those who do not cultivate

at heart a sense of fear—

the same for cities as for men—

will not hold Justice dear.

Don’t praise a life oppressed,

nor yet a life dispersed

in careless anarchy.

In every sphere the god

530 empowers the middle way.

I frame a thought that’s apt:

proud arrogance indeed

springs from impiety,

while from a mind with health

develops longed-for growth

of true prosperity.

I say that everyone

should treat the altar-stone

of Justice with respect;

540 don’t kick it in contempt

for some imagined gain.

There will be punishment.

What’s fixed remains secure:

with time it takes effect.

In view of this, be sure

to put first parents’ care,

and treat guests with respect.

550 The man of unforced justice

will be securely prosperous:

the man of lawless daring—

pirate-fashion steering

a cargo overloaded

with goods unjustly looted—

will end with sail in tatters,

and with his mainmast shattered.

He cries out from the circles

of overwhelming whirlpools,

but there is none to hear him.

560 God mocks the man so certain

that he’s immune from dangers.

He cannot ride the breakers;

wrecked on the reef of Justice,

he drowns unwept, unnoticed.

Scene 7

                   [ATHENA reenters with jurors, who bring on benches and two voting urns. It emerges that the scene is now set on the hill of the Areopagus.]

ATHENA

Now let the herald call the people here to order;

and let the piercing trumpet ring out loud and clear.

570 For as this council is assembled, silence is appropriate

so that the city as a whole may listen to my charter.

This will stand for all of future time,

(573) so justice may be well decided here.

(681) Now listen to my charter, citizens of Athens,

you who are the judges in this trial,

the first trial ever held for bloodshed.

This just assembly shall hold good

for my Athenians for evermore.

It shall convene upon this outcrop,

the encampment of the Amazons,

when they invaded and then fortified

this citadel confronting the Acropolis.

And here they sacrificed to Ares, which is why

(690) this hilltop has been named the Areopagus.

And here the sense of awe and inborn fear

shall keep my citizens by day and night

from doing wrong—provided they themselves

do not revise and tamper with the laws.

If you pollute clear water with bad effluent

and dirt, you’ll never find it good to drink.

So I advise my citizens to venerate a way of life

that’s neither anarchy nor yet oppression either.

And do not expel the element of fear

entirely from the city—who can live a life

that’s just, with no deterrent fear at all?

(700) If you maintain this kind of just respect,

you’ll have protection for both land and city

of a strength no other humans have achieved.

So this assembly here—immune from love of gain,

full of respect and fierce in righteous anger,

wakeful over those who sleep—

this I establish as a fortress for the land.

I have dwelled long on this advice

(708) for all my citizens for all of future time.

<But now, before proceedings are begun,

it is the proper time for witnesses

to be assembled. Are there any here

who wish to take their stand before our court?

                   [Enter APOLLO.]

APOLLO

Yes, queen Athena, I have come in haste,

departing from my shrine at Delphi

to be present here.

ATHENA

It’s only right, my lord Apollo, that you>

(574) exercise your power in your own province.

How is this issue of concern to you?

APOLLO

I’ve come to act as witness for this man:

he is my suppliant who looked for refuge at my hearth,

and there I purified him after bloodshed.

And I shall speak on his behalf,

580 since I am answerable for the killing of his mother.

So begin proceedings, and conduct

the case as you know best.

ATHENA

I do hereby begin proceedings.

                   [To the Erinyes.]

It is for you to make your case,

since it is proper for the prosecution to be first to speak,

and to explain the issue from the start.

CHORUS LEADER

We may be many, yet we shall each speak incisively.

                   [To ORESTES.]

And you must give your answers point by point.

So this first: did you kill your mother?

ORESTES

I killed her, yes. There is no way I can deny the deed.

CHORUS MEMBER 1

Three falls are needed—that’s already one!

ORESTES

590 You claim that, but I’m not yet on the floor.

CHORUS MEMBER 2

Then next you have to say: how did you murder her?

ORESTES

I say I drew my sword and slit her throat.

CHORUS MEMBER 3

And who persuaded you? Whose plan was this?

ORESTES

The oracle of this god here, as he’s my witness.

CHORUS MEMBER 4

The prophet authorized your mother-killing?

ORESTES

Yes—and, thus far, I stand by what has happened.

CHORUS MEMBER 5

But when the vote entraps you, then you’ll change your tune.

ORESTES

I keep on trusting. And my father helps me from the grave.

CHORUS MEMBER 6

You kill your mother, and then pin your faith on corpses!

ORESTES

600 I do, because she had been doubly stained.

CHORUS MEMBER 7

What do you mean? Explain this to the judges.

ORESTES

In murdering her husband, she destroyed my father too.

CHORUS MEMBER 8

But you are still alive: she’s been absolved through death.

ORESTES

So, when she was alive, why did you not chase after her?

CHORUS MEMBER 9

She did not share his blood, the man she killed.

ORESTES

And do I share my mother’s blood?

CHORUS LEADER

Of course you do. She nurtured you within her womb,

you loathsome murderer. Would you deny

your mother’s blood, the nearest to your own?

ORESTES [turning to APOLLO]

610 Please stand, Apollo, as my witness now:

explain if I had justice on my side in killing her.

I can’t deny I did it—that’s a fact—

but give your judgment if my shedding of this blood

was justified or not.

APOLLO

Then I declare to you, who represent

this mighty charter set up by Athena:

it was justified.

I am a prophet and can never lie:

from my prophetic throne I’ve never said a thing,

concerning man or woman or a city,

not one word which was not authorized

by great Olympian Zeus.

I would advise you to appreciate

just how supreme this justice is,

620 and act in concert with the father’s will—

there is no oath that binds more strongly than does Zeus.

CHORUS LEADER

So Zeus, by your account, conveyed to you this oracle,

which told Orestes to take vengeance for his father’s death,

and to account his mother’s claims as valueless?

APOLLO

Just so—because they’re not to be compared.

This was the killing of a noble man,

distinguished by the scepter, gift of Zeus;

and, what is more, it was a woman laid him low—

yet nothing like the arrow of some warlike Amazon.

No, listen how it was, Athena,

630 and you jurors sitting here to give your votes.

When he had come back from the war,

where he had managed mostly well,

she welcomed him with lavish words;

and then, as he was lying in the bath,

she tented him inside a robe,

and, with him fettered in this crafty cloak of cloth,

she struck.

This is the sad tale of his death,

a man revered by all, commander of the fleet.

I emphasize this so the people gathered

to decide this case may feel the sting of it.

CHORUS LEADER

640 According to your version, then, you claim that Zeus accords

a father’s death the heavier weight.

Yet he himself tied up his ancient father, Cronus.

Is not that a blatant contradiction?

I call upon you listeners to confirm this point.

APOLLO

You loathsome, god-detested monsters!

Zeus could loose mere chains—there is a mass of ways

of getting those unlocked, with no harm done—

but once the soil has gulped the life-blood of a man,

there is no way to stand him up again.

My father can reverse all other things

650 by turning them this way and that, without much effort,

but for this he has composed no counterspell.

CHORUS LEADER

Now think what your defense of this man means.

He’s spilled his mother’s blood upon the ground,

his own shared blood: how can he then

inhabit his ancestral home in Argos?

How could he stand by altars that are communal?

What brotherhood could have him at their rites?

APOLLO

I shall explain this; and you’ll see that I am right.

The person who is called the mother

is no parent of the child, merely the feeder

of the new-implanted embryo.

660 The true begetter is the one who thrusts;

and she is like a stranger acting for a stranger:

she keeps the seedling safe, provided no god injures it.

I offer an exhibit that will prove the point

and show a father can give birth without a mother:

here stands the daughter of Olympian Zeus as witness.

She was never cultured in the darkness of a womb.

And I, Athena, shall so far as I am able

make your city and its people great.

I’ve guided this man to your hearth

670 so that he may stay loyal for all of future time,

and you may gain him and those after him as allies,

ever standing firm as pledges for the children of these men.

ATHENA

Now I instruct these jurors to apply

their honest judgment, and to cast their votes.

Enough has now been argued.

                   [The jurors proceed to vote in the course of the following dialogue.]

CHORUS LEADER

Well, we have fired off all our arrows,

So we wait to see what way the issue is decided.

APOLLO

You’ve heard what you have heard,

680 So, strangers, when you vote, revere your oath.

CHORUS MEMBER 1 [to the jurors]

(711) I would advise you not to underrate our claims:

we could become a harmful presence for this land.

APOLLO

I tell you to feel fearful of my oracles from Zeus,

and not to leave them barren.

CHORUS MEMBER 2 [to APOLLO]

If you embark on bloodshed—matters not your business,

the temple of your oracle will not stay pure.

APOLLO

Was Zeus then in the wrong when he assessed

the case of Ixion, the world’s first homicide?

CHORUS MEMBER 3

Whatever you may say, if we don’t win this case,

720 we shall stay on to be a menace for this land.

APOLLO

You have no standing with the younger gods,

nor with the older. I shall win.

CHORUS MEMBER 4

You did this kind of thing back when you coaxed

the Moirai to release Admetus from mortality.

APOLLO

Was it not right to do a favor for that virtuous man,

especially in his hour of need?

CHORUS MEMBER 5

You upset age-old functions when you fooled

those ancient goddesses with wine.

APOLLO

Well, soon, when you have lost this case,

you shall be spewing toxic bile—

730 although it cannot harm your enemies.

CHORUS MEMBER 6

A younger god, you try to trample over me, the old,

and so I’ll stay to hear the outcome of this trial,

still undecided whether I should turn my anger on this city.

                   [The jurors’ voting is now complete.]

ATHENA

It is my place to give my judgment last:

and I shall cast this vote in favor of Orestes.

                   [She puts in her vote.]

This is because no mother gave me birth,

and so in every way I’m for the male—

except for intercourse—with all my heart.

I’m strongly on the father’s side,

and shall not grant a wife’s fate precedence—

740 not one who killed her man, the master of her house.

It is the rule that, if the votes are equally divided,

the defendant wins.

And now, you jurors who’ve been trusted with this task,

be quick and tip the vote-stones from the urns.

                   [The vote-tellers turn out the urns and count.]

ORESTES

Phoebus Apollo, which way will this judgment go?

CHORUS LEADER

O mother Night, dark mother, do you see?

ORESTES

Now it is either hanging or the light of life for me.

CHORUS LEADER

For us it’s nothingness or keeping our prerogatives.

CHORUS LEADER

Count up the emptied votes correctly, strangers.

ORESTES

Give justice your supreme respect as you decide.

CHORUS LEADER

750 A lapse of honesty can cause immeasurable harm.

ORESTES

A single vote can make or break a house.

ATHENA [after being informed by the vote-tellers]

This man has been acquitted of the charge of murder,

since the tally of the votes is equal for both sides.

                   [APOLLO departs.]

ORESTES

Athena, you have saved my heritage.

It’s you who have restored me in my home

when I was dispossessed of fatherland.

And Greeks will say:

“This man is once again a man of Argos,

rich in his ancestral property.

He owes this to Athena and Apollo

and, third, all-achieving Zeus, the guardian.”

760 Zeus gave my father’s death his full respect,

and saved me from my mother’s champions.

And now, as I head home, I swear an oath

to this whole country and its people,

good for all of future time:

no leader of my land shall ever marshal here

a hostile armored force.

If any should transgress this oath of mine,

then I myself, from in my tomb,

shall set against them fatal obstacles;

770 and make their march ill-omened and demoralized,

till they regret the undertaking.

But so long as they stay firm and true

toward this city of Athena with alliance in the field,

then I shall look on them with favor.

So farewell to you, and to the people

who maintain your city in their care.

May you hold fast a grip upon your enemies

that brings security and victory.

[Exit ORESTES.]

Scene 8

CHORUS

You younger gods have ridden down

the ancient laws,

wrenching them roughly from my hands

and into yours.

780 Deprived of rights, and full of rage,

I’ll blight this earth

with poison, poison from my heart

to pay back grief.

I’ll drip it on the soil to make

foul cankers sprout,

mildews that bring to children death

and foliage blight—

O Justice!—make plagues sweep the land

and rot the soil,

rot human flesh. What can I do?

I mourn, I howl.

790 These citizens have made us fools,

so we, dark Night’s

dear daughters, are consumed by grief,

deprived of rights.

ATHENA

I must persuade you that you should not take offense

with such extreme resentment.

Understand: you were not beaten,

since the votes came out as truly equal,

and with no disgrace to you.

There was, though, clear-cut testament from Zeus,

delivered by the god who gave the oracle himself,

which said Orestes should not come to harm

because of what he’d done.

So you should not rain down

800 such deadly rancor on this land.

Hold back your anger; don’t create a sterile desert

by exhaling poison droplets,

acid froth that eats at healthy seed.

I give my solemn promise: you shall have

a cavern-dwelling in this land, where you shall take

your seats on glistening stones beside your altars,

and receive due worship from these citizens.

CHORUS

You younger gods have ridden down

the ancient laws,

wrenching them roughly from my hands

and into yours.

810 Deprived of rights, and full of rage,

I’ll blight this earth

with poison, poison from my heart

to pay back grief.

I’ll drip it on the soil to make

foul cankers sprout,

mildews that bring to children death

and foliage blight—

O Justice!—make plagues scour the land

and rot the soil,

rot human flesh. What can I do?

I mourn, I howl.

820 These citizens have made us fools,

so we, dark Night’s

dear daughters, are consumed by grief,

deprived of rights.

ATHENA

You do still have your rights.

Do not be so incensed; and don’t, as gods,

infect the land of humans with foul blight.

I too have my support—

I should not need to mention Zeus—

and I’m the only god who knows about the key

to where his thunderbolt is locked away.

But there’s no call for that:

be open to persuasion by my words.

830 Don’t hurl about these vitriolic threats

to poison every fruit that grows.

Soothe down the seething storm-waves of your rage,

so you may be most solemnly revered,

and stay as fellow settlers here.

When you are given first fruits from this fertile land,

receiving sacrifices to promote good childbirth

and good marriage, you shall be

forever grateful for this pledge of mine.

CHORUS

For me to be demeaned,

despite my age-old mind!

To stay in this land where

pollution’s everywhere!

840 Such force is in my breath,

its blast is full of wrath.

Such pain is this that jabs

me deep beneath my ribs.

Hear me, my mother Night:

the gods’ deceitfulness

has stripped me of old rights,

and made me nothingness.

ATHENA

I shall be patient with your anger,

seeing you are older and far wiser than I am—

850 though Zeus has granted me intelligence as well.

I tell you, if you part from here

in favor of some other people’s land,

then you shall come to feel fierce longing for this place.

As time flows on, and as the standing

of these citizens grows great, you should possess

an honored dwelling near to their Acropolis,

where men and women would bring offerings far greater

(857) than you would receive from any others.

(867) This is the kind of future you may choose

to have from me: to do good deeds,

and to secure good treatment, and to share

good privileges in this land most favored by the gods.

CHORUS

870 For me to be demeaned,

despite my age-old mind!

To stay in this land where

pollution’s everywhere!

Such force is in my breath,

its blast is full of wrath.

Such pain is this that jabs

me deep beneath my ribs.

Hear me, my mother Night:

the gods’ deceitfulness

has stripped me of old rights,

880 and made me nothingness.

ATHENA

I shall untiringly remind you of these benefits,

to make quite sure you never will have cause

to say that you, more ancient gods, because of me,

the younger, and these human guardians of this city,

have been made to wander,

disrespected exiles from this place.

But if you give Persuasion her due reverence,

Persuasion who imparts enchantment to my words,

then you will stay.

And if you do not wish to stay,

it still would not be right for you to bear down

with your fury or bring harm upon these people,

890 seeing that there is a way for you to be a sharer

in this land, with privileges here forevermore.

CHORUS LEADER

Athena, queen, what is this place you tell me I shall have?

ATHENA

One that’s secure from all distress. Accept it, do.

CHORUS LEADER

And if I did, what privileges would there be for me?

ATHENA

No house could thrive except with your support.

CHORUS LEADER

Will you yourself make sure I have such influence?

ATHENA

I shall, through favoring those who show you reverence.

CHORUS LEADER

And do you pledge me this for all of future time?

ATHENA

The things I say I’m bound to carry through.

CHORUS LEADER

900 You are enchanting me, I think—I’m shifting from my rage.

ATHENA

And once you’re safely in this land, you shall gain friends.

CHORUS LEADER

What themes should I compose, then, for this place?

ATHENA

Such things as follow on a wholesome victory,

drawn from the earth and sea and air.

So sing to make the breezes blow

across a ground that is well warmed with sun;

and to ensure the produce of the earth and flocks

may yield abundantly, unfailing through the years,

to benefit these citizens;

(910) and sing for human seed to issue in safe births.

For like a gardener, I take tender care

to cultivate the stock of these just men,

and wish to keep them free from grief.

Such matters are for you; and I shall make it sure

that on the field of war this city shall emerge

with victory conspicuous among mankind.

Scene 9

CHORUS

Yes, I am gladly accepting

Athena’s offer of home;

and I’ll not go rejecting

a city held in esteem

by mighty Zeus and by Ares

920 for its protection of shrines

prized by the gods of the Hellenes.

I conjure blessings to come:

livelihood swelling in plenty,

warmed by the rays of the sun.

ATHENA

I confer a favor on these

citizens by asking powerful

gods, not easily placated,

to inhabit here. The whole of

930 human being is their province;

and the man who draws their anger

can’t tell where the lashes come from

as he is impelled to face them.

He may bluster, but a silent

doom destroys him through their anger.

CHORUS

I shall now tell of my blessings:

I pray no tree-blighting wind

940 or bud-searing blasts of the dog days

may trespass into this land,

nor any plague of the fruit crops

encroach. And may the god Pan

raise all the flocks impregnated

with double lambs. And may grain

grow from the earth in its richness,

refreshed by the god-given rain.

ATHENA

Listen to these pledges, guardian

950 citizens, what things they promise!

Great the power that they dispose of,

these Erinyes, both for the

dead below and things for humans.

Clearly they direct the shape of

lives of others: some they give a

world of music, while they make the

days of others blurred with weeping.

CHORUS

I prohibit untimely death,

mischance that lays men low;

may all lovely young women claim

960 a husband and a home.

This I call for from you, Moirai,

my mother’s sister powers,

gods who allocate what’s right;

you share in every house,

charged with influence for all time,

most honored in all ways.

ATHENA

I’m delighted how they offer

kindly goodwill to my country.

970 And I’m glad Persuasion looked with

favor on my language as I

coaxed them from their harsh refusals.

Zeus, the god of civic meeting,

won the day. So now we’re rivals

in our giving out of blessings.

CHORUS

And I pray that internal strife,

a harm that never wanes,

shall not ever unleash its scourge

within the city’s walls.

980 May the dust never drink the blood

of citizens as it’s shed,

spur for retaliation

and slaughter making mad.

May they compensate joy for joy

as benefit is shared,

and agree on whom they oppose—

thus many ills are cured.

ATHENA

You see how they’re tracing paths of

gracious wording. I can see how

blessings for my citizens will

990 come yet from these fearsome faces.

You should always treat these kind ones

kindly and respect them: that way

you shall keep your land and city

glorious in the ways of justice.

CHORUS

Go with joy, yes, go with joy,

wise in your prosperity,

go with joy, Athenians,

dear in your proximity

to the dearest child of Zeus.

1000 So in time you reach sound sense,

held high in the father’s thoughts

and Athena’s winged embrace.

                   [During the following speech, women of all ages, attendants at ATHENA’s temple, come onstage with flaming torches.]

ATHENA

Go with joy, you also! I shall

walk in front to show you to your

dwelling by the light of sacred

torches carried by this escort.

Once you’re under earth, then ward off

all disaster from this country;

send instead the gain of victory.

                   [To the jurors.]

And you who sustain the city,

1010 it is time for you to lead on

these new settlers. And show favor

in return for generous favor.

CHORUS

Go with joy, yes, go with joy,

I repeat to all who hear,

both divine and humans who

hold Athena’s city here.

If you stay firm and reverence

my new settling-place,

you will not have any cause

1020 to complain in all your days.

ATHENA

I’m grateful for these benedictions.

Now, illumined by the blaze of torches,

I shall come along with you

to your place down underneath the earth.

And you shall be attended by the women

who protect and serve my statue.

Yes, the flower of all the land of Athens

will escort you there, a splendid gathering

of girls and women, young and old.

                   [To the women.]

It’s right for you to pay them honor,

draping them around with purple robes.

Then let the flaring lights proceed,

1030 so that this kindly company may grant our land

for all of time a favorable fortune with fine men.

                   [The pro cession begins to move offstage, led by ATHENA, followed by the Erinyes with the attendant women, followed by the jurors.]

SECONDARY CHORUS [of women attendants]

Come now to your house,

glorying in your powers,

you daughters of dark Night,

with kindly escort lit.

Lift up your joyful sound,

you people of this land!

Down beneath the earth

you shall have a wealth

of praise and sacrifice

in your primeval space.

Lift up your joyful call,

you people one and all!

1040 With kindly theme

for this land, come,

you Solemn Gods;

and take your joy

in torches’ flame,

along your way.

Raise the triumph-cry!

Praise in harmony!

Assured in peace,

approach your house.

All-seeing Zeus

with Moira joins

to bless Athena’s

citizens.

Raise the triumph-cry!

Praise in harmony!

                   [The pro cession moves off.]