Luke Allan: ‘Sic Transit Gloria Mundi’ and ‘Pennyweight’ appeared in Oxford Poetry. ‘A Note on Walking to Elgol’ and ‘The grace of a curve…’ in Magma. ‘Advice of the Assistant in a Card Shop…’ and ‘Alexandrine’ in The Rialto. ‘The true path is…’ in Quait. ‘Love Poem’ in Lighthouse. ‘The grace of a curve…’ borrows words from Gaston Bachelard and ‘The Road Not Taken’ from Robert Frost.

Zohar Atkins: ‘System Baby’ appeared in TYPO. ‘Without Without Title’ in the Oxonian Review. ‘Song of Myself (Apocryphal)’, ‘Fake Judaism’, ‘Déjà Vu’ and ‘The Binding of Isaac’ in PN Review.

Sumita Chakraborty: ‘Dear, beloved’ appeared in Poetry.

Mary Jean Chan: poems appeared in PN Review, The London Magazine, The Rialto, English: Journal of the English Association and Poetry News (The Poetry Society).

Helen Charman: ‘Angiogram’, ‘The Roses of Heliogabalus’ and ‘Thin girls’ appeared online in Hotel. ‘Tampon panic attack’ in Blackbox Manifold. ‘Type F (captive / voluntary)’ and ‘Type C (fiscal)’ in Datableed, ‘Agony in the Garden’ on the MINERVA platform.

Ned Denny: ‘Drones’ appeared in The White Review.

Isabel Galleymore: ‘The Ash’ and ‘Seahorse’ appeared in Poetry. ‘A False Limpet’ in Stand. ‘A Note’ in Triptychs (Guillemot Press). ‘Together’ and ‘I’m Doing You an Injustice’ in Dazzle Ship.

Katherine Horrex: ‘Four Muses’, Grey Natural Light’ and ‘Goat Fell’ appeared in PN Review. ‘Polycystic’ in Introduction X: The Poetry Business Book of New Poets. ‘Lapwings in Fallowfield’ and ‘Brexit’ in Manchester Review.

Lisa Kelly: ‘Apple Quartet’ appeared in PN Review. ‘Trailing Spouse’ and ‘A Map Towards Fluency’ in Ambit. ‘Out of Order’ won Lancaster University’s open competition on Reading (MA Category), ‘A Desultory Day’ in The Rialto. ‘Anonymous’ in Prole. ‘A Chorus of Jacks in 13 Texts’ and ‘Cuddles are Drying up Like the Sun in a Data Lake’ in Tears in the Fence. ‘The Dogs of Pénestin’ was longlisted for the 2016 National Poetry Competition.

Theophilus Kwek: poems appeared in The Adroit Journal, Asia Literary Review, Berfrois, Eastlit, Irish Literary Review, The London Magazine, The Missing Slate, PN Review and Wildness. ‘Camerata’ was a runner-up in the Fish Poetry Prize 2016, and appeared in the prize anthology of that year. ‘Occurrence’ appeared in Flight, an anthology in response to the Syrian refugee crisis. ‘24.6.2016’, ‘Occurrence’, ‘Requiem’ and ‘Road Cutting at Glanmire’ appeared in The First Five Storms (smith / doorstop, 2017).

Toby Litt: Life Cycle premiered at the Women of the World Festival, Southbank, 2011. It also featured in the Norfolk & Norwich Festival and was performed at the Howard Assembly Room, Leeds. Support in developing the cycle came from Opera North. The performers were Mara Carlyle (voice), John Reid (piano) and Oliver Coates (cello) in a staging by Netia Jones. The lyrics to Life Cycle were published, online, by flexipress, edited by Richard Brammer and Ferdinand Beckett. ‘Stillborn’, ‘Amnio’, ‘The gap so small’, ‘Not just milk’ and ‘The first turn’ were part of Life Cycle.

James Leo McAskill: ‘Coming Thunder’ appeared in the The London Magazine. ‘Days’, ‘The Norseman’s First Summer’ and ‘Labour’ in PN Review.

Andrew Wynn Owen: ‘What Matters’, ‘The Borderline’ and ‘Till Next Time’ appeared online in Tower Poetry. ‘The Rowboat’ was published online by Girton College, Cambridge, as part of the Jane Martin Poetry Competition.

Phoebe Power: Poems appeared in The Rialto, Poems Underwater, The Quietus, Oxford Poetry and Harp Duet (Eyewear, 2012).

Laura Scott: ‘If I could write like Tolstoy’ and ‘The Dogs in Greece are different’ appeared in Poetry Review. ‘The Singing’ in The Rialto. ‘Fence’ in Oxford Poetry. ‘and Pierre?’, ‘To the Trees’ and ‘So Many Houses’ in PN Review. ‘Tolstoy’s Dog’ and ‘Turner’ are in What I Saw (Rialto). ‘What the trees do’ was highly commended in the 2017 Resurgence Prize and is published on the Poetry School’s website.

Vala Thorodds: ‘Enemies’ and ‘Through Flight’ appeared online in The White Review. ‘Inertia’ and ‘in’ appeared in Gutter. ‘Aperture’ and ‘The Difference’ are translated from the Icelandic and appeared in SAND (Berlin). ‘Rain’ was commissioned by the film journal Fireflies, where it appeared in an earlier form. ‘Luck’ appeared in Poetry Wales. ‘Carelessly We Have Entangled Ourselves’ and ‘Naked Except for the Jewellery’ (which takes its title from a poem by Jack Gilbert) appeared in Ambit.